Hi
I'm working hard to keep up with rpm2010. Today I decided to record my
renoise session (or at least the first 70 minutes of it) with
recordMyDesktop (hence my eagerness yesterday to get it working with
jack, thanks for the help!).
So here it is, 70 minutes of tracking from scratch, I had no plans, no
intensions, no ideas before, just going with the flow. The track is not
finished, I like to listen a few days later with fresh ears, change
stuff, add stuff, remove stuff etc.
http://www.archive.org/download/TheMakingOfsong3FromRpm2010ByModlys/song3.a…
NB: It's actually quite intimidating to invite you all like this, please
be gentle with me, ok? I'm simply posting in the hope it can inspire
someone, and hopefully give more people an idea of what a tracker can do
in 2010.
NB2: I apologize for the quite annoyingly out-of-tune vocal sample. I
quickly decided *not* to stop the flow and fix it. Bear with it (it has
a certain atmosphere, though), I'll fix it later...
--
Atte
http://atte.dkhttp://modlys.dk
Hi,
I was a system administrator of a computer that had a (legally!)
licensed version of M.x/MS., which includes an anti-piracy system (the
logo was a dog, IIRC). To me was simpler to use a cracked version,
because any change on the system (thing that usually happened in that
PC) requires to contact the vendor (C.cl.ng 74) to ask for a new phrase
to use it. Once I needed to use in a weekend, but I couldn't receive a
key until the next week! Even if you buy the program, even if they don't
give you the code, you are still not even the owner of the executable. :(
And I did just a google search... It looks like there is a lot of
unhappy legal users of programs that complains about the software
vendors that uses that technologies [1] [2]
There you can read similar things, like: "So now, the dongle is causing
paying customers more trouble than the people illegitimately aquiring
the software!"
Or in [3]: "P.C. doesn't stop piracy; any copy-protection system can,
and will be, defeated. What P..E does do is prevent legitimate users of
software products from using products which they've paid for."...
But something specially caught my attention of that site is the start:
"*Updated: A PA.. Anti-Piracy official has officially requested that we
remove an image of the i.ok product...*". That's from 2007 (and I don't
think they had any NDA). Some companies have exactly the same (stup.d)
behavior today than 3 years ago (the year of the censured mail), that's
sad. :(
Best regards,
Natanael.
PS: I don't want to cause problems to anyone, so I didn't used any name.
But what I wrote/quoted is what I always thought about that anti-piracy
systems. And I'm glad to see that I'm not the only one.
PS2: Thanks to all the linux developers to give to the users free
alternatives!
[1] Fair use <http://forums.dontcrack.com/index.php?showtopic=1450>
[2] Dongle terror <http://www.cubase.net/phpbb2/viewtopic.php?t=92977>
[3] Developer to Users: Boycott iI.ok and P.-.CE
<http://createdigitalmusic.com/2007/12/03/developer-to-users-boycott-ilok-an…>
<http://www.cubase.net/phpbb2/viewtopic.php?t=92977>*
*
hello all,
I am thinking about using a linux box to relay midi sync from my control
room to players in my live room via a network connection. control room is
about 50' or so from the live room so the network seems like the best
solution. I have a local gigabit network between the rooms so I don't think
bandwidth will be an issue. I am looking at a network to midi util like
multimidicast running on a linux box in the live room to capture the udp
midi beats from my os x server in the mix room. The linux/relay box would be
connected via usb to a 4x4 midi box (or 8x8 if needed) and ideally it would
pass the mtc from the network to the midi outs on the midi box and then
players in the room could use traditional midi cables to sync up.
Realtime linux seems like the right choice for this as it would be nice to
just use it like a lights out server on the network and manage it from my
laptop. It seems like jackd is what I would use to pull this off with audio
but I am not sure about the midi. and also not sure about the network to
alsa to jack to midibox latency.
Has anyone else done something like this for a cheap but reliable sync
solution?
thanks!!
greetings!
does anyone know of a command-line utility which will output the timestamps of BWF files?
libsndfile-info doesn't seem to do it, unless i'm missing something....
thanks in advance.... cheers!
--
.pltk.
Waffly amblesome idea
Today I tried an experiment with 2 instances of Yoshimi each fully
populated with 16 different voice patches. These were then linked to 2
instances of the new Rosegarden 'Thorn' each with 16 tracks designated
to the appropriate Yoshimi channels. These instances were in turn linked
via MIDI to separate hardware keyboards.
Now, with Rosegarden, whichever track is highlighted that is the one
that plays through from MIDI input to output. This selection can be
quickly changed using the cursor keys or the mouse. When playing live,
this is not like a normal program change because there is no cutoff of
existing notes. This has a number of interesting possibilities.
The first is that by using two keyboards you can get a fantastic range
of instruments without breaking your performance.
The second one is that your can set up drones! Using a voice with a
slow attack behaviour, if you hold down a note, then switch away to a
different track Rosegarden will carry on playing that note (because it
didn't get a note off). You now play against that drone with a
different instrument (different track), and when you want to cancel it,
simply switch back to the original track and briefly tap the same key.
Finally, with a carefully placed computer keyboard and some fast button
pushing you can get the effect of two different instruments playing
together whilst apparently maintaining a third one with (say) a simple
chord progression.
Now, without in any way detracting from Rosegarden :) what would be
interesting would be some form of program/script that could be set up
so that multiple incoming MIDI streams could be redirected to different
channels of different synths, each with a single (user definable)
dedicated key press.
--
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
Hi there,
I'm interested in getting a portable digital recorder, something
that can run on batteries or ac power (presumably through a
wall-wart?), that has built-in stereo mics, and something which
will take 2-4 line external inputs. I've seen a lot of such
things come on the market in recent years. Many have SD or SDHC
cards for their audio memory, which is fine with me as I have
an SDHC card reader in my computer. If I get one with a USB
interface it's my _requirement_ that it operate with Linux over
USB. The same would go for firewire, though I haven't seen any
of those. Some units record only in lossy compressed format
only, while others have uncompressed formats available. I would
prefer the uncompressed format to be available. I'd also need
at _least_ 4 hours of stereo 44.1kHz at at least 16-bit, with
something like 24-bit being more desired by me.
I'll be doing remote recordings, then bringing the audio home to
chop up with Audacity and/or Ardour, then authoring the result to
CDs.
So, what works well with Linux and works well in general?
Thanks people!
--
Kevin
hallo list,
every time i send an email to the lau, i get an 'Returned mail: see
transcript for details' from 'MAILER-DAEMON(a)homemail.com' which says
that the email address: babua(a)sensonline.net does not exist. is someone
else experiencing this? and if so, any chance someone delete this
address from the list, so that the messages send to the list do not go
to 'babua'.
or is this some other kind of error...?
cheers,
doc
Hi
I call recordmydesktop like this:
recordmydesktop -x 1 -y 25 --width 990 --height 690 --use-jack
output_01_left outpur_01_right -o out.ogv
But I get:
recordMyDesktop is not compiled with Jack support!
Ok, I uninstall the ubuntu version, grap the source and comfigure with
--enable-jack=yes
atte@vestbjerg:~/software/recordMyDesktop/recordmydesktop-0.3.8.1$
./configure --enable-jack=yes
It even prints this after configure:
****************************************
Audio driver that will be used: ALSA
Compile with Jack support: Enabled
****************************************
Great, call the newly build recordmydesktop exactly like above and get
the same:
recordMyDesktop is not compiled with Jack support!
Anyone experienced this and/or has any advise to offer?
--
Atte
http://atte.dkhttp://modlys.dk
Hi,
I would like to announce the 4th release of lashstudio module.
This new release adds two more applications to the usual lash-centred suite,
they are: dino sequencer and specimen sampler.
Lashstudio is a quick and dirty, LASH centered, suite of applications. It is
packed as a squashfs module for Puppy Linux.
Endlessly playing around with linux audio applications, I was thrilled when
I realized that some of these applications can be used with LASH (LASH being
a nice feature of linux audio, trying to wrap many applications at once).
Also an ardent Puppy user, I found that Puppy offers a great environment for
running audio and midi applications without the imminent need for special
system configurations or to patch the kernel for real-time capabilities. So,
I tried to figure out a LASH only setup with synthesizers, samplers and
effects, midi sequencers, audio recording and other sound and midi apps.
After some time of compiling and testing, the first lashstudio sfs module
was born and it looked like a great way of tasting the speed, the
practicality and the power of linux audio apps and of Puppy Linux
altogether.
So, the adventure continues with more fun!
Download at
https://sourceforge.net/projects/lashstudio/files/lashstudio-r4/lashstudio-…
Webpage: http://lashstudio.sourceforge.net/
Regards,
Marius