amSynth version 1.2.0 is now available!
Changes in this release:
-----------------------------------
+ nicer graphics (including new knob graphics)
+ fixed crash upon startup on some machines
+ handle all notes off midi message
+ new about dialog
+ improved per-user installation process
http://downloads.sourceforge.net/amsynthe/amSynth-1.2.0.tar.gz
/nixx
I am happy that i can announce a new version of RTSynth for both ALSA and
jack
available at www.linux-sound.org/rtsynth
Please note: This is (as usual) a binary distribution for x86 systems only.
Recent changes:
- Fixed a bug with real time scheduling on newer Linux kernels (2.6.x).
- Jack version: Added support for dynamically loadable jack driver module.
Full source code of the module is provided.
- Added new command line option "-p" or "--polyvoice". If this option is
given RTSynth will use 3 oscillator/filter units per midi note. This
results in somewhat smoother but not necessarily better sounds.
merry Xmas,
Stefan
_________________________________________________________________
Don't just search. Find. Check out the new MSN Search!
http://search.msn.com/
Download from http://www.notam02.no/arkiv/src/
das_watchdog 0.2.5
==================
Whenever a program locks up the machine, das_watchdog will temporarily
sets all realtime process to non-realtime for 8 seconds. You will get an
xmessage window up on the screen whenever that happens.
Changes 0.2.4->0.2.5
--------------------
*Let the test thread run with SCHED_FIFO priority using the
lowest priority. Should hopefully stop all the unnecessary reports.
(This change has been tested quite thoroughly)
jack_capture v0.9.3
===================
jack_capture is a program for recording soundfiles with jack. Its default
operation is to capture whatever sound is going out to your speakers into
a file. This is the program I always wanted to have for jack, but no
one made. So here it is.
Note: Anyone using 0.9.2 should upgrade to 0.9.3! 0.9.2 will most likely
hang during startup. :-(
(I'm going to start testing my software before releasing from now
on, this one was very embarrasing.)
Distros: If there is a system for doing so, you should mark 0.9.2 as
unusable.
Changes 0.3.9 -> 0.9.3
-----------------------
*Fixed horrible deadlock in 0.9.2. Bug found by Ken Restivo.
*Fix for a potensional deadlock.
*Added the --silent/-s argument.
*Some smaller fixes.
*If recording to wav (the default) and the the 4GB limitation is reached,
automatically close the file and continue writing to a new file with an
autogenerated name.
*Added the --version/-v argument.
*Changed default number of zeros in the autogenerated filename to 1.
*Better error output.
*Autogenerate code to check if various formats are supported by sndlibfile.
*Bumped version up to 0.9. jack_capture should reach a 1.0 state quite
soon.
*Changed the name of --recording-time to --duration to match -d.
Hello all,
Ecasound 2.4.5 has been released! Releases notes follow:
1. Summary of changes
---------------------
Native support for FLAC files has been added using the sndfile library.
New debugging tools for ecasound scripting and ECI applicatin development
have been added. Bugs related to ecasound process return values, memory
corruption in ECI apps, handling of 24/32bit big-endian audio files,
robustness of mp3/ogg/flac/aac support, managing loop devices, parsing user
input, and build errors on cygwin, have been fixed. A set of new
processing ops for channel routing and mixing has been added.
2. What is Ecasound?
--------------------
Ecasound is a software package designed for multitrack audio
processing. It can be used for simple tasks like audio playback,
recording and format conversions, as well as for multitrack effect
processing, mixing, recording and signal recycling. Ecasound supports
a wide range of audio inputs, outputs and effect algorithms.
Effects and audio objects can be combined in various ways, and their
parameters can be controlled by operator objects like oscillators
and MIDI-CCs. A versatile console mode user-interface is included
in the package.
Primary platform for running Ecasound is GNU/Linux. Ecasound can
also be run on many UNIX-derived systems such as FreeBSD, Mac OS X
and Solaris. Limited support for Windows is available through
Cygwin. Ecasound is licensed under the GPL. The Ecasound Control
Interface (ECI) is licensed under the LGPL.
3. Changes since last release
-----------------------------
* Full read/write support for flac files with support for seeking.
Requires libsndfile 1.0.12 or newer.
* Some bugs in setting the ecasound return value have been fixed.
Ecasound now properly signals errors like insufficient write
permissions, or running out of storage space during processing,
via non-zero return values. The possible return values are now
also documented in ecasound(1).
* A new debugging mechanism controlled by ECASOUND_LOGFILE and
ECASOUND_LOGLEVEL environment variables. This is meant especially
for debugging ECI applications, and scripted uses of ecasound.
You can test this for instance by issuing:
sh> ECASOUND_LOGLEVEL=ecalog.txt ecaplay *.wav
And look at 'ecalog.txt' afterwards. This mechanism for ECI
debugging really should have been there from the start. See
ecasound(1) for more details.
* A set of new audio operators have been added for channel
routing/mixing: -chcopy (alias for -erc), -chmove, -chmute and
-chmix (alias for -erm). See the full documentation in ecasound(1).
* The in-tree sources for readline-4.0 have been removed from
the package. Originally, some time around 1999, readline was included
to the package due to numerous problems with Linux distros of the time
that came with old versions of readline. This however no longer is the case.
Nowadays, pretty much all non-ancient systems have at least readline-4.0,
and most have already readline-5.0. Ancient machines are however still
supported. To this end, ecasound now provides an option to compile with
readline disabled.
* Various bugfixes including: severe memory handling error in ECI C
implementation, bugs in processing 24/32bit big-endian audio files,
problems with interactive mode commands operating on controllers, handling
loop devices when saving chainsetup state, batch processing of setups with
mp3/ogg/flac/aac outputs, build errors on cygwin, ...
* Sourceforge.net bug items affected: #1415814, #1531042, #1456510
Full list of changes is available at:
- http://www.eca.cx/ecasound/history.php
4. Interface and configuration file changes
-------------------------------------------
None in this release.
5. Contributors to this release
-------------------------------
Patches - Accepted code, documentation and build system changes
* Stuart Allie (2)
Segfaults in processing 'ctrlp-*' commands. Problem in saving
chainsetups with loop devices.
* Pedro Antonio Fructuoso Merino (2)
Patch to fix segfault when parsing escaped user input.
Patch to fix audible glitches from loop devices when seeking.
* Aaron Heller (1)
Patch to fix bugs in big-endian support.
* Chris Head (1)
Patch to ecasignalview build errors on cygwin.
Bug Hunting - Reports that led to bugfixes (items closed)
* Zrajm Akfohg (1)
Bug in ecasound process return values.
* Florian Ladstaedter (1)
Invalid headers in created flac files.
* Pedro Antonio Fructuoso Merino (1)
Seg.fault when removing loop devices.
* Koen (kbr at patat dot .org) (1)
Segfault when parsing escaped user input.
* Kurt Konolige (1)
Bug with 'rw 0'.
* Brad Bowman, Stuart Allie, Joel Roth (1)
Severe memory handling bug in libecasoundc (ECI C API)
6. Links and files
------------------
Web site (and mirrors):
http://eca.cx (fi)
http://ecasound.seul.org (us)
http://ecasound.sourceforge.net (us)
Source packages:
http://ecasound.seul.org/downloadhttp://ecasound.seul.org/download/ecasound-2.4.5.tar.gz
md5sum: b5a4f39245e505941f26c5c2c3b80e1c
List of distributions with maintained Ecasound support:
See http://eca.cx/ecasound/download.php
--
links, my public keys, etc at http://eca.cx/kv
(small image attached)
After several months without a stable release but lots of development
activity, we are pleased to announce CLAM 0.95
CLAM (http://clam.iua.upf.edu) is a C++ framework for doing research and
app development in audio and music. It comes with a set of applications
ready-to-use.
Most important in this release is NetworkEditor 0.4, with a radically
reworked UI based on Qt4.2, lots of work on stability and usability, and
new visual-prototyping features.
You can visually prototype standalone apps (or audio plugins):
Edit audio networks with NetworkEditor, then edit its UI using Qt Designer
and CLAM widgets plugins. Finally, Prototyper let you run the audio network
with its UI.
This is better shown in this quick tutorial:
http://iua-share.upf.es/wikis/clam/index.php/Network_Editor_tutorial
This release comes with many new processings, mostly spectral
transformations.
But we want to highlight the tonal-analysis which does chords identification
at real-time, and its related visualizations. This code is based on the
work done by researchers at Queen Mary University (London) and Universitat
Pompeu Fabra (Barcelona). More credits are in the About box.
These and many other improvements can be found in the ChangeLog:
http://clam.iua.upf.edu/ChangeLog.txt
This release brings new packages for Linux (Debian sid, Ubuntu edgy) and
Windows installers.
In Linux, you can simply add new sources to /etc/apt/sources.list
deb http://clam.iua.upf.edu/download/linux-debian-sid ./
deb http://clam.iua.upf.edu/download/linux-ubuntu-edgly ./
Both Linux and Windows comes with desktop integration and several examples
ready to use. Mac OSX packages will be catching up next weeks.
Bug reports and any feedback is very welcomed (and needed).
The CLAM team
--
This message has been scanned for viruses and
dangerous content by MailScanner, and is
believed to be clean.
sorry for X please >>
:: PURE:DYNE - EXTENDED PLAY *
. *
,--. * .
,---. --.,--.--.--.,---. --.,-' |--. ,--.--,--, ,---. *
| .-. | || | .--' .-. :--' .-. |\ ' / \ .-. : *
| '-' ' '' ' | --.--. `-' | \ ' | || | --. .
| -' `----' --' `----'--'`---' -' / `--''--'`----'
`--' goto10.org vs dyne.org `---' *
.
In this world of parallel dynes, pure:dyne [osc~ 440]
has been created to provide a complete and |
ready made environment for artists and | \m awesome
developers who are looking for a system | /) duuude!
dedicated to real time audio and video [dac~] (\
processing.
The dyne:II project provides tools and an optimized platform to try out
and work on a large range of applications. The pure:dyne customization
by goto10 comes with optimized and tested software such as supercollider,
icecast, csound, packet forth, fluxus and much more, including of course
pure data and a great collection of essential externals and abstractions
(PDP, PiDiP, Gem, GridFlow, RRadical, PixelTango ...). Thanks to the
dyne:II compatibility all the Home Studio "classics" have not been
forgotten (Ardour, LADSPA, seq24, Rezound ...) and numerous essential
graphics software are also bundled (Inkscape, Gimp, Blender ...).
The pure:dyne project is a growing community effort maintained by media
artists for media artists. It is an ideal platform for audiovisual
performances, installations and FLOSS+ART workshops.
It is available as both a dyne:II compatible module, and a full low
latency desktop i686 Live GNU/Linux distribution, working from hard
drive, CD, CF/MD or USB key.
---
Key Features:
- Jack oriented GNU/Linux distribution
- Complete FLOSS Home studio solution and live performance system
- No bloat ! fast minimal desktops (fluxbox, evilwm, dwm)
- Live Distribution (works the same on CD, HD, USB, ...)
- multiuser support
- Low Latency Kernel (Ingo Molnar's -rt kernel patches)
- Support for Firewire audio devices (FreeBoB inside)
- Optional support for NVIDIA and ATI evil blobs
- mmx + sse gcc optimisations applied when relevant
- Compatible with any dyne:II modules
- Easy installation, maintenance and update
- SDK tools (dynesdk + milkman) and gcc included for customisations
- International Languages support
---- * *
*
Download -> http://puredyne.goto10.org .
IRC server -> irc.goto10.org #pure:dyne
MailingList -> http://lists.goto10.org/cgi-bin/mailman/listinfo/puredyne
Bug Tracker -> http://bugs.dyne.org (section puredyne)
dyne:bolic -> http://dynebolic.org
----
* .
pure:dyne developers are : *
Aymeric Mansoux - http://320x200.goto10.org *
Chun Lee - http://sonicvariable.goto10.org .
Antonios Galanopoulos - http://stereocilia.goto10.org
dyne:II developers are :
Denis "Jaromil" Rojo - http://rastasoft.org
Alex "Smilzo" Gnoli - http://sfrajone.org
goto10 would like to thank the Digital Research Unit of Huddersfield for
for their help and support during the take off of this project. goto10
would also like to thank jaromil for providing such a lovely modular
system and for keeping on pointing the way out of babylon ;)
:*
hi all,
(sorry for cross-posting)
i'd like to announce the first release of pnpd, that's actually usable
for audio synthesis. as i was able to use it in a concert last week, i
consider it as reasonably stable, however, it's still in an early stage
of development.
pnpd is a new computer music system. it's based on a dataflow syntax,
that is closely related to pd or max/msp, although it introduces some
new concepts. at the moment, it doesn't contain a graphic user
interface, but a text-based patcher language. it can be controlled via
osc and support audio i/o via portaudio, the dsp backend is highly
optimized for performance, especially for cpus supporting sse
instructions.
at the moment, it's not documented very well, however, there are a few
test patches to describe the patcher language. the basic procedure is
writing a patcher file, compiling it into the xml file for pnpd an
loading that into the command line interpreter. it's still alpha
software, but it's important that it's getting used to find
bugs/problems.
website:
https://tim.klingt.org/pnpd
mailinglist:
https://tim.klingt.org/pnpd/community/pnpd-dev-list
tarball:
https://tim.klingt.org/pnpd/download/releases/pnpd-0.00.2.tar.bz2
atm, it's only tested under linux, but it shouldn't be hard, to port it
to windos or osx.
cheers ... tim
--
tim(a)klingt.org ICQ: 96771783
http://www.mokabar.tk
You can play a shoestring if you're sincere
John Coltrane
Hello all,
If anyone is in the Los Angeles area next Thursday the 14th, I'll be
giving a talk about 64 Studio at the Linux Movies meeting on that evening
- please see the attachment for the details.
Cheers!
Daniel
Dear all,
this is the second call for papers for the 5th Linux Audio Developers
Conference (LAC2007). This is a reminder since some people might not
have received the last call or might just have forgotten about the
deadlines by now (08 Jan 2007 : Deadline for submission of papers,
worshops, tutorials, demos, hands on demos and music).
The conference is organized by the TU-Berlin in cooperation with people
of the Linux Audio Developers mailing list, the music festival
Inventionen 2007 and the Humboldt University of Berlin.
The LAC2007 is taking place at the TU-Berlin, Germany from the 22nd -
25th of March 2007.
We have introduced some new tracks. Besides the category for papers,
demos and workshops, calls for tutorials and hands on demos have been
added. The tutorials aim is to give new (potential) users an overview of
the possibilities of Linux Audio Software and how to get started.
The LAC2007 provides a computer pool (LA Pool) where developers can give
an introduction to their software and where participants can try out
Linux Audio Software during the conference. This has been combined in
the call hands on demos.
Since the TU-Berlin is installing a new Wave Field Synthesis (WFS)
system the call for music has been extended by a call for compositions
for this system. Music that can be used for radio airplay can be
submitted, and will after acceptance by the Campusradio of the TU
Berlin, be played during the conference.
More detailed Information can be found in the 'Call for Papers' attached
to this email or on the website at:
www.lac.tu-berlin.de
We are looking forward to many interesting submissions for the Linux
Audio Conference 2007 and hope to see you in Berlin in 2007!
Please feel free to forward this email to anybody who is interested.
On behalf of the LAC2007 organisation team,
Marije Baalman and Simon Schampijer