Linux-audio-announce October 2014

linux-audio-announce@lists.linuxaudio.org

9 participants
11 discussions

by David Robillard

The first unified LV2 release, LV2 1.0.0, is out. This release merges the previous lv2core package with all the official extension packages, as well as example plugins, lv2specgen, and additional data. From a developer point of view, the biggest change is that all LV2 API headers can be used by simply checking for the single pkg-config package "lv2" (for compatibility the previous "lv2core" package is still installed). Implementations are encouraged to abandon the "copy paste headers" practice and depend on this package instead. With this release, several new extensions have become stable that together greatly increase the power of LV2: atom, log, parameters, patch, port-groups, port-props, resize-port, state, time, worker. Download: http://lv2plug.in/spec/lv2-1.0.0.tar.bz2 Documentation and more detailed change logs: http://lv2plug.in/ns/ More information about LV2: http://lv2plug.in/ Enjoy, -dr

10 years, 9 months

[LAA] Rivendell v2.10.0

by Frederick Gleason

On behalf of the entire Rivendell development team, I'm pleased to announce the availability of Rivendell v2.10.0. Rivendell is a full-featured radio automation system targeted for use in professional broadcast environments. It is available under the GNU General Public License. From the NEWS file: *** snip snip ***hanges: Updated Translation. A new French translation has applied, courtesy of the good folks at Tryphon [http://www.tryphon.eu/]. Log Tools Enhancements. Added various UI enhancements in RDLogManager and RDLogEdit. GPIO Logging. Added an event viewer in RDGpiMon to allow GPIO events to be logged and viewed. Music Scheduler Enhancements. Added the ability to utilize a second Scheduler Code in music events in RDLogManager. Report Generation Enhancements. Added the ability to specify a post-export script when generating reports (analogous to pre-import scripts for log imports). RDImport Enhancements. Added -set-marker-start-*=', '--set-marker-end-*=', '--set-marker-fadeup*=' '--set-marker-fadedown*=', '--set-string-*=' and '--set-datetimes' options for rdimport(1). Various other bug fixes. See the ChangeLog for details. Database Update: This version of Rivendell uses database schema version 242, and will automatically upgrade any earlier versions. To see the current schema version prior to upgrade, see RDAdmin->SystemInfo. As always, be sure to run RDAdmin immediately after upgrading to allow any necessary changes to the database schema to be applied*** snip snip *** Further information, screenshots and download links are available at: http://www.rivendellaudio.org/ Cheers! |----------------------------------------------------------------------| | Frederick F. Gleason, Jr. | Chief Developer | | | Paravel Systems | |----------------------------------------------------------------------| | Focus on the dream, not the competition. | | -- Nemesis Racing Team motto | |----------------------------------------------------------------------|

11 years, 3 months

[LAA] ANN: SEAMUS 2015 -- Call for submissions

by Ivica Bukvic

Apologies for x-posting: The SEAMUS 2015 conference will be held at Virginia Tech during March 26-28, 2015. The conference theme is "Emotion and Electroacoustic Music." The submission deadline is October 31, 2014. Please see http:// <http://seamus.music.vt.edu/main/>seamus.music.vt.edu <http://seamus.music.vt.edu/main/>/main/ <http://seamus.music.vt.edu/main/> for further details on the conference, and http:// <http://www.seamusonline.org/>www.seamusonline.org/ <http://www.seamusonline.org/> for further information about SEAMUS. Any questions regarding the conference may be directed to seamus@ <seamus(a)music.vt.edu>music.vt.edu <seamus(a)music.vt.edu>. Best, Ico

11 years, 3 months

[LAA] QjackCtl 0.3.12 released, feat. JACK Pretty-names aliasing

by Rui Nuno Capela

Again, a classic needs no introduction... QjackCtl 0.3.12 is now released! Change-log: - JACK client/port pretty-name (metadata) support is being introduced and seamlessly integrated with old Connections client/port aliases editing (rename) (refactored from an original patch by Paul Davis, thanks). (EXPERIMENTAL) - Application close confirm warning is now raising the main window as visible and active for due top level display, especially applicable when minimized to the system tray. - Messages standard output capture has been slightly improved as for non-blocking i/o, whenever available. - Translations install directory change. - Allow the build system to include an user specified LDFLAGS. - Missing input/output-latency parameter settings now settled for the D-BUS controlled JACK server and firewire back-end driver. Website: http://qjackctl.sourceforge.net Project page: http://sourceforge.net/projects/qjackctl Downloads: - source tarball: http://downloads.sourceforge.net/qjackctl/qjackctl-0.3.12.tar.gz - source package (openSUSE 13.1): http://downloads.sourceforge.net/qjackctl/qjackctl-0.3.12-21.rncbc.suse131.… - binary packages (openSUSE 13.1): http://downloads.sourceforge.net/qjackctl/qjackctl-0.3.12-21.rncbc.suse131.… http://downloads.sourceforge.net/qjackctl/qjackctl-0.3.12-21.rncbc.suse131.… Weblog (upstream support): http://www.rncbc.org License: QjackCtl is free, open-source software, distributed under the terms of the GNU General Public License (GPL) version 2 or later. See also: http://www.rncbc.org/drupal/node/826 Enjoy && Have fun! -- rncbc aka Rui Nuno Capela rncbc(a)rncbc.org

11 years, 3 months

[LAA] 2015 ASCAP/SEAMUS Student Commission Competition

by Per Bloland

(apologies for cross-postings) The Society for Electro-Acoustic Music in the United States (SEAMUS) is pleased to announce the 2015 ASCAP/SEAMUS Student Composer Commissioning Program. The purpose of this program is to stimulate student participation in SEAMUS activities, and to encourage young composers to pursue creative endeavors in electro-acoustic music. The program is administered by SEAMUS and funded by the American Society of Composers, Authors and Publishers (ASCAP) <http://www.ascap.com>. The submission deadline is October 31, 2014. For more information, please visit the ASCAP/SEAMUS Competition information page <http://www.seamusonline.org/ascapseamus/>. To submit via the online application, please visit the current submission site. Please note that you must be a current member of SEAMUS to submit to the competition. You can join or renew your membership at the newly redesigned SEAMUS website, http://www.seamusonline.org/. Joining takes only a few minutes. You must supply your seamusonline username to complete your submission. (Your seamusonline username is independent of your Start Conference, submission username.) If you submitted to the 2014 SEAMUS Conference at Wesleyan, your Start Conference submission username and password are still valid. RULES FOR SUBMISSION All submissions are to be made online, through the submission site. Only one work of electroacoustic music may be submitted, which must adhere to the following guidelines: • Audio Files: music submissions should include a representative audio recording of the work. If a concert work, it must be the complete composition. Installations may be represented by an excerpted recording not to exceed 10 minutes in length. Judging of music submissions for ASCAP/SEAMUS Student Competition will be from audio files in the MP3 format. Multichannel works will be judged from a stereo mix, also MP3. Please assist us by submitting in MP3 format. Audio files must be prepared as a single LastnameFirstname_audio.MP3. • Scores: for submissions involving a score, please submit an anonymized PDF score for review. Please do not mail in printed scores. Score submissions must be prepared as LastnameFirstname_score.PDF. • Video Submissions: note that for works involving video, only the audio portion will be considered for judging purposes. You must be the composer of the music for the video. Please submit an MP3 of the music as specified above. • Only one (1) entry per student. Other than the filename, please make sure to remove your name from all files, including MP3 metadata and PDF scores. Please limit the total size of all files to 40MB. This same work may be submitted to the SEAMUS 2014 National Conference via the conference submission page. All finalists in the ASCAP/SEAMUS Student Commission Competition must attend the SEAMUS 2014 National Conference. Submissions by High School and Undergraduate students will automatically be considered for the Allen Strange Memorial Award as well. AWARDS A maximum of two prizes may be awarded. The decision of the judges will be final. First Prize • Commission of $1250 for a new work of electro-acoustic music • Performance of commissioned work at the 2016 SEAMUS National Conference • Recording of the commissioned work in the SEAMUS Compact Disc Series • Certificate of recognition Second Prize • Commission of $750 for a new work of electro-acoustic music • Performance of commissioned work at the 2016 SEAMUS National Conference • Certificate of recognition ELIGIBILITY Applicants to the 2015 ASCAP/SEAMUS Student Commissioning Competition must be student members of SEAMUS and must be either currently enrolled in an academic program in the United States (high school through doctoral studies) or a United States citizen studying abroad. All completed submissions will be verified for student status against current SEAMUS membership records. Per Bloland SEAMUS Member-at-Large

11 years, 3 months

[LAA] Drumstick Metronome 1.0.0 released

by Pedro Lopez-Cabanillas

Drumstick Metronome is a MIDI metronome with Qt5 user interface, based on the ALSA sequencer, formerly named KMetronome. Changes in 1.0.0 * Migrated to Qt5, removing KDE dependencies. Copyright (C) 2005-2014, Pedro Lopez-Cabanillas License: GPL v2 More info http://kmetronome.sourceforge.net/kmetronome.shtml Sources http://sourceforge.net/projects/kmetronome/files/kmetronome/1.0.0/ Regards, Pedro

11 years, 3 months

[LAA] Cloud installation in Arlington, VA

by Ivica Bukvic

Apologies for x-posting: I am pleased to share with you the latest interactive audio-visual art installation commissioned by the Ballston BID in Arlington, VA. Below is general info. You can already find some photos online using the #BallstonCloud hashtag, including ones posted on: https:// <https://www.facebook.com/photo.php?fbid=10152659460131066&set=pcb.101526594…> www.facebook.com <https://www.facebook.com/photo.php?fbid=10152659460131066&set=pcb.101526594…> / <https://www.facebook.com/photo.php?fbid=10152659460131066&set=pcb.101526594…> photo.php <https://www.facebook.com/photo.php?fbid=10152659460131066&set=pcb.101526594…> ? <https://www.facebook.com/photo.php?fbid=10152659460131066&set=pcb.101526594…> fbid <https://www.facebook.com/photo.php?fbid=10152659460131066&set=pcb.101526594…> =10152659460131066&set= <https://www.facebook.com/photo.php?fbid=10152659460131066&set=pcb.101526594…> pcb <https://www.facebook.com/photo.php?fbid=10152659460131066&set=pcb.101526594…> .10152659461736066 <https://www.facebook.com/photo.php?fbid=10152659460131066&set=pcb.101526594…> For those interested in the tech side of things, 50 Raspberry Pis are running pd-l2ork and are powered via single USB cable, while powering three 80mA LEDs, three photoresistors, one mic and one 4W speaker (amplified via RPi's USB port). RPi uses a small USB soundcard and a Modern Device shield which is supported out-of-box via pd-l2ork to provide 10 digital I/Os (with PWM), and 8 analog inputs (via MCP3008). Professors Ivica Ico Bukvic and Aki Ishida are excited to announce the public opening of our newest collaborative installation *Cloud*. The first weekend in October, a constellation of fifty light- and sound-emitting *cloudlets* that make up the *Cloud* will fill the central space of Welburn Square in Ballston, Virginia. This networked artwork is an interactive project, built and programmed in community workshops led by the artist team. After it is placed in the square, it will take on a life of its own as the*cloudlets* communicate with each other and its environment by exchanging messages of light and sound. Come immerse yourselves in the *Cloud <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…>* ! *Between Thursday, October 2 and Saturday, October 4*, the *Cloud* will be at Welburn Square, 901 N Taylor St, Arlington, VA Map <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> Come participate in the Raspberry Pi programming and Cloudlet placing community workshop on Thursday October 2 from 9am to 5pm (see here <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> to sign up for remaining spots in the workshop). Stay for the Farmers Market and Oktoberfest also in the square from 3 to 7pm. Come immerse yourself in the Cloud after 5pm on Thursday, October 2 until the morning of Saturday, October 4. Light is best seen at night, but the sound can be heard anytime. *From Saturday afternoon, October 4 until October 31,*the Cloud will be moved to the lobby of Virginia Tech National Capital Region building, 900 N. Glebe Road, Arlington, VA Map <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> Design Co-Directors: Ivica Ico Bukvic, Associate Professor of Music Technology Aki Ishida, Assistant Professor of Architecture Architecture undergraduate students: Suzanne Berry, Ciara Bucci, Hyun-Jun Cho, Corey Crist, Luke Dale, Zihan Hafiz, Zichun Huang, Christina LoConte, Runyu Ma, Siyu Zhang, Ge Zhou Computer Science undergraduate student: Omavi Walker Engineering Science and Mechanics undergraduate student: Zachary Miller Computer Science PhD student: Spencer Lee The project is funded by <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> Ballston <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> Business Improvement District <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> ; Institute for Creativity, Arts and Technology <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> at VA Tech; Institute for Society, Culture and Environment <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> at VA Tech; <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> VA <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> Tech Research Center Arlington <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> ; College of Architecture + Urban Studies <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…>at VA Tech; College of Liberal Arts & Human Sciences <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> at VA Tech; Information Technology <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> at VA Tech; School of Performing Arts <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> at VA Tech. Generous discounts and in-kind donations provided by Hilton Arlington <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> , Residence Inn Arlington Ballston <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> ,Modern Devices <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> , Plascore <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…> Inc <http://click.icptrack.com/icp/relay.php?r=36883755&msgid=347875&act=X0IQ&c=…>, and Holen Aluminum Products. Best, -- Ivica Ico Bukvic, D.M.A. Associate Professor Computer Music ICAT Senior Fellow DISIS, L2Ork Virginia Tech School of Performing Arts – 0141 Blacksburg, VA 24061 (540) 231-6139 ico@ <ico(a)vt.edu>vt.edu <ico(a)vt.edu> www.performingarts.vt.edu disis.music.vt.edu l2ork.music.vt.edu

11 years, 3 months

[LAA] Yoshimi 1.2.4

by Will Godfrey

Yes it's up there now :) The most noticeable change from a user point of view is that individual part outputs (corresponding to channel sends on a hardware mixer) are no longer affected by the main volume control. The panel window has also been updated to reflect this situation, and red 'clip' bars have been added. The accuracy of peak and clip indication has been improved and decay times increased to give a smoother, clearer response. There are the usual crop of small refinements and bugfixes under the hood. At the moment Sourceforge is still showing 1.2.3 as the latest version, although 1.2.4 is there at the top of the 'files' list. This happened once before and can't remember what the solution was. Has anyone else had this happen? http://sourceforge.net/projects/yoshimi/ -- Will J Godfrey http://www.musically.me.uk Say you have a poem and I have a tune. Exchange them and we can both have a poem, a tune, and a song.

11 years, 4 months

[LAA] Sonic Visualiser v2.4.1 released

by Chris Cannam

Sonic Visualiser is an application for inspecting and analysing the contents of music audio files. It combines powerful waveform and spectral visualisation tools with automated feature extraction plugins and annotation capabilities. Version 2.4.1 of Sonic Visualiser is now available. This is a bugfix release, fixing one serious defect that caused crashes when rendering certain layers. http://www.sonicvisualiser.org/ For more information, please read the change log at: http://code.soundsoftware.ac.uk/projects/sonic-visualiser/repository/entry/… Sonic Visualiser uses Vamp plugins for automated audio feature analysis. For more information about Vamp plugins, including downloads and developer resources, see http://vamp-plugins.org/ Sonic Visualiser is Free Software under the GNU General Public Licence, developed at the Centre for Digital Music, Queen Mary University of London. Chris

11 years, 4 months

[LAA] [LAD] [LAU] Guitarix 0.31.0 released

by hermann meyer

The Guitarix developers proudly present Guitarix release 0.31.0 For the uninitiated, Guitarix is a tube amplifier simulation for jack (Linux), with an additional mono and a stereo effect rack. Guitarix includes a large list of plugins[*] and support LADSPA / LV2 plugs as well. The guitarix engine is designed for LIVE usage, and feature ultra fast, glitch and click free, preset switching, full Midi and/or remote controllable (Web UI not included in the distributed tar ball). Here is the " Ultimate Guide to Getting Started With Guitarix <http://libremusicproduction.com/articles/ultimate-guide-getting-started-gui…>" This release fix a bug in the preset naming schema ( vowel mutation in preset names will crash guitarix) and introduce some new LV2 plugs: * GxRoomSimulator * GxDigitalDelay * GxLiveLooper Please refer to our project page for more information: http://guitarix.sourceforge.net/ Download Site: http://sourceforge.net/projects/guitarix/ Forum: http://guitarix.sourceforge.net/forum/ Please consider visiting our forum or leaving a message on guitarix-developer(a)lists.sourceforge.net <mailto:guitarix-developer@lists.sourceforge.net> The Guitarix project never accepted Donations, and still wouldn't do. But, if you ever wished to donate the project, I would kindly ask you to back the MOD Kickstarter campaign here: https://www.kickstarter.com/projects/modduo/mod-duo-the-limitless-multi-eff… to reach this Goal: > > If the campaign reaches U$100.000 the MOD Duo will offer an Audio > Interface from it's USB connection. This means that when you plug the > MOD Duo to your computer you will be presented with a 4 input audio > device (two pre-processed + two post-processed) that can be used for > recording the MOD's audio directly to your favorite software. > > Add this to the quality of our analog circuit and you'll have, as a > free bonus, a professional grade audio interface that if bought alone > would cost the price of a MOD Duo. > [*]Here is a list of all included plugs: Guitarix tube emulations ======================== 12ax7 12AU7 12AT7 6DJ8 6C16 6V6 12ax7 feedback 12AU7 feedback 12AT7 feedback 6DJ8 feedback pre 12ax7/ master 6V6 pre 12AU7/ master 6V6 pre 12AT7/ master 6V6 pre 6DJ8/ master 6V6 pre 12ax7/ push-pull 6V6 pre 12AU7/ push-pull 6V6 pre 12AT7/ push pull 6V6 pre 6DJ8/ push-pull 6V6 noamp Guitarix Tonestacks =================== default bassman twin princeton jcm800 jcm2000 mlead m2199 ac30 soldano mesa jtm45 ac15 peavey ibanez roland ampeg ampeg_rev sovtek bogner groove crunch fender_blues fender_default fender_deville gibsen engl Guitarix Cabinets =================== 4x12 2x12 1x12 4x10 2x10 HighGain Twin Bassman Marshall AC-30 Princeton A2 1x15 Mesa Boogie Briliant Vitalize Charisma Guitarix internal mono plugins =============================== Mono : Distortion : JCM 800 Preamp Mono : Distortion : MultiBand Distortion Mono : Distortion : Multi Band Distortion Mono : Distortion : Overdrive Mono : Distortion : Tube Screamer Mono : Echo / Delay : Delay Mono : Echo / Delay : Digital Delay Mono : Echo / Delay : Dubber Mono : Echo / Delay : Duck Delay Mono : Echo / Delay : Echo Mono : Echo / Delay : MultiBand Delay Mono : Echo / Delay : MultiBand Echo Mono : Echo / Delay : ReverseDelay Mono : Guitar Effects : Compressor Mono : Guitar Effects : Crybaby Mono : Guitar Effects : Expander Mono : Guitar Effects : GCB 95 Mono : Guitar Effects : Multi Band Compressor Mono : Misc : abGate Mono : Misc : Detune Mono : Misc : Oscilloscope Mono : Misc : Recorder Mono : Modulation : Chorus Mono Mono : Modulation : Flanger GX Mono : Modulation : Flanger Mono Mono : Modulation : MultiBand Chorus Mono : Modulation : Parametric pitch shifter Mono : Modulation : Phaser Mono Mono : Modulation : Ring Modulator Mono Mono : Modulation : Tremolo Mono : Modulation : Vibe Mono Mono : Reverb : Convolver Mono : Reverb : Freeverb Mono : Tone control : Amp impulse Mono : Tone control : Baxandall Mono : Tone control : BiQuad Filter Mono : Tone control : Cabinet Mono : Tone control : Feedback Mono : Tone control : Fender 6G7 Mono : Tone control : Graphic EQ Mono : Tone control : ImpulseResponse Mono : Tone control : low high pass Mono : Tone control : moonlight Mono : Tone control : Peak EQ Mono : Tone control : Scaleable EQ Mono : Tone control : Tonestack Mono : Tone control : Treble boost Mono : Tone control : Volume Guitarix internal stereo plugins ================================= Stereo : Distortion : Postamp Stereo : Echo / Delay : Digital Stereo Delay Stereo : Echo / Delay : Duck Delay St Stereo : Echo / Delay : Stereo Delay Stereo : Echo / Delay : Stereo Echo Stereo : Guitar Effects : Multi Band Compressor stereo Stereo : Misc : Bass Enhancer Stereo : Misc : Panoram enhancer Stereo : Misc : Stereo Recorder Stereo : Modulation : Chorus Stereo : Modulation : Flanger Stereo : Modulation : Phaser Stereo : Modulation : Ring Modulator Stereo : Modulation : Vibe Stereo : Reverb : Convolver Stereo : Reverb : Plate reverb Stereo : Reverb : Stereo Verb Stereo : Reverb : Zita Rev1 Stereo : Tone control : 3 Band EQ Stereo : Tone control : Moog Filter Guitarix LV 2 plugins ====================== GxAmplifier-X GxAmplifier-Stereo-X GxBarkGraphicEQ GxChorus-Stereo GxCompressor GxDelay-Stereo Gxdetune Gxdigital_delay Gxdigital_delay_st Gxduck_delay Gxduck_delay_st GxEcho-Stereo GxExpander GxFlanger GxFuzz GxGraphicEQ Gxlivelooper GxMultiBandCompressor GxMultiBandDelay GxMultiBandDistortion GxMultiBandEcho GxPhaser GxRedeye Big Chump GxRedeye Chump GxRedeye Vibro Chump GxReverb-Stereo Gxroom_simulator Gxshimmizita Gxstereoecho Gx Alembic Mono Gx Studio Preamp Stereo Gxswitched_tremolo GxTremolo Gxvocoder GxZita_rev1-Stereo GxAutoWah GxWah GxBooster GxEchoCat GxMetalAmp GxMetalHead GxTiltTone GxTubeScreamer GxTubeDelay GxTubeTremelo GxTubeVibrato GxTuner

11 years, 4 months

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Linux-audio-announce October 2014