Hi,
Can anyone think of a way to automate the creation of a music track from
the metadata embedded in an image track?
I'm thinking of this one in particular.
http://www.jimstonefreelance.com/phillipwood.html
--
Patrick Shirkey
Boost Hardware Ltd
Dear Paul,
thank you for the command line version of paulstretch! Iterestingly
when I load a 24bit wav file into the GUI version, it gets accepted
(at what point in the processing is its wordlength reduce by the
way?). When I try to run paulstretch_stereo.py with any non-16bit wav
file It refuses to work, giving the error below.
Is there a reason the GUI version accepts these files and the python
version does not? I need to batch-process a large number of files, so
the command-line version would come in super handy. I can always
reduce the wordlength of the files myself before the processing, I
just thought i'd ask :)
Thank you again for these wonderful tools!
best, Peter
Here's the error:
paulstretch_stereo.py -s 4 -w 0.22097 24bitInfile.wav outfile.wav
Paul's Extreme Sound Stretch (Paulstretch) - Python version 20110222
by Nasca Octavian PAUL, Targu Mures, Romania
stretch amount = 4.0
window size = 0.22097 seconds
/usr/lib/python2.7/dist-packages/scipy/io/wavfile.py:147:
WavFileWarning: Chunk (non-data) not understood, skipping it.
WavFileWarning)
Error loading wav: 24bitInfile.wav
Traceback (most recent call last):
File "/usr/local/bin/paulstretch_stereo.py", line 149, in <module>
(samplerate,smp)=load_wav(args[0])
TypeError: 'NoneType' object is not iterable
On Sun, March 30, 2014 11:44 am, Joel Roth wrote:
> 1. Nama's mastering network.
>
> +- Low -+
> | |
> Master_in --- Eq --+- Mid -+--- Boost -> soundcard/wav_out
> | |
> +- High +
>
This was most interesting. I will say I was surprised that the
low/mid/high eq is in parallel but do remember that many of the analogue
versions do look like parallel circuits too.
My question is two (maybe three or four?) fold then. As I had always
assumed that these filters would be in series (something about how they
are laid out on the desks maybe?) ... How is this done in high end
analogue desks?
How is this done in the LV2 (etc.) plug-ins? (those with more than one
filter in them) If some do it one way over the other, how can I tell which
is which without going through code I don't understand?
Ardour, nonmixer, jackrack etc. are set up linear, one plugin into the
next. So if I want to use a lowpass, highpass and bandpass filter, they
will be one after the other. How will this affect the sound? Is one way
better than another? will they turnout to have the same effect anyway?
This is hard to visualize in my head and more of my experience has been
live sound reinforcement than recording.
--
Len Ovens
www.OvenWerks.net
On Mon, May 27, 2013 2:07 am, Jeremy Jongepier wrote:
> On 05/27/2013 10:55 AM, Dan MacDonald wrote:
>> I'm not sure what to recommend in the way of
>> deb boards with SATA but I know that the cubieboard has SATA and its not
>> the only one but its one of the cheaper options.
>
> I've considered buying a Cubieboard but after having googled some
> read/write speeds I found out you don't gain that much with the SATA
> connection. Depends on the hard drive too of course. I then googled
> prices for SATA drives and realized it was getting too pricey.
My sense is that the reason for the extra SATA port is not for faster
access, but to unload the USB port of some of it's traffic. This should
make audio more reliable. It does on my atom based machine. A second
separate USB port would have the same effect. (not an internal bridge)
--
Len Ovens
www.OvenWerks.net
