QLoud is a tool to measure loudspeaker frequency and step responses and distortions.
Find it here:
http://gaydenko.com/qloud/
Changes:
- small bug fixed,
- plotting (smoothing) is *much* faster now.
Andrew
I'm pleased to announce the release of the first full version of the Rivendell
Operations Guide. The Guide is written so as to provide a full "tour" of the
Rivendell system from the standpoint of an end user. Topics covered include:
Chapter 1 – System Overview
Chapter 2 – Setting the Current User with RDLogin
Chapter 3 – Content Management with RDLibrary
Chapter 4 – Automating Tasks with RDCatch
Chapter 5 – Creating and Maintaining Logs with RDLogEdit
Chapter 6 – Running Logs with RDAirPlay
Chapter 7 – Generating Logs with RDLogManager
Chapter 8 – Voice Tracker
Chapter 9 – Rivendell Macro Language (RML)
Chapter 10 – Interfacing with the Linux Ecosystem: RMLSend and RDImport
Rivendell is a full-featured radio automation system targeted for use in
professional broadcast environments. The Rivendell Operations Guide is made
available under Creative Commons Non-Commercial Share-alike license, and is
available for download now at:
http://www.salemradiolabs.com/rivendell/download.shtml.
Cheers!
|-------------------------------------------------------------------------|
| Frederick F. Gleason, Jr. | Director of Broadcast Software Development |
| | Salem Radio Labs |
|-------------------------------------------------------------------------|
| Do not try to think outside of the box. That's impossible. Instead, |
| realise the truth. There is no box. |
| --Quoted by "larsmjoh" on GrokLaw.net |
|-------------------------------------------------------------------------|
Dear friends.
Please note the following search announcement for a junior faculty
position at CCRMA:
The Center for Computer Research in Music and Acoustics (CCRMA)
at Stanford University hopes to fill a junior faculty (tenure-track)
position in computer music*. The field of specialization is open, and
might be, for example, in psychoacoustics, composition, engineering,
new areas of performance, or a combination of interests. Teaching
responsibilities at the undergraduate and graduate levels will include
courses in the candidate's areas of expertise. Stanford University is
an affirmative-action employer. The appointment can begin in the fall
quarter of either 2007 or 2008.
Candidates should send a letter of interest containing a brief
description of relevant experience, a current curriculum vitae, and
names and addresses (physical, e-mail, and FAX, if possible) of three
referees to:
CCRMA Search Committee
Attn: Debbie Barney
Department of Music
541 Lasuen Mall
Stanford University
Stanford, CA 94305-3076
The preferred date for receipt of the above materials is on or before
December 1, 2006. Please do not send any supplementary materials at
this time.
__________________
* Computer music is a multidisciplinary field drawing on more
traditional fields such as music composition and theory, engineering,
psychology, computer science, physics, and applied mathematics.
Qualified candidates may have doctoral degrees in any of these or
related areas. An overview of CCRMA research and teaching
programs is available at http://ccrma.stanford.edu/
Version 1.0-RC1 of MMA - Musical MIDI Accompaniment - is now
available for downloading. Included in this release:
Chord generation enhancements: Inversion notation.
MIDI: MidiInc: new options; MIDISPLIT for output tracks;
MIDITNAME to name MIDI tracks; MIDIMARK sets markers.
Useability: SeqRndWeight (for balancing SEQRND selection);
RNDSET for selections; changed PAN -> MIDIPAN,
PORTAMENTO -> MIDIGLIS and CHANNELVOLUME -> MIDIVOLUME.
New library creation section in tutorial.
This really is a version 1 release candidate. Please let me know
if anything is broken before we release the real 1.0!
MMA is a accompaniment generator -- it creates midi tracks
for a soloist to perform with. User supplied files contain
pattern selections, chords, and MMA directives. For full details
please visit:
http://users.xplornet.com/~bvdp/mma/
or
http://www.mellowood.ca/mma/
If you have any questions or comments, please send them
to: bvdp(a)xplornet.com
--
Bob van der Poel ** Wynndel, British Columbia, CANADA **
EMAIL: bvdp(a)xplornet.com
WWW: http://users.xplornet.com/~bvdp
Hello all,
FAVE is an event for people who are interested in free and open source
creative software on Linux and other computer platforms. The 2006 event
is taking place at Limehouse Town Hall in London, England on Saturday
the 25th of November.
There will be lightning talks on software topics, followed by
performances from artists which use free software. Please get in touch
if you would like to be involved, by mailing fave at fave.org.uk or by
joining the mailing list:
http://lists.serverone.co.uk/mailman/listinfo/3avc
The FAVE 2006 Team
Hello folks,
I guess the title says it all. In an ongoing effort to consolidate online
Linux audio resources, Linuxaudio.org has launched a new portal which
encapsulates all sub-domains hosted under the linuxaudio.org umbrella.
Should you happen to have any questions, concerns, and most importantly
suggestions, please do not hesitate to contact me.
Best wishes,
Ivica Ico Bukvic, D.M.A.
Linuxaudio.org Director
Virginia Tech
Department of Music - 0240
Blacksburg, VA 24061
(540) 231-1137
(540) 231-5034 (fax)
ico(a)linuxaudio.org
http://www.music.vt.edu/people/faculty/bukvic
ROSEGARDEN 1.4.0 RELEASED
The Rosegarden team are delighted to announce the release of version
1.4.0 of Rosegarden, an audio and MIDI sequencer and musical notation
editor for Linux.
http://www.rosegardenmusic.com/
This is a particularly exciting release for the Rosegarden project.
It includes a number of interesting new features, many of which we
expect to build upon further in future releases. It also contains
significant code contributions from a greater number of people than
any previous Rosegarden release, including D. Michael McIntyre, Pedro
Lopez-Cabanillas, Heikki Junes, Stephen Torri, Magnus Johansson, Vince
Negri and Martin Shepherd as well as Chris Cannam, Guillaume Laurent,
and a number of active translators.
Significant new features include:
* You can now record to multiple MIDI tracks at once from different
devices and/or channels.
* There is a new track parameter box which can be used to select the
playback instrument for a track, recording filters, and the default
parameters for new segments created on that track.
* You can now create tracks identified with particular real-world
performance instruments, so that new segments subsequently created on
those tracks inherit the right clef, transposition and note range for
each instrument (notes outside that range are displayed in a different
colour in the notation editor). A database of around 300 instruments
is included, courtesy of Erik Magnus Johansson of Eolin KB
(http://www.kandav.com/eolin/).
* The composition no longer has a fixed duration. In previous releases
it was necessary to adjust the composition duration manually in order
to record or create segments longer than the default duration. As of
this release, the composition extends itself as you record or drag
out new segments.
* If you add a key change across multiple segments that differ in
performance transposition, you can now choose to have the key
transposed automatically for each segment.
* You can now enter special directives in the notation editor
that will be interpreted when creating LilyPond output, to achieve
effects that are possible in LilyPond but not yet supported in
Rosegarden (glissandi, arpeggios, segno/coda etc).
* Soprano clef has been added.
* Lilypond export now supports LilyPond 2.8 and has a new feature to
merge multiple staffs as voices into one LilyPond staff, a new option
to group staffs with a system bracket, as well as a huge number of bug
fixes and performance improvements, which have tremendously improved
the reliability and usefulness of the export engine.
* You can choose to display the parameter boxes in a tabbed layout
as an alternative to the default vertical stack. In the tabbed
layout you can display a much greater number of MIDI controllers
than was previously possible.
* You can now cut, copy and paste "ranges" within a composition
(cross-sections of all segments and tempo and time signature changes
between two given end points in time).
* There are new functions to split selected segments at an arbitrary
time, and to split segments according to the MIDI device used to
record them (which can be applied retrospectively to recordings made
with Rosegarden 1.0 and newer).
* The facilities for adding and editing markers (labelled positions in
time) and setting loop ranges have been improved in a number of ways.
* Tempos can now be "ramped" (smoothly changing from an initial to a
final tempo over a period of time).
* The tempo ruler has been overhauled and now permits in-place
editing of the tempo map with the mouse (with undo and redo, of
course).
* You can finally zoom in and out of editing views using the mouse wheel
(with Ctrl pressed).
* The Panic function is now accessible from all transport toolbars.
* When step-recording notes from a MIDI device, you can now enter chords
simply by playing overlapping notes.
* Rosegarden can now respond to MIDI Start, Stop and Continue system
messages (as well as MMC/MTC), and send MMC Locate messages (as well
as Play and Stop).
For more information about Rosegarden and what it can do for you,
please see
http://www.rosegardenmusic.com/
Rosegarden is Free Software under the GNU General Public License.
Chris
Download from http://ccrma.stanford.edu/~kjetil/src/
Snd-ls is a distribution of Bill Schottstaedt's sound editor SND.
Its target is people that don't know scheme very well, and don't want
to spend too much time configuring Snd. It can also serve
as a quick introduction to Snd and how it can be set up.
Changes 0.9.6.2 -> 0.9.7.0
---------------------------
-Updated Snd from 8.0/2.4.2006 to 8.4/13.9.2006. Many important fixes.
-Added --fast-math as default cflags option.
-Various fixes.
On behalf of the Rivendell development team, I'm pleased to announce the
immediate release of Rivendell v0.9.74. Rivendell is a full-featured radio
automation system targeted for use in professional broadcast environments. It
is available under the GNU General Public License. From the NEWS file:
*** snip snip ***
This is a bugfix version of Rivendell. Issues addressed include the
following:
Security Vulnerability -- Allowed users to execute commands with
the Run Shell Command macro with permissions of the user running
the ripcd(8) daemon (normally 'root').
Timescaling Playouts -- Fixed a bug that was causing timescaled
events to terminate prematurely under certain circumstances.
Log Error Checking -- Fixed issues that were preventing changes in
a cart's status in RDLibrary from being properly reflected in an
already-loaded RDAirPlay log.
JACK/ALSA Playout Optimization -- Increased the size of the audio
ringbuffer for JACK and ALSA drivers.
See the ChangeLog for further details.
Library Versions:
This version requires that, at a minimum, libradio-0.97.2 and
librhpi-0.94.7 be installed. If installing from RPM, the version of
the currently installed libraries can be determined by doing:
rpm -q libradio
rpm -q librhpi
Database Update:
This version of Rivendell uses database schema version 120, and will
automatically upgrade any earlier versions. To see the current schema
version prior to upgrade, see RDAdmin->SystemInfo.
As always, be sure to run RDAdmin immediately after
upgrading to allow any necessary changes to the database schema to
be applied.
*** snip snip ***
Further information, screenshots and download links are available at:
http://www.salemradiolabs.com/rivendell/
Cheers!
|-------------------------------------------------------------------------|
| Frederick F. Gleason, Jr. | Director of Broadcast Software Development |
| | Salem Radio Labs |
|-------------------------------------------------------------------------|
| True leadership is the art of changing a group from what it is to what |
| it ought to be. |
| -- Virginia Allan |
|-------------------------------------------------------------------------|