This is Steinway_IMIS soundfont, version 2.2.
ftp://musix.ourproject.org/pub/musix/sf2/Steinway_IMIS2.2
This version fixes the issue with loops. I hope this is the good one
and there are no more remaining major bugs.
Marcos is a little busy right now, so he asked me to make this fix. He
is thinking to make other improvements, so expect more updates soon.
Hello,
Does anyone know of a good plugin that will generate subharmonics?
I would like to put a little more low frequency "oomph" into my bass
track. Preferrable LADSPA, but VST would work, too.
Thanks for any help!
-TimH
Olivier Guilyardi:
>
> Ken Restivo wrote:
>> It has been over 7 years since I last messed around with writing Pthreads applications.
>>
>> I recall it as a painful, ugly, brain-numbing task. I located an exercise I did back then to address the consumer/producer problem in Pthreads, and just the sight of it is giving me a headache.
>>
>> I'm being lazy, so instead of researching everything that's out there, I'll ask here: can anyone recommend a relatively simple and painless abstraction library (GPL or LGPL of course) that will give me functions to create a thread in which I can stuff things into a ring buffer, and another thread in which I can pull stuff out of it?
>>
>> By the way, I know that JACK has a very nice event buffer which is insanely easy to use (and I have), and makes multithreading almost transparent, but this isn't a JACK app.
>
> I don't know of any abstraction library, but creating/terminating a normal
> thread with pthread is really an easy task IMO. It's about 10 lines in C.
>
> For inter-thread communication there's Portaudio's ring buffer:
> http://portaudio.com/trac/browser/portaudio/trunk/src/common/pa_ringbuffer.h
>
> It can easily be used out of Portaudio (I'm currently doing that), and it
> features memory barriers [1] which AFAIK Jack's ringbuffer doesn't.
>
> One problem with everything Portaudio is this heavy naming scheme. For a simpler
> API, you might like my little wrapper:
> http://jackbeat.samalyse.org/browser/jackbeat/trunk/src/core/ringbuffer.h
>
Nice. It's probably quicker to copy the jack_ringbuffer.c file out of jack
though.
> Portaudio actually also offers a callback mechanism (with hidden thread
> creation), so if you're coding an non-JACK audio app, you might want to check it
> out.
>
> For thread synchronization, semaphores (man semaphore.h) are really easy to use.
> However, if you need a lock-free equivalent (for realtime, ...) phtread mutex
> and especially pthread_mutex_trylock are your friends.
>
Those friends can be really cranky sometimes though.
By using atomic operations instead, it's possible to avoid
a lot of headache by not having to synchronize at all.
Performance might be better too. Midishare has lockfree
atomic functions for lifo and fifi queues:
http://midishare.cvs.sourceforge.net/viewvc/midishare/midishare/src/common/…
Hi,
sorry, just realized that the hammond discussion mentioned below was here and
not at LAD, so please allow this kind of "crosspost":
this is my first post to LAD. The discussion about a hammond simulation "Fons
could you make us...", Beatrix and some research for writing a (german)
wikipedia article (stub) about the Vox Continental inspired me to hack a quick
organ program that simulates the internal signal flow of the "Connie" with JACK
MIDI input and JACK audio output.
Have fun:
http://cryptomys.de/horo/Connie/Connie-0.1.tar.gz
Ciao
Martin Homuth-Rosemann
For several years I've lusted away over the Clavinet-through-Auto-Wah sound: the Stevie Wonder sound (also used notably by Herbie Hancock, Medeski, Martin and Wood, and others).
The problem is that either the LADSPA auto-wah plugin doesn't quite cut it, or the Clav soundfont I found on Hammersound several years ago doesn't have enough dynamic range to really make the thing "wah" in any noticeable way.
Am I doing something wrong here, or is the plugin not quite the best implementation, and if so, are there any better ones? Likewise with Clavinet soundfonts too.
-ken
I've successfully gotten Firefox to run on Wine with Adobe Flash (presumably so that I can actually see people's websites, and listen to their music. Sheesh.). This is on a 32-bit system.
But no sound. WineCfg seems to think that the only drivers available are dmix, but I don't have dmix configured, or running, and I do NOT want dmix at all!
http://portaserver.restivo.org/kens/dmix0.png
I use this system for JACK audio, so I don't want crap mixing happening in ALSA adding latency. I'm fine with shutting down JACK in order to surf on Windoze, for those times when I actually need it. I do NOT want to have to run a soundserver like ESD, which is what a lot of the advice on Das Internets seems to say to do.
So I want Wine/Firefox to just use the direct access to the ALSA card.
My .asoundrc is empty, which is kind of how I like it.
In Googling around, I found advice to add this to my .asoundrc:
pcm.dmix0 { type plug slave.pcm "hw:0,0" }
Seems like it'd be a neat way to force Wine to do what I want, without having to do what it wants. I tried it, though, and nothing.
-ken
Just a quick update on the wah research.
A friend owns a Dunlop "Jimi Hendrix Wah", which says it is the "Original Thomas Design", by which I assume they mean to claim it's the same design as the Thomas Organ Wah, formerly Vox.
This website's describes the frequency response as a lowpass with a resonant peak:
http://www.geofex.com/Article_Folders/wahpedl/wahped.htm
So here is what JAPA says it does (and I believe JAPA more than some random website):
When fully closed, it's a bandpass, with a VERY high Q!
http://restivo.org/misc/lowend-jimi.png
But, wait, when I open it up, suddenly it becomes more like a highpass, but with a lot of resonance:
http://restivo.org/misc/midrange-jimi.png
When it's fully opened, it's definitely a highpass, but with a helluva peak:
http://restivo.org/misc/high-jimi.png
So, not only is the opposite of what that article says, but it's also kind of non-linear. I'll poke around the various LADSPA plugins and see if I can find something nearly like this.
Another guitar-player friend has a different wah (IIRC, either a "Cry Baby", or a Morley), and I'll see if I can run his through this and see what it comes up looking like.
-ken
It's that question again, and it's here for you to answer and gain cookie
points!
Here's my array of the chosen ones:
ECHO AudioFire 4 [[
http://www.echoaudio.com/Products/FireWire/AudioFire4/index.php ]]
Edirol FA-66 [[
http://www.rolandus.com/products/productdetails.aspx?ObjectId=731&ParentId=…
ESI QuataFire 610 [[ http://www.esi-audio.com/products/quatafire610/ ]]
Focusrite Saffire [[ http://www.focusrite.com/products/saffire/saffire/ ]]
That was narrowed down from [[
http://ffado.org/?q=devicesupport%2Flist&filter0=&filter1=&op2=OR&filter2%5….
All these satisfy my need for mobility and at least 2 DI and MIC inputs.
>From what I know, they pretty much cost about the same, or within 100-200
bucks apart.
* All except the Focusrite are hybrid inputs, so it has the upper hand
there.
* Only the Focusrite has onboard DSP effects, BUT unsupported on Linux
(ffado)
* Only the ESI officially mentions support for Linux
So here's the homework for you guys:
Reorder the list in decreasing order of merit. Conditions include (in order
of decreasing importance):
* Preamp Quality
* Linux Support Extent
* Beauty
* Portability
If that one's too tough, then just pick 1 (or 2/3 depending on which of
those you have firsthand experience with) =p
Thanks and good luck!
Hello everyone!
Here's some new music from me. Again something from a different season:
http://juliencoder.de/the_vision.ogg
(Unfortunitely no ogg-deficient version fromme :-) )
It's a piece about a better world, well about how it could be a bit nicer.
Software used:
Nama (as always)
fluidsynth (for the bass)
LinuxSampler (for drums and brass)
and
praat (for some voice editing)
Lyrics:
A world of trust
With regard for the meak,
Where the peoples are just
And freedom is, what they seek.
-
A society where
For the weakest we care,
The parole we call:
all for one, one for all!
[Chorus]
Yes we would,
If we could
Distribute and share our hope.
Yes we would
Stop sliding down the slope
Yes we would make love a vision
Of the world and future days, that we can see
[ho ho ho :-) ]
We're sure, you would agree:
It might be nice.
A time, when the queer
Can move anywhere,
Without any fear
To be hanged on the square.
-
A place and a time
For all warfare to rest.
Let's put to the test
This vision to rise...
Flourish and shine
[Chorus]
[instrumental]
[changed chorus]
Yes we can,
Like one man,
Distribute and share our hope.
Yes we can
Stop sliding down the slope.
Yes we will make love a vision
Of the world and future days, that we can see
We're sure you can agree:
It will be nice
Feedback, as ever is highly welcome and greatfully invited!
Kindest regards
Julien
--------
Music was my first love and it will be my last (John Miles)
======== FIND MY WEB-PROJECT AT: ========
http://ltsb.sourceforge.net
the Linux TextBased Studio guide
======= AND MY PERSONAL PAGES AT: =======
http://www.juliencoder.de
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Hello folks ;-)
I understand that some are wondering, where the Linux-made music went...
So here I have another track recorded with Ardour 2.8 under Linux using
free Software, free Samples and some Guitars and voices excluselively:
http://lapoc.de/demos/maria-katharsis-feelings-080709.mp3
The singer is from siberia:
http://www.myspace.com/marachowska
(still dwelling in the evil, not-so-good looking empire of imperator
Darth Murdoch and the rotten HTML/JS-code from hell - the so-called
"myspace")
She sang the tune in her russian mother-tongue accompanied by herself on
an accoustic guitar, miked with an AKG Perception 100 and an RFT DM122
so voice and guitar is not separated. A man named Vincent played a
slideguitar and a metal-ish outro and I added some additional clean and
heavy guitars using my Ibanez RG and Guitarix and
AMS-Guitrack(C*-Plugins) and some fat Drumsamples using a Behringer
U-Control and Specimen.
Everything was recorded and mixed with Ardour 2.8 with some CALF and
INVADA LV2-Plugins plus several LADSPA-Plugs(TAP, C* and SWH) for
reverb, delays, FX and compression/EQ. In the end we mastered it with jamin.
We hope you like it,
*All* kinds of comments are highly welcome....
best regs
HZN/Berlin
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