On Mon, 2004-12-06 at 18:42 -0800, Russell Hanaghan wrote:
The acoustic sounds like it
was detuned and slightly out or used a capo? Or out with the
piano...something sounds just a sqeak off there...
Heh.. yeah. We broke a B string just before recording and only had a G
string to replace it with, so the higher he played on the fretboard the
more out of tune it went. Hard to fix at 1:00 AM.
The guitar should be rerecorded anyway. We mic'd it really close with a
large diaphram condenser (amateurs!) so it came out too boomy with no
ambiance. And in parts it almost sounds like a banjo and I have no idea
why. I'm also hoping to pick up an all-tube preamp/compressor before we
do that. That was just done with the preamp on a cheap (LTO) mixer.
I'm a less is more kinda guy...I'd keep the
guitar and sink the piano
way back in the mix...even replace with some strings?
Well, I played the keys, so I would have kept them and put less bass and
a bit less vocals, but Joey mixed most of it without me. ;-)
On Mon, 2004-12-06 at 20:14 -0600, Reuben Martin wrote:
Very nice. You might want to try to turn down the
reverb on the piano
a bit so that it has more of a crisp sound to it. (or turn down the
synth. I can't tell if what I'm hearing is reverb on the piano or if
you you have a pad syth playing the same thing as the piano) This
will be crucial if you apply any type of compressing in the mastering
stage because you might start to loose definition on the piano. Just
a suggestion. Otherwise very well done. :-)
It's a pad, and yes, it's too loud. We're going to rerecord the keys
anyway, because we mad a stupid mistake during recording and ended up
recording both channels on the same track (essentially mono-fying the
beautiful Roland waveforms). Originally, we had the voice sample (heard
in the last chorus) doubling the piano, but it was too much, so we
settled on a pad. It's still almost too much too. Maybe I'll go to
just very mild strings.
Thanks for the suggestions.
Austin