hi
(just realized that i replyed directly to Will and not to the list;
apologies for a dang old email use case mistake:))
On 9/19/19 3:21 PM, Rui Nuno Capela wrote:
On 9/19/19 2:01 PM, Will Godfrey wrote:
> On Thu, 19 Sep 2019 14:50:31 +0200
> Christopher Arndt <chris(a)chrisarndt.de> wrote:
>
>> Am 19.09.19 um 13:54 schrieb Paul Davis:
>>> On Thu, Sep 19, 2019 at 4:36 AM Christopher Arndt <chris(a)chrisarndt.de
>>> <mailto:chris@chrisarndt.de>> wrote:
>>>
>>> I find that I don't really need a2midid anymore.
>>>
>>> You need it to get accurately timed MIDI from MIDI hardware if you use
>>> JACK2.
>>
>> Interesting. Can you give a pointer to background information on that?
>>
>> Chris
>
> That's something I also found curious. Also, how accurate is 'accurate'. I'm
> using jack2 for audio (at 64 frames/48k), but ALSA for midi - all through, which
> I would have through would result in less buffering.
>
let's put it this way:
jack2 implementation to "seq" (jack-midi) driver is an old decade+ and
quite frankly outdated and flawed re. to timing and what not
jack1 implementation, standing for the (-X) "alsamidi" for that matter,
is independent if not the same as to running a2jmidid in the background,
and as infrastructure (like IaaS, eh?:) also, on jack1, that goes
straight and _independent_ of whether you run (-d) "alsa" driver at all;
of course, only granted to work on linux, but otoh jack2 makes it
locked-in to the "alsa" audio diver anyhow, so you get the picture.
nb. on jack1, selecting (-X) "seq", as the preferred jack-midi driver
_is_exactly_the_same_as_ running "a2jmidid -e &", so that wouldn't be a
viable option no longer ;)
and yes, to let my stanfd be clear enough, jack2 _shall_ make the
"alsamidi" (internal client?) driver ported in from jack1 alright.
for all the people that use jack2, please do and rely on good old
a2jmidid--it just works at lot and way better than any other option (but
jack1's;)
cheers
--
rncbc aka. Rui Nuno Capela
rncbc(a)rncbc.org
I just came across this job posting
https://www.amazon.jobs/en/jobs/894336/applied-scientist
from Amazon Lab 126 and am positively surprised that they are asking for
experience with Alsa, Linux and realtime systems.
Lab 126 seems to be an R&D lab contributing to products like Kindle, Fire
tablets, Fire TV and Amazon Echo, the speaker for their Alexa service
which suffers from severe privacy issues, see
https://en.wikipedia.org/wiki/Amazon_Alexa#Privacy_concerns
Does anyone know if any of these devices are using Linux as their OS?
A quick online research did not confirm nor deny this.
Despite Echo/Alexa being a questionable product in my view, as for example
described in
https://www.engadget.com/2019/04/30/hey-alexa-how-can-we-escape-surveillanc…
it would be a great example of widespread use of Linux in an audio
product.
>From the organizers of the wonderful FM Challenge of 2018,
Open Source Audio Meeting Cologne [1] proudly presents:
The OPEN SOURCE MUSIC NEXUS CHALLENGE
https://nexus-challenge.osamc.de/
What
----
1. Make a music track:
a) "in-the-style-of" a well-known artist or song of your choosing,
b) using a recording of a physical sound source, made by yourself,
c) using only Open Source software [2] (exception: proprietary DAWs).
2. Upload it to archive.org [3] under a Creative Commons license
3: Submit [4] it into the competition.
Before you enter the competition, be sure to read the detailed rules[5]!
When
----
The competition starts on *September 19th, 2019* and runs for one month
until the end of *October 18th, 2019*.
Who
---
*Everybody* (i.e. every natural person) can enter the competition.
The tools to use are Free Software and getting started with music
production using Open Source software [6] is easy and free to everyone!
Winning
-------
The winner of the competition is selected by *general vote* [7].
Voting starts on *October 19th, 2019* and is open for *seven days*.
The entry receiving the most points wins and will be presented at the
third *Sonoj Convention* [8], which takes place on the weekend of
*October 26th / 27th* in Cologne.
Second and third places will be awarded as well. We do not give out
physical prizes, but the winners will receive fame and glory :) and the
community as a whole also wins!
***
Please share this announcement with all interested parties. If you wish
to sponsor prizes for the competition winners, please contact the organizer!
*Let's make some awesome Open Source Music!*
Christopher Arndt
Open Source Audio Meeting Cologne
https://nexus-challenge.osamc.de/
challenge(a)osamc.de
[1] https://osamc.de/
[2] https://www.gnu.org/philosophy/free-sw.html
[3] https://archive.org/create/
[4] https://nexus-challenge.osamc.de/submit/
[5] https://nexus-challenge.osamc.de/rules/
[6] https://libremusicproduction.com/
[8] https://sonoj.org/
[9] https://nexus-challenge.osamc.de/vote/
Hi *,
I am attending an MPEG-H workshop with the Fraunhofer IIS Soundlab.
MPEG-H shall be used for immersive audio and assistive technologies in
DVB technologies (and hopefully more).
At the moment, there is no Linux plugin. Only au and vst. But, an
engineer of Fraunhofer offered me that he would initiate a Linux plugin
development if I can find more then three people, who are interested.
I took this bet!
So please support me!
:-)
BR,
Ck
Hey everyone!
I have recovered three tracks that I made during LAC2013. Restored from
their sorry state to something more palatable, these 10 minutes of music
will allow you to join me on this nostalgic journey and reminisce about
times long gone!
https://soundcloud.com/louigiverona/sets/lac2013
On track one you can hear samples taken out of the lecture by Rui on
QStuff, which I recorded with a mic right there and immediately
incorporated into the music.
"You are the user!"
This is true Linux Audio community lore :D
Louigi Verona
https://louigiverona.com/
Hey hey,
a new synthpop tune. Someone said it sounds 80ish, although I aimed for the
naughties. It's all one hardware synth, sequenced, recorded, mixed and master
in Linux with my usual setup.
youtu.be/p_dol1TI13Y
I hope you enjoy it, whether for its sounds or the music. I'm looking forward
to your impressions, if you have any. :)
Best wishes and enjoy,
Jeanette
--
* Website: http://juliencoder.de - for summer is a state of sound
* SoundCloud: https://soundcloud.com/jeanette_c
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* GitHub: https://github.com/jeanette-c
* Twitter: https://twitter.com/jeanette_c_s
I believe
We all have one true love
Somewhere in this world <3
(Britney Spears)
Dear all,
Tuesday September 10 I'd like to perform some maintenance on the
linuxaudio.org servers between 09:00 and 12:00 CEST. Maintenance
consists mainly of performing updates on the servers and booting them
with the latest kernels. Downtime and impact should be minimal but if
any weird things happen then please let me know at jeremy(a)linuxaudio.org.
Best regards,
Jeremy
Dear lists,
(German below)
we are looking for participants for a user study that deals with the
use of timecode vinyl for spatial sound control on Ambisonics systems.
Our call is especially aimed at people who have experience with vinyl
(DJing) or spatial audio technologies.
The experiment will be conducted from 10.09. until 13.09. in the
Electronic Studio of the TU Berlin:
https://www.ak.tu-berlin.de/menue/fachgebiet_audiokommunikation/adresse_und…
The test duration is about one hour and will be compensated with 10 €.
For students, the experiment can also be counted as a listening test
participation.
If you are interested, you can make an appointment via this Doodle:
https://doodle.com/poll/t3a65f8bsc8az6pz
Best regards
Henrik von Coler
Liebe Listen,
wir suchen Teilnehmer*innen für eine Nutzerstudie, die sich mit der
Verwendung von Timecode Vinyl zur räumlichen Klangsteuerung auf
Ambisonics-Sysemen befasst. Unser Aufruf richtet sich im Besonderen an
Menschen, die über Erfahrung im Umgang mit Vinyl (DJing) oder Spatial
Audio Technologien verfügen.
Der Versuch wird vom 10.09. bis zum 13.09. im Elektronischen Studio der
TU Berlin durchgeführt:
https://www.ak.tu-berlin.de/menue/fachgebiet_audiokommunikation/adresse_und…
Die Versuchsdauer beträgt etwa eine Stunde und wird mit 10€
entschädigt. Für Student*innen läss sich der Versuch auch als Teinahme
am Hörversuch anrechnen.
Wer Interesse hat, kann sich über diesen Doodle einen Termin sichern:
https://doodle.com/poll/t3a65f8bsc8az6pz
Viele Grüße
Henrik von Coler
--
Henrik von Coler
Elektronisches Studio, Fachgebiet Audiokommunikation
Electronic Music Studio, Audio Communication Group
Technische Universität Berlin
Fakultät I Geistes- und Bildungswissenschaften
Institut für Sprache und Kommunikation
Faculty I Humanities
Institute of Speech and Communication
Einsteinufer 17c, Sekr. EN 8, 10587 Berlin
Germany
Tel: +49 (0)30 314 22327
Fax: +49 (0)30 314 21143
voncoler(a)tu-berlin.de
www.ak.tu-berlin.de
Hi all.
The next meeting is on Tuesday the 10th of September at c-base. I'll be
in the mainhall from 20:00.
This time I'm bringing a Sensel Morph that I bought recently. Let's see
what we can do with that. :-)
Cheers
/Daniel