24 Feb
2018
24 Feb
'18
7:37 p.m.
On Sat, 24 Feb 2018 18:58:08 +0100, Joakim Hernberg
wrote:
Keep in mind, the sax player could try out different pharses for
hours inside the booth and to record the sax, the musician could do it a
few seconds outside the booth.
On Sat, 24 Feb 2018 18:40:07 +0100
Ralf Mardorf <ralf.mardorf(a)alice-dsl.net> wrote:
You are absolutely right! This is just for a sax player who want's to
increase her free jazz abilities.
A few seconds ago I off-list wrote:
Begin forwarded message:
Date: Sat, 24 Feb 2018 19:03:50 +0100
From: Ralf Mardorf
To: jonetsu
Subject: [off-list] [LAU] studio prep question.
I'm not good doing overtone singing and would like to practise
doing it, but since I have good luck with a peaceful neighbourhood and
some even like my guitar playing, I won't exhaust the good luck and
don't practise overtone singing.
To practise overtone singing a cabin would do the job ;). An acoustic decoupled room inside
the room for a sax player might be possible in regards to costs and
structural engineering, but at some point there are limits regarding
costs as well as structural engineering.
No matter how well done a booth sounds like a booth :)
IMO, you solve some problems to create others.