Configuration controls are better defined and saved ones isolated from CLI
startup values.
Improved theme control. Changes are now auto-detected, and there is a
Monochrome setting.
New instruments added to banks.
Updates and improved descriptions in the User Guide.
Further code improvements, particularly regarding memory safety.
Various bugfixes - including a really obscure one!
Full details are in /doc/Yoshimi_2.3.3_features.txt
Yoshimi source code is available from either:
https://sourceforge.net/projects/yoshimi
Or:
https://github.com/Yoshimi/yoshimi
Full build instructions are in 'INSTALL'.
Our list archive is at:
https://www.freelists.org/archive/yoshimi
To post, email to:
yoshimi(a)freelists.org
--
Will J Godfrey {apparently now an 'elderly'}
https://willgodfrey.bandcamp.com/http://yoshimi.github.io
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
Rui,
another time: many thanks for this reliable piece of software, it's in use now for roughly 2 decades on my machines and I just love it,
all the best to you, hope you are well,
Suse
Am 18. September 2024 12:00:06 MESZ schrieb linux-audio-user-request(a)lists.linuxaudio.org:
>Send Linux-audio-user mailing list submissions to
> linux-audio-user(a)lists.linuxaudio.org
>
>To subscribe or unsubscribe via email, send a message with subject or
>body 'help' to
> linux-audio-user-request(a)lists.linuxaudio.org
>
>You can reach the person managing the list at
> linux-audio-user-owner(a)lists.linuxaudio.org
>
>When replying, please edit your Subject line so it is more specific
>than "Re: Contents of Linux-audio-user digest..."
>
>Today's Topics:
>
> 1. [ANN] QjackCtl 1.0.2 - An End-of-Summer'24 Release
> (Rui Nuno Capela)
>
>
>----------------------------------------------------------------------
>
>Message: 1
>Date: Tue, 17 Sep 2024 18:12:28 +0100
>From: Rui Nuno Capela <rncbc(a)rncbc.org>
>Subject: [LAU] [ANN] QjackCtl 1.0.2 - An End-of-Summer'24 Release
>To: LAU <linux-audio-user(a)lists.linuxaudio.org>
>Message-ID: <390963bf-d16e-4d12-9907-a3d0475d18bc(a)rncbc.org>
>Content-Type: text/plain; charset=UTF-8; format=flowed
>
>Greetings everyone!
>
> QjackCtl 1.0.2 (end-of-summer'24) is released!
>
> QjackCtl [1] is an aged yet modern, not so 'simple' anymore, Qt [2]
>application to control the JACK [3] sound server, for the Linux Audio
>[4] infrastructure.
>
>Change-log:
>- Graph: when visible the thumb-view may now be drag-moved over to a
>different corner position anytime.
>- Session: introducing new Save session name/directory dialog.
>- Connections: connector line colors are now uniquely mapped on a
>(readable/output) client name basis.
>
>
>Website:
> https://qjackctl.sourceforge.io
> http://qjackctl.sourceforge.net
>
>Project page:
> https://sourceforge.net/projects/qjackctl
>
>Downloads:
> https://sourceforge.net/projects/qjackctl/files
>- source tarball:
> https://download.sf.net/qjackctl/qjackctl-1.0.2.tar.gz
>- source package:
> https://download.sf.net/qjackctl/qjackctl-1.0.2-3.1.rncbc.suse.src.rpm
>- binary packages:
> https://download.sf.net/qjackctl/qjackctl-1.0.2-3.1.rncbc.suse.x86_64.rpm
>- AppImage [6] package:
> https://download.sf.net/qjackctl/qjackctl-1.0.2-3.1.x86_64.AppImage
>
>Git repos:
> https://git.code.sf.net/p/qjackctl/code
> https://github.com/rncbc/qjackctl.git
> https://gitlab.com/rncbc/qjackctl.git
> https://codeberg.com/rncbc/qjackctl.git
>
>
>License:
> QjackCtl [1] is free, open-source Linux Audio [4] software,
>distributed under the terms of the GNU General Public License (GPL)
>version 2 or later [5].
>
>
>References:
>
> [1] QjackCtl - A JACK Audio Connection Kit Qt GUI Interface
> https://qjackctl.sourceforge.io
>
> [2] Qt framework, C++ class library and tools for
> cross-platform application and UI development
> https://qt.io/
>
> [3] JACK Audio Connection Kit
> https://jackaudio.org
>
> [4] Linux Audio consortium of libre software for audio-related work
> https://linuxaudio.org
>
> [5] GPL - GNU General Public License
> https://www.gnu.org/copyleft/gpl.html
>
> [6] AppImage, Linux apps that run anywhere
> https://appimage.org/
>
>See also:
> https://www.rncbc.org/drupal/node/2646
>
>
>Cheers!
>- - -
>rncbc aka Rui Nuno Capela
>
>------------------------------
>
>Subject: Digest Footer
>
>_______________________________________________
>Linux-audio-user mailing list -- linux-audio-user(a)lists.linuxaudio.org
>To unsubscribe send an email to linux-audio-user-leave(a)lists.linuxaudio.org
>
>
>------------------------------
>
>End of Linux-audio-user Digest, Vol 211, Issue 8
>************************************************
@hailey@hails.org 🔗 https://hails.org/users/hailey/statuses/110919657595337270
-
Introducing Bark! Low-latency multi-receiver live-sync lossless audio streaming for local networks. It's like Sonos, but open source, so nobody can brick your devices remotely. It's also written in Rust :)
https://github.com/haileys/bark
It sends 48khz uncompressed float32 data over UDP multicast. It can achieve playback sync to within hundreds of microseconds in ideal conditions, and usually to within a millisecond.
I've been working on it in my spare time over the past week, and I'm pretty happy with how it's shaped up. I have three receivers setup and it works remarkably well at keeping everything in sync as I walk around my house. For now it only really works on Linux, and supports Pipewire (and Pulse in theory), but there's no huge impediment to making it truly cross-platform.
It also features a fancy live stats subcommand, which can used on any computer in the same multicast domain to watch the status of the stream cluster:
---
David W. Jones
gnome(a)hawaii.rr.com
exploring the landscape of god
http://dancingtreefrog.com
Sent from my Android device with F/LOSS K-9 Mail.
Ratatouille is a Neural Model loader and mixer for Linux/Windows.
This release add separate Input control for each Model, makes the delay
a delta delay, means it allow to delay the first or the second Model, as
needed, and implement support for the 'ctrl' key to allow sample
accurate settings for the delay to solve phasing issues between the Models.
Ratatouille allow to load up to two neural model files and mix there
output. Those models could be [*.nam files](https://tonehunt.org/all) or
[*.json or .aidax files](https://cloud.aida-x.cc/all). So you could
blend from clean to crunch for example, or, go wild and mix different
amp models, or mix a amp with a pedal simulation.
Ratatouille using parallel processing to process the second neural model
and the second IR-File to reduce the dsp load.
The "Delay" control could add a small delay to the second model to
overcome phasing issues, or to add some color/reverb to the sound.
To round up the sound it allow to load up to two Impulse Response files
and mix there output as well. You could try the wildest combinations,
or, be conservative and load just your single preferred IR-File.
Each neural model may have a different expected Sample Rate, Ratatouille
will resample the buffer to match that.
Impulse Response Files will be resampled on the fly to match the session
Sample Rate.
Project Page (source code):
https://github.com/brummer10/Ratatouille.lv2
<https://github.com/brummer10/Ratatouille.lv2>
Release Page (binaries):
https://github.com/brummer10/Ratatouill ... s/tag/v0.9
<https://github.com/brummer10/Ratatouille.lv2/releases/tag/v0.9>
Just wondering if any of the regulars here are going this year.
As it has changed to the 19th and 20th October and doesn't clash with
SynthfestUK I'll definitely be going.
--
Will J Godfrey {apparently now an 'elderly'}
Hey hey,
my virtual acoustic ensemble is back with more experimental music: Wildfire
https://youtu.be/nnDppQ3tgfU
The ensemble is a physically modelled group of instruments, set in a virtual
room, using binaural spatialisation, all done in Csound.
This time the music is a mix of (free) jazz, fusion and perhaps even a few
metal ideas. Tonally it uses the whole tone and whole-step-half-step scales.
rhythmically it features moments of polymetric fun and a few signature
changes.
If you listen to it on headphones, which is recommended, or on more or less
decent speakers at a good volume, you may notice some incidental sounds of the
players moving and the room creeking. it's very soft. These sounds are based
on samples I recorded, but they are introduced by Csound using semi-random
scheduling.
Well all is said and done: it's some fun music coming from a stormy day.
Best wishes,
Jeanette
--
* Website: http://juliencoder.de - for summer is a state of sound
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* Audiobombs: https://www.audiobombs.com/users/jeanette_c
* GitHub: https://github.com/jeanette-c
Just call out my name, and I will be there... <3
(Britney Spears)