Greetings,
The subject line says it all.
http://www.youtube.com/watch?v=7oqNtU-LDgY
It's on YouTube, sorry about that. IIRC the MP4 can be downloaded from
the link.
Best,
dp
Hi everybody,
I'm the main sound engineer of Kubistudio, i just wanted to spread some
information about the first seven months of this activity.
After this period we have achieved some important results such as:
demo recordings
speech recordings for documentaries and commercials
recording of many radio shows for Lifegate Radio (a very popular north
italian radio station) conducted by important italian journalists and
musicians/artists
the recording of the next record of Andy Just (www.andyjust.com)
the recording of In Laetia Chorus (an italian gospel choir)
the production of an EP by Cecilia Albertini under Funkyjuice Records and
available in many digital stores
the production of an album by GO! (an italian band) that we hope will be
released soon
Some of these can be listened at www.kubistudio.it
We are very happy of these first months of activity and hope that this can
contribuite to demonstrate that free software is competitive also when
applied to audio and that it's absolutely sustainable to have a commercial
activity based on it.
I'd also like to thank all the Linux audio community to be a rock solid
support.
Cheers
--
Giorgio Baù
Sound engineer
giorgio(a)kubistudio.it
www.kubistudio.itwww.myspace.com/kubistudio
I've just installed a new motherboard in my computer and am having
some problems with the ALSA port numbering. The computer has audio on
board, plus a Ensoniq pci card used only for midi (via a gameport). It
seems that sometimes, after booting, the card is assigned port 16:0,
sometimes 20:0. Very annoying!
Is there a way to force a consistent port value?
Here's my output:
bob$ aplaymidi -l
Port Client name Port name
14:0 Midi Through Midi Through Port-0
20:0 Ensoniq AudioPCI ES1371
--
**** Listen to my CD at http://www.mellowood.ca/music/cedars ****
Bob van der Poel ** Wynndel, British Columbia, CANADA **
EMAIL: bob(a)mellowood.ca
WWW: http://www.mellowood.ca
The "Mudita24" package is a modification of alsa-tools' envy24control:
an application controlling the digital mixer, channel gains and other
hardware settings for sound cards based on the ice1712 chipset (
http://alsa.cybermirror.org/manuals/icensemble/envy24.pdf ). It
also displays a level meter for each input and output channel and
maintains peak level indicators. This utility is preferable to
alsamixer(1) for those with ice1712-based cards: M-Audio Delta 1010,
Delta 1010LT, Delta DiO 2496, Delta 66, Delta 44, Delta 410 and
Audiophile 2496. TerraTec EWS 88MT, EWS 88D, EWX 24/96, DMX 6Fire,
Phase 88. Hoontech SoundTrack DSP 24, SoundTrack DSP 24 Value,
SoundTrack DSP 24 Media 7.1. Event Electronics EZ8. Digigram VX442.
Lionstracs, Mediastaton. Terrasoniq TS 88. Partial support for
Roland/Edirol DA-2496.
Now available, version 1.02:
source: http://nielsmayer.com/envy24control/mudita24-1.0.2.tar.gz
binary: http://nielsmayer.com/envy24control/mudita24-1.0.2.x86_64.tgz
patch: http://nielsmayer.com/envy24control/mudita24-envy24control-0.6-to-1.0.2.pat…
'envy24control' is part of the "alsa-tools" package. For example,
under CCRMA's Fedora repos, it's part of
alsa-tools-1.0.22-1.1.fc12.ccrma.x86_64. This "mudita24" package
updates/replaces the alsa-tools /usr/bin/envy24control application.
The default "./configure ; make ; sudo make install" process on the
source-code leaves a binary in /usr/local/bin/envy24control and places
the man-page in /usr/local/man/man1/envy24control.1 . This means you
can still use the standard alsa-tools version in
/usr/bin/envy24control .
Screenshots (controlling either Terratec DMX6Fire or M-Audio Delta 66):
http://nielsmayer.com/envy24control/Mudita24-102-Monitor-Inputs.pnghttp://nielsmayer.com/envy24control/Mudita24-102-Monitor-Outputs.pnghttp://nielsmayer.com/envy24control/Mudita24-102-Patchbay+Router.pnghttp://nielsmayer.com/envy24control/Mudita24-102-Hardware-Settings.pnghttp://nielsmayer.com/envy24control/Mudita24-102-Analog-Volume.pnghttp://nielsmayer.com/envy24control/Mudita24-102-About.png
Changes since recent 1.0.0 and 1.0.1 releases:
* Peak-meter display is in dBFS, corresponding to displayed dBFS
peak-meter value and scale-widget dB labeling.
* Hardware mixer input attenuators provide more precise control to the
0 to -48dB range of adjustment, turning the associated input "off"
when the slider is moved to bottom of the scale. External MIDI control
of the hardware mixer via --midichannel and --midienhanced options
unaffected by this change.
* For M-Audio Delta series, add display of "Delta IEC958 Input Status"
under "Hardware Settings."
* Command line options --no_scale_mark, --channel_group_modulus affect
layout and presence of dB markings for sliders.
--channel_group_modulus allows override of Left/Right grouping of dB
labels for multichannel applications.
* Control of peak-meter coloring via --lights_color and --bg_color
options. Reasonable default colors used when these options are not
set. (1.0.1's use of Gtk skin to provide an automatic color choice
didn't work out that well on some systems.)
* Fixed command-line options --card and --device to allow valid ALSA
card and CTL device names
( https://bugzilla.redhat.com/show_bug.cgi?id=602900 ).
* Profiles created in ~/.envy24control and not "~/envy24control"
( http://bugtrack.alsa-project.org/alsa-bug/view.php?id=4738 ).
Summary of previous updates from envy24control 0.6.0 (GIT HEAD) to "1.0.2":
(1) Implemented "Peak Hold" functionality in meters; reimplemented
meters to do away with inefficient "faux LED" peak-meter display.
(2) Significantly reduced the number of timer interrupts generated by
this program by slowing down all updates to 10 per second --
previously meters updated 25x/second!
(3) All volumes are represented as decibels, including the 0 to -48dB
range of the hardware peak-meters, the 0 -to- -48dB&off attenuation
for all inputs to the digital mixer, the 0 -to- -63dB attenuation of
the analog DAC, and the +18 -to- -63dB attenuation/amplification of
the analog ADC.
(4) All gtk "scale" widgets have dB legends; the "PageUp" "PageDown"
keys allow rapid movement between the marked levels, and "UpArrow" and
"DownArrow" allow fine-adjustment.
Niels
http://nielsmayer.com
PS: Why "mudita24" ? An alternate name to avoid confusion with
"envy24control 0.6.0" until changes in this version propagate
upstream. See http://en.wikipedia.org/wiki/Envy#In_philosophy "In
Buddhism the third of the four divine abidings is mudita, taking joy
in the good fortune of another. This virtue is considered the antidote
to envy and the opposite of schadenfreude."
>
> On Tue, Aug 10, 2010 at 5:59 PM, Remon Sijrier <remon(a)traverso-daw.org>wrote:
>
>> Available for download here: http://traverso-daw.org/download.html
>>
>> Change log can be viewed here: http://traverso-daw.org/changelogs.html
>>
>> Feedback and praise please here: http://traverso-daw.org/forum/index.php
>>
>> Don't forget to: http://traverso-daw.org/Support.html
>>
I've looked at the documentation, tried
"CMAKE_INSTALL_PREFIX=/hom/kjetism/site cmake .", grepped
the source, and googled briefly, but have not found out how
to avoid installing into /usr/local/. Could you add info
about how to do that in the INSTALL file? Thanks.
Dear all,
I've started a new initiative under the umbrella of LinuxMusicians,
namely publishing an editorial on Linux audio developments and Linux
audio related news. My goal is to publish an editorial at the beginning
of each month to cover what happened in the month before. The first
editorial covering the month July is finished and published:
http://linuxmusicians.autostatic.com/2010/08/05/editorial-august-2010
I'd really appreciate any feedback, remarks etc. and any input for the
next edition is more than welcome. This time I mainly focused on the
releases of new versions of apps and new projects. From now on I want to
keep track of that so I can elaborate more on the news part.
Best,
Jeremy
I'm really enjoying RA.218 Peverelist (Bristol Dub-Tech Sound), more
than his acclaimed album release "Jarvik Mindstate"
http://www.residentadvisor.net/podcast-episode.aspx?id=218
( most recent entry from http://www.residentadvisor.net/xml/podcast.xml )
How would one use Linux audio tools to produce tracks in the style of
the ones @ 43', 46' 51' and onward. How to sequence all the intricate
drum programs without worrying about the sun turning into a red-dwarf
due to the amazing amount of time it would take just to program a
minute of music (e.g.. @51:00)? Also at 35' "Joe -- Digest" is that
effect from a live drummers/conga players chopped up by something like
drumagog? Or is it just sampled congas sequenced? And what about
MIDI-beat synchronized audio effect plugins (e.g.. reverbs and echos).
Standard stuff with external efx equipment, what's the best and
easiest to use in Linux as a plugin w/ a sequencer like traktor?
(a supposed tracklist -- i don't like the beginning that much, but I'm
well liking it by 1/2 hr in).
[00:00] Dixie Peach - Tonight is the Night
[03:30]
[08:30]
[13:00]
[17:00]
[22:00] Peverelist - Jarvik Mindstate
[26:00] Peverelist - Better Ways Of Living
[30:00]
[35:00] Joe - Digest
[39:00] Bass Clef - Promises (Peverelist & Appleblim remix)
[43:00]
[46:30] Pev remix of 'Strictly Ital' by Dubkasm
[51:00] Blawan - Iddy
[54:00]
[57:00]
[60:00] DJ Stingray 313 - Sphere of Influence.
Niels
http://nielsmayer.com
menno:
>
>
> i copied config.guess and config.sub from the package autotools-dev 20090611
> and replaced those in ceres0.53/src/packages/glib-1.2.10.
> But when i "make" i notice the old config files are put back in again. So i
> get the same error as before. But i think i am not going about it the right
> way. I have to put them in libglade-0.17.tar.gz right?
> I'll wait till tomorrow :)
>
I've just uploaded Ceres0.54. Hopefully this works. :-)
http://archive.notam02.no/arkiv/src/ceres-0.54.tar.gz
Oh, and just send me mail privately in case there's more
problems. No need for the user list to read all this I guess...
I'll announce a new version of ceres when I know
it compiles without problems on Ubuntu.
I've been totally devoid of all inspiration lately, so as a bit of
therapy I decided to go through my voice patch collection.
I've reorganised them so they group more sensibly - never seem to get
that right - one or two have been tweaked a little, and there are three
or four new ones, including the 64ft organ that Jonathan helped me with.
As usual, the zip file is:
http://www.musically.me.uk/Collection.zip
--
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
I finally got my s/pdif output on my motherboard working and find the
audio audibly cleaner than previous attempts with various analogue
solutions. My desktop speakers have a digital input, so any noise,
etc. would be the fault of that, not the computer. ??
What I'm wondering: Is digital out via the MB about as good as it
gets? I'm thinking that I could get an expensive <insert name of card>
pci card ... but why? Any signal (digital or analogue), no matter how
clean, it puts out can't be better can it than the digital straight
out of the MB? So, then it is up to the outboard gear? I fear I'm
missing a lot in my knowledge.
--
**** Listen to my CD at http://www.mellowood.ca/music/cedars ****
Bob van der Poel ** Wynndel, British Columbia, CANADA **
EMAIL: bob(a)mellowood.ca
WWW: http://www.mellowood.ca
