Linux-audio-announce February 2010

linux-audio-announce@lists.linuxaudio.org

13 participants
13 discussions

[LAA] Klactoveedsedstene v1.0.3 released

by Viggo Simonsen

Hi all, I am pleased to announce that Klactoveedsedstene v1.0.3 has just been released. It doesn't include any new features as such, but has become more intelligent. This includes automatic detection of HTTP proxy, automatic import dialog after installation, and various other minor details. Maybe not of great interest to this group, but since v1.0.2, it also supports Windows. Visit www.klactoveedsedstene.com, and try out a cool Song Player. Regards Viggo

16 years

[LAA] Rivendell v1.7.0

by Fred Gleason

On behalf of the entire Rivendell development team, I'm pleased to announce the release of Rivendell v1.7.0. Rivendell is a full-featured radio automation system targeted for use in professional broadcast environments. It is available under the GNU General Public License. Changes in this release include (from the NEWS file): *** snip snip *** Changes: Log Import Format Presets. Added preset import configurations in RDAdmin->ManageServices for several third-party scheduler systems. The following systems are supported: CounterPoint Software Music 1 PowerGold RadioTraffic.com Rivendell Standard Import Visual Traffic New AsPlayed Report Format. An ELR format for Music 1 in has been added in RDAdmin->ManageReports. Log Import Scripts. It is now possible to specify an optional script to be run at log import time before regular import processing takes place. This can be configured in RDAdmin->ManageServices with the 'Preimport Command' fields. These fields accept the same wildcard sequences as 'Path' fields. High-Resolution Timing. This version of Rivendell debuts the ability to specify the start times and lengths of log events with 1/10 second precision. New Translations. Two Norwegian translations (nn_NO and nb_NO) and a Spanish translation (es) have been added. Database Update: This version of Rivendell uses database schema version 186, and will automatically upgrade any earlier versions. To see the current schema version prior to upgrade, see RDAdmin->SystemInfo. As always, be sure to run RDAdmin immediately after upgrading to allow any necessary changes to the database schema to be applied. Due to the complexity of the schema changes required for this update, the process may take significantly longer to execute than is commonly the case; users are cautioned to allow for ample time operationally. *** snip snip *** Further information, screenshots and download links are available at: http://www.rivendellaudio.org/ Cheers! |-------------------------------------------------------------------------| | Frederick F. Gleason, Jr. | Chief Developer | | | Paravel Systems | |-------------------------------------------------------------------------| | You can never tell which way the train went by looking at the tracks. | | -- Kramer's Law | |-------------------------------------------------------------------------|

16 years

[LAA] [ANN] Ecasound 2.7.1 released

by Kai Vehmanen

1. Summary of changes in this release ------------------------------------- Various bugfixes, including a fix to a bug causing audible glitches with old versions of ALSA and certain hardware drivers. 2. What is Ecasound? -------------------- Ecasound is a software package designed for multitrack audio processing. It can be used for simple tasks like audio playback, recording and format conversions, as well as for multitrack effect processing, mixing, recording and signal recycling. Ecasound supports a wide range of audio inputs, outputs and effect algorithms. Effects and audio objects can be combined in various ways, and their parameters can be controlled by operator objects like oscillators and MIDI-CCs. A versatile console mode user-interface is included in the package. Primary platform for running Ecasound is GNU/Linux. Ecasound can also be run on many UNIX-derived systems such as FreeBSD, Mac OS X and Solaris. Limited support for Windows is available through Cygwin. Ecasound is licensed under the GPL. The Ecasound Control Interface (ECI) is licensed under the LGPL. 3. Changes in 2.7.x series -------------------------- v2.7.1: * Bugfixes. v2.7.0: * Open Sound Control (OSC) support. See the initial announcement mail sent to ecasound-list: http://eca.cx/ecasound-list/2009/04/0036-fixed.html Current interface is documented at: http://eca.cx/ecasound/Documentation/ecasound_osc_interface.txt The interface is still limited and subject to change in later releases, but it's a start. * New '-chorder' operator that allows to reorder channels of an audio stream. Also duplication and omission of certain channels is possible. See ecasound(1) man page for more information. * Added new amplify/gain variant '-eadb' that allows to specify the gain in dB. See the related mail thread: http://eca.cx/ecasound-list/2009/03/0034.html * Refactored POSIX signal handling in ecasound. See the following mail for some rationale, as well as a list of changes. See mail thread: http://eca.cx/ecasound-list/2009/02/0027.html * Various optimizations to Ecasound inner loops using the liboil library. See http://liboil.freedesktop.org/wiki/ To enable the optimizations, liboil-0.3 development files need to be installed and '--enable-liboil' must be passed to Ecasound's configure script. * New 'cop-get' interactive mode command. See the updated ecasound-iam(1) manual page for further info. Full list of changes is available at: - http://www.eca.cx/ecasound/history.php 4. Interface and configuration file changes in 2.7 series --------------------------------------------------------- v2.7.0: Output of '-ev' operator has been renewed. The name for default chainsetup created from command line is now "untitled-chainsetup". Most of the entries in the installed ecasoundrc file (in ${prefix}/share/ecasound/ecasoundrc), are now commented out by default. Major changes to the libecasound library public interface. This should not really affect anyone anymore, as direct use of libecasound has been discouraged for a long time and it is available only as a static library, but just in case someone is still using it. See libecasound/ChangeLog for a detailed list of changes. 5. Contributors to 2.7 series ----------------------------- Patches - Accepted code, documentation and build system changes ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Extracted with 'git-shortlog -s': v2.7.1: - FUJI (1) - Kai Vehmanen (17) v2.7.0: - Adam Linson (1) - Jeremy Hughes (1) - Junichi Uekawa (1) - Kai Vehmanen (203) Bug Hunting - Reports that led to bugfixes (items closed) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ v2.7.1: * Klaus Schulz (2) Build errors * Joel Roth (2) segfault with 'c-selected' bug in cs-setpos/forward/rewind * Pierre Lorenzon (1) Problem with old ALSA versions * FUJI <http://arus.net.pl/FUJI/a8cas-util> (1) Whitespace bug in ecalength v2.7.0: * Oliver Oli (2) various bugs in new OSC support * RProgrammer @ sf.net (1) uninstall target broken on OS X (sfbug:1283448) * Jason Galyon (1) frontend parser bug for '-E' option Feature suggestions - Ideas that led to new features (items) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ v2.7.0: * Julien Claassen (1) OSC support * Klaus Schulz (1) -eadb chainop 6. Links and files ------------------ Web site (and mirrors): http://eca.cx/ecasound (fi) http://ecasound.seul.org (us) http://ecasound.sourceforge.net (us) Source package: http://eca.cx/ecasound/download.php ecasound-2.7.1.tar.gz, md5sum: 64b33eb69c8320d325ff626431efcd11 List of distributions with maintained Ecasound support: See http://eca.cx/ecasound/download.php --

16 years

[LAA] [ANN] guitarix-0.05.9-1 release

by hermann

guitarix is a simple Linux Rock Guitar amplifier and is designed to achieve nice thrash/metal/rock/blues guitar sounds. Guitarix uses the Jack Audio Connection Kit as its audio backend and brings in one input and two output ports to the jack graph. Release 0.05.9-1 : * add Midi learn (by Andreas Degert) * add internal direct convolution unit with 7 filter kernel (amp models) * add LADI level1 support * add a new light skin * reworked multi thread handling(by Andreas Degert) * reduced CPU usage for Oscilloscope To the midi learn function: a middle mouse button click on a controller pop's up a little widget, move the midi controller you will use, the controller number is shown in the widget. Press OK when you've done. That's it. By the way, a right click on a controller pop up a spinbox for direct enter the value with your keybord. have fun ________________________________________________________________________ guitarix is licensed under the GPL. Project page with screenshots: http://guitarix.sourceforge.net/ download: http://sourceforge.net/projects/guitarix/ For capture, guitarix uses the external application 'jack_capture' (version >= 0.9.30) written by Kjetil S. Matheussen. If you don't have it installed, you can look here: http://old.notam02.no/arkiv/src/?M=D For extra Impulse Responses, guitarix uses the convolution application 'jconvolver' created by Fons Adriaensen. If you don't have it installed, you can look here: http://www.kokkinizita.net/linuxaudio/index.html I(hermann) use faust to build the prototype and will say thanks to : Julius Smith http://ccrma.stanford.edu/realsimple/faust/ : Albert Graef http://q-lang.sourceforge.net/examples.html#Faust : Yann Orlary http://faust.grame.fr/ regards Hermann Meyer, James Warden, Andreas Degert

16 years

[LAA] Linux Audio Conference 2010

by Marc Groenewegen

Dear Linux Audio developer, user, composer, musician, philosopher and anyone else interested, you are invited to the... Linux Audio Conference 2010 The conference about Open Source Software for music and audio May 1-4 2010 Hogeschool voor de Kunsten Utrecht (HKU) Utrecht, The Netherlands Registration is open, and so is the call for abstracts and papers. More information can be found on the website: http://lac.linuxaudio.org/2010 For previous editions, look here: http://lac.linuxaudio.org For concerts, music and workshops a submission system and protocol will be available soon. In the meantime, ideas and announcements can be sent by e-mail ("lac -at- linuxaudio -dot- org ") or written on the wiki: http://wiki.linuxaudio.org/lac2010 We hope to see you all in Utrecht ! Kind regards on behalf of the LAC team, Marc Groenewegen, lecturer music software design @ HKU

16 years

[LAA] MMA 1.5c now up and testing

by Bob van der Poel

A development snapshot, version 1.5c, of MMA--Musical MIDI Accompaniment is available for downloading. Included in this release: - A new track, the Plectrum. This can generate a realistic MIDI guitar. Getting a realistic guitar sound using MIDI has been notoriously difficult as calculating the notes in each chord and strumming patterns can be very tricky. Now the MMA PLECTRUM pattern takes care of most of this for you so all you have to do is to enter the chords names and how when you want each string to be strummed or plucked. An example is availabe at: http://www.mellowood.ca/mma/examples.html#plectrum - A number of minor bug fixes. This is very close to a 1.6 release! Your bug reports and other input is needed. Get this version at: http://www.mellowood.ca/mma/downloads.html#developer MMA is a accompaniment generator -- it creates midi tracks for a soloist to perform with. User supplied files contain pattern selections, chords, and MMA directives. For full details please visit: http://www.mellowood.ca/mma/ If you have any questions or comments, please send them to: bob(a)mellowood.ca -- **** Listen to my CD at http://www.mellowood.ca/music/cedars **** Bob van der Poel ** Wynndel, British Columbia, CANADA ** EMAIL: bob(a)mellowood.ca WWW: http://www.mellowood.ca

16 years

[LAA] ROSEGARDEN 10.02 RELEASED!

by Chris Cannam

[Forwarding D. Michael McIntyre's release note from the Rosegarden devel list...] ====== ROSEGARDEN 10.02, codename "Thorn" RELEASED ====== The Rosegarden team is proud to announce the release of version 10.02 of Rosegarden, an audio and MIDI sequencer and musical notation editor for Linux. This release on 14th February, 2010 marks five years to the day since the release of 1.0 (which would be be called 05.02 using our current numbering scheme). http://www.rosegardenmusic.com/ With this release, we finally bring an end to the long and difficult job of transforming Rosegarden from an obsolete KDE 3 application into a modern Qt 4 application. There was no precedent for an application following this upgrade path, and so we had to begin this process by writing our own custom porting tools. From there, we spent an entire year chipping away at an immense mountain of compiler errors before we could even get a glimpse to see if our new code was going to work. From that first peek until now swallowed the biggest part of a second year, digging into every dusty corner, and putting everything back in order. Along the way, we found plenty of opportunities to improve Rosegarden, and get this new codebase turned into an exciting landmark release that rivals 1.0 for the sheer amount of collective effort that went into its making. We have fixed hundreds of bugs, including many old bugs that had been around for years, and we have introduced dozens of new features. ===== Usability Enhancements ===== * With its bold new custom look, including hundreds of new icons, Rosegarden ensures all of its interface elements are usable, freeing you to configure the rest of your system any way you like * With its more compact, netbook-friendly interface, Rosegarden gets more done with less screen real estate * Rosegarden has a low installation footprint, and creates local, user- editable copies of all example and library files * Expanded translations (varies by language) put more of Rosegarden in your native language than has ever been possible before * You may now run as many instances of Rosegarden as you like, in parallel, and can even install and run different versions simultaneously * Enhanced device management support, including an all-new MIDI device manager, finally addresses a number of long-standing usability issues and bugs * Control rulers (notation and matrix) completely redesigned from the ground up to use primary editing tools (eg. pencil) and present controller data as a series of connected points that may be manipulated very fluidly and easily * Control rulers share a selection with their associated editor (notation or matrix), allowing control events to be cut, copied and pasted along with notes * A number of non-critical warning dialogs about system configuration issues have been moved out of your way, and onto a compact health indicator at the bottom right of the main window * You can add, display and access what we hope will prove to be an effectively unlimited number of MIDI controllers in the instrument parameters box, eliminating the need for an alternative tabbed layout mode * New streamlined interface merges the insertion cursor functions into the playback cursor, so Rosegarden has only one cursor at long last * All new integrated project packager provides built-in, native support for Rosegarden project packages, eliminates a number of obscure dependencies, and provides a cleaner user experience * Document modified status is indicated in the title bar * Markers text entry fields have been renamed to make it more clear which of the two editable texts is the functional one * The simple event editor now handles notation-quantized notes more intelligently * All but a few keyboard shortcuts are now exposed through menu entries or tooltips, to facilitate learning * Improved controller manager dialog now opens the editor automatically after creating a new controller * Grace notes are scaled correctly relative to full-sized notes (in a way that may lead to true support of cue-sized notation in the future) ===== New Features ===== ==== General ==== * Most windows have special function-related icons associated with them, so it is easier to use your desktop task manager to find the window you seek * Improved flashing metronome mode and more realistic looking LEDs for the transport * Rosegarden comes bundled with a library of composition templates (.rgt files), and any file can be saved as a template with the new File => Save As Template option * New support for Frontier Design Group’s TranzPort™ contributed by Immanuel Litzroth * The MIDI device manager can now import bank and program information from LinuxSampler .lscp files * The automatic clef guessing feature (used in a variety of contexts, such as when importing MIDI or splitting a segment by pitch) now adds transposing clefs to its repertoire in order to avoid excessive ledger lines in parts that extend to the extremes of reproducible pitch ==== Notation ==== * Higher quality on-screen rendering removes the annoying chromatic artifacts that have afflicted all previous versions, and provides crisp, clear rendering * New pan and zoom allows you to move around quickly, and zoom the window contents as far in or out as you like, or zoom either axis independently * You can now add a layer to the part you're editing with just one click. The "Add Layer" function uses the currently active segment as a template for creating a new "layer" segment in the same place, with the same clefs and key signatures, but in a contrasting color * The segment changer (located with the pan and zoom controls) provides a visual indication of which segment is currently active for editing, even in continuous page layout mode, and allows you to change segments without removing your right hand from your mouse * Print and Print Preview are both performed through LilyPond, which provides extremely high-quality output * Expanded range of point sizes (from 6 to 30) available for LilyPond export * New interactive LilyPond Print/Preview allows you to configure your preferences for which applications you prefer to use for printing files and viewing PDFs, and compares the result of the LilyPond conversion operation against your LilyPond export options in order to offer intelligent suggestions for what steps to take when things go wrong * New support for notation symbols, giving Rosegarden the ability to display (non-operative) segno, coda and breath mark symbols * New marks for open, stopped/muted, and harmonic/flageolet * New cycle slashes function allows you to use the **/** shortcut or the new toolbar icon to cycle through from 0 to 5 slashes on selected notes * All marks are exported to LilyPond now, and mark placement has been aligned with LilyPond's placement rules, following the philosophy that they have spent vastly more time studying best notation practices than we have, and where we disagreed, we were wrong * Add Trill With Line moves from Note ==> Marks... and the marks toolbar to Phrase and the group toolbar, reflecting an internal change that transforms this from a mark attached to a single note into a more flexible indication that can span any number of (usually tied) notes. The mark version still exists internally to preserve compatibility with existing compositions * Even quicker and improved keyboard access to inserting notes and rests, with the default duration determined by the denominator of the current time signature * More compact notation toolbar layout combines note and rest entry in one place, freeing up space, and improving efficiency * When using the notation editor to insert notes, long notes are tied at barlines by default, so red barlines are less common ==== Matrix ==== * At long last it is possible to open multiple segments (from any number of different tracks) in the same matrix view * The pitch highlights on I III and V are now calculated relative to the key signature in effect, rather than being fixed against C major * Notes and pitch highlights are always displayed in concert pitch, allowing you to work with segments in many different transpositions simultaneously on the same grid, even though they appear as completely different notes in completely different keys in a notation view * Cleaner interface leaves the instrument parameters in the main window, so you have more room for editing what's important * New pan and zoom allows you to move around quickly, and zoom the window contents as far in or out as you like, or zoom either axis independently * The segment changer (located with the pan and zoom controls) provides a visual indication of which segment is currently active for editing, and allows you to change segments without removing your right hand from your mouse * Is is now possible to insert key changes from the matrix * The standard matrix now allows the possibility of opening the same segments in a percussion matrix, and vice versa * New Pitch Bend Sequence allows you to insert a series of calculated, machine-generated pitch bends to create a variety of vibrato effects * Translucent event bars make it easier to see and work with overlapping notes ==== Audio ==== * If the JACK audio server is not already running, Rosegarden will start it for you transparently * If you attempt to record to a document named "Untitled" you will be prompted to name your composition before continuing, so as to promote better housekeeping over time * New controls available from the main window and the audio mixer allow you to give audio and synth plugin instruments (eg. "Audio #3" or "Synth #5") custom names * When recording, the composition title and custom audio instrument name (if provided) are used in the filename in order to make it much easier to work with recorded audio files outside of their original context. Instead of **rg-20091123-102030-1.wav** you can now have something like **rg-[Jam Session 12]-[Bobs_Guitar]-2009-11-23_10.20.30-1.wav** ===== Available Languages ===== The following translations are complete and up to date for this release: * German * Spanish * Swedish * French The following translations are substantially complete for this release: * Finnish * Czech * Japanese * Italian =====The Porting Team===== We'd like to give special thanks to the following members and contributors, some old, some new, for their outstanding work on the long and difficult port. These brave few are the authors of a new chapter in our history. * Chris Cannam * Michael McIntyre * Julie Swango * Emanuel Rumpf * Yves Guillemot * Chris "CJ" Fryer * Heikki Junes * Shelagh Manton * Jani Frilander * Mikko Vepsäläinen * Ilan Tal ===== Thanks To ===== * Luis Garrido * David Willis * Queen Mary, University of London and Sonic Visualiser for all the useful code * Dave Plater * Michel Munnix * Mario Moles ==== Bug Fixes ==== * The project packager can now handle spaces in paths and filenames * Faders can now be moved in both directions with the mouse scroll wheel * Corrected LilyPond export of double octave clefs * Corrected rendering problem when moving expanded-height tracks * Controller editor dialog now keeps track of the color index properly * Newly created knobs of color "default" now display the correct color, rather than black * Rosegarden no longer creates useless, confusing extra devices, which solves many related problems * Percussion tracks now sound when importing broken MIDI files that use zero-length notes for percussion * The forward and back tab navigation buttons on the MIDI mixer work properly now * Problems with the "trill with line" mark solved through the new indication, which allows a trill to span multiple tied notes, and allows all of this to export to LilyPond correctly * Corrected export of sustain pedal notation for LilyPond 2.12 * The main window no longer expands horizontally upon loading files that were last saved with a high level of zoom * When grace notes occur at a height that requires ledger lines, the ledger lines are now drawn at the correct size * Notation staffs now respect user font configuration choices consistently ====Thanks to==== The KDE translation team took on an enormous number of difficult translations for us, and we are in their debt! ===Active translators for this release:=== * Heikki Junes * D. Michael McIntyre * Thorsten Alteholz * Yves Guillemot * Alexandre Prokoudine * Jani Frilander * Pavel Fric * Stefan Asserhall ===Other people who contributed to Rosegarden development:=== * Immanuel Litzroth * Thorsten Alteholz * Vladimir Savic * Alexander Kulikov * Stefan Asserhall ===People who contributed device files to the Rosegarden Library=== * Greg Lyons * Georg Balzer * Theo Smit * ADR * Sezer Dursun * Julie Swango * Geoff King * Pietro Pedrozzi * Alexander Methke * John Murphy

16 years

[LAA] [ANN] KMid2 0.2.1 released

by Pedro Lopez-Cabanillas

KMid2 is a MIDI/Karaoke player for KDE4. It runs in Linux, using the ALSA Sequencer. KMid2 plays MIDI and karaoke files to hardware MIDI devices or software synthesizers. It supports playlists, MIDI mappers, tempo (speed), volume and pitch (transpose) controls and configurable character encoding, font and color for lyrics. The graphic views include a rhythm view (visual metronome), a channels window with solo/muting controls and instrument selectors, and a piano player window (Pianola). Changes for this release: * Automatic detection of text encodings for lyrics * Get channel labels from SMF metadata (track names) * Pianola window: added labels showing the channel names * Check the runtime ALSA driver version for advanced MIDI ports * Patch from Kevin Kofler adding a "pulseaudio" option for TiMidity++ * Fixed a memory leak * Fixed command line play lists handling * Fixed settings dialog: soft-synth audio output combos and apply button More info: http://userbase.kde.org/KMid2 Copyright (C) 2009-2010, Pedro Lopez-Cabanillas KMid2 is free software distributed under the terms of the GPL v2 license.

16 years

[LAA] LoMus 2010

by Thierry Coduys

LoMus 2010 À la recherche des logiciels libres pour la création sonore et intermedia Pour sa troisième édition, Lomus 2010 sadresse à tous ceux qui saventurent dans le développement de logiciels libres musicaux ou de logiciels libres qui peuvent contribuer au processus de la création musicale. En regard d'un des 2 thèmes mis en avant lors de cette édition des JIMs : "L'uvre musicale face à l'hétérogène : problématique de la mixité", le concours LoMus encourage plus particulièrement les contributions intégrant ou s'hybridant avec d'autres médias. Ce thème n'est cependant pas restrictif. Un prix sera remis aux logiciels qui font preuve non seulement d'innovation, mais notamment d'inventivité face aux enjeux actuels de la création musicale. Calendrier Appel à soumissions : 4 février 2010 Soumission des logiciels : 1 avril 2010 Notification d'acceptation : 1 mai 2010 Remise du prix lors des JIM : 20 mai 2010 info : concours.afim-asso.org In search of open-source software for musical and intermedia creation For its third edition, LoMus 2010 invites music and audio open-source software creators to submit original projects that either directly or indirectly contribute to musical creation. In regard to one of the 2 themes for JIM's edition : "The musical work and heterogeneity: the problem of mixity", the LoMus contest will particularly encourage sonic/musical softwares integrating or hibridizing with other media. Though, this theme is not restrictive. A prize will be awarded to open-source sofware that prove to be not only innovatory but also inventive in the present context of music and audio creation. Calendar Call for submissions : February 4th 2010 Submission deadline : April 1st 2010 Admission notification : May 1st 2010 JIM Awards Ceremony : May 20th 2010 info : concours.afim-asso.org AFIM : http://www.afim-asso.org/spip.php?article1 JIM2010 : http://jim.afim-asso.org/ocs/index.php/jims/index

16 years

[LAA] Fwd: openlab opennight text & logo

by Robert Munro

*OpenLab OpenNight* Open night is a night of performances where people can come along and try out their new open-source based creations in front of an audience, or just have a jam (e.g. wife swap, etc). Anyone is free to join in - just add your name on the wiki page ( http://www.pawfal.org/openlabwiki/index.php?page=OpenNight) or get in contact on the mailing list ( http://lists.pawfal.org/listinfo.cgi/openlab-pawfal.org) or send us a mail to rrmunro at gmail. Performances can be from 10-25min, they can be work in progress or finished pieces, or just anything you want to play in front of an audience. It good to know how long they will be so we can fit as many in as possible. *About OpenLab London* Openlab is a loose collective of artists centred around London, UK, who use and develop open source software and technology for music, art, noise, performances, and just about anything else they feel like doing with it. Openlab organises performances, talks, workshops, events, and beer-y meetings across the UK for like-minded individuals to share and exchange ideas and let loose their creative inner daemons. Our main mission, besides being a support group/drinking club, is to promote the use of open source software and media by demonstrating how damn cool it is. http://www.pawfal.org/openlabwiki/fish.png

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Linux-audio-announce February 2010