by Kjetil Svalastog Matheussen <k.s.matheussen@notam02.no>
http://www.notam02.no/radium/
INTRODUCTION
------------
E-radium is Radium and a special version of E-UAE.
Radium is a midi music editor for the amiga and E-Uae is an amiga
emulator.
CHANGES
-------
0.61c -> 0.6d:
-Increased amount of Z3-memory from 32 to 64. Also increased the amount of
chip-mem from 2 to 8 to let there be more time to quit/save after getting
a warning about too little memory. For now, this seems to work...
-Lowered the keyboard repeat rate a bit.
-Fixed make install
-Use standard mouse pointer.
-Upgraded Radium from 0.61c to 0.61d:
-Added scroll-mouse support. Scrolling up is exactly the same as pressing
arrow up, and scrolling down is exactly the same as pressing arrow down.
hi!
this is the announcement of kluppe version 0.5.1
kluppe is a jackified loop-player for linux.
new features since the last announcement include:
*) a new homepage with documentation:
http://kluppe.klingt.org
*) a first step into midi support
(granular mode supports pitch shift via midi)
*) a number of bug fixes.
download at http://kluppe.klingt.org/downloads/kluppe-0.5.1.tar.gz
as always: please let me know if you run into troubles using/compiling
kluppe or if you just want to suggest new features or give feedback.
regards
d13b
--
+--------------------------------+
| kluppe audio looper v 0.5.1: |
| http://kluppe.klingt.org |
+--------------------------------+
Hello,
Please post the following release on your site, forward it to
interested parties and mailing lists - particularly in the Bristol
area - or link to http://www.fave.org.uk/
Thanks!
Daniel James
on behalf of FAVE
****
(27/7/2005, Bristol, England) FAVE is a new event for people who are
interested in free and open source creative software on Linux and
other computer platforms. It's taking place on Saturday August 20th
2005 at the Trinity Community & Arts Centre in Bristol, UK. Everyone
is welcome, even if they have never used this kind of software
before. Doors open at 10am and the event gets underway at 11am. Music
will continue into the evening, and the whole event costs just £5 to
get in.
This is no dry, dull conference! It will be an accessible festival of
fun with performances, presentations and workshops. Topics will
include music production, recording and do-it-yourself film making.
There will be sessions covering community media, streaming content
servers, tangible interfaces, digital TV regulation and Creative
Commons licensing. Networking, internet access and media streaming
will be provided by Bristol Wireless.
Speakers at FAVE 2005 include:
James Wallbank - Art for all at Access Space
Tom Chance - Remix Reading and the Creative Commons
John Ffitch - An introduction to Csound
Michael Sparks (BBC Research & Development) - Streaming with Kamaelia
Richard Bown (Fervent Software) - The Rosegarden sequencer and Studio
To Go!
Chris O'Shea - Sonicforms - a tangible interfaces project
Plugincinema.com - The internet, technology & Open Source film-making
RachelAPP - Recording music with Ardour, Hydrogen and Jamin
Cory Doctorow (Electronic Frontier Foundation) - Europe's coming
Broadcast Flag
Performers using Linux and other free software will include:
Matt Gray
Dave Griffiths (Pattern Cascade)
RachelAPP
Martin Howse and Jonathan Kemp (ap)
Jonny Stutters (Jeremah)
Andy Preston (Edge Effect)
For full details of the line-up, see the FAVE website at:
http://www.fave.org.uk/
HELPING OUT
If you would like to take part in this event, the first of its kind in
the UK, please see the website for details of the FAVE mailing list
and IRC channel. This is a community event, and it relies on
volunteers to make it a success.
GETTING TO FAVE
The Trinity Centre is in the centre of Bristol, not far from the
mainline railway station at Temple Meads or Lawrence Hill station. It
is a large former church near the corner of the A420 Clarence Road
and Trinity Road.
NOTES TO EDITORS
For follow-up information, please contact Daniel James (daniel at
linuxaudio.org) phone: +44 (0)1983 755976 or Tim Hall (tech at
glastonburymusic.org.uk). Press interviews and images for publication
are also available - just ask.
**ends**
Hydrogen 0.9.2 is out!
____Features____
_General_
* Very user-friendly, modular, fast and intuitive graphical interface based on
QT 3.
* Sample-based stereo audio engine, with import of sound samples in .wav, .au
and .aiff formats.
* Support of samples in compressed FLAC file.
* Internal sequencer and mixer
* Pattern-based sequencer, with unlimited number of patterns and ability to
chain patterns into a song.
* Up to 64 ticks per pattern with individual level per event and variable
pattern length.
* 32 instrument tracks with ADSR, volume, mute, solo, pan capabilities.
* Multi layer support for instruments (up to 16 samples for each instrument).
* Ability to import/export song files.
* Unique human velocity, human time, pitch and swing functions.
* Multiple patterns playing at once.
_Other_
* JACK, ALSA, PortAudio and OSS audio drivers.
* ALSA MIDI and PortMidi input with assignable midi-in channel (1..16, ALL).
* Import/export of drumkits.
* Export song to wav file.
* Export song to midi file.
____Changes____
* New graphics
* Bug fix in export song (using JACK driver)
* Bug fix in export song (wrong samplerate)
* Follow playhead in song editor
* Automatic audio driver selection
* New PortAudio and PortMidi drivers
* Mac Os X port
* Pattern size increased: up to 4 bars
* Random pitch variations
* New instrument editor
* ADSR for instruments
* Low pass filter
* Insert/delete a range of patterns in song editor
* ...and much more ;)
Source tarball and binary linux installer are available at
http://www.hydrogen-music.org
Happy drumming
--
Alessandro Cominu (aka comix)
http://plugin.org.uk/libgdither/
Bugfix release. Added patch for 64bit architecture support, thanks to
Andreas Steinmetz, and a bugfix to the shaped dither that increases its
signal to noise ratio. All projects that use this code should update.
The intention is that applications that require this function should
include hte code, rather than adding it as a depenency.
About libgdither:
Libgdither is a library for applying dithering to PCM audio sources.
Dithering is a process to remove the intermodulation distortion from
signals that are to be been reduced in bitdepth.
This code is (c) Steve Harris 2001-2005 and released under the GNU Public
Licence. Details may be found in the file COPYING.
It can do conversions between any combination of:
in out (optionally interleaved)
-------------------------------------------------------------
normalised mono float 8bit unsigned ints
normalised mono double 16bit signed ints
32bit signed ints
normalised float
normalised double
At any bitdepth supported by the input and output formats
by Kjetil Svalastog Matheussen <k.s.matheussen@notam02.no>
http://www.notam02.no/radium/
INTRODUCTION
------------
E-radium is Radium and a special version of E-UAE.
Radium is a midi music editor for the amiga and E-Uae is an amiga
emulator.
CHANGES
-------
0.61b -> 0.61c:
-Use the X mouse pointer instead of the amiga mouse pointer. Much
more responsive and smoother.
-Added support for the 1280x960 screen mode. (oops)
-Removed one buzy-loop which I had overlooked when merging two sources,
and increased the idle rate to 20. UAE shouldn't use 50% cpu when idle
anymore.
-Removed use of /dev/rtc. It was not ment to be used.
-Automatically set the window-position at 0,0. No need to see
both the unix window borders and amiga screen borders at once.
Configuring a fullscreen is now a lot less work.
-Lower the use of gfx-mem from 32megs to 16megs to boost the cpu-performance.
(I think)
-Higher the amount of z3 memory from 16megs to 32 megs. 16 megabyte
was far to little as radium often ran out of memory.
-Added "make install"
-Upgraded radium from 0.61b to 0.61c. From Radiums changelog:
-Don't scrollplay when scrolling more than one line up or down.
-Added shortcuts for inserting exactly one line (Left Alt + down)
and deleting exactly one line (Left Alt + up).
-Switched keybindings for continue block (Right Shift + Space) and
continue song (Right Shift + Right Alt + Space).
-Put back the old running-scripts and such that I forgot to include
in the previous release. Shouldn't be that hard to run radium now.
-And other smaller fixes.
Hi,
after having bought a Midisport 8x8 I had reverse engineered
the sysex commands to configure the offline patches. I also
wrote a small shell script to configure it.
These days I have written a small Qt-program to do so. You can
download it from here:
http://sysexxer.sourceforge.net/files/MidischbochtPanel.tar.gz
It's the first program I ever wrote, so don't expect too much.
Please do not send feature requests, there are so many things
I'd like to add but I still have to learn a lot about
programming.
If I continue working on it, then one of the next versions
will be a complete rewrite because the code is so dirty and
inelegant ;-) . But my goal was to write code that is useful
for me.
Hope you like it,
ce
I'm pleased to announce the release of my program
mma - Musical MIDI Accompaniment
version: Beta 0.15
MMA is a accompaniment generator -- it creates midi tracks
for a soloist to perform with. User supplied files contain
pattern selections, chords, and MMA directives.
MMA is very versatile and generates excellent tracks. It comes
with an extensive user-extendable library with a variety of
patterns for various popular rhythms, an extensive user manual,
and many demo songs.
MMA is a command line driven program. It creates MIDI files
which need a sequencer or MIDI file play program.
MMA is written in Python. You'll need Python 2.3 (or later)
for MMA to function.
MMA is supplied in 4 tar.gz archives. Included:
mma-bin -- the main script and library files.
mma-html -- documentation in HTML format.
mma-pdf -- documentation in PDF format.
mma-songs -- a collection of about 230 songs in MMA format.
If you get all four download packages the total size is still
less than 1.5 megabytes.
MMA is currently in final BETAs. We are hoping for a 1.0 release
in summer 2005. Right now we need help in debugging the program,
creating songs for distribution, and new and improved
library files.
Best of all, MMA is free. It is released under the terms of the GNU
General Public License. It has been developed on a Linux platform,
but should be usable on just about any system. A detailed page now
exists on our web site on how-to install on a Windows system.
MMA is available on my personal home page:
http://mypage.uniserve.com/~bvdp/mma/
If you have any questions or comments, please send them
to: bvdp(a)uniserve.com
Beta 0.15: A number of synth translation options have been added,
chord voicings improved, more chord adjustment options, and a lot of
minor (and not-so-minor) bug fixes.
Comments appreciated!
--
Bob van der Poel ** Wynndel, British Columbia, CANADA **
EMAIL: bvdp(a)uniserve.com
WWW: http://mypage.uniserve.com/~bvdp
sorry for XyZ
-french version below-
***************************************************
Audio Signal Processing workshop
digital sound workshop
Rotterdam, 1 -> 4 September 2005
Registration fee: 60 euros (food & drinks included)
Reservations via v2(a)v2.nl
Location: V2_, Eendrachtsstraat 10, Rotterdam
URL: www.v2.nl / www.goto10.org
***************************************************
In a four-day workshop hosted by V2_, sound artists Frank Barknecht and
Aymeric Mansoux will introduce the basics of Audio Signal Processing
(ASP) in the fields of real-time music production. This workshop
specifically targets people who want to develop their work in the
digital sound field or those people curious about the processes involved
behind the audio software they already use.
The program starts with a theoretical introduction to the basics of
digital sound, after which participants will work with the open source
software Pure Data (http://puredata.org) to turn theory into practice.
The workshop also teaches and demonstrates which free technologies are
available for audio streaming, such as icecast (http://icecast.org),
and ogg/vorbis (http://www.vorbis.com).
A Placard headphone concert Rotterdam Headphone Lounge will wrap up
this four-day workshop on Sunday 4 September with performances by Erik
Minkkinen, Sei Matsumura, Robert van Heumen, Tom Schouten and Guy Van Belle.
The deadline for applications is 19 August 2005. For all information
check http://www.v2.nl and http://goto10.org/-/gw004
SCHEDULE AUDIO SIGNAL PROCESSING WORKSHOP
DAY 1 11:00-18:00 hrs // ASP and Audio Synthesis
A day with the blackboard: the physics of sound, the digital
representation of sound, basic audio signal processing, synthesis,
samples and soundfiles
DAY 2 11:00-18:00 hrs // Pure Data
Applied theory: messages versus audio signals, audio building blocks and
operators, delay & filters, building an FM patch, a sample playing patch
and an effect patch
DAY 3 11:00-18:00 hrs // Pure Data next level + streaming audio
how to do basic physical modelling, waveshaping and additive synthesis,
introduction to audio streaming, presentation of: icecast, ogg, and
vorbis, and building an audio streaming system
DAY 4 11:00-15:00 hrs // Patching and streaming
putting things together: working on a patch
20:00-23:00 hrs // Le Placard: Rotterdam Headphone Lounge
APPLICATION
WORKSHOP DATE: Thursday 1 - Sunday 4 September 2005, 11:00-18:00 hrs
HOST: V2_, Institute for the Unstable Media
LANGUAGE: English
FEE: 60 euros
LOCATION: V2_, Eendrachtsstsraat 10, Rotterdam
FOOD & DRINKS: free tea+coffee, lunch included
HOUSING: not included
HARDWARE: computers are provided
BOOKING: v2(a)v2.nl
DEADLINE FOR APPLICATIONS: Friday 19 August 2005
---
FR
Durant un workshop de quatre jours à V2_, les participants seront
introduits aux techniques de traitement du signal audio dans le cadre de
la création musicale "temp-réel". Ce workshop est tout particulièrement
destiné aux personnes qui désire développer leur travail dans le champ
de la création audionumérique et pour cexu qui sont curieux d'apprendre
les concepts qui se cachent derrière certains des logiciels qu'ils
utilisent déjà.
Le programme commence avec une introduction théorique sur
l'audionumérique puis pratique avec le logiciel pure data
(http://puredata.org). Le workshop montre également quelles technologies
libres sont disponibles pour le streaming audio tel que icecast
(http://icecast.org) et ogg/vorbis (http://www.vorbis.com).
Un placard (concert au casque), le "rotterdam headphone lounge", sera la
conclusion de ce workshop de quatre jours le dimanche 4 septembre avec
entre autres, les performances de Erik Minkkinen, Sei Matsumura, Robert
Van Heumen, Tom Schouten et Guy Van Belle.
le workshop sera conduit en anglais.
deadline pour inscriptions : 19/08/2005
en hop one klein goto bisou :*
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I hope readers of LAD might find the following useful, and I wonder if
you'd mind posting it for me. Linux audio developers have been
interested in these posts in the past.
Please note that my understanding of employment legislation is that we
are unable to employ personnel from outwith the European Union unless
it can be demonstrated that the required skill set does not exist
within the EU (which in this case it certainly does)
Here's the post...
Job opportunity:
RESOURCE DEVELOPMENT OFFICER (MUSIC), UNIVERSITY OF GLASGOW
Closing date: 5th August 2005
Based in the Department of Music and shared with the Humanities Advanced
Technology and Information Institute, this is a key post aimed at
developing and
supporting the use of information and communication technology in music
teaching
and research. Job responsibilities come under three main headings:
research
support; lab management, administration and development; and teaching
support.
The postholder will provide technical support specific to music.
For further details, please see:
http://www.gla.ac.uk/services/humanresources/recruit/5aug_11387.htm
JOB PURPOSE
The aim of this post is to develop and support the use of information
and
communication technology in music teaching and research. The postholder
will
provide technical support specific to the discipline of music.
KEY TASKS
Job responsibilities come under three main headings: (a) research
support, (b)
laboratory management, administration and development, and (c) teaching
support.
a. Research Support
a) Advise and assist staff and postgraduates in the selection and
use of appropriate new technology resources to enhance research.
b) Collaborate with staff and postgraduates on the technical aspects
of research funding applications.
b. Laboratory Management, Administration and Development
a) Liaise with the HATII team in providing technology resources,
and with the Technician in the Music Department, on studio and
audio infrastructure.
b) Maintain and supervise the computing facilities in the
Department of Music, delegating to the HATII team, as appropriate.
c) Liaise with other RDOs in the Arts Faculty, Department of
Electronics and Electrical Engineering and Department of
Computing Science, to identify and develop common resources.
c. Teaching Support
a) Enhance the deployment of teaching materials.
b) Identify new technologies for use in teaching.
c) Provide technical advice to students, including demonstrations
and classes, as appropriate.
d) Contribute to the Faculty's undergraduate and postgraduate
teaching programme managed by HATII.
OBJECTIVES
To ensure that the provision of ICT in the Department of Music is
appropriate to
teaching, learning and research needs of staff and students.
These key tasks are not intended to be exhaustive, but simply highlight
a number
of major tasks which the post holder may be reasonably expected to
undertake.
Every job description will be subject to review on an annual basis, or:
· as a result of a change in strategic management
· as a result of team/ operational requirements
· as a result of agreed performance and development review
including any review of objectives
· within six months of appointment.
THE DEPARTMENT OF MUSIC
The Department has extensive high-quality audio and computing
facilities. These
comprise: professionally equipped recording studios with tielines to
concert
halls and soundbooth, Mac-based Electroacoustic Studios with Digidesign
audio
hardware and soundbooth; two Mac-based audio workstation labs; an
undergraduate
PC cluster; a PC cluster for postgraduates and researchers; and a
number of web
and ftp servers running Linux. Applications include ProTools, Logic,
Cubase,
Finale and Sibelius, Max/MSP, PD/GEM, Csound and more.
The Department is a thriving environment for research and teaching
across a wide
range of areas including electroacoustic and acoustic composition, music
technology, historical and cultural musicology, and Scottish music.
For further details, please see:
http://www.gla.ac.uk/services/humanresources/recruit/5aug_11387.htm
Department of Music:
http://www.gla.ac.uk/music
HATII:
http://www.hatii.arts.gla.ac.uk
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