Paul Davis:
>
> The most common formats for "loops defined inside an audio file" have
> historically been non-WAV (or extensions to wav), such as REX, and
> proprietary.
>
> The WAV spec does include the concept of a playlist, consisting of
> cue
> points and lengths. By themselves, these don't really define "loops"
> in a
> way that is generally going to be clear to the user.
I don't know of any official specifications of it, but it's common to
have
a cue called "Loop start", and a cue called "Loop End".
>
> libsndfile can definitely read these from the file, but i'm not sure
> what
> an app would do with them. providing a sample with a loop point(s)
> defined
> would be good.
Well, I didn't find any way to use libsndfile to get the cue points.
They are displayed using sndfile-info, but I don't think you can get
the numbers
via the libsndfile api without parsing the text output of the functions
libsndfile-info calls.
It's simple to implement without libsndfile though. Just steal the code
from radium. :-)
Hello everyone!
I finally finished my first real project, which I call "Insomnilund". It's
an 8 track album with a mixture of instrumentals in different genres.
Mainly I'd say it's hiphop-influenced, but there's some acoustic guitars
and other stuff in there aswell!
I want to sincerely thank anyone who has helped me, feedbacked me and just
simply talked to me on IRC hehe. It's been a long and at times tedious
process, but it feels very good to actually have finished something.
Hopefully someone might even like it! =)
It's available in several forms and formats (Flac, Ogg, MP3, all archived
in zip) on http://www.ironink.se/music.htm . It's also available on both
Bandcamp ( http://zthmusic.bandcamp.com ) and Soundcloud (
http://soundcloud.com/zthmusic/sets/insomnilund ), and I even started a
Facebook-page for fun, if anyone feel like they want to provide me with my
first like hehe =) http://www.facebook.com/pages/ZTHmusic/479501088740406 .
Thanks anyone for listening! I hope you enjoy!
Regards,
Gabriel
Hi,
A long time I didn't write here, and as a result, too much things to
tell... Let's keep (as) short (as possible) an simple. All that's is
spoken about below is Free Art and has been released using free
softwares (and often free hardwares) only.
1. New Album Ne[XXX]t Epilog v1.1 available for download and streaming
2. New Video clip Nigla[h] I
3. New tour
4. Anything New
1. *New Album* Ne[XXX]t Epilog v1.1 available for download and streaming
I don't know if I had time to speak about it already on this list,
pretty sure I posted a first sample a few monthes ago.
So, the Ne[XXX]t Epilog CD has been released by Muséa Records on 22nd of
September 2012.
And the "digital liberation" just happened that very 25th of November
2012, the album is now available for free download and streaming on the
band website[1] or on bandcamp[2].
[1] http://www.sebkhachott.net/spip?The-Ne-XXX-t-Epilog
[2] http://sebkhachott.bandcamp.com/album/ne-xxx-t-epilog-v11-the-digital-liber…
As I might have told you already, when creating this album, we wanted to
think about the concept of "what is a net-album", and going a bit
further than just havin several tracks one after each other. That's why
we finally produced that album as an "evolving album", an album which
shapes change in time, with addition by ourselves as well as additions
by other (sources are also available, see below). The idea comes both
from Frank Zappa and the way he re-used his material several times, in
different contexts, and from Antoine Moreau (one of Free Art License
co-writers) who thinks the art as a stream, and the art pieces as
snapshots of it.
So, the digital version, freshly released is nothing but the v1.1 of the
Ne[XXX]t Epilog, the v1.0 being the physical edition (that we won't
publish digitally, but it's free art, so...).
It already is 10 minutes longer (90 minutes) than the previous version,
and in that way digital distribution is fun, as we don't have duration
limitation!!
Sources for this album should be found on Spider Jessica's website[3], but
we have some problems with it, and it's actually not in a working state,
so if you want to be a bêta-tester, just ask. Sources are ardour files,
versionned using git and git-annex with the ardour-git[4] tool I told you
once.
[3] http://spiderjessica.org
[4] https://github.com/AMMD/ardour-git
One last word to credit the softwares that were used on this album:
Jack, ALSA, FFADO, Ardour2, Non-mixer, seq24, Alsa Modular Synth,
Tapeutape, Mididings, PureData, Ghislame, LADSPA/LV2 plugins (many,
can't list them, but including Tape Delay Simulation as a must have!!),
Ladish and associated tools. Debian GNU/Linux was the main OS,
alongside with TangoStudio for several things.
2. *New Video Clip* Nigla[h] I
When releasing the album on 22nd of September 2012, we also released a
new video clip, based on the tune Nigla[h] I from the Ne[XXX]t Epilog.
You might look or get this clip from the band's website[5], or from
youtube[6].
[5] http://sebkhachott.net/spip/?Nigla-h-I-OFFICIAL-Wideo-Clip
[6] http://www.youtube.com/watch?v=6cD2A6t-n4k
(16 minutes in 720p, don't know where you live, but it might last a bit
to dl it!)
This clip has been realised using: kdenlive, lives, frei0r plugins.
Debian GNU/Linux was used as OS.
3. *New Tour*
We'll be on tour with our Totalizm show (the one including 5 Debian
stations to operate all sounds/monitors/processing and lights/VJ-ing +
synchronization) from April to June in Europe. Don't hesitate to contact
orl(a)ammd.net if you want to get us playing by you, or if you have places
to advice to us!
4. Sure our website[7] is a bit weird (actually, our music is wuite
weird too, hu), but it's now fully translated in English, so don't
hesitate to visit, and discover many many files (audio, video, photos),
all free art, and so on...
[7] http://www.sebkhachott.net
And if you want to get informed a bit more regrlaruly, and in a bit more
funny way, just ask me to add you to Sebkha-Chott's newsletter.
Well, here it is!!
Aurélien a.k.a Wladimir Ohrelianov II
--
Aurélien
Just in case any of you missed it, this is an album a friend and I produced
using Linux (tracking, mixing, editing, and mastering using Mixbus).
It's not your average "Christmas" album, either. Give it a listen and let
me know what you think!
http://herodthefink.bandcamp.com/album/back-to-337-2
--Jason
Announcing CMKeyboard - Clutter MIDI Keyboard
http://djcj.org/cmkeyboard
CMKeyboard is a 128 note ALSA MIDI virtual piano keyboard spanning from
C-1 to G9 written in python3 and taking advantage of the latest Clutter
(>1.12.2) features to enable scrolling and opengl goodness. It is a stand
alone program which can also be embedded into other python3 applications
as a class library. It uses code from the very handy pyclutter-widgets
project for the rounded rectangles of the key buttons.
The code demonstrates use of Clutter.ScrollActor(), GtkClutter.Embed(),
layering of multiple clutter actors, handling of events including:
"button-press-event" & "key-press-event".
Suggestions for features and improvements welcome.
Enjoy!
--
Patrick Shirkey
Boost Hardware Ltd
I run jackd automatically at boot, and sometimes my console fills up with
"netxrun amount" messages. Everything still seems to work fine so I'm not
worried about the condition, but is there any way to prevent the messages
from making the console unusable?
- Grant
Currently my recording setup is an RME Multiface II connected to their
PCI-E card, which of course works great in Jack. I'd like to find a way
to take advantage of the 8 ADAT i/o's so I could have 16 i/o's in use
total.
The funny thing is though that almost all the standalone converter boxes
made by RME, Lynx, and just about everyone else that have 8 i/o's and an
ADAT port are around $1700-2000 USD. It seems odd that RME can manage
to put 8 analog i/o's with nice converters into a Multiface II box and
sell it for $700-900 but they can't give you the same thing without the
computer uplink for less than $1700. Look at the comparative prices to
see what I mean:
http://www.sweetwater.com/store/detail/Multiface2http://www.sweetwater.com/store/detail/ADI8ProDS/
I don't know what more the ADI-8 series would be giving me that the
Multiface doesn't, but whatever it is, I don't think I need
it...especially not for $1900.
So do you think it would be possible (or weird?) to just get another
Multiface box and hook it up to my first one via the ADAT and word clock
ports, and have it provide another 8 i/o's visible from the first one's
mixer as ADAT channels? Would that even work? The pertinent thing here
is that I *wouldn't* be getting it its own PCI card -- it would entirely
be a slave of the first Multiface (provided that's possible). It seems
silly, but maybe not so silly if it could save about $1000.
--
+ Brent A. Busby + "We've all heard that a million monkeys
+ Sr. UNIX Systems Admin + banging on a million typewriters will
+ University of Chicago + eventually reproduce the entire works of
+ James Franck Institute + Shakespeare. Now, thanks to the Internet,
+ Materials Research Ctr + we know this is not true." -Robert Wilensky