I switched from Xfce4 to JWM. JWM does work with all apps excepted of
QjackCtl. Often I need to kill QjackCtl, because the Connect window
always is above all other windows and it's impossible to close it. I
don't want to use a tiling window manager or a WM that is nearly as
bloated, as DEs such as Xfce4. What WMs do you use?
A lightweight DE would be ok too, as long as it isn't unstable and has
got no dependencies to GNOME software. Bad coded stuff like
Enlightenment is a complete no-go. I want to handle windows with the
mouse, they should be free to overlap and I don't want to experience
issues, even not issues that happens seldom, workspaces should be
editable. JWM is nearly perfect, excepted of the QjackCTL issue.
Hello all,
I may be putting together a box dedicated just to act as a multitrack
effects unit - without planning any recording. The effects stack will
for most channels most likely look like this: reverb, delay, EQ and
maybe one of flanger, chorus or rather seldomly compression. Anyway,
just the classics, planning so far to only to install the calf and
invada lv2 packages. Though I am open for recommendations here, too. And
of course I am looking for a suitable effects host/rack.
However, I do suppose, the reverb will be the most cpu consuming item
and I am wondering, what feature an a cpu should I be primarily looking
for? I guess, for effects, especially reverb, the floating point
performance will be paramount?
As HT generally has a bad reputation for audio, currently, the AMD
FX-8350 is on top of my list, as the floating point preformance is said
to be rather good and lots of cores should be ideal for running lots of
effects in parallel - though unfortunately not every core does have its
on FPU. As it is not going to run 24/7, the insane energy consumption is
somewhat acceptable.
But, beeing no coder, I may be completely off track with my conceptions
here, so I am asking for some more insight or alternative
recommendations, maybe even with a short reasoning
Thanks
Ede
Hi,
Congas (in this case Wavedrum congas # 19) have sometimes hits louder
than others. Eg. the player hits more forcefully at times. What would
be a good way to even out the output (recorded in Ardour) so that the
stronger hits do not stand out as much in the mix ?
Cheers.
On Sunday 14 September 2014 10:21:16 you wrote:
> On Sun, Sep 14, 2014 at 10:14 AM, David Baron <d_baron(a)012.net.il> wrote:
> > On Sunday 14 September 2014 09:59:10 you wrote:
> > > On Sun, Sep 14, 2014 at 9:56 AM, David Baron <d_baron(a)012.net.il> wrote:
> > > > On Sunday 14 September 2014 09:25:01 Paul Davis wrote:
> > > > > On Fri, Sep 12, 2014 at 4:15 PM, Russell Hanaghan <
> > > > >
> > > > > hanaghan.osaudio(a)gmail.com> wrote:
> > > > > > Hmm, $60us by the looks? Not too much money by any means if it
> >
> > works
> >
> > > > > > reliably.
> > > > > >
> > > > > > Just curious if any devs are into writing something simple? I can
> > > >
> > > > provide
> > > >
> > > > > > testing assistance only. Just sounds like a cool and relative
> >
> > thing to
> >
> > > > > > have
> > > > > > in the open source world.
> > > > >
> > > > > when it comes to translating from one DAW format to another, there
> >
> > is no
> >
> > > > > such thing as "simple".
> > > > >
> > > > > the people behind AATranslator are a veritable font of knowledge
> >
> > about
> >
> > > > this
> > > >
> > > > > stuff, and it cannot be stressed enough how much work they have done
> >
> > and
> >
> > > > > how much they have had to discover.
> > > > >
> > > > > no other attempt at such a tool has ever succeeded - there was one
> >
> > other
> >
> > > > > tool which Solid State purchased but its existence now seems hard to
> > > >
> > > > spot.
> > > >
> > > > Yep. I had tried to start an openDAW discussion/project a few years
> >
> > back,
> >
> > > > with
> > > > a common XML-based intermediary referencing pcm files/segments. The
> > > > existence
> > > > of a proprietary-binary "AAF" library was called to my attention with
> >
> > some
> >
> > > > intent of releasing a XML/text based version. A few DAW programs
> >
> > support
> >
> > > > AAF.
> > > > Have not heard much since.
> > > > __________________________
> > >
> > > AAF is actually a relatively open specification BUT
> > >
> > > * it has every hallmark of design-by-committee
> > > * it is vastly more centered on broadcast and video than on typical
> >
> > DAW
> >
> > > scenarios
> > >
> > > * the spec includes an explicit dependence on Microsoft "structured
> > >
> > > storage format",
> > >
> > > which is essentially a filesystem-in-a-file, and this part is
> > >
> > > somewhat opaque
> > >
> > > although there are attempts at an open source implementation
> > >
> > > I wouldn't put a minute of my time into AAF support. It is a dinosaur,
> > > in
> > > every sense of that word.
> >
> > So maybe it is time to invent a new one. What I had in mind was something
> > like
> > what Cakewalk has, but open, XML-based, hand-editable. PCM segments would
> > be
> > the only thing that HAD to be binary. MIDI could be done binary as well or
> > XML
> > (there are already schemas for such).
>
> http://xkcd.com/927/
Very cute.
However, there are no real standards. Each program, opensource or not, has its
own system and ne'er the 'twain do meet. So one restricts to one program, no
other choice.
Microsoft is so big so makes its own standards, its own rules, changes them at
will (example rtf), but they are not in the DAW business. Just many programs
run on their platform so may use some of their file-structures.
What if the programs we use here, on this list, were inter-operable?
Ardour/Harrison, Qtractor, Muse, Rosegarden, etc. We have more choices than
does Microsoft. What if Tracktion (proprietary, now supporting Linux!) were
brought on board? I do not think it is so far-fetched if there be a will to do
so. One opensource library to service this, done once.
(I no longer have my old posts, proposals for this. Discussion was a while
back.)
I'd like to rename jackd ports by command line -- is there a way?
--
Jonathan E. Brickman
Ponderworthy Music | jeb(a)ponderworthy.com | (785)233-9977 |
http://ponderworthy.com
Hi guys,
I own an acoustic drum, and I wanted to record it.
My set looks like this [1], and I wanted 8 mics to record it.
So, starting from *just* the drums, I bought everything I needed:
1. The Mixer
I got a second hand Soundtracs Topaz Micro (I used its Inserts as Direct Outs)
for 220 euros
2. The PC
I got an IBM Thinkcentre 8215 for 50 euros
3. The converters
I got an Echo Layla 20 for 50 euros, it has 8 analog ins and it is
really well supported by alsa.
4. The Monitors
I got a pair of second hand KRK Rockit 5 for 150 euros
5. Cables and mic stands
Got them for around 250 euros
6. The mics
I got an Audix D6 and a Sennheiser e609 for kick,
a Revox m3500 and a Beyer m610 for the snare,
two Sennheiser e609 for the floor toms
and a pair of Sennheiser e614 as overheads.
The total cost of those mics (second hand) is 600 euros.
So, the total price of the whole thing was around 1320 euros!
Here are some audio clip of the result, dry recording [2] and processed
with some eq, compressor and reverb [3]
So guys, what do you think?
If I would improve the quality of my recordings, where should I spend
more money?
PS: I suck at playing
[1] http://carlorat.me/drumset.jpg
[2] http://carlorat.me/noproc_session.ogg
[3] http://carlorat.me/proc_session.ogg
--
Carlo Ascani | carlorat.me
skype: carloratm
irc: carloratm@freenode
I'd love to be able to run one of my standard calfjackhost chains, with
a command-line switch to suppress GUI. Is there a way?
--
Jonathan E. Brickman
Ponderworthy Music | jeb(a)ponderworthy.com | (785)233-9977 |
http://ponderworthy.com
Hi all,
I would like to share with everyone this new SuperCollider tutorial I wrote
over the Summer. It's specifically written for total beginners, and it's
Creative Commons licensed, so feel free to share, copy, distribute,
remix...:
PDF:
https://ccrma.stanford.edu/~ruviaro/temp/00_PDF_A_Gentle_Introduction_To_Su…
Source files (LaTeX):
https://github.com/brunoruviaro/A_Gentle_Introduction_To_SuperCollider
... and in case you'd like a nicely printed copy at cost value:
http://www.lulu.com/shop/bruno-ruviaro/a-gentle-introduction-to-supercollid…
The title is a little homage to Touretzky's Common Lisp book, which I loved
when I read it years ago. This tutorial is also very much indebted to David
Cottle's intro chapter on the SuperCollider book.
I consider this tutorial to be in "beta version" -- I'll try it for the
first time in a classroom situation this Fall, and probably will change
things over time. So I very much welcome feedback from anyone who cares to
read it!
Best,
Bruno
Hi list,
I'm thinking of updating some of my web pages to use multi-platform
flash/html5 audio players, at present they use flash only and won't play
on iPads for example.
Due to some problems I was having with pulse audio in relation to my HDSP
interface I have recently disabled it and all my audio is running via jack/alsa and
the HDSP interface. With flash in firefox, there are no problems and the
audio plays. My .asoundrc is configured with the following:
pcm.rawjack {
type jack
playback_ports {
0 system:playback_1
1 system:playback_2
}
capture_ports {
0 system:capture_1
1 system:capture_2
}
}
pcm.jack {
type plug
slave { pcm "rawjack" }
hint {
description "JACK Audio Connection Kit"
}
}
pcm.!default {
type plug
slave { pcm "rawjack" }
}
HTML5 players in firefox don't play however via jack. When pulse was enabled, HTML5
content would play through the computer's built-in sound card. Now that
it's disabled I can't get it to play through jack.
An example page with a HTML5 player is here:
http://www.html5tutorial.info/html5-audio.php
Any suggestions please? A modification of the .asoundrc?
I'm running Ubuntu 14.04
Thanks,