did the debian devs think they were doing?
My music machine is set up precisely as I want it with no spare fluff or
eye-candy, and fits my workflow like a glove. I seldom make any changes, but
thought it high time I checked for upgraded packages. Up till now this has
never been any kind of problem and usually results in some tiny overall
improvements.
Today was different. Without asking, indeed, without even a warning, they
installed GDM, Gnome3 and pulse audio, thus rendering my computer totally
useless. The only thing I could do was reboot, then log into recovery mode,
find aptitude and delete the crap.
I will never really trust debian again :(
--
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
Struggling for the proper language: What's the opposite of the term "attenuation" in signal level context? Is it "amplification"?
Context is a tool which will output info on Dolby's Cinema Sound processors (CP650/750). Those have a "main fader knob" which will attenuate or, well, amplify the input signal: range 0.0 (-90 dB) to 10.0 (+10 dB), 2 linear parts with a joining knee at 4.0 (-10 dB).
Thanks, Wolfgang
Dear LAU,
:::
---------- Forwarded message ----------
From: Renato Fabbri <renato.fabbri(a)gmail.com>
Date: 2013/12/20
Subject: GMANE and complex networks
To: linux-audio-dev(a)lists.linuxaudio.org
Dear LAD,
In studying complex network (a doctorate research),
I got into interaction networks because of its utility for understanding
social systems.
This lead me to GMANE database:
gmane.org
in which LAD, LAU, LAA (i think), and about 20 thousand other lists
are hosted as public and with data available via RSS.
After experimentations with some lists, in writing results in an article format,
I chose 4 lists: the GNU C++ stdlib development list (official
perhaps), LAU, LAD and Metareciclagem, a gadget-media-activist list
from Brazil.
This article was sent to arXiv:
arxiv.org/abs/1310.7769
and is currently being revised by authors, with latest version here:
http://sourceforge.net/p/labmacambira/fimDoMundo/ci/master/tree/textos/evol…
Some visualizations of these networks in evolution are in:
http://www.youtube.com/watch?v=-t5jxQ8cKxM&list=PLf_EtaMqu3jU-1j4jiIUiyMqyV…
and:
http://hera.ethymos.com.br:1080/redes/python/autoRede/escolheRedes.php
Among all options available for doing this research, I chose LAD and
LAU with esteem. This lists were quite helpful to me in many
occasions, specially in the period 2005-2009. Anyway, this raises a
question about this kind of analysis, if it is desirable, invasive in
public lists/data. As they are publicly accessible, users should have
access also to what kind of information one is able to extract from
such data? Or should it be restricted to enterprises, government
parties and individuals not sharing about it? I number participants,
so names don't appear on results and even in the process of data
mining, but should that be? Should that hold for public data?
Of course, this discussion might make sense only when there are no
aggressive intents, such as developing interfaces to expose someone,
which is probably not cool in any case.
Cheers!
//r
--
GNU/Linux User #479299
labmacambira.sf.net
--
GNU/Linux User #479299
labmacambira.sf.net
Hi all! I'm still having XRUN difficulties when recording using MIDI input to a softsynth. Along with the "*** Alsa XRUN" error message, I also consistently get this message from a2j-midid:
[31mERROR: [0ma2j_process_incoming: threw away MIDI event - not reserved at time 13248047
Can anyone explain what this error means? I was advised that A2J-MIDI-Bridge might be better than using Jack's seq mode, and it seems to work fine as long as I'm not recording audio at the same time. I may be incorrectly suspecting A2J, but thought it might be worth asking about.
Thanks much.
Kevin
Hi,
Audio Technology Magazine, issue 99, is requesting input as to:
"What pieces of audio gear have come out in the last 16 years that have
changed the way the game is played?"
for their 100th issue.
I'm not 100% on this but I'm pretty sure Linux has changed the game pretty
significantly when it comes to running all the game changing audio gear.
Inputs should be sent to:
mark(a)audiotechnology.com.au
- Just saying... Whatever.
- Yo Momma, is sooo fat, her gravity causes tidal movement.
--
Patrick Shirkey
Boost Hardware Ltd
Hi,
apparently sndfile-waveform will drop channel 6 from a 6-channel input. Might be I'm missing something, of course. Robin, Erik?
See https://github.com/erikd/sndfile-tools/issues/20
Thanks in advance for any hints,
Wolfgang
A stable release, version 13.12, of MMA--Musical MIDI Accompaniment
is available for downloading. In addition to a number of bug fixes
and optimizations, MMA now features:
- A number of Solo/Melody enhancements
- Multiple user library paths are now supported
- MIDI enhancements
- Lots of minor enhancements and bug fixes
Please read the file text/CHANGES-12 for a complete list of changes.
MMA is a accompaniment generator -- it creates midi tracks
for a soloist to perform with. User supplied files contain
pattern selections, chords, and MMA directives. For full details
please visit:
http://www.mellowood.ca/mma/
If you have any questions or comments, please send
them to: bob(a)mellowood.ca
--
**** Listen to my FREE CD at http://www.mellowood.ca/music/cedars ****
Bob van der Poel ** Wynndel, British Columbia, CANADA **
EMAIL: bob(a)mellowood.ca
WWW: http://www.mellowood.ca