>
> david:
> On 11/16/2017 06:35 AM, Kjetil Matheussen wrote:
> >> ??James Harkins:
> >>
> >> But of the big ones, you missed muse: http://muse-sequencer.org/
>
> FWIW, I had never heard of that, so I went to check their site. Looks
> like no news there since 9/29/2016.
>
>
Muse is one of the really old linux audio programs. Maybe there's so few
bugs left that it's not that urgent to create new releases? I also checked
github, and it's still being developed, although not as actively as ardour.
> Checked Debian Testing repository and it's not listed. Musescore is, but
> no Muse Sequencer.
>
>
I quickly searched the internet for muse debian, and muse is present in
debian. Note that the package name is just "muse", not "muse sequencer".
Hi,
So... now I feel like the careless person who flicked a lit cigarette into the vat of kerosene and just walked away :D
I'm actually a regular user of Audacity, but I think it's more of a sound file editor than a DAW. I love it for trimming, normalizing, fade in/out, noise reduction and glitch repair. I don't love it for multi-tracking, cross-fading and tempo-synced editing. If Audacity has true nondestructive, clip-based editing, I haven't found it. To me, it's like: If you want to trim your nails, you use a fingernail clipper. If you're doing topiary, you use other tools, up to and including a chainsaw. Audacity is the fingernail clipper -- pretty close to ideal for the things it does well, but it doesn't do everything well.
I don't often need multi-tracking, cross-fading or tempo-synced editing, but when I do, that's when I want a DAW. There, it seems like it's pretty much Ardour or go home. Contrary to some suggestions, I'm not scared of routing dialogs or submix channels. (I particularly enjoyed the comment about being "savvy enough to operate Supercollider" LOL :D .) It worries me a bit when David K. says "It's when you start editing that things get awful" -- because, tight, tempo-synced editing is exactly the time when I want clips whose edges you can edit easily and instant cross-fades.
Ages ago, I used Digital Performer on Mac, and courses at my school now tend to use Cubase (the latter of which... sheesh, Steinberg are really tone deaf about interface design). I know my way around. Complexity is fine. Stability is a higher priority than a simple interface -- given the choice between a beautiful, easy interface that crashes often and a complex interface where things "just work" once you learn them, I'll go with the stable, complex interface, every time.
hjh
Hey, I had been keeping around an oooold Dell laptop just because it had an Expresscard slot that I could use to talk to my FireWire audio interface. I was considering jumping ship to a new usb interface since I haven’t been able to find a smaller sized laptop with any FW or expresscard interface.
But I saw some mentions that maybe a USB-C/Thunderbolt 3 port, which is available on more laptops these days including my HP, might work.
Following the trail I tried out a frankencable approach: Thunderbolt 3 to Thunderbolt 2 adapter, connected to Apple Thunderbolt 2 to FireWire adapter, connected to a FireWire cable with the right ends to plug into the Apple device and my FireWire device.
It works! The only tricky bit is to make sure udev knows to allow hotplugged devices on the Thunderbolt port, which it doesn’t by default. That done, my interface appears to Jack as an ordinary FireWire device.
If I was traveling with it I might encase the first 12 inches in heatshrink tubing or duct tape or something, but for now I am just glad not to have to give up my firewire mixer which I am sort of attached to.
Thanks,
Bill Gribble
Asking which DAWs are good, especially for mixing, audio editing and stability.
I'm not a heavy DAW user. Most of my work is electronic music live
performance with SuperCollider. Because my usage is rare, I've shied away
from Bitwig, and even Ardour. I use SuperCollider a lot, and I pay for it
by answering support questions and contributing. I don't want to pay money
for something I'll use, oh, maybe 10-15 hours in a whole year.
I've had bad experiences with qtractor crashing.
Never used the non- suite.
I installed Rosegarden at one point, but never kicked the tires for audio.
Did I miss anything?
Thanks,
hjh
Sent with AquaMail for Android
http://www.aqua-mail.com
{crickets}
:(
--
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
Sending this separately to linux-audio-users and rosegarden-user lists,
so apologies in advance if anyone sees it twice.
It's by a fractal music composer, Albrecht Niekamp. The MIDI is
generated somehow from fractal images he makes using Fractint and a
complex formula framework he created. I don't know how he generates it -
perhaps he has his own program that transforms his fractals into MIDI files.
The piece is called Taiko Trance.
I imported it into Rosegarden, found 10 tracks in it, assigned each to a
Taiko Drum soundfont I found on the internet and recorded it. You can
find it here in MP3 and WAV format, plus his original MIDI file and my
Rosegarden project file:
http://clanjones.org/david/albrecht/
I like the way my rendering sounds. But here's his response to my rendering:
> So sorry, David. I dont recognize my music
> The rhythm is completely gone, the speed is wrong too
> and there is one instrument that does not belong there.
>
> Even the "syncopated" Hirajoshi scale melody is there
> [when he plays his original composition using his software
> on his system] this has completely vanished in your version.
>
> Re your remark about surround audio: the phase shifting I applied
> does something very similar - moving voices to rear and front.
> This effect too has vanished.
He listens to his pieces through a "30-year old Marantz 4-channel"
system, so I can't duplicate that listening experience if his hardware
is adding things to the sound (such as the front/rear positioning).
In subsequent emails, he mentioned an 11th track in the MIDI. As the
Rosegarden project shows, I only found 10 tracks.
He's working on uploading a recording of what he hears when he plays his
MIDI file using either MS Media Player or Winamp Midi on Windows 10.
(According to him, Winamp Midi lets him apply "interactive realtime
effects" such as changes in front/rear positioning. So until I hear what
he's hearing, I'm lost.)
But I wonder - could someone knowledgeable check the MIDI? From some of
the subsequent discussion, I'm wondering if he's somehow got different
tempos for each track? (He refers to "phasing patterns"). Or there are
other things about his MIDI that Rosegarden just can't handle properly?
What other sequencers could I try on his file?
Thanks.
--
David W. Jones
gnome(a)hawaii.rr.com
authenticity, honesty, community
http://dancingtreefrog.com
Hi all,
I couldn't find a kxstudio bug tracker (happy to be pointed in the right
direction), but even after running dbus-launch, the /tmp/dbus-$whatever
file doesn't exist. Any clues?
antony@cubase:~$ dbus-launch
DBUS_SESSION_BUS_ADDRESS=unix:abstract=/tmp/dbus-QQxdgcZliW,guid=5189ae91141717bf527ffc355a0a0568
DBUS_SESSION_BUS_PID=12429
DBUS_SESSION_BUS_WINDOWID=37748737
antony@cubase:~$ cadence
Using Tray Engine 'Qt'
(process:12609): GConf-WARNING **: Client failed to connect to the D-BUS
daemon:
Failed to connect to socket /tmp/dbus-qr6VFNSOMQ: Connection refused
Traceback (most recent call last):
File "/usr/share/cadence/src/cadence.py", line 2315, in <module>
gDBus.bus = dbus.SessionBus(mainloop=gDBus.loop)
File "/usr/lib/python3/dist-packages/dbus/_dbus.py", line 211, in __new__
mainloop=mainloop)
File "/usr/lib/python3/dist-packages/dbus/_dbus.py", line 100, in __new__
bus = BusConnection.__new__(subclass, bus_type, mainloop=mainloop)
File "/usr/lib/python3/dist-packages/dbus/bus.py", line 122, in __new__
bus = cls._new_for_bus(address_or_type, mainloop=mainloop)
dbus.exceptions.DBusException: org.freedesktop.DBus.Error.NoServer: Failed
to connect to socket /tmp/dbus-qr6VFNSOMQ: Connection refused
antony@cubase:~$
--
https:/linkedin.com/in/antgel
https://resume.antgel.org/https://about.me/antonygelberghttps://antgel.org/
Hello,
I have set the scaling governor to 'performance' by doing:
echo -n performance
> /sys/devices/system/cpu/cpu0/cpufreq/scaling_governor
For all 4 CPUs.
After reboot, the scaling governor indeed shows:
% date
Sun Oct 22 08:53:49 EDT 2017
% cat /sys/devices/system/cpu/cpu*/cpufreq/scaling_governor
performance
performance
performance
performance
But then shortly thereafter:
% date
Sun Oct 22 08:54:06 EDT 2017
% cat /sys/devices/system/cpu/cpu*/cpufreq/scaling_governor
powersave
powersave
powersave
powersave
Which mechanism decides long after boot that the scaling governor
should be modified and how to tell it that 'powersave' is not what we
want ?
Cheers.
Hello all,
After an update of Archlinux + fluxbox, starting qjackctl freezes
the desktop. The mouse pointer still moves, and I can switch to
tty1 (Ctl+Alt+F1) and kill qjackctl, restoring normality.
Looks like qjackctl does an XGrabServer and then waits for something
that never happens.
All hints to fix this are welcome !
Ciao,
--
FA
A world of exhaustive, reliable metadata would be an utopia.
It's also a pipe-dream, founded on self-delusion, nerd hubris
and hysterically inflated market opportunities. (Cory Doctorow)
> From: worik
>
> ubuntu 17.10 it is aubio-tools
OK, I'm on 16.04 and unlikely to upgrade soon. (I can't afford much downtime, so I tend to stay on stable versions.)
So, you're saying the aubio-tools package in 17.10 includes the command line executables, but the same package for 16.04 doesn't? That's fine if that's the situation -- then, I just know I have to build it myself (which doesn't look too hard).
hjh
