New feature: Independent control of MIDI Omni setting for all parts.
New feature: Warnings when unsaved instruments could be overwritten.
Compatibilty fixes for FLTK V 1.4.x
Reorganisation of XML management for simplicity and MXML 4.x recognition.
Yoshimi source code is available from either:
https://sourceforge.net/projects/yoshimi
Or:
https://github.com/Yoshimi/yoshimi
Full build instructions are in 'INSTALL'.
Our list archive is at:
https://www.freelists.org/archive/yoshimi
To post, email to:
yoshimi(a)freelists.org
--
Will J Godfrey {apparently now an 'elderly'}
Hi LAU and LAD,
It seems that (FLOSS) audio editors (not DAWs) are all either
dead/obsolate (mhwaveditor, rezound), in strange development states
(Audacity, Tenacity).
Tenacity, the most promising (albeit with its audacity-inherited
idiosyncrasies) has a really annoying bug [1] which makes it take ages
to load [1] - IMHO a no go for an audio editor IMHO (plus its
multi-track-ness like Audacity makes it overload for a few use cases).
The only more-or-less usable one at the moment is ocenaudio which is not
free software (and also has some UI quirks, but that's maybe personal).
I've been a fan of mhWaveEdit for its mix of simplicity and
configurability, but as an abandoned GTK2 application it shows its problems.
Is this kind of software not interesting any more? Are people using DAWs
for everything?
Are people even using, or interested / committed in using Linux Audio
any more?
As LAC approaches (unfortunately I won't be able to attend, even though
it's in Europe), why not try to spark some debate :-P
Lorenzo
[1] https://codeberg.org/tenacityteam/tenacity/issues/549
Ratatouille is a Neural Model loader and mixer for Linux/Windows.
New in this release:
* allow to build as clap plugin
* allow to build as vst2 plugin
Ratatouille allow to load up to two neural model files and mix there
output. Those models could be *.nam files <https://tonehunt.org/all> or
*.json or .aidax files <https://cloud.aida-x.cc/all>. So you could blend
from clean to crunch for example, or, go wild and mix different amp
models, or mix a amp with a pedal simulation.
Ratatouille using parallel processing to process the second neural model
and the second IR-File to reduce the dsp load.
Ratatouille allow to compensate phasing issues between the loaded Models.
The "Delay" control could add a small delay to add some color/reverb to
the sound.
To round up the sound it allow to load up to two Impulse Response files
and mix there output as well. You could try the wildest combinations,
or, be conservative and load just your single preferred IR-File.
Each neural model may have a different expected Sample Rate, Ratatouille
will resample the buffer to match that.
Impulse Response Files will be resampled on the fly to match the session
Sample Rate.
Release Page (binaries):
https://github.com/brummer10/Ratatouille.lv2/releases/tag/v0.9.11
Project Page (source code):
https://github.com/brummer10/Ratatouille.lv2
regards
hermann
There are lots of guitar to USB audio devices out there and it seems they
have all done them wrong. I modified one of them and it actually sounds
very good. Perhaps better than plugging into the "high impedance" input of
many audio interfaces or using a DI box into a mic input. The result is a
much more open sound in particular with single coil pickups (or tapped as
I happen to have).
Why do I think they have likely all done them wrong? The Application notes
say: "Please follow the reference schematic for microphone section
design." So not only is it easy but it is recomended. I am sure it works
well for a computer mic.
Anyway, for those who want a good quility direct to usb guitar cable here
is my journey to fix a toy into something better.
https://www.ovenwerks.net/hardware/GuitarUSBhack/index.html
I find it amazing that the manufactures would not reduce their parts count
while making a better product.
Len
--
Len Ovens
www.ovenwerks.net
We’ve Got the Beat—in Our Genes
How much we enjoy music, and in what ways, is heritable
By Charles Digges May 19, 2025
https://nautil.us/weve-got-the-beat-in-our-genes-1211821/
Wouldn't surprise me. My parents both played instruments. Three of my
four grandparents played instruments, too. I suppose me playing
instruments was inevitable!
How about the rest of you?
--
David W. Jones
gnome(a)hawaii.rr.com
authenticity, honesty, community
http://dancingtreefrog.com
"My password is the last 8 digits of π."
Nobody in my family played any instrument... my father loved operas though...
my own musical - äh, lets say: "wakening" was exclusively driven by Merceybeat and, who else: the BEATLES :-)
Am 21. Mai 2025 12:00:12 MESZ schrieb linux-audio-user-request(a)lists.linuxaudio.org:
>Send Linux-audio-user mailing list submissions to
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>
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>
>When replying, please edit your Subject line so it is more specific
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>Today's Topics:
>
> 1. We’ve Got the Beat - in Our Genes (david)
> 2. Re: We’ve Got the Beat - in Our Genes (Will Godfrey)
> 3. Re: We’ve Got the Beat - in Our Genes (Roger)
> 4. Re: We’ve Got the Beat - in Our Genes (Bill Purvis)
>
>
>----------------------------------------------------------------------
>
>Message: 1
>Date: Tue, 20 May 2025 19:20:50 -1000
>From: david <gnome(a)hawaii.rr.com>
>Subject: [LAU] We’ve Got the Beat - in Our Genes
>To: linux-audio-user <linux-audio-user(a)lists.linuxaudio.org>
>Message-ID: <c5a96b28-d490-4c8b-8a36-d4f6c746720e(a)hawaii.rr.com>
>Content-Type: multipart/alternative;
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>
>We’ve Got the Beat—in Our Genes
>How much we enjoy music, and in what ways, is heritable
>By Charles Digges May 19, 2025
>
>https://nautil.us/weve-got-the-beat-in-our-genes-1211821/
>
>Wouldn't surprise me. My parents both played instruments. Three of my
>four grandparents played instruments, too. I suppose me playing
>instruments was inevitable!
>
>How about the rest of you?
>
>--
>David W. Jones
>gnome(a)hawaii.rr.com
>authenticity, honesty, community
>http://dancingtreefrog.com
>"My password is the last 8 digits of π."
>