*Call for papers*
We are pleased to announce that the 19th International Conference on
Digital Audio Effects (DAFx16) will be held at the Brno University of
Technology in Brno, Czech Republic, on September 5â9 2016.
DAFx-16 <http://dafx16.vutbr.cz/cfp.html> is organized by the Brno
University of Technology, Faculty of Electrical Engineering and
Communication, and the Signal Processing Laboratory. The conference will
be hosted at the university facilities and will feature oral and poster
presentations of accepted papers, keynote addresses,
tutorials/demonstrations and a social program.
This annual conference is a coming together of those working across the
globe in research relating to digital audio processing for music and
speech, sound art, acoustics and related applications. We would like to
invite submissions of papers for presentation at DAFx-16 within the
following general areas:
* Capture and analysis
* Representation, transformation and modelling
* Transmission and resynthesis
* Effects and manipulation
* Perception, psychoacoustics and evaluation
* Spatial sound analysis, coding and synthesis
* Source separation
* Physical modelling, virtual acoustic and analogue models
* Sound synthesis, composition and sonification
* Hardware and software design
At DAFx-16 we especially encourage submissions addressing:
* Real-time applications of digital audio processing
* 3D audio techniques
* Sparse and low-rank audio representations
Submissions are alsowelcomed for a special session on sound synthesis
organized by Vesa Välimäki and Josh Reiss, which will focus on high
impact advances on the state of the art.
Prospective authors are invited to submit full-length papers, 8 pages
maximum, for both oral and poster presentations, before March 17th, 2016.
Submitted papers must be camera-ready and conform to format specified in
the templates and the instructions available at the DAFx16 website. All
submissions are subject to peer review. Acceptance may be conditional
upon changes being made to the paper as directed by reviewers. Final
versions of the accepted contributions will be published in the
conference proceedings distributed to all registered delegates at the
conference site and will be made freely accessible on the conference
website after the conference closure. The proceedings will be submitted
to ISI and Scopus indexing services.
Important dates:
Special session proposal:
January 15th, 2016
*Full-Paper Submission:**
**March 17th, 2016*
Notification of Acceptance:
May 18th, 2016
Final Paper Submission:
June 2nd, 2016
Website: http://dafx16.vutbr.cz
Best regards,
the organizing team:
Jiri Schimmel, General Chair (Brno University of Technology)
Pavel Rajmic, Paper Chair (Brno University of Technology)
Vaclav Mach, Technical Coordinator (Brno University of Technology)
Jan Karasek, Social Events Coordinator (BioVendor Instruments)
Hi list,
A friend (Chicago Cubs fan) tells me that the radio
commentary is much better than on the TV. He'd like to watch
the TV with the volume off and listen to the radio but it
doesn't work well due to a delay in the video feed. Can
anyone suggest an easy way to put the audio through an
adjustable delay to sync (at least approximately) with the
video?
Thanks
--
Joel Roth
Hi all,
This is a long-standing problem. While it is not intentional, sometimes
newcomers to jack on Linux tend to pull out the soundcard (USB) before
shutting down jack. This results in jack permanently hanging to the
point where one has to force-shutdown the machine. That is at least the
case on Ubuntu 14.04 (and was on 12.04) with lowlatency kernel. Trying
to do sudo killall -9 jackd makes no difference. Essentially, it is
impossible to destroy the process and reboot hangs because of it.
Any idea what can be done to minimize this problem or alleviate it
altogether?
Best,
Ico
--
Ivica Ico Bukvic, D.M.A.
Associate Professor
Computer Music
ICAT Senior Fellow
Director -- DISIS, L2Ork
Virginia Tech
School of Performing Arts – 0141
Blacksburg, VA 24061
(540) 231-6139
ico(a)vt.edu
www.performingarts.vt.edudisis.icat.vt.edul2ork.icat.vt.eduico.bukvic.net
Apologies for x-posting,
Despite original intentions of not having any more major releases before
the next GUI-rewrite version is out, I am about to eat my own words and
announce pd-l2ork 20151018.
Release highlights:
*rtcmix~ external
*native lyonpotpourri library
*native fftease library
*new autotune~ external based on the latest version autotalent ladspa
plugin and aututuned~ external
*merged latest developments in the cyclone library with pd-l2ork's
improvements, including pd-l2ork's threaded coll object that allows
loading of large files without xruns
*minor bug fixes and cosmetic improvements
For a raw (unedited) changelog and a more detailed overview, please visit:
https://puredata.info/downloads/Pd-L2Ork/releases/20151018
To download pd-l2ork:
http://l2ork.music.vt.edu/main/?page_id=56
NB: Currently only Ubuntu 14.04 64bit build is available, with 32bit and
Raspberry Pi builds forthcoming.
About Pd-L2Ork
Pd-L2Ork is a fork of the ubiquitous Pure-Data focusing on improved user
interface, expanded collection of externals, and an advanced SVG-enabled
graphical front-end. Originally it was introduced as the core
infrastructure for the Linux Laptop Orchestra (L2Ork
http://l2ork.icat.vt.edu), and has since expanded to include K-12
learning module with a unique learning environment offering adaptable
granularity that has been utilized in over dozen maker workshops and
initiatives, including the Raspberry Pi Orchestra program for middle
school children introduced in the summer 2014. Today, pd-l2ork is being
developed by a growing number of international collaborators and
contributors.
For additional info L2Ork and pd-l2ork:
http://l2ork.music.vt.edu
Best,
--
Ivica Ico Bukvic, D.M.A.
Associate Professor
Computer Music
ICAT Senior Fellow
Director -- DISIS, L2Ork
Virginia Tech
School of Performing Arts – 0141
Blacksburg, VA 24061
(540) 231-6139
ico(a)vt.edu
www.performingarts.vt.edudisis.icat.vt.edul2ork.icat.vt.eduico.bukvic.net
I am using audacity with Jack and a PreSonus AudioBox.
The presonus needs output from audacity (PortAudio) sent to input ports
7,8 to get to the headphones.
Every time Audacity plays (not just at startup) it connects to ports 1,2.
Is there a way to tell Audacity, PortAudio or Jack to allways connect
Audacity to ports 7,8?
Failing that is there some aplication I can use to reconfigure the PreSonus?
cheers
Worik
--
Why is the legal status of chardonnay different to that of cannabis?
root(a)worik.org 021-1680650, (03) 4821804
Aotearoa (New Zealand)
I voted for love
Friends
I am having trouble with JACK and I have no idea how to start diagnosing
my problems.
I am starting it with qjackctl. as I have been doing for ages using a
M-AUDIO USB interface.
I get no sound through it at all today, neither input nor output. I
have been using this setup for over a year with no problems. Befire
that I had constant problems that just went away.
Now they are back.
I am at my wits end, I can not find any logs where JACK is putting its
output, which would be a start.
I have had "pulseaudio" apear in the connections window, I was not
seeing that when the system was working.
Where do I start? For a start where does JACK put its logs?
I have the correct device selected in the setup tab
Worik
--
Why is the legal status of chardonnay different to that of cannabis?
root(a)worik.org 021-1680650, (03) 4821804
Aotearoa (New Zealand)
I voted for love
On Oct 13, 2015 02:05, Paul Davis <paul(a)linuxaudiosystems.com> wrote:
>
> On Mon, Oct 12, 2015 at 11:21 PM, david <gnome(a)hawaii.rr.com> wrote:
> >
> > Except that Audacious refuses to play a media file if that file is a
> > different bitrate than JACK's default 48K.
> >
> > Same version of Audacious works fine on my laptop - which doesn't have Pulse
> > installed at all.
> >
> > Just one of the great mysteries of life.
>
> it isn't a mystery at all. Clients can't change the SR of JACK as part
> of their normal connection process, so unless coded to explicitly
> change the SR (which is generally a big no-no), audacious discovers
> JACK @ 48kHz, notes the SR of the audio file as something else,
> remembers that it cannot resample, and gives up.
>
> When used without JACK (or Pulse), audacious opens the ALSA device
> directly and sets the SR to the SR of the audio file as part of that
> process.
Except that the system on which Audacious happily plays ANY file regardless of SR is the one using ONLY JACK, without Pulse, and Audacious is playing thru JACK, not ALSA.
Like I said, a mystery.
David W. Jones
gnome(a)hawaii.rr.com
authenticity, honesty, community
http://dancingtreefrog.com
