This is a bug fix release.
A big thanks to all that send fixes to me, without you, the AlsaPlayer will not
be in live.
See the ChangeLog for the details and the names of the contributors :
http://alsaplayer.svn.sourceforge.net/viewvc/alsaplayer/trunk/alsaplayer/Ch…
I will also stress you to contribute to the AlsaPlayer. At least 2 things need
to be fixed. The first one is the jack output plugin that is using deprecated
functions. The second one is the resampling. For that, libsamplerate will give
a better quality.
Enjoy the AlsaPlayer,
Dominique Michel
--
"We have the heroes we deserve."
A stable release, version 1.7, of MMA--Musical MIDI Accompaniment
is available for downloading. In addition to a number of bug fixes
and optimizations, MMA now features:
- Chords can now be entered in Roman Numeral notation.
- Extensive reworking/enhancement of the Solo track commands.
- MidiInc extended to permit the creation of Solo Riffs.
- Enhanced the automatic groove finding so that multiple
directories can be scanned.
- -V option for an audible preview of a groove in the libraries.
- A new utility, mma-gb.py. This is a simple GUI for viewing and
previewing the groove library.
MMA is a accompaniment generator -- it creates midi tracks
for a soloist to perform with. User supplied files contain
pattern selections, chords, and MMA directives. For full details
please visit:
http://www.mellowood.ca/mma/
If you have any questions or comments, please send
them to: bob(a)mellowood.ca
--
**** Listen to my CD at http://www.mellowood.ca/music/cedars ****
Bob van der Poel ** Wynndel, British Columbia, CANADA **
EMAIL: bob(a)mellowood.ca
WWW: http://www.mellowood.ca
Dear all,
Linux Audio Monthly Round-Up #4 – November 2010 has been published:
https://linuxaudio.org/node/122
Here it is, Round-Up #4, with thanks to all the people that provided
feedback and made it happening last month. And special thanks yet again
to the people of LinuxMAO. If there would only exist a decent translator
from French to English then everyone could benefit from their massive
and impressive work.
Best,
Jeremy
Renoise 2.6 - Geek Edition
# FOR IMMEDIATE RELEASE:
Friday, November 5th 2010 - It's official. We are pleased to announce that Renoise 2.6 is ready for production. Over three months of community driven beta testing has put the software through the ringer. User feedback has resulted in our most innovative release to date. Rock solid stable, as usual.
What's new?
# SCRIPT EVERYTHING USING A TRULY OPEN API:
Lua is a light-weight programming language, which together with the Renoise API allows you to build add-ons quickly and easily.
"Firefox has extensions. Renoise has Lua scripts. You can customize the user interface, manipulate musical elements in your song, control MIDI, audio, and OpenSoundControl, or actually dive in and create features Renoise doesn’t have yet." -Peter Kirn, Create Digital Music
Lua scripting, introduced as part of the beta cycle in July, has already resulted in a plethora of new tools, as well as native support for the following hardware: AlphaTrack, BCF-2000, BCR-2000, KONTROL49, FaderPort, microKONTROL, nanoKONTROL, Launchpad, Remote SL-MKII, Nocturn, Monome, Ohm64, iPad via TouchOSC... All created by the Renoise community on their own dime, just for the fun of it! Now that Renoise 2.6 is stable and ready for the public at large, we can only imagine what's next. Note to hardware companies: About those extra units sold? You're welcome.
Check out the new tools page for more: http://tools.renoise.com/
# SAMPLE AUTOSEEK:
Samples have a new setting, "Autoseek", which will, when enabled, make them behave like a traditional audio channel. You can start playing back the song at any position, and the sample will automatically seek to the current position in the song without having to be triggered.
# AND MORE:
* Open Sound Control (OSC) Server Support
* Duplex - MIDI/OSC controller framework
* DSSI Support on Linux, 64-bit Linux Version
* Support for CAF, AIFC, SND and AU Files
* Linux & Mac OSX Performance Tweaks
* Minor usability and functionality refinements galore!
* The full scoop, here: http://www.renoise.com/about/what-s-new-2-6/
# ABOUT RENOISE:
Renoise is a sophisticated music sequencer and audio processing application for Windows, Macintosh, and Linux. It's a unique all-in-one music production environment for your personal computer.
Renoise's rock solid stability makes it ideal as a live jamming tool. You can map almost every part of the interface to a MIDI controller, run your guitar through a Line-In Device and distort it with native effects, or just use it as a drum machine; a sampler on steroids.
Renoise's open API allows programmers to easily extend Renoise. With a few lines of code you can add the features or tools that you always wanted but never dared to ask for.
Renoise is based on mod trackers. Mod trackers are characterized by displaying and editing music in an easily understood grid known as a pattern. These patterns are akin to sheet music, but are displayed alphanumerically instead of with musical notation.
Renoise boasts full ReWire and Jack support, FX and instrument VST/AU/LADSPA/DSSI plug-in support, automatic plug-in delay compensation, multi-core load balancing, MIDI I/O, OpenSoundControl, audio recording, flexible audio output, graphical & numerical parameter automation, modular parameter routing, and much more.
Due to its keyboard driven workflow, it makes the creation of desktop music far quicker than in a traditional MIDI based sequencer. For experienced users, and those who don't necessarily want to be bound to piano roll systems to music, it offers a refreshing approach to composing and is one of the most efficient ways to do so using a computer.
Instead of spending hours cobbling beats together with a mouse, why not do it in seconds with just a few keystrokes in Renoise? Whether you're an audio veteran or just starting out, Renoise is a fantastic addition to any bedroom or professional studio.
Got laptop? Use Renoise.
# SCREENSHOT:
* http://www.renoise.com/uploads/images/screenshots/rns26matrix.jpg
# DOWNLOAD:
* http://www.renoise.com/download/renoise/
# WEBSITE:
* http://www.renoise.com/
[Apologies for cross-postings] [Please distribute]
Paper-submission, call-for-music and registration are now open
for the Linux Audio Conference 2011 - May 6-8 2011, Maynooth, Ireland
More information: http://lac.linuxaudio.org/2011/
As in previous years, we will have a full program of talks, workshops
and music.
The Linux Audio Conference 2011 will include several concerts. We are
looking for music that has been produced or composed entirely or mostly
using GNU/Linux or other Open Source music software for:
* The Electroacoustic Music Concerts
* The Linux Sound Night
* Sound installations
*'XBLOOME', BAND FROM VIENNA PUBLISHES WORLD'S FIRST ALBUM PRODUCED
EXCLUSIVELY WITH FREE SOFTWARE*
After their debut CD "...Done!" in 2006, and the limited edition release
"Remixed: Happy Rebel" in 2009, the band XBloome from Vienna is proud to
announce their third album.
"X marks the spot" covers multiple genres: Whether one prefers dancing
to whipping disco-beats, dream away to dark-spherical sounds or simply
chill while enjoying the smooth-jazzy side of XBloome - this
multifarious album is still revealing new details and facets after
repeated playing.
As maybe the first album ever, "X marks the spot" was produced
exclusively using Free Software (Open Source) and without a professional
studio or graphic designers. With this 'proof of concept' album, XBloome
have debunked several prejudices about feasability, professionality and
quality of free and self-made productions.
Art needs exchange to live. That's why XBloome have made a point of
sharing their experiences: On their website, they offer other artists
how-tos, tutorials and templates [1].
Consistently, their label of choice to release this album on was
"Edelbrand-Records", whose priority lies in the promotion of
musical-cultural exchange between artists.
Like all other XBloome albums, "X marks the spot" will not only be
available for sale on CD at their concerts, but as of November 1st 2010
will be obtainable as a free download on www.xbloome.com [2] - in full
length and high-quality, under a Creative-Commons license.
XBloome will bring the new album on tour, starting on November 12th,
playing at the "5 year Edelbrand-Records" event at the "Arena" in Vienna.
Additional information and background-details about the production are
available on their band website [3].
Press-contact / queries:
press(a)xbloome.com
+43 676 56 43 509
+43 676 95 05 744
== References
[1] http://www.xbloome.com/drupal/making_of
[2] http://www.xbloome.com/drupal/album/x_marks_the_spot
[3] http://www.xbloome.com/drupal/making_of/x_marks_the_spot
I'm am extremely happy to announce the release of Swami 2.0.0 "Sounds
of Celebration" and libinstpatch 1.0.0.
This is the result of an 8+ year development cycle and marks the first
release in the Swami 2.0 series.
While this should be considered a beta release, it is well underway to
being a powerful instrument editor and manager.
Features:
- Support for SoundFont format including 24 bit samples
- FluidSynth soft synthesizer for audio synthesis
- GTK2 based program with GObject oriented libraries for use in other
applications
- Loop finder and FFTune plugin for semi automated looping and sample tuning
- Overlapping loop point viewer to help with creating seamless loops
Currently semi functional:
- Python binding.
- Other instrument formats (DLS and GigaSampler), still rather
incomplete though.
Credits for this release:
- Christian Collins for his generous contribution, testing, feature
requests and support in getting this released!
- Ebrahim Mayat for his continued testing on Mac OSX.
- Luis Garrido for the Loop Finder algorithm and interest in this feature.
- Element Green for everything else.
Cheers!
Joshua "Element" Green
http://swami.sourceforge.net
http://gjacktransport.sourceforge.net/ is a tool that provides graphical
control over JACK-transport [1].
It features
- customizable keyboard shortcuts
- custom start/end markers for transport slider.
- memory presets for start/end markers.
- flexible layout & window
- (optional) session-management via LASH.
and is intended for JACK apps which do not themselves provide a timeline
(fi. ecasound, xjadeo,..) and to supplement other apps which do (fi.
ardour, hydrogen, seq24,..).
Since 0.4.0 it is also possible to
- load/save current settings from a custom resource-config file.
This is the first update of gjacktransport in over 3 years, basically
motivated because LASH is less commonly used these days and LASH was the
only way to retain settings of gjacktransport across sessions.
There are a few other minor updates (removed deprecated gtk-functions,
fixed some compiler warnings, etc.). For a full list of changes see the
ChangeLog:
http://gjacktransport.svn.sourceforge.net/viewvc/gjacktransport/trunk/Chang…
have fun,
robin
[1] JACK provides a transport interfaces for starting, stopping and
repositioning a set of clients:
http://jackaudio.org/files/docs/html/transport-design.html
--
Robin Gareus mail: robin(a)gareus.org
site: http://gareus.org/ chat: xmpp:rgareus@ik.nu
blog: http://rg42.org/ lab : http://citu.fr/
Public Key at http://pgp.mit.edu/
Fingerprint : 7107 840B 4DC9 C948 076D 6359 7955 24F1 4F95 2B42
désolé pour ./x, please ./x >>
_
_ _ ____ _ _ _______|_|
| |_ _| | _|____|_ | | _|_| | _____|
| _|__|_ | | |____| | | |___|_| | |_____
| | |__| | | | ____ | | ___|_ | _____|
| | | | | |_ | | | | |_|_ | |_______
|_|_ |_| |___| |_| |_| |_| |_________|
|_|_ ____ _______ _________
|_| _|____|_ | _____|_ |___ ___|_ _
| |____| | | |_____|_| | | |_| |_|
FROM | __ | | _ _| | |
4 to 7 | | |_ | | | |_|___ _|_|
NOVEMBER 2010 |_| |_| |_| |___| |_|
festival of free art and technologies
Exhibition | Concerts | Lectures | Workshop
http://makeart.goto10.org
« in-between design: rediscovering collaboration in digital art »
make art is an international festival dedicated to free/libre arts
and technologies, distributed digital artworks and net art. The sixth
edition of make art focuses on works halfway between art and design,
collaborative, scalable and participative methods. The adventure
"in-between design" begins here, to be imagined in this creative
development, where everyone can participate and where artwork keeps on
evolving. Are these projects just curiosities or a real alternative to
the graphic conformism ruled by an industry that dictates its aesthetic
codes? Please come and join us to answer this question...
with Awkward Family Photos (Greece), Marije Baalman (Netherlands), Emanuele
Bonetti (Italy), Loredana Bontempi (Italy), Vito Campanelli (Italy), Benjamin
Cadon (France), Calcyum (France), Alberto de Campo (Austria), Andrés Colubri
(Argentina), ginger coons (Canada), Dorothé Depeauw (Belgium), Luc Döbereiner
(Germany), LAFKON (Germany), Aditya Mandayam (India), Xavi Manzanares (Spain),
Oscar Martin (Spain), Gabriel Menotti (Brazil), Yota Morimoto (Japan), Jaime
Oliver (Peru), Open Source Publishing (Belgium), Evan Raskob (United States),
<stdin> (France), Dan Stowell (Great-Britain), Daniel Temkin (United States),
Dave Young (Ireland), Simon Yuill (Great-Britain).
Detailed program available at:
http://makeart.goto10.org/2010/?lang=en
--
:*
BigBand (the program to compose real music for real musicians) now also
has a built-in mono-synthesizer. So even if you don't have available a
real big-band which can play your music, you still can create
interesting sounds!
Project site:
http://members.chello.nl/w.boeke/bigband/index.html
Here, the demo song "Me Like The Springtime" is using mainly this new
mini-Mini-Moog module.
Wouter Boeke