http://www.techrepublic.com/pictures/10-tech-savvy-musicians/
Note: May not work in Firefox. It didn't work in FF for Windows at work
even after I allowed all scripts to run. Other folk complained in the
comments about it not working in Firefox. Don't know if it works in
Chrome or Konqueror. It works in Qupzilla but gives an SSL certificate
error every time you click on it.
--
David W. Jones
gnome(a)hawaii.rr.com
authenticity, honesty, community
http://dancingtreefrog.com
On Wed, Apr 16, 2014 at 9:27 AM, Kjetil Matheussen <k.s.matheussen(a)gmail.com
> wrote:
> rosea grammostola:
>
>>
>
>
>>
> Hi,
>>
>> Playing with Radium a bit, so far so good. But how do you Tracker-guys add
>> chords to your music?
>>
>>
> Hi, I don't know whether you are only asking about trackers
> in general, or if you are asking about Radium as well (which
> may, or may not, be a tracker).
>
> But at least in Radium, you add polyphonic notes by holding
> left shift while adding notes.
>
> But to be honest, I've never used this feature myself. I always
> use several monophonic tracks instead. It's a nice feature
> when importing midi files though.
>
>
>
rosea grammostola:
>
>
Hi,
>
> Playing with Radium a bit, so far so good. But how do you Tracker-guys add
> chords to your music?
>
>
Hi, I don't know whether you are only asking about trackers
in general, or if you are asking about Radium as well (which
may, or may not, be a tracker).
But at least in Radium, you add polyphonic notes by holding
left shift while adding notes.
But to be honest, I've never used this feature myself. I always
use several monophonic tracks instead. It's a nice feature
when importing midi files though.
I read about zita-ajbridge:
http://kokkinizita.linuxaudio.org/linuxaudio/zita-ajbridge-doc/quickguide.h…
Set Jack to use its dummy driver, and then (in background) run zita-a2j for output and/or zita-j2a for input, and then ignore the 'system' input and output ports and use the Zita ports. I went from 5.33ms to 1.33ms latency, and from occasional xruns to zero, and even with that my jackd usage percent is cut in half! Shocking. And that's three Yoshimis simultaneously. :-) I am tempted to giggle, but I am happier than that!!!
The only partial catch was MIDI; without the ALSA driver for Jack, one does not have Jack MIDI :-) Unless, of course, one uses a2jmidid, so that's what I'm doing. With such a small Jack period, the extra period for a2jmidid is not an issue.
Just had to report, and congratulate, and thank, everyone involved!!!!!
Jonathan E. Brickman
Ponderworthy Music | jeb(a)ponderworthy.com | (785)233-9977 | http://ponderworthy.com
Hello,
I have an opportunity to buy a used Mackie Control Universal. Info
at these links.
http://www.mackie.com/products/mcu/mcu_support.htmlhttp://www.zzounds.com/item--MACCONTROLUNI
But, I'm wondering if the non-Pro version, Mackie Control
Universal will work as well with Ardour as the Pro version. Does
anyone know? Ardour's manual says that the Pro version works well.
My main reason for wanting the unit is my presumption that it
has the ability for me to "touch" edit automation. This is
something which my BCF2000 can't do. I've been scouring the web
for documentation to tell me if it has this ability. But, so far
I haven't found anything, not even in the MCU manual. Anyone
know that as well?
Thanks folks....
--
Kevin
In the past, I've sorta DIY'd my home machines -- sorta because it's
been more integration than building. Most of the parts would come from
some vendor like Newegg; but the processor+cooling/motherboard/memory
would come from the now long-departed Monarch Computer. The part of
building that scared me was doing a good job coupling the heatsink to
the processor; Monarch sold processor/motherboard combos where they'd
taken care of that, and tested the combo to make sure it was happy
before sending it to you. And their prices were good and they were
reliable. So, I'd do a little research on motherboards, pick a couple
of candidates, then google to see whether other folks were using those
motherboards with Linux and what experiences they were having. And if
it all looked good, I'd order it all and do the final integration, and
I've never had any problems, including with Linux/hardware
compatibility.
However, it's been quite a while since I did this the last time, mainly
because the machine I have now has done me pretty good. But I'm ready
to replace my machine, and apparently two things have happened since
the last time:
- Monarch became an unreliable company, then went bust;
- I became insanely busy all the time, and less motivated (but not
completely unmotivated) to build.
So, I'm looking to find out about hardware vendors. Specifically, I
want to know about:
1. folks selling fully-built machines with Linux in mind, so that
there'll be no real worries about any hardware compatibility issues;
2. folks selling motherboard/processor combos that they test before
shipping to the customer, like Monarch did back when they were still
around and reliable.
In case it matters, I tend to go for as souped-up a home machine as I
can, and then ride it for a long time. The machine I end up with will
be used for Linux audio, with an Audiofire 8 interface that'll connect
to the machine by Firewire. So obviously it's going to need to have low
latencies in mind. It'll also get used for gaming, and for code
development for scientific computing. I dunno whether it's even an
option anymore, but having one legacy PCI slot around would be nice,
but isn't a dealbreaker if that's just too obsolete.
Any suggestions on vendors to look at, or sources of information on
build options (I used to start at Tom's Hardware and Anandtech years
ago; dunno if they're still the best choices), would all be greatly
appreciated.
Thanks much!
-c
--
Chris Metzler cmetzler(a)speakeasy.snip-me.net
(remove "snip-me." to email)
"As a child I understood how to give; I have forgotten this grace since
I have become civilized." - Chief Luther Standing Bear
Nama is a multitrack recording application based on
Kai Vehmanen's Ecasound with text and graphic interfaces.
It can work with ALSA or JACK.
Although many Nama users end up building from github,[1]
this release to CPAN[2] allows prospective users to install
it with a simple incantation[3].
We're naming this release to honor our brother Julien,[4]
whose tireless testing, bug reports, feature requests and
documentation-writing have helped make Nama what it is
today. :-)
I'd also like to shout a thanks to newer users who've
contributed, especially Raphaël Mouneyres, who suggested
improvements to the track record/play settings and text-mode
display, along with many reports and suggestions.
The following are recent features, new and improved:
## Hyphens in Commands
Nama now accepts hyphens in command names: Both
"find_effect" and "find-effect" are acceptable (in addition
to the usual shortcut "fe".)
## Hot keys
The hotkey mode supports arbitrary bindings. The default
mapping provides for changing the selected track, effect,
parameter, stepsize and increment/decrement. You switch
from command mode to hotkey mode with "#" and back to
command mode with ESC.
## Sequences
Sequences have been implemented as a special type of bus
that plays its member clips (tracks) one after another, and
allows for spacing or overlap between clips.
## Submixes
These can be used to provide each musician with her own mix
for live monitoring, and can use either the raw track source
or the effects-processed track output.
## Track Modes
Track modes have been revised to REC/MON/PLAY/OFF,
set by the corresponding commands (in lower case). Note
that "off" (do not route track audio streams) is distinct
from "mute" (silence track audio output.)
MON:
+ use track source setting as track input
REC:
+ use track source setting as track input
+ record audio file to disk
PLAY:
+ use audio file from disk as track input
OFF:
+ do not route track audio I/O
By default, REC, PLAY and MON settings route track audio
output for monitoring.
## Improved Track Listing
The example below shows a simple setup for recording
two audio files: sax_1.wav and synth_1.wav. The
signals are routed to the Main bus (the default), which
outputs to soundcard channels 1/2.
All files recorded in the same take get the same version
number.
No. Name Status Source Destination Vol Pan
=========================================================================
1 Master MON Main bus 1/2 0 50
2 Mixdown OFF -- -- -- --
3 sax REC v1 1 Main 0 50
4 synth REC v1 bristol Main 0 50
## Project management using Git
Each project has a git repository in which Nama stores the
entire project history.[5] Nama automatically promotes each
named snapshot into a branch. This allows users to follow
multiple approaches to a project and return to any previous
version.
Within each project we use a save <name> / get <name>
pattern similar to managing project state as files or
snapshots. Users benefit from version control technology
without having to study git or learn special commands.
## GUI
Amazingly, the plain-jane Tk GUI still works, providing
functions of a basic harddisk recorder. Since all
diagnostics appear on the terminal (which is also available
for commands), the user is never slowed down by having to
close an information window or dialog box.
## MIDI
Nama provides rudimentary MIDI support via Midish, starting
a Midish process when configured with midish_enable: 1 in
.namarc. Midish commands can be issued at any time. For
convenience, Nama issues a save-to-file command to Midish on
exit.
## Preliminary OSC Support
This is a thin wrapper that accepts Nama commands
as OSC packets, and returns the results.
## Underlying Code
There have been many improvements.
Support for multiples engines has been added, which will in
future allow for monitor outputs to be kept "live"
continuously. (Currently Ecasound must be reconfigured when
changing routes for playing or recording audio.)
Effects code has been coverted to OO style, which is easier
to read and will allow for a change in underlying data
structure in future. Effects support was one of the first
parts of Nama to be written and was the last still written
in procedural style.
## Future
Live monitoring support was mentioned above. Latency
compensation is awaiting improvements the underlying JACK
interface library.[6] MIDI tracks are planned.
Thanks to the Linux audio community and Nama users
for your support.
Cheers,
Joel
1. http://github.com/bolangi/nama
2. A distributed hosting system for perl libraries,
and acronym for Comprehensive Perl Archive Network
http://cpan.org
Perl was/is a hotbed for testing culture.
Modules I upload get built (smoke-tested) on
many different architectures, and are provided
a bug-tracking system.
3. cpanm Audio::Nama
+ Installs into $HOME/perl5 by default
with no special permissions required
+ However, you may need to install cpanm (c.f.
App::cpanminus)
sudo cpan Audio::Nama
+ Installs under /usr/local/perl5 by default
4. http://juliencoder.de
5. All information relating to sound of the project except
for the audio files is stored in the file State.json.
Project data *not* under version control such as
track or version comments, effect chains, and
effect profiles is stored in
Aux.json, which can be blown away without affecting the
audio output.
6. https://github.com/navicore/Jacks
--
Joel Roth, Nama Animator
Since the Bitwig thread moved from a software to musical point of view
debate, every Rock musician of my age (born in 1966) in Germany knows
Radio Birdman, but too funny, in Australia it seems to be a less known
band.
Musicians note: A prophet has no honor in his own country! :D
I have ported Obxd (
http://www.kvraudio.com/product/obxd---virtual-analog-synthesizer-by-datsou…)
to Linux, I will release proper binaries for x86 and amd64 later but if you
are very eager you can get it here https://github.com/orbitfold/Obxd and
compile by going to Builds/Linux and running make CONFIG=Release then copy
the .so from Builds/Linux/build to your vst folder. It's a pretty fucking
sweet synth although very inefficient, but maybe we can do something about
that.
--
"Cheshire-Puss," she began, "would you tell me, please,
which way I ought to go from here?"
"That depends a good deal on where you want to get to," said the Cat.
"I don't care much where--" said Alice.
"Then it doesn't matter which way you go," said the Cat.