If we were using project code names I think this one should be called "Iceberg".
There are a lot of changes underneath but very little to see.
Most notably Yoshimi supports multiple instances now without having to re-load
from file.
The GUI now correctly tracks MIDI bank and program changes, and you never see an
empty text field.
--
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
On behalf of the entire Rivendell development team, I'm pleased to announce the availability of Rivendell v2.10.1. Rivendell is a full-featured radio automation system targeted for use in professional broadcast environments. It is available under the GNU General Public License.
From the NEWS file:
*** snip snip ***
Changes:
RDHpiInfo Enhancements. Added DSP utilization and profiling data
readouts for AudioScience audio adapters to rdhpiinfo(8).
RDLogEdit Enhancements. Added an 'EXT DATA' column to the Edit Log
screen in rdlogedit(1) to allow visibility of ELR GUID data when
making edits.
Various other bug fixes. See the ChangeLog for details.
Database Update:
This version of Rivendell uses database schema version 242, and will
automatically upgrade any earlier versions. To see the current schema
version prior to upgrade, see RDAdmin->SystemInfo.
As always, be sure to run RDAdmin immediately after upgrading to allow
any necessary changes to the database schema to be applied.
*** snip snip ***
Further information, screenshots and download links are available at:
http://www.rivendellaudio.org/
Cheers!
|----------------------------------------------------------------------|
| Frederick F. Gleason, Jr. | Chief Developer |
| | Paravel Systems |
|----------------------------------------------------------------------|
| Patch griefs with proverbs. |
| -- William Shakspeare |
| "Much Ado About Nothing" |
|----------------------------------------------------------------------|
On behalf of the entire Rivendell development team, I'm pleased to announce the availability of Rivendell v2.10.0. Rivendell is a full-featured radio automation system targeted for use in professional broadcast environments. It is available under the GNU General Public License.
From the NEWS file:
*** snip snip ***hanges:
Updated Translation. A new French translation has applied, courtesy
of the good folks at Tryphon [http://www.tryphon.eu/].
Log Tools Enhancements. Added various UI enhancements in RDLogManager
and RDLogEdit.
GPIO Logging. Added an event viewer in RDGpiMon to allow GPIO events
to be logged and viewed.
Music Scheduler Enhancements. Added the ability to utilize a second
Scheduler Code in music events in RDLogManager.
Report Generation Enhancements. Added the ability to specify a
post-export script when generating reports (analogous to pre-import
scripts for log imports).
RDImport Enhancements. Added -set-marker-start-*=',
'--set-marker-end-*=', '--set-marker-fadeup*=' '--set-marker-fadedown*=',
'--set-string-*=' and '--set-datetimes' options for rdimport(1).
Various other bug fixes. See the ChangeLog for details.
Database Update:
This version of Rivendell uses database schema version 242, and will
automatically upgrade any earlier versions. To see the current schema
version prior to upgrade, see RDAdmin->SystemInfo.
As always, be sure to run RDAdmin immediately after upgrading to allow
any necessary changes to the database schema to be applied*** snip snip ***
Further information, screenshots and download links are available at:
http://www.rivendellaudio.org/
Cheers!
|----------------------------------------------------------------------|
| Frederick F. Gleason, Jr. | Chief Developer |
| | Paravel Systems |
|----------------------------------------------------------------------|
| Focus on the dream, not the competition. |
| -- Nemesis Racing Team motto |
|----------------------------------------------------------------------|
(apologies for cross-postings)
The Society for Electro-Acoustic Music in the United States (SEAMUS) is pleased to announce the 2015 ASCAP/SEAMUS Student Composer Commissioning Program.
The purpose of this program is to stimulate student participation in SEAMUS activities, and to encourage young composers to pursue creative endeavors in electro-acoustic music. The program is administered by SEAMUS and funded by the American Society of Composers, Authors and Publishers (ASCAP) <http://www.ascap.com>.
The submission deadline is October 31, 2014.
For more information, please visit the ASCAP/SEAMUS Competition information page <http://www.seamusonline.org/ascapseamus/>.
To submit via the online application, please visit the current submission site.
Please note that you must be a current member of SEAMUS to submit to the competition. You can join or renew your membership at the newly redesigned SEAMUS website, http://www.seamusonline.org/. Joining takes only a few minutes. You must supply your seamusonline username to complete your submission. (Your seamusonline username is independent of your Start Conference, submission username.)
If you submitted to the 2014 SEAMUS Conference at Wesleyan, your Start Conference submission username and password are still valid.
RULES FOR SUBMISSION
All submissions are to be made online, through the submission site. Only one work of electroacoustic music may be submitted, which must adhere to the following guidelines:
• Audio Files: music submissions should include a representative audio recording of the work. If a concert work, it must be the complete composition. Installations may be represented by an excerpted recording not to exceed 10 minutes in length. Judging of music submissions for ASCAP/SEAMUS Student Competition will be from audio files in the MP3 format. Multichannel works will be judged from a stereo mix, also MP3. Please assist us by submitting in MP3 format. Audio files must be prepared as a single LastnameFirstname_audio.MP3.
• Scores: for submissions involving a score, please submit an anonymized PDF score for review. Please do not mail in printed scores. Score submissions must be prepared as LastnameFirstname_score.PDF.
• Video Submissions: note that for works involving video, only the audio portion will be considered for judging purposes. You must be the composer of the music for the video. Please submit an MP3 of the music as specified above.
• Only one (1) entry per student.
Other than the filename, please make sure to remove your name from all files, including MP3 metadata and PDF scores. Please limit the total size of all files to 40MB.
This same work may be submitted to the SEAMUS 2014 National Conference via the conference submission page. All finalists in the ASCAP/SEAMUS Student Commission Competition must attend the SEAMUS 2014 National Conference. Submissions by High School and Undergraduate students will automatically be considered for the Allen Strange Memorial Award as well.
AWARDS
A maximum of two prizes may be awarded. The decision of the judges will be final.
First Prize
• Commission of $1250 for a new work of electro-acoustic music
• Performance of commissioned work at the 2016 SEAMUS National Conference
• Recording of the commissioned work in the SEAMUS Compact Disc Series
• Certificate of recognition
Second Prize
• Commission of $750 for a new work of electro-acoustic music
• Performance of commissioned work at the 2016 SEAMUS National Conference
• Certificate of recognition
ELIGIBILITY
Applicants to the 2015 ASCAP/SEAMUS Student Commissioning Competition must be student members of SEAMUS and must be either currently enrolled in an academic program in the United States (high school through doctoral studies) or a United States citizen studying abroad. All completed submissions will be verified for student status against current SEAMUS membership records.
Per Bloland
SEAMUS Member-at-Large
Yes it's up there now :)
The most noticeable change from a user point of view is that individual part
outputs (corresponding to channel sends on a hardware mixer) are no longer
affected by the main volume control. The panel window has also been updated to
reflect this situation, and red 'clip' bars have been added.
The accuracy of peak and clip indication has been improved and decay times
increased to give a smoother, clearer response.
There are the usual crop of small refinements and bugfixes under the hood.
At the moment Sourceforge is still showing 1.2.3 as the latest version,
although 1.2.4 is there at the top of the 'files' list.
This happened once before and can't remember what the solution was. Has anyone
else had this happen?
http://sourceforge.net/projects/yoshimi/
--
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
Sonic Visualiser is an application for inspecting and analysing the
contents of music audio files. It combines powerful waveform and
spectral visualisation tools with automated feature extraction plugins
and annotation capabilities.
Version 2.4.1 of Sonic Visualiser is now available. This is a bugfix
release, fixing one serious defect that caused crashes when
rendering certain layers.
http://www.sonicvisualiser.org/
For more information, please read the change log at:
http://code.soundsoftware.ac.uk/projects/sonic-visualiser/repository/entry/…
Sonic Visualiser uses Vamp plugins for automated audio feature analysis.
For more information about Vamp plugins, including downloads and
developer resources, see
http://vamp-plugins.org/
Sonic Visualiser is Free Software under the GNU General Public Licence,
developed at the Centre for Digital Music, Queen Mary University of
London.
Chris