Hi,
today we have published the video of another single of John Option:
Where is my car?.
The song is published under the terms of the Creative Commons License
(CC-BY-SA) and it's completely produced with free software:
Ardour, Hydrogen, Jack, Qsynth, CALF, and many other
great free audio software that we used under Debian GNU/Linux.
Here you can listen the single and see the video (made with kdenlive):
https://youtu.be/mj3qrMQZIHk
As for the previous songs we have done a little more in the direction of
freedom and we published in our website[1] the single recording tracks
and the complete Ardour session. All this material is published under
the terms of the Creative Commons license Attribution Share alike so
that anyone can use our tracks to produce a remix of our song or even a
new song that have to be published under the same license.
You can find all about our project here: http://johnoption.org
I hope that you like our choice of freedom. If you feel like I'd love
to read your feedback, because the encouragement of the people who
listen to us and appreciate the philosophy of our project is the only
fuel for us to continue. And if you like to be updated about our next
release, please subscribe to our YouTube channel or any other social
network you like (see link to our profiles on our website[1]).
Best regards,
Max-B
1. http://johnoption.org
--
IM: massimo(a)jabber.fsfe.org - GnuPG Public Key-Id: 0x5D168FC1
So I was doing some latency tests with jack and realtime kernel... But
the email isn't related to kernel, hardcore realtime settings, etc.
Sorry :-)
Wile testing I hooked an old Pd patch I had which simply generates
random pentatonic notes to Yoshimi.
Totally forgot of the tests I had planned, added just a bit more
randomness, added just a bit more release to a couple of yoshimi voices
and this came out (yes also some (lots of) reverb).
https://soundcloud.com/lorenzosu/latency-test-random-pentatonics-with-pd-an…
I'm always rather impressed by the sound palette and control Yoshimi
offers...
Lorenzo.
PS: Overall no massive xruns so latency looks good for now - :-)
For those of you who use a bcr2000 or other control surface with no
display and miss the 55x2 display that the Mackie Control has. This
utility provides that display. It can fit quite nicely at the bottom of
the screen under the Ardour mixer or editor window.
http://www.ovenwerks.net/software/mcpdisp.html
This the initial release on which I learned how to use the jack ring
buffer.
I use this with my $3 midi controler
http://www.ovenwerks.net/hardware/index.html
--
Len Ovens
www.ovenwerks.net
Hi all,
My dual Delta 1010 setup is on its last legs and I'm thinking (again) of
retooling with a Saffire Pro 40. I've been bitten in the past by upgrades
like this which is why I'm still on the 1010s, but there's only so many
times I can repair them before I have to admit defeat.
Is anyone out there actively using a Saffire Pro 40 in a serious setting?
Is it reliable for low latency, with all channels working at once? Does it work
with any recent ffado, or do you need specific versions, patches or anything
else?
I've read plenty of vague comments about which firewire chipsets might be
good or not, but are there known-good PCI Express firewire cards that are a
sensible price and work well?
I'm really hoping for "Yes, I've been using one for a year and it's rock
solid," rather than "I've googled and it claims to be supported," or "Yes,
it's fine if you pull the latest beta7 branch from git and only use Acme
2000 firewire interfaces." Sorry to sound unduly cautious or skeptical ;)
In short, if I bite the bullet, retire my Delta 1010s and buy a Pro 40, are
the drivers and tools now at the stage where I reasonably expect to be up and
running again in a day rather than still fighting problems a week later?
Cheers,
bjb
I have a 5 minute four channel midi file that
I essentially want to orchestrate and add
a spoken audio track to, and perhaps add a few other
audio tracks.
I first began experimenting on this file with qtractor.
One thing I would like to do is to switch plugins on
the same midi track. That is, say one particular midi
track is first synthesized with plugin x,
and then the next region of the same track
is synthesized with plugin y, etc.
After working with the qtractor and searching the
web, I am pretty sure that qtractor cannot do this.
And so now, I have begun working with Ardour.
Is Ardour capable of using different plugins for different
regions of the same midi-track?
I realize I can copy portions of an original midi-track
to another track and thus, achieve the same effect,
but for organizational reasons, I think I would prefer
to not do this as my project may expand to
more midi tracks than I could personally keep track of.
Or is switching plugins on the same midi track something
people generally do not do, and if you feel you need a different
timbre at a particular place, is the preferred method
just to create a new track?
Thank you for listening to my perhaps naive questions.
I seem to recall someone saying there is a limit to the number of ports jack
can handle. What is the limit?
For audio, would I be right in thinking L & R as far as jack is concerned are
simply added to the total?
What about MIDI, how many MIDI ports can jack handle?
--
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
I have some question regarding versions of Ardour
that people are using.
Currently, I am running Fedora 20, and their
software repository has two versions of Ardour available:
ardour-2.8.16-12.fc20
ardour-3.5.403-1.fc20
I seem to recall that in the past, despite
Ardour3 being available, some people were still preferring
to use Ardour2. This seems to be supported by the
fact that Fedora offers both versions.
Why might one prefer Ardour2 over Ardour3?
Thanks
Le 05/05/2015 17:33, Carlos sanchiavedraZ a écrit :
>
>
> 2015-04-30 11:24 GMT+02:00 ORL <orl(a)ammd.net <mailto:orl@ammd.net>>:
>
> [...]
>
>
> Really good and useful info for reference. Great to see real musician
> using FLOSS in production and in such kind of festivals.
> Would be great to see some "behind the scenes" footage of your
> performance.
Thanks for you interest. By the way, it makes a long time we plan to do
that, but each time we're working on stage on this setup, we finally
spent hours on other things (like music and show!!! ;) ), and finally
don't do that. But we surely should, and once again I'm going to say
that's we're going to try. OK let's say this time we'll find the time!
>
> Thanks for sharing.
My pleasure!
--
ORL
AMMD - Freak & Free Arts Coo[r]p
www.ammd.net - 095 234 72 48
Hey everyone!
Due to the fact, that my site is now offline, I have managed to create a
page, dedicated to project "droning", so that it is still available to the
public.
I will be updating it with new compositions within the next couple of
months.
http://www.disc-shelf.com/droning/
Thank you!
--
Louigi Verona