29 Dec
2016
29 Dec
'16
12:34 a.m.
Hello,
I started the Soundcloud page a year ago. I thought I should share the
music I make. This was an opportunity for me to learn about mixing
music, about putting a bit more 'seriousness' in the process, more
technical aspects, paying attention to more details, in short,
polishing up a bit and structuring pieces. At that time I bought a
book on mixing, started to read articles.
A year later while I'm still learning I can see that there was a bit of
a road that was made and I can see that if I go one, it will become
easier to bridge emotions to sounds.
A year later there are 33 pieces that I uploaded. There were 4453
plays, 85 likes, 134 downloads and 27 followers. While these numbers
are certainly extermely average if not sub par, I find it very nice in
their own way.
So I'd like to thank everyone !!
During this week I will try to upload 5 pieces, some kind of a marathon
of composing, arranging and mixing. So here's the first one...
Freetidbit' is using only synthesizers available for free and more
specifically, u-he synthsizers that are available for free. The
Triplecheese synth for instance provides bass, Podolski provides a
melody, TyrellN6 some chords, Zebralette and Beatzille provides sounds
and additional support. All these synths are available for free and
runs natively in Linux. The drums OTOH are not free.
https://soundcloud.com/nominal6/freetidbit
As always comments are welcomed.
Cheers.
29 Dec
29 Dec
7:30 p.m.
On Wed, 28 Dec 2016 18:34:38 -0500
jonetsu <jonetsu(a)teksavvy.com> wrote:
Hello,
I started the Soundcloud page a year ago. I thought I should share the
music I make. This was an opportunity for me to learn about mixing
music, about putting a bit more 'seriousness' in the process, more
technical aspects, paying attention to more details, in short,
polishing up a bit and structuring pieces. At that time I bought a
book on mixing, started to read articles.
A year later while I'm still learning I can see that there was a bit of
a road that was made and I can see that if I go one, it will become
easier to bridge emotions to sounds.
A year later there are 33 pieces that I uploaded. There were 4453
plays, 85 likes, 134 downloads and 27 followers. While these numbers
are certainly extermely average if not sub par, I find it very nice in
their own way.
So I'd like to thank everyone !!
During this week I will try to upload 5 pieces, some kind of a marathon
of composing, arranging and mixing. So here's the first one...
Freetidbit' is using only synthesizers available for free and more
specifically, u-he synthsizers that are available for free. The
Triplecheese synth for instance provides bass, Podolski provides a
melody, TyrellN6 some chords, Zebralette and Beatzille provides sounds
and additional support. All these synths are available for free and
runs natively in Linux. The drums OTOH are not free.
https://soundcloud.com/nominal6/freetidbit
As always comments are welcomed.
Cheers.
Interesting work but not really for me I'm afraid.
--
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
7:43 p.m.
On Thu, 29 Dec 2016 18:30:43 +0000
Will Godfrey <willgodfrey(a)musically.me.uk> wrote:
Interesting work but not really for me I'm afraid.
Thanks for the comment. Do not hesitate to comment, every 'tidbit' is
appreciated.
Cheers.
1 Jan
1 Jan
5:08 p.m.
On Wed, 28 Dec 2016 18:34:38 -0500
jonetsu <jonetsu(a)teksavvy.com> wrote:
[...]
Freetidbit' is using only synthesizers available
for free and more
specifically, u-he synthsizers that are available for free. The
Triplecheese synth for instance provides bass, Podolski provides a
melody, TyrellN6 some chords, Zebralette and Beatzille provides sounds
and additional support. All these synths are available for free and
runs natively in Linux. The drums OTOH are not free.
https://soundcloud.com/nominal6/freetidbit
As always comments are welcomed.
I try to favour commercial products which support Linux, so it's good
to see u-he virtual synthesizers in beta testing for the platform. I've
been enjoying auditioning in their Zebra2 today. Time constraints stop
me doing much more than that, so the fifteen minute demo (until it goes
out of tune) works well for me. I tried their Repro yesterday. The demo
for that is noisy after a few minutes. I'll try the free ones as well.
The 'orange button' never sounded so good :)
Would be good if other commercial VST producers (I like d16 and Arturia)
support the Linux platform too. Rebooting to MS Windows for state-of-the-art
music tools hasn't been enjoyable. Wouldn't have wanted to miss the d-16
LuSH101 though.
I haven't used audio tools on Linux for some time and it's great to see
everything working so well, without much configuration on Mint 18. Ardour
is looking superb and I was able to find all I needed to know to get plugins
and my keyboard and interface working. Many thanks to all contributors and -
Happy new year!
u-he Linux Public Beta thread at KVRaudio:
http://www.kvraudio.com/forum/viewtopic.php?f=31&t=424953
--
John.
5:30 p.m.
On Sun, 1 Jan 2017 16:08:17 +0000, John Murphy wrote:
Would be good if other commercial VST producers (I like
d16 and
Arturia) support the Linux platform too.
Happy New Year!
One reason for me to get an audio interface that works with iOS, is to
use synth such as the Arturia iSEM with Linux by MIDI and ADAT or
S/PDIF.
Regards,
Ralf
2 Jan
2 Jan
12:18 a.m.
On Sun, 1 Jan 2017 17:30:34 +0100
Ralf Mardorf <ralf.mardorf(a)alice-dsl.net> wrote:
On Sun, 1 Jan 2017 16:08:17 +0000, John Murphy wrote:
Sincerely hoping that works out well for you. Their SEM is easily one of
their very best creations.
--
John.
Would be good if other commercial VST producers (I
like d16 and
Arturia) support the Linux platform too.
Happy New Year!
One reason for me to get an audio interface that works with iOS, is to
use synth such as the Arturia iSEM with Linux by MIDI and ADAT or
S/PDIF.
12:56 a.m.
On Sun, 1 Jan 2017, John Murphy wrote:
On Sun, 1 Jan 2017 17:30:34 +0100 Ralf Mardorf wrote:
Thank you,
yes it is, but I have to disagree with
One reason for me to get an audio interface that
works with iOS, is
to use synth such as the Arturia iSEM with Linux by MIDI and ADAT or
S/PDIF.
Sincerely hoping that works out well for you. Their SEM is easily one
of their very best creations. Virtual instruments are so much better than the
originals in so many
ways.
I own an Oberheim Matrix-1000. It was not expensive. Assuming a mixing
console or analog inputs of an audio interface shouldn't cause noise,
it is as free from noise, as a virtual synth. The sound of CEM Curtis
chips is much more impressive than any emulation.
A real advantage of virtual instruments IMO is another domain. Last
Black Friday I purchased Miroslav Philharmonik. The value-for-money
ratio is much better, than recording a real orchestra. It doesn't
replace a real orchestra, but for me a virtual orchestra is the only
orchestra I could get.
Regards,
Ralf
1 Jan
1 Jan
8:03 p.m.
On Sun, 1 Jan 2017 16:08:17 +0000
John Murphy <rosegardener(a)freeode.co.uk> wrote:
I try to favour commercial products which support
Linux, so it's good
to see u-he virtual synthesizers in beta testing for the platform.
At one point in time I was considering seriously to build a Windows
machine in order to get some of those synths and plugins that seems so
wonderful. By coincidence I read a reply from Dave Phillips in which
he mentioned using a u-he synth. I give it a try and dropped the
Windows project in favour of getting some of these synths and plugins
as I was thoroughly impressed by the range of expressiveness. Quite
often I build tracks using acoustic guitar, so I need to have sounds
that can be subtle and detailed in their colours.
I've been enjoying auditioning in their Zebra2
today. Time
constraints stop me doing much more than that, so the fifteen minute
demo (until it goes out of tune) works well for me. I tried their
Repro yesterday. The demo for that is noisy after a few minutes. I'll
try the free ones as well.
The free u-he synths are actually quite good. Even the weird
TripleCheese, winner of a KVR development award, that's built on a
series of 3 comb filters, has interesting sounds to offer.
Zebralette and Beatzille are scaled down versions of Zebra2 and
Bazille, so they basically offer the same quality. Beatzille, which was
produced for the German Beat magazine of same name can be downloaded
from:
http://www.vstplanet.com/Instruments/VST_Synthesizers38.htm#Beatzille
Would be good if other commercial VST producers (I
like d16 and
Arturia) support the Linux platform too. Rebooting to MS Windows for
state-of-the-art music tools hasn't been enjoyable. Wouldn't have
wanted to miss the d-16 LuSH101 though.
One synth that I discovered recently, designed by Wolfram Franke of
Waldorf and Taiho Yamada of Alesis and M-Audio Venom, as well
as graphic designer Kristina Childs, is Biotek. It is built on a
sampling platform called Acktion of which there's no documentation yet
but seems to offer manipulation of samples to a certain degree. In any
case the idea is about the blending of nature and technology. I still
have to explore that synth thoroughly. so far I find much fun in
exploring sounds in there. Depending on the complexities of the sound
patch, can require more work to fit in a mix, though.
https://www.tracktion.com/products/biotek
I haven't used audio tools on Linux for some time
and it's great to
see everything working so well, without much configuration on Mint
18. Ardour is looking superb and I was able to find all I needed to
know to get plugins and my keyboard and interface working. Many
thanks to all contributors and -
The only aspect I had to configure is the real-time response of the
kernel, to be able to have no perceptible delay when recording acoustic
guitar while wearing headphones for the playback.
Happy new year!
Best wishes, cheers !
u-he Linux Public Beta thread at KVRaudio:
http://www.kvraudio.com/forum/viewtopic.php?f=31&t=424953
2 Jan
2 Jan
12:18 a.m.
On Sun, 1 Jan 2017 14:03:27 -0500
jonetsu <jonetsu(a)teksavvy.com> wrote:
Thanks. Installed as easily as the others, but -
Should blend well. One of the videos in the link is unavailable, but I
like the idea of it, so may come back to it. Plenty to explore in just
Beatzille. Thanks again.
--
John.
On Sun, 1 Jan 2017 16:08:17 +0000
John Murphy <rosegardener(a)freeode.co.uk> wrote:
There's so much choice of great looking and sounding plugins for Windows
that it's easy to spend hundreds in no time. I bought the Arturia V
collection and easily justify it by thinking of what I would have given
for any one of the original instruments, at the time. Virtual instruments
are so much better than the originals in so many ways. But not in all ways.
I try to favour commercial products which support
Linux, so it's good
to see u-he virtual synthesizers in beta testing for the platform.
At one point in time I was considering seriously to build a Windows
machine in order to get some of those synths and plugins that seems so
wonderful. By coincidence I read a reply from Dave Phillips in which
he mentioned using a u-he synth. I give it a try and dropped the
Windows project in favour of getting some of these synths and plugins
as I was thoroughly impressed by the range of expressiveness. Quite
often I build tracks using acoustic guitar, so I need to have sounds
that can be subtle and detailed in their colours. I've been
enjoying auditioning in their Zebra2 today. Time
constraints stop me doing much more than that, so the fifteen minute
demo (until it goes out of tune) works well for me. I tried their
Repro yesterday. The demo for that is noisy after a few minutes. I'll
try the free ones as well.
The free u-he synths are actually quite good. Even the weird
TripleCheese, winner of a KVR development award, that's built on a
series of 3 comb filters, has interesting sounds to offer. Zebralette and Beatzille are scaled down versions of
Zebra2 and
Bazille, so they basically offer the same quality. Beatzille, which was
produced for the German Beat magazine of same name can be downloaded
from:
http://www.vstplanet.com/Instruments/VST_Synthesizers38.htm#Beatzille
_wow! Haven't got further than 'Antivirus'. That one voice preset will
keep me amused until bedtime.
Would be good
if other commercial VST producers (I like d16 and
Arturia) support the Linux platform too. Rebooting to MS Windows for
state-of-the-art music tools hasn't been enjoyable. Wouldn't have
wanted to miss the d-16 LuSH101 though.
One synth that I discovered recently, designed by Wolfram Franke of
Waldorf and Taiho Yamada of Alesis and M-Audio Venom, as well
as graphic designer Kristina Childs, is Biotek. It is built on a
sampling platform called Acktion of which there's no documentation yet
but seems to offer manipulation of samples to a certain degree. In any
case the idea is about the blending of nature and technology. I still
have to explore that synth thoroughly. so far I find much fun in
exploring sounds in there. Depending on the complexities of the sound
patch, can require more work to fit in a mix, though.
https://www.tracktion.com/products/biotek
4:57 a.m.
On Sun, 1 Jan 2017 23:06:40 +0000
John Murphy <rosegardener(a)freeode.co.uk> wrote:
On Sun, 1 Jan 2017 14:03:27 -0500
jonetsu <jonetsu(a)teksavvy.com> wrote:
Should blend well. One of the videos in the link is
unavailable, but I
like the idea of it, so may come back to it. Plenty to explore in just
Beatzille. Thanks again.
Yes, the video was available no later than last week but was removed by
this wall-of-synths Bernd-Michael Land guy who certainly has found that
some musical bit in there belonged to him. Very recent removal.
Totally uncool from him to do that.
Biotek is an original synth. I'm currently playing with the ability to
play a percussive sequence. The main interface controls are
made for the exclusive purpose of being tweaked during performance.
The original Biotek did not have any other interface than the main
one. Then people complained and they added the full edit of all
parameters in the standard version. Quite an original synth. I find
it can have some 'wild' aspects like Discovery Pro can, like playing a
much distorted electric guitar.
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9 comments
4 participants
participants (4)
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John Murphy -
jonetsu -
Ralf Mardorf -
Will Godfrey