Greetings Greetings,
A couple of months ago I finally had my setup complete. Things were going
great, I'm using REAPER as my DAW, and I've managed to get whatever plugin
I wish to load up in Carla.
That is until a couple weeks ago. I've been trying to load up Calf
Plugins(Because REAPER doesnt natively support LV2) through Carla, but they
automatically turn off after a couple of seconds after being loaded in.
Any other Carla users having this issue? Or know of a solution?
Regards,
Sol
--
~ Website: https://solace7.github.io
~ SoundCloud:
~ YouTube: https://www.youtube.com/channel/UCoB3Nf3bj2Ru7he_h_wQibQ
~ GitHub: https://github.com/Solace7/
~ Twitter: https://Twitter.com/Solace_7
I have been using Carla for stage performances for at least a couple of
years..
I set up my Carla session to include a internal Midi-filter
and route the 16 midi channels to different plugins.
My standard session includes SetBfree, Pianoteq, various U-He synths and
some sfz libraries. I usually use keyboards where changing midi channel is
easy to do.
Last gig I had, an additional keyboard player was plaing with us and I
hocked his master keyboard to an empty usb-slot and connected him to one of
my plugins. Everything worked so well.
My problem is more that Carla is super flexible, the plugins are too and my
very configurable midi keyboard (one of them) Nectar Panorama P6 is too.
This gives me way too many options and ways to improve the setup.
/Anders
2018-09-26 15:12 GMT+02:00 Jeanette C. <julien(a)mail.upb.de>:
> Sep 26 2018, Gideon van der Kolf has written:
> ...
>
>> I use Konfyt for keyboard setups: http://www.noedig.co.za/konfyt/
>>
> ...
> thanks Gideon, I've also passed on your tip. Konfyt sounds like a useful
> tool. And no worries: your mail got through perfectly well.
>
>
> Best wishes,
>
> Jeanette
>
> --
> * Website: http://juliencoder.de - for summer is a state of sound
> * SoundCloud: https://soundcloud.com/jeanette_c
> * Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
> * GitHub: https://github.com/jeanette-c
> * Twitter: https://twitter.com/jeanette_c_s
>
> It's not complicated
> We just syncopated
> We can read each others' minds <3
> (Britney Spears)
> _______________________________________________
> Linux-audio-user mailing list
> Linux-audio-user(a)lists.linuxaudio.org
> https://lists.linuxaudio.org/listinfo/linux-audio-user
>
Hello. Uhm.. let's hope this goes to the right place, I've never replied to
a mailing list before. Am I doing it right?
Mididings does work for what you want, given that you don't need to quickly
be able to change the configuration just before / during the performance.
I use Konfyt for keyboard setups: http://www.noedig.co.za/konfyt/
It allows you to quickly and easily create patches and switch between them
with a cool feature that when you hold notes while switching patches, they
will continue to be held down until you release them.
In your case you would probably ignore the Soundfont and SFZ functionalilty
and just use MIDI output ports for each VST plugin and app (Pianoteq).
You'll still need something to host the VSTs, like Carla or Ardour. I
usually opt for Ardour since I feel comfortable with organising the
different instruments/effects in mixer strips.
Another option is MIDI Layer: https://sourceforge.net/projects/midi-layer/
Cheers
Gideon
On Wed, 26 Sep 2018 at 12:01, <linux-audio-user-request(a)lists.linuxaudio.org>
wrote:
>
> Hey hey,
> I am helping a friend to set up a live performance system. The general
> requirements are: one master keyboard connected to a notebook, which
> hosts several plugins (VST through wine and Pianoteq in some form). The
> challenge: switch the sound engine which the master keyboard is
> controlling via MIDI (from the keyboard) or through another cheap
> controller.
>
> The current state: use Carla to host the instruments and try to map
> certain MIDI controllers to switch the internal routing. To that end I
> found one thread on Linux Musicians, where FalkTX suggested using some
> MIDI filtering plugin (like pizmidi-plugins or x42) or a standalone app
> like mididings. No final solution was posted/described.
>
> Does anyone have a working solution to that kind of setup? It doesn't
> necessarily have to use Carla at the core, as long as it can host the
> instruments involved. Namely, these would be vb3 version 2 and M-Tron
> Pro (VSTs through wine) and Pianoteq, in which ever format.
>
> As far as I am aware, no layering or splitting setups are intended.
>
> Best wishes and thanks for any hints,
>
> Jeanette
>
>
... Yet Another Sparrow
Apart from the new list of helpers attached to the 'About' window, there is
little visible change for most users, but the command line has now been greatly
extended.
Full details are in doc/Yoshimi_1.5.9_features.txt
As usual, there still is much to do, but progress is steady.
--
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
ahoy all,
i have been doing some research into free/libre software and/or services for music distribution. my preferences are a *customizable* static HTML+CSS+JavaScript site (e.g. like the current crop of static site generators https://staticsitegenerators.net ) that i can host myself which allows streaming and free/libre downloads of releases/tracks. basically i am looking for a simple static site generator that is album/track/audio aware, though i am open to any solutions available.
my current list is small and all save one require a full-blown CMS+DB install:
* Pushtape http://pushtape.com
- currently only Drupal based
* CASH Music platform http://cashmusic.org
- PHP+DB requirement for self hosting
- also available as a free/beer service hosted by CASH Music with embeddable widgets
- currently no streaming support
* WordPress
- there are some freemium plugins for hosting a music store, etc. but again i am trying to avoid the setup+maintenance of a full CMS
* indieTorrent https://indietorrent.org
- online only service
- very interesting/cool manifesto https://indietorrent.org/docs/manifesto/
- not lots of activity but still kicking https://indietorrent.org/4rum/viewtopic.php?f=1&p=39#p39
- not specifically for self hosting but as it is open source it could be done
others (ReverbNation, Jamendo, Magnatune, Bandcamp, Bandpage, thesixtyone, etc) are all either non-libre, non-self hosting, etc.
if anyone has any items to add to this list, experience with a service, homemade solutions, etc. i would appreciate them sharing it. i figure since we all go through various amounts of trouble to follow our principles/passions/whatever by using free/libre tools when making music, sharing it would be no different.
thanks, w
Thinking about setting up a live streaming radio show for a local theater
group. Figured I'd start here with my research.
Does anyone do this with Linux? What app do you use?
How about video?
Regards,
Mac
On Fri, Sep 14, 2018, 7:35 AM Kai Hendry <hendry(a)iki.fi> wrote:
> Hi there,
>
> On my T480s on Archlinux I often have issues with my USB microphone (h1
> handy recorder):
> Sep 14 19:00:57 t480s kernel: retire_capture_urb: 2477 callbacks suppressed
> Sep 14 19:01:02 t480s kernel: retire_capture_urb: 2480 callbacks suppressed
> Sep 14 19:01:07 t480s kernel: retire_capture_urb: 2479 callbacks suppressed
>
> Resulting in just noise / garbage when recording with an ffmpeg/pulseaudio
> based script:
> https://github.com/kaihendry/recordmydesktop2.0/blob/master/x11capture
>
> https://s.natalian.org/2018-09-14/noise.mp4
>
> It's difficult to reproduce, but I have managed to experience the issue
> again and again on stable kernels, e.g.
> Linux t480s 4.18.6-arch1-1-ARCH #1 SMP PREEMPT Wed Sep 5 11:54:09 UTC 2018
> x86_64 GNU/Linux
>
> But not (yet) upon linux-lts 4.14.69-1 aka "LTS".
>
> Any tips how I should proceed here?
> https://www.kernel.org/doc/linux/REPORTING-BUGS is a bit overwhelming.
>
> Many thanks,
> _______________________________________________
> Linux-audio-user mailing list
> Linux-audio-user(a)lists.linuxaudio.org
> https://lists.linuxaudio.org/listinfo/linux-audio-user
>
I have a question for any people who make use of this.
Recent work means that in the latest builds some deep access into the synth
engines is now possible with the status of all context steps being echoed to
the prompt line so you know where you are.
However this can get very long, so I'm wondering if it would be better to have
a status line followed by a normal "yoshimi>" prompt. As has already been
pointed out, this would then tend to orphan the last command actioned from the
prompt. Currently, using minimised commands from the top level:
's p add voi env fre on'
reports:
'Part 1 Kit 1 Add Voice 1 Frequency Enable Env Value 1.000000'
and gives a new prompt line:
'yoshimi Part 1 on, Addvoice on, freq Envel on>'
Bear in mind that the report is what you did, and the prompt is where you are
(although there is considerable overlap).
If you now do:
's at t 80'
the report is:
'Part 1 Kit 1 Add Voice 1 Amp Env A dt Value 80.000000'
but the prompt line is still:
'yoshimi Part 1 on, Addvoice 1 on, amp Envel>'
We need to tidy up the responses, and intend to shorten the report line to just
the control changed and its new value, as the steps to reach it will be in the
prompt. Or should they be? That's my question.
Another consideration is that the prompt is specific to the CLI but reports
might be directed to the GUI console!
Also, as well as blind users, we have at least one sighted user who runs
graphically but sends commands via the CLI wherever possible.
Finally, I'm sending this to both LAU and Yoshimi's own list as this is getting
into unfamiliar territory and I would like to get the widest possible user
views.
--
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
Calling out to all musicians and Open Source aficionados!
Open Source Audio Meeting Cologne [1] proudly presents:
The OPEN SOURCE MUSIC FM SYNTHESIZER CHALLENGE
https://fmchallenge.osamc.de/
What:
Install one or several of the Open Source FM Synthesizers we selected
[2], make an awesome track using only these synthesizers as sound
sources, upload [3] it to archive.org under a Creative Commons license
and submit it [4] into the competition.
When:
The competition starts on *September 15th, 2018* and runs for one month
until the end of *October 14th, 2018*.
Who:
*Everybody* (i.e. every natural person) can enter the competition. All
selected synthesizers are Free Software [5] and getting started with
music production using Open Source software [6] is easy and free to
everyone!
Winning:
The winner of the competition is selected by *public vote* [7].
Voting starts on *October 15th, 2018* and is open for *ten days*. The
entry receiving the most points wins and will be presented at the second
*Sonoj Convention* [8] in Cologne on the weekend of October 27th/28th.
Second and third places will be awarded as well.
The winners will only receive fame and glory, but the community as a
whole also wins!
Before you enter the competition, be sure to check out the detailed
rules [9]!
Please share this announcement to all interested parties. If you wish to
sponsor prices for the competition winners, please contact the organizer!
*Let's make some awesome music using Open Source FM Synthesizers!*
Christopher Arndt
Open Source Audio Meeting Cologne
https://fmchallenge.osamc.de/
fmchallenge(a)osamc.de
[1] https://osamc.de/
[2] https://fmchallenge.osamc.de/fmsynths/
[3] https://archive.org/create/
[4] https://fmchallenge.osamc.de/submit/
[5] https://www.gnu.org/philosophy/free-sw.html
[6] https://libremusicproduction.com/
[7] https://fmchallenge.osamc.de/vote/
[8] https://sonoj.org/
[9] https://fmchallenge.osamc.de/rules/