Hello all,
I've recently started writing a column on music software for LinuxUser
& Developer magazine. Unfortunately, it's not generally available on
the web at the moment.
The first Audio Libre column is on AGNULA/DeMuDi, and you can download
it from here as a PDF:
http://mondodesigno.com/cv/lud42-Audio_Libre.pdf
Cheers
Daniel James
Director
http://linuxaudio.org
OK, a new stable release after a long while... This one has loads of new
stuff vs previous stable.
libDSP is a C++ library of digital signal processing functions. It also
contains a wrapper for C. Assembler optimizations for E3DNow!, SSE2 and
x86-64 (SSE2).
Either http://libdsp.sf.net or http://www.sonarnerd.net/projects/libdsp/
--
Jussi Laako <jussi.laako(a)pp.inet.fi>
Gnomoradio is a peer to peer music playing system, based on Creative
Commons licenses. It has the ability to find, share, recommend, and
play songs that are freely available.
The release of version 0.15 makes Gnomoradio the first player to be able to import playlists based on the new XSPF file format (www.xspf.org). Other changes to 0.15 include migration to gtkmm 2.4 and a few bug fixes.
Web site: http://gnomoradio.org/
Screenshots: http://gnomoradio.org/screenshots/
Source: http://gnomoradio.org/pub/devel/gnomoradio-0.15.tar.bz2
dssi-vst 0.3 released!
======================
The 0.3 release of dssi-vst is now available.
dssi-vst is a DSSI plugin wrapper for VST effects and instruments
with GUI support, allowing them to be loaded into any DSSI host.
It requires a fairly recent version of Wine (this calendar year at least).
dssi-vst is available from the download page at
http://dssi.sourceforge.net/
The main improvement since the initial 0.1 release is that dssi-vst
now works correctly with plugins with complex GUIs that use
back-channel information to communicate things like patch data to
the audio plugin. In practical terms, this means that VSTs with
test keyboard widgets, patch load and save, and other natty features
in their GUIs should work properly as DSSI plugins without losing
automatability for the true automatable parameters.
DSSI v0.9 released
==================
I'm happy to announce version 0.9 of the DSSI plugin API.
http://dssi.sourceforge.net/
DSSI is an audio plugin API designed for software instruments with
custom user interfaces.
DSSI is based on the LADSPA effects plugin API, the ALSA sequencer
event types, and OSC (Open Sound Control) communications. It's
intended to be easily understood, GUI-toolkit-agnostic, and slightly
biased towards familiarity with MIDI. The DSSI distribution package
contains a JACK/ALSA-sequencer reference host and some plugins as well
as the specification and header. DSSI 0.9 was constructed by Steve
Harris, Chris Cannam, and Sean Bolton.
New in 0.9
----------
The main improvements in 0.9 are to the reference host implementation
and sample plugins.
The 0.9 API itself is binary compatible with the previous 0.4 release.
A new convention for plugin-global (rather than instance-local)
configuration data and a convention for setting a plugin's project
working directory have been introduced, and 0.9 clarifies certain
implementation points in the documentation.
Available hosts and plugins
---------------------------
Two hosts are currently known to include complete or nearly-complete
DSSI support: the reference jack-dssi-host included in the DSSI 0.9
distribution, and versions 0.9.9 and later of the Rosegarden-4
sequencer.
Currently available plugins include:
* a FluidSynth soundfont plugin included in the DSSI distribution
* Xsynth-DSSI, an analog-style (VCAs-VCF-VCO) plugin
* dssi-vst, a wrapper plugin enabling the use of many Windows VST
instruments and effects
* hexter, a Yamaha DX7 modeling plugin
* three smaller example plugins (two synths and a sampler) that are
also part of the DSSI distribution.
We are pleased to announce Quicktoots release number 13.
http://www.djcj.org/LAU/quicktoots
----------------------------------
Mastering: Loudness
How to master for maximum impact written by Ron Parker.
Mastering is the art of making a good mix sound incredible. It takes years of
experience do do it well and is possibly the most important part of a
professionals recording cycle.
This toot provides invaluable insight into sound control during the mastering
phase. Ron puts together years of hard learned knowledge gained from running
his Minneapolis studio.
-----------------------------------
The purpose of the Quicktoots are to provide a community resource of
informative guides for using Linux audio applications.
The Quicktoots are the brainchild of Dave Phillips the man responsible
for the most comprehensive webpage devoted to Linux audio applications.
The Linux Sound and Midi page. Your one stop resource for Linux sound
software.
http://www.linux-sound.org
If you are in the position to link to any of the quicktoots please link
to the main page. That way we can keep more accurate statistics on the
amount of people viewing the pages.
If you are interested in contributing to the Quicktoots please let us
know. All work must be submitted to either Dave or myself and we will
give advice or make changes to ensure our publishing standard is met. If
you are not able to send html don't worry because I am willing to format
any braindumps.
Enjoy.
--
Patrick Shirkey - Boost Hardware Ltd.
Http://www.boosthardware.comHttp://www.djcj.org/ - The Linux Audio Users guide
Http://www.djcj.org/gigs - Gigs Guide Korea
========================================
Being on stage with the band in front of crowds shouting, "Get off! No!
We want normal music!", I think that was more like acting than anything
I've ever done.
Goldie, 8 Nov, 2002
The Scotsman
Dear music enthusiasts,
LilyPond version 2.4 was released today!
LilyPond is a program for making beautiful music notation. It is
open source/free software, and is available for all popular operating
systems. It runs on most Unix flavors --including Linux and MacOS X--
and MS Windows. Use it for your music as well!
With this release, LilyPond does not rely anymore on TeX to do titling
and page layout, but distributes page breaks optimally by itself to
produce evenly spaced pages, while respecting user specified turning
points.
The slur formatting code has been completely rewritten, and now yields
classical engraving quality results for most cases.
In addition, version 2.4 adds fret diagrams, a safe execution mode for
webserver use, a further simplified input format, better typography
for ledger lines, many bugfixes and a fully revised and updated
manual.
Grab it at
http://lilypond.org
A big thank-you goes out to our contributors:
Carl Sorensen
David Svoboda
Guy Gascoigne-Piggford
Heikki Junes
Hendrik Maryns
Kristof Bastiaensen
Mats Bengtsson
Michael Welsh Duggan
Peter Lutek
Werner Lemberg
Also thanks to our bug-hunters:
Antti Kaihola, Bertalan Fodor, Brian Clements, Christian Hitz,
Christoph Ludwig, Christophe Papazian, Daniel Berjón Díez, Dave
Phillips, David Bobroff, David Brandon, Doug Asherman, Ed Jackson,
Heinz Stolba, Jefferson dos Santos Felix, Karl Hammar, Marco Gusy,
Martin Norbäck, Matthias Neeracher, Maurizio Tomasi, Michael
Kiermaier, Pascal Legris, Peter Rosenbeck, Russ Ross, Stephen Pollei,
Thomas Scharlowski, Will Oram, Yuval Harel,
Happy music printing,
The LilyPond development team,
Han-Wen Nienhuys & Jan Nieuwenhuizen
Core development
Graham Percival
Documentation Editor
Erik Sandberg
Bugmeister
Pedro Kroeger
Build meister
--
Han-Wen Nienhuys | hanwen(a)xs4all.nl | http://www.xs4all.nl/~hanwen
-------- Original Message --------
Date: Fri, 29 Oct 2004 13:45:26 +0200 (CEST)
From: adam <adam(a)xs4all.nl>
To: xchange(a)rixc.lv
Hi,
r a d i o q u a l i a have just finished the first version of a
streaming manual for those wishing to learn how to stream under Linux.
Its intended as a manual to accompany a hands-on self-learning or
workshop based approach. No previous knowledge of Linux is assumed.
Another manual on 'advanced topics' will be forthcoming.
Topics include:
Introduction to Streaming
Introduction to Your Soundcard
External Audio Devices
Mixing Desks
Cables and Connectors
Hardware Set-up for Live Streaming
Plugging in
The Art of Mixing
Introduction to Linux Windowing Systems
Introduction to Linux File Structure
Some Linux Commands you Should Know
Connecting to the Internet with Linux
Installing Software on Linux
Introduction to Linux Sound Architecture
Linux Software - Mixers
Linux Software - XMMS
Linux Software - Test Editors
Linux Software - FTP
Installing MuSE
Live Streaming with MuSE
Creating Playlist Files
Linking with HTML
MIME types
The Politics of Streaming (rant)
Streaming with playlists from MuSE
Setting up Icecast2
Using Icecast2
Other Tools
The manual is released under Creatice Commonds Attributive ShareAlike
NonCommercial License 2.0. Feel free to nuse, ammend, distribute.
It is available as a PDF from:
http://www.radioqualia.net/streaming_manual
If you spot any errors or ways to improve the manual please let me know!
adam
Adam Hyde
~/.fi
r a d i o q u a l i a
http://www.radioqualia.net
Free as in 'media'
contact:
email : adam(a)xs4all.nl
--
derek holzer ::: http://www.umatic.nl
---Oblique Strategy # 11:
"Always first steps"
apologies for crossposting)
------------------------------------------------------------
ICMC 2005 -- Free Sound
International Computer Music Conference
September 5-9, 2005. Barcelona, Spain
http://www.icmc2005.org/
------------------------------------------------------------
SUMMARY OF DEADLINES
Music, video, and installations -- February 5, 2005
Papers, posters, and demonstrations -- March 5, 2005
Panels, workshops and special events -- April 5th, 2005
Exhibitors -- June 5th, 2005
CALL FOR PARTICIPATION
The Phonos Foundation, the Pompeu Fabra University of Barcelona, and the
Higher School of Music of Catalonia in conjunction with the International
Computer Music Association, is proud to announce ICMC 2005. The conference
will take place in Barcelona, Spain, from the 5th to 9th of September 2005,
with pre-conference workshops on September 1st and 2nd.
ICMC is the pre-eminent annual gathering of computer music practitioners
from around the world. Its unique interleaving of professional paper
presentations and concerts of new computer music compositions creates a
vital synthesis of science, technology, and the art of music.
By choosing 'free sound' as this year's leitmotif, we aim to emphasise the
idea of freeing sound from its current aesthetic, technical and legal
confines. We wish to promote an open discussion on the extent to which sound
is considered a community asset -- an asset that belongs to society and
cannot be privatised. Thus, we encourage contributions that emphasise these
and related topics.
We invite original contributions in all areas of the computer music field in
a number of formats. However, we are also open to any proposal, and
encourage all submissions, including those that do not fit the categories
below.
We issue the following calls:
* Call for music, video, and installations (deadline February 5, 2005)
We invite submissions of electroacoustic music, video, and installation
works that reflect the diversity of the field. Opportunities exist to
combine digital resources with a variety of instrumental ensembles. For
further details visit
http://www.icmc2005.org/index.php?selectedPage=76
* Call for papers, posters, and demonstrations (deadline March 5, 2005)
We invite submissions for papers, posters, and demonstrations examining the
aesthetic, compositional, educational, musicological, scientific, or
technological aspects of computer music and digital audio. For further
information visit http://www.icmc2005.org/index.php?selectedPage=73
* Call for panels, workshops and special events (deadline April 5th, 2005)
We invite proposals for panel sessions, workshops and special events,
especially those with relevance to the conference theme of 'free sound'.
* Call for exhibitors (deadline June 5th, 2005)
The conference will provide a forum for the world's leading music technology
companies to showcase their latest product information and for schools and
institutions to highlight their educational programs. We invite submissions
from interested parties.
To promote the idea of 'free sound', the organisers of ICMC 2005 are setting
up the Free Sound Project, a website dedicated to the sharing and usage of
copyleft [1] sounds. Thus, we are making a special call for copyleft sounds
with no specific deadline. For more information, visit
http://www.icmc2005.org/ in the near future.
For detailed information on the conference, and submission formats, visit
http://www.icmc2005.org/
To keep up to date with all of the latest news and information about ICMC
2005 please subscribe to our mailing list by visiting
http://www.icmc2005.org/index.php?selectedPage=64
We are looking forward to your contributions!
The ICMC 2005 Team
---
[1] http://www.gnu.org/copyleft/copyleft.html
Greetings:
The latest edition is on-line at these fine URLs:
http://linux-sound.org (USA)
http://linuxsound.atnet.at (Europe)
http://linuxsound.jp (Japan)
This update will be the last I'll do for a while, probably until
sometime next year. Sorry, I just have too much going on right now.
Best regards,
Dave Phillips