Hi all,
Ok I've been avoiding MIDI for too long... I just used ecasound and now ardour
+ hydrogen to "fix" some ideas on the HD for later experimentation with my
band. Now I'm starting to feel curious about MIDI (those MTC and MMC commands
in ardour?!?).
The question is: where do I find some good tutorial or manual covering the
basis of MIDI? And: what do you use MIDI for? I thought it was all about
karaoke and the such...
Thank you
felipe
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hi,
just wondering if anyone can reccomend any speech to text software for
GNU/Linux?
the tremor in my hands is pretty bad at the moment and it looks like i'll be
in need of some :(. apparently its temporary and will go.... but its
frustrating...!
thanks
m~
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gnupg key ID: AEB7A31E
Dear friends,
I try to use XMMS as a mp3 / streaming mixer to mix different live audio
streaming... but my problems is when i want to fade out or fade in one
of the source XMMS fade all the player. So i know i could use many XMMS
player at the same time, but do you know if we could mix it live? Is
there a plugin for that or a special option? or do you know an app in
the same idea as XMMS but where we could mix the different live audio
streaming source?
Thanks a lot for you help
best
juto
HI All
While we're on the subject of mastering .. I can't seem to find a
multiband compressor anywhere... (i.e. ladspa plugin)
AM I blind or is there not one yet.. Are there easy tool sto make
plugins.. or do I simply need to setup a chain..
THe other way this could work is if there is a parametric EQ plugin that
has separate outs for each frequency band.
Without the plugin all I can see is a very messy option of copying a
track three (or more) times EQ-ing these so the represent three distinct
(slightly crossing bandwidths) and then running them all through a
compressor... or (this is pretty much the same) usign a sidechain from a
compressor plugin to route it through an EQ plugin.
If there isn't one can anyone suggest an easy tool from which to build a
multiband compressor in?
cheers
ALlan
--
Allan Klinbail <allank(a)labyrinth.net.au>
Hi,
here's someone making music with a dot matrix printer:
http://qotile.net/dotmatrix.html
I wonder if ALSA supports it as well?
ciao
--
Frank Barknecht _ ______footils.org__
Hi
While playing around with ardour.. I notice I'm getting quite a lot of
xruns.
I have setup jack with tmpdir=/mnt/ramfs options..
At this stage I am just using jackstart -d alsa -d ice1712
I also am using a newer P4 processor and am wondering how to turn off
HyperThreading options. As recent discussion indicates this can add to
xruns.
cheers
--
Allan Klinbail <allank(a)labyrinth.net.au>
JACK 0.72.4
JACK is a low-latency audio server, written primarily for the GNU/Linux
operating system. It can connect a number of different applications to
an audio device, as well as allowing them to share audio between
themselves. Its clients can run in their own processes (ie. as normal
applications), or can they can run within the JACK server (ie. as a
"plugin").
JACK is different from other audio server efforts in that it has been
designed from the ground up to be suitable for professional audio work.
This means that it focuses on two key areas: synchronous execution of
all clients, and low latency operation.
**CHANGES**
* Updated documentation
* Bug fixes
* MacOSX port. Includes a ProjectBuilder file to help compilation.
Requires PortAudio to be installed.
* Ringbuffer example files added
* New example client: simple transport master to demonstrate Jack's
transport API. Requires GNU readline to compile.
* Removed software monitoring and improved hardware monitoring
semantics.
Taybin Rutkin
Hi
I'm getting annoyed that every time I restart the machine (or possibly
just ALSA) I need to reconfigure my mixer settings. (especially for my
delta 66 as I like to have the adc, dac settings setup so that the
meters on the computer match those of my mixing desk and hardware
compressors.. unity gain should be the same everywhere)
I'm sure this is just a matter of having the right SysV init script. My
confusion is that Mandrake has 3 scripts for sound.. it has alsa,
alsasound and sound.
Does anyone know which is the right one to be using to ensure that my
mixer settings are saved?
cheers
--
Allan Klinbail <allank(a)labyrinth.net.au>
Greetings:
I'd like to employ dmix on my laptop but I need to know a few things
before doing so. The first thing concerns my assumptions: Am I correct
in understanding that dmix will perform as a "virtual hardware mixer" a
la the SBLive on my desktop machine ? My laptop is an HP Omnibook 4150,
it's very nice but its sound chip is a CS4232 and is not capable of
hardware mixing like the SBLive. It would be nice if dmix would let me
play with more than one audio app at a time.
If my first assumption is correct, how do I invoke and use dmix ?
Should it be in a startup file somewhere or should it be launched from
the command-line ? Given that my laptop's CPU is only a PII 366 what
kind of performance can I expect ? Finally, how do I control the volume
for each app playing, i.e., is there a mixer that recognizes dmix ?
I'm curious as to how people are using dmix and what are their
opinions about it, so fire away...
Best regards,
== Dave Phillips
The Book Of Linux Music & Sound at http://www.nostarch.com/lms.htm
The Linux Soundapps Site at http://linux-sound.org
Well, in that respect, can you clear up something for me about your
.asoundrc file? I am not that familiar with ALSA's internals, so perhaps
this is a silly question, but here goes..
The .asoundrc comments say that quattro1 is pcm0, but what exactly is pcm0?
Is that outputs 1 and 2 viewed as a stereo card? I also don't really
understand what all the other things are for, like quattro, q4, and q4b or
how I could do practical things like record or play on one specific
in/ouptut. Would you consider rewriting your comments in the file so they
are more understandable to those not familiar with the intricacies of
asoundrc and low level alsa stuff? It would be very helpful. Some practical
hints along these lines would be great:
"quattro1 is the physical input 1 and 2 and output 1 and 2 working as one
stereo device. It has a maximum samplerate of foo."
"To record or play a mono channel on a specific input/output using (for
example) arecord, do 'bar'"
..and something similar to explain the differences between the q4, q4b and
quattro entries. It would be great if you would want to do this, because it
would save people the time of having to grok the whole .asoundrc syntax
themselves.
Thank you for writing the thing in the first place by the way!! :-)
>From: Patrick Shirkey <pshirkey(a)boosthardware.com>
>Reply-To: linux-audio-user(a)music.columbia.edu
>To: linux-audio-user(a)music.columbia.edu
>Subject: Re: [linux-audio-user] Quattro: part two of mail :-/
>Date: Fri, 13 Jun 2003 19:14:28 +0900
>
>Denis de Leeuw Duarte wrote:
>>..sorry, I just sent half an e-mail by accident.
>>
>>I was about to describe how I tried recording with my quattro:
>>
>> arecord -d quattro1 -r 44100 -c 1 -f S16_LE test.wav
>> arecord -d quattro1 -r 48000 -c 1 -f S16_LE test.wav
>> arecord -d quattro1 -r 48000 -c 2 -f S24_LE test.wav
>>
>>..and a few others. The sound is very much like it was sampled at a very
>>low samplerate and/or bitrate. Can someone paste me a known good arecord
>>line for the quattro, or does anyone know about this problem?
>>
>
>I've been unable to record throught e inputs 1/2 for a couple of months
>now. 3,4 work perfectly though.
>
>
>--
>Patrick Shirkey - Boost Hardware Ltd.
>Http://www.boosthardware.com
>Http://www.djcj.org - The Linux Audio Users guide
>========================================
>
>Being on stage with the band in front of crowds shouting, "Get off! No! We
>want normal music!", I think that was more like acting than anything I've
>ever done.
>
>Goldie, 8 Nov, 2002
>The Scotsman
>
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