I seem to recall someone saying there is a limit to the number of ports jack
can handle. What is the limit?
For audio, would I be right in thinking L & R as far as jack is concerned are
simply added to the total?
What about MIDI, how many MIDI ports can jack handle?
--
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
I have some question regarding versions of Ardour
that people are using.
Currently, I am running Fedora 20, and their
software repository has two versions of Ardour available:
ardour-2.8.16-12.fc20
ardour-3.5.403-1.fc20
I seem to recall that in the past, despite
Ardour3 being available, some people were still preferring
to use Ardour2. This seems to be supported by the
fact that Fedora offers both versions.
Why might one prefer Ardour2 over Ardour3?
Thanks
Hey everyone!
Due to the fact, that my site is now offline, I have managed to create a
page, dedicated to project "droning", so that it is still available to the
public.
I will be updating it with new compositions within the next couple of
months.
http://www.disc-shelf.com/droning/
Thank you!
--
Louigi Verona
Hi everyone!
To launch jack I run:
/usr/bin/jackd -P80 -dalsa -r44100 -p256 -n2 -Xseq -D -Chw:5,1 -Phw:5,0
This is what I have in my .jackdrc.
In command line, there is no problem. It works perfectly. But if I try
to launch Jack with this parameters through QJackCtl, I get this in the
message window:
creating alsa driver ...
hw:5,1|hw:5,1|256|3|44100|0|0|nomon|swmeter|-|32bit
The 5.0 output becomes 5.1. I don't understand why.
Does anyone have an idea of what happen ?
Sound card: Fast Track Pro
OS: Ubuntu 12.04
Jack: jackdmp 1.9.8
QjackCtl: 0.3.8
pulseaudio-module-jack installed and Fast Track Pro disabled in PulseAudio
Anton Curl
Hi guys, is there a Linux audio user group in Karlsruhe/Germany. If no,
would anyone living in the area like to initiate one with me?
I live in Heidelberg but no one on this list seems to live there too, so
I'm expanding my search, and riding by train doesn't take that long.
Gerald
Hi all,
ever again someone comes up with a question regarding what AI works with
what laptop, so I just thought I would share my results.
Last September I bought a Lenovo w540 laptop, spec'd with
i7 4700mq processor
1TB Samsung Evo 850 SSD system drive
500 GB HDD in Optical drive caddy
8 GB RAM
I configured it to dual boot Windows 8.1 (for my wife;) and kxstudio.
kxstudio runs with the lowlatency 3.13 kernel.
I already owned a TC Impact Twin Firewire interface that I intended to try
out on Linux.
I only just now got to connect the two, the w540 doesn't have Firewire
onboard so I bought a 2 port express card for 20 Euros (brand is inLine,
chipset VIA VT6315).
I can now happily report back that I'm running the TC Impat Twin with ffado
and Jack at 64 frames, 2 buffers, with 2.6msec latency, and it's very
stable till now. That is with HT turned on (I did not yet try it with HT
turned off). At 32 frames I immediately get hundrets of xruns.
The ffado mixer doesn't offer control over the Impact Twin, except for the
sample rate and clock master. That means neither configuring the TC for
standalone operation, nor zerolatency operation will work on Linux (for
now).
In Jack all 14 I/O and the Midi ports of the interface are shown correctly.
I launched a ~50 track ardour 3 project with various LV2 Plugins (IR, Calf
reverbs EQs and Compressors, Invada stuff, Linuxdsp stuff etc.) and got no
xruns at all.
All in all I'm very happy, and I want to thank all the amazing folks out
there that are working hard to make Pro audio work on Linux possible. I'm
only a semi pro "user" (supporting financially a few projects, where I
can), but started out with Linux audio work in 2004, and it is remarkable
where this amazing community got in those 10 years.
Cheers
Moshe
Hello!
There were lot's of Berliners at LAC 2015 and after talking to some of them
we thought it would be nice to start a linux audio user group here in
Berlin.
This is an open call to all Berlin based Linux Audio users and developers!
Let's meet, talk and share knowledge :)
So far we have a mailing list[1] and an empty twitter account[2] (thanks to
Sam :))
Our first meeting will probably be held at C-Base in the next weeks.
We have no agenda yet, everyone is welcome, but me and Sam are more focused
on electronic music stuff.
Any suggestions on the date?
[1] (as soon as the DNS starts working properly we send you the link to
subscribe)
[2] http://twitter.com/LAudioBerlin
Cheers!
--
Bruno Gola <brunogola(a)gmail.com>
http://bgo.la/
Hi!
I already told you about Sebkha-Chott several times on this list,
usually speaking about our releases (always under GNU/Linux, from the
beginning to the end).
Actually, Sebkha-Chott also uses GNU/Linux on stage to manage sound,
lights and video of the whole show (see details below).
I usually don't post shows list or tour schedule here (maybe I should),
but this time it's a big and international festival, so it might be that
some of you will be interested in it.
So Sebkha-Chott will play at Brutal Assault Festival #20 in Jaromer
(Cz), for the third time, but for the first time, we will use the
GNU/Linux live setup they have on tour. The final schedule is not known
yet, but it will be between 5th and 8th of August. If some of you live
near Cz, are metalheads, that's the place you should be (if you ask me,
this year's line-up is really great, the best I've known since I know
this festival).
http://www.sebkhachott.net/15-years-of-sebkha-chott-kourt
Here it is (please note the video and lights part of the system won't
probably play at Brutal Assault due to very tight changeover schedule).
*Description of Sebkha-Chott's live setup*
*Distribution*
All machines, including RPI, are running Debian systems, mostly Jessie.
http://www.debian.org
*Session Handling*
Session handling is managed through ladish and on some control machine
small shell scripts.
http://ladish.org
*Audio*
/Routing/
All the routing is managed through ladish, jack is configured with the
restrict self-connect option.
/Mixing/
The mixing/processing of any audio signals coming from the instruments
on stage or from "virtual sources" inside the machines (synths,
samplers) is done through a bunch of Non-Mixer (probably not uptodate)
instances, running independently one from the other. All these
Non-Mixers finally ends up in the FOH mix or on of the three monitors
mix (which goes to in-ear monitors system). We highly recommend
Non-Mixer for this type of setup, as you don't need a timeline, and
Non-Mixer is really lightweighted, OSC controllable, and flexible.
Ecasound might have done the job too, still.
http://non-mixer.tuxfamily.org/
/Live Looping/
The "instrumental line-up" contains 2 basses, 2 guitars, 3 vocals and a
drumkit, each of them goes to a single looper (for the drums, we only
loop a stereo submix). We use Sooperlooper (probably not uptodate, and
(uglily) patched so that Jack Transport Synchronization with SL as a
master works with it and is recalled when at session load).
http://essej.net/sooperlooper/
/Synths/
Additionnally to the physical instruments, 5 synths are running, 3 of
them polyphonic, 2 of them monophonic. We use Alsa Modular Synth
(probably no uptodate) for this. You might get the patches on github
(see below)
http://alsamodular.sourceforge.net/
/Samplers/
A virtual drumkit is also used, with really-non-drumistic sounds. We use
tapeutape (patched not uptodate version) for this purpose.
http://hitmuri.net/index.php/Software/Tapeutape
/Clic/
We use Klick to send clic in every monitor.
https://github.com/dsacre/klick
*Lights*
Lights are controlled using QLC+. We use four profiles projectors and 4
LED "barres", which are split into 8 RGB segments each, each segment
mightbe controlled independently from the others.
http://qlcplus.sourceforge.net/
*Video**s*
Videos and Moving images are displayed on three V-form screens. Those
videos are displayed using a self-developped software called PytaVSL
(derivating from VSL, a set of pd patches we used on a children show)
and based on Pi3D. This runs on RPIs (old ones, not the big beasts you
might get for 30$!!!).
This lays on a mapped-layers principle, each of them might be mapped
with images or videos, the content can be changed with OSC control, and
you can move or change properties (including visibility/inivisibility)
of a layer using OSC too.
By now, PytaVSL is not recommended for anyone except us (or you will
have to put your hands in it, and you'll see then we're no real devs!!!).
https://github.com/orlammd/pytaVSLhttps://github.com/tipam/pi3d
*Controls*
/MIDI/OSC Routing/
The whole thing is controlled via a centralized OSC/Midi router. We use
Mididings for this purpose, and we highly recommend it, it's a really
good piece of software which makes everything possible in such a setup.
The version we used has been patched to be able to route/filter/manage
OSC messages too. I propose this dirty patch to Dominic and I know he
has worked on this, but I couldn't tell what's the current state of the
software, as we do not use an uptodate version on this neither!
/PedalBoards/
We use DIY pedalboards to trig the sequencers, loopers, and to change
instruments sounds (including synths). These pedalboards are made of a
"règle de maçon", push-buttons and a Teensy2.0 programmation board. It
basically sends an OSC message /pedalBoard/button #number when you press
a button. These messages are then managed by Mididings. There are two
pieces of software for this, one on the board, one on the receiving
computer.
https://github.com/AMMD/Poly_PedalBoard
/Touchscreen Interfaces/
All the mixers, the LASDPA plugs, and in some case the synths are
controlled using touchscreen interfaces. We've developped a programm for
this purpose called Ghislame. Initially developped in C++/Fltk, we
ported it to python/kivy and finally it now uses a JS engine. Initial
versions controlled more things (loopers, synths, mixers, lights), but
in a quite weighted way. Current version (JS) only controls Mixers and
Plugs, but does it much more fluently.
One of these touchscreen interfaces is placed at FOH, so that mix of the
show might be done from FOH. The other ones are sprayed on stage so that
musicians might control their monitoring and some other things easily.
https://github.com/jean-emmanuel/oschtmlguihttps://github.com/AMMD/kvGhislamehttps://github.com/AMMD/Ghislame
/Visual Monitoring/
Several small laptops are placed on stage with LiveDings (Mididings
frontend) and slgui (SooperLooper GUI) running on them.
*Sequencers*
/Midi Sequencing/
seq24 in a really really patched version is used to sequence MIDI. It's
used in matricial mode, and the patches we've done acts on many things:
arbitrary number of beats in a measure, abitrary number of measures in a
sequence, n-tuples, 16x13 matrix (instead of 8x2), play/stop
controllable by Program Changes, and other crappy things. I really don't
recommend our patched version which contains many bugs we learned to
prevent! It's the very first software we've been patching, and....
wel.... seq24 is synced to Jack Transport as a slave. As far as I know
this doesn't work anymore with more recent version of seq24, and as a
result, our version is not uptodate. We will certainly change about this
when we'll have time. We attend much from Non-Sequencer on that point! ;)
/OSC Sequencing/
Over the Midi Sequencing, OSC sequencers are running. One controls the
lights, one controls the videos, another one might send messages to
audio machines (including seq24), and one runs over them all and might
send the BIG SEQUENCE messages!
We use a self-developped software called pyOSCseq. This sequencer can
run looped sequence (as any other sequencer) but also can send on-shots
sequence (many uses in theater context).
https://github.com/jean-emmanuel/pyOSCseq
/Jack Transport/
Jack Transport is used to synchronize every tempi/triggers and so on.
Sooperlooper is Jack Timebase Master, and the other pieces of software
that might be sync to are slaves. Considering that Sebkha-Chott'music is
composed of many sequences in many metrics and tempis, with highly
contrasted way of passing from one to the other, this point was a very
critical point at the beginning of our work with machines (in 2008).
--
ORL
AMMD - Freak & Free Arts Coo[r]p
www.ammd.net - 095 234 72 48
