We are pleased to say this has now been released with a package of refinements.
Full details in doc/README.txt
--
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
A stable release, version 16.06, of MMA--Musical MIDI Accompaniment
is available for downloading. In addition to a number of bug fixes
and optimizations, MMA now features:
- A number of new macros
- RPITCH command
- SUBROUTINES
- FRETNOISE option for Plectrum tracks
- Enhanced TIME options
- PLUGINS
- AFTER command
- Other minor enhancements
Please read the file text/CHANGES-15 for a complete list of changes.
MMA is a accompaniment generator -- it creates midi tracks
for a soloist to perform with. User supplied files contain
pattern selections, chords, and MMA directives. For full details
please visit:
http://www.mellowood.ca/mma/
If you have any questions or comments, please send
them to: bob(a)mellowood.ca
--
**** Listen to my FREE CD at http://www.mellowood.ca/music/cedars ****
Bob van der Poel ** Wynndel, British Columbia, CANADA **
EMAIL: bob(a)mellowood.ca
WWW: http://www.mellowood.ca
On behalf of the entire Rivendell development team, I'm pleased to announce the availability of Rivendell v2.14.1. Rivendell is a full-featured radio automation system targeted for use in professional broadcast environments. It is available under the GNU General Public License.
From the NEWS file:
*** snip snip ***
Changes:
Fixed regressions in processing NULL date values.
Database Update:
This version of Rivendell uses database schema version 258, and will
automatically upgrade any earlier versions. To see the current schema
version prior to upgrade, see RDAdmin->SystemInfo.
As always, be sure to run RDAdmin immediately after upgrading to allow
any necessary changes to the database schema to be applied.
*** snip snip ***
Further information, screenshots and download links are available at:
http://www.rivendellaudio.org/ <http://www.rivendellaudio.org/> <http://www.rivendellaudio.org/ <http://www.rivendellaudio.org/>>
Cheers!
|----------------------------------------------------------------------|
| Frederick F. Gleason, Jr. | Chief Developer |
| | Paravel Systems |
|----------------------------------------------------------------------|
| A good plan today is better than a perfect plan tomorrow. |
| -- General George Patton |
|----------------------------------------------------------------------|
On behalf of the entire Rivendell development team, I'm pleased to announce the availability of Rivendell v2.14.0. Rivendell is a full-featured radio automation system targeted for use in professional broadcast environments. It is available under the GNU General Public License.
From the NEWS file:
*** snip snip ***
Changes:
Event Recording. Added the ability to capture real-time events in
RDCatch recordings and replay them in sync with the captured audio
via RDCatch playout decks (see RDAdmin->ManageHosts->RDCatch to
configure).
New RML. Added a 'Cut Event' ['CE'] RML for placing real-time event
markers into active RDCatch recordings.
Traffic Import Enhancements. Added support for specifying precise
Start Time and Length parameters for Traffic events embedded within
Music events.
Various other bug fixes. See the ChangeLog for details.
Database Update:
This version of Rivendell uses database schema version 258, and will
automatically upgrade any earlier versions. To see the current schema
version prior to upgrade, see RDAdmin->SystemInfo.
As always, be sure to run RDAdmin immediately after upgrading to allow
any necessary changes to the database schema to be applied.
*** snip snip ***
Further information, screenshots and download links are available at:
http://www.rivendellaudio.org/ <http://www.rivendellaudio.org/> <http://www.rivendellaudio.org/ <http://www.rivendellaudio.org/>>
Cheers!
|----------------------------------------------------------------------|
| Frederick F. Gleason, Jr. | Chief Developer |
| | Paravel Systems |
|----------------------------------------------------------------------|
| Obstacles are what you see when you take your eyes off the road. |
| -- Anonymous |
|----------------------------------------------------------------------|
Dear all,
Due to maintenance to the network that the linuxaudio.org server is part
of there will be scheduled downtime of all websites and some other
services from Friday June 2 23:00 until Saturday June 3 09:00 EST. We
apologize for any inconvenience this might cause.
Best regards,
Jeremy Jongepier
root(a)linuxaudio.org
We are very happy to announce this call for paper for a special issue of
MIT Press Journal *Presence.*
Feel free to pass it on to whoever might be interested in.
Apologies for cross-posting!!
***
CfP: "*Arts, Aesthetics, and Performance in VR and Telepresence*"
Special Issue of *Presence: Teleoperators and Virtual Environments*
*Guest Editors: *
Myounghoon "Philart" Jeon (Michigan Tech)
Paul Fishwick (University of Texas at Dallas)
*Scope *
Art and technology have a similar origin, and until the 17th century were
not differentiated from each other (the Latin word “ars” – art – included
crafts and sciences). Since then, they have diverged, but with the rapid
technological advancement of the current era, art and technology have begun
to be *re*integrated. Recently, the application of computing to aesthetics
(or “art and design”) has proliferated. Thanks to new technologies, we can
expand the perceptual experiences of our existing senses and can even
create novel perceptual dimensions that have never been imagined – new
*presence*. Conversely, computing and technology can be influenced by arts
and aesthetics, in what we call “aesthetic computing”. The application of
art theory and practice to computing provides an opportunity to explore
more creative media, making the concept of computing more accessible and
promoting personalization and customization of computing structures. The
trend to integrate art and technology is pervasive in formal education:
STEM education (Science, Technology, Engineering, and Math) is evolving
into STEAM (Science, Technology, Engineering, Art, and Math) by adding art
and design to the equation.
This year, the 25th anniversary of the journal *Presence*, may well be the
first year of a new virtual reality era, with a plethora of new and updated
virtual reality devices and technologies (Oculus DK, HTC Vive, Microsoft
HoloLens, etc.). Given the paradigm shift from cognitivism into embodiment,
the human body now has more opportunity for representation in computing
(gesture interaction, tangible user interface, etc.) than at any previous
time. In this line, virtual reality, which provides “presence” and
immersiveness, is becoming more important for embodied interactions.
Scientists and technologists can learn interaction techniques and
strategies from body expression experts – “artists”; and virtual reality
can provide an integrative, dynamic platform for arts and performances, a
living synthesis of which German composer Richard Wagner once dreamed in
his vision of “gesamtkunstwerk” – comprehensive work of art. We hope this
special issue can serve as a good step towards that goal.
*Topics of interest include, but are not limited to:*
· Performing arts in virtual reality or augmented reality
· Integrative arts (e.g., dance-based sonification, dance-based
visualization)
· Public displays including lay people in the performance
· Use of VR/AR to include people with disabilities in performance
or art galleries
· Paradigm, theory, and model of arts and aesthetics in VR and
telepresence
· Design research approach to performing arts in VR
· Methodologies and methods of evaluating performing arts in VR
· Design of new a sensor, device, or platform for arts-technology
integration
*Submission*
Manuscripts should conform to the journal’s submission guidelines:
http://www.mitpressjournals.org/page/sub/pres
Authors, please note that audio and video files can be hosted as
supplementary online material accompanying published articles. For more
information about multimedia file formats and submission guidelines, please
contact presence(a)mit.edu.
*Schedule*
· Call for Papers: May 15, 2016
· Submission deadline: November 1, 2016
· Final revisions: June 1, 2017
· Publication: Late 2017
*Contact*
Dr. Myounghoon “Philart” Jeon
Associate Professor
Department of Cognitive and Learning Sciences
Department of Computer Science
Michigan Tech
mjeon(a)mtu.edu
************************************************
Myounghoon "Philart" Jeon, Ph.D.
Associate Professor
*Mind Music Machine Lab
<https://sites.google.com/site/mindmusicmachinelab/>*
*Center for Human-Centered Computing <http://icc.mtu.edu/hcc/>@ICC
<http://icc.mtu.edu/>*
Department of Cognitive and Learning Sciences
Department of Computer Science
*Michigan Tech*nological University
Meese 205, Rekhi 202, 1400 Townsend Drive
Houghton, MI 49931
(906) 487-3273
mjeon(a)mtu.edu
Linux Show Player 0.4 - Cue player designed for stage productions
Version changes:
* Added pre/post-wait and next-action to cues;
* Added cue description;
* Added volume-control for media-cues in CartLayout;
* Added new cues:
* CommandCue, execute shell commands;
* MIDICue, send midi messages;
* CollectionCue, replace GroupAction and group property;
* Added stop-time for media-cues;
* Improved (a lot) ListLayout;
* Improved MIDI/Keyboard cue control/shortcut;
* Improved media-loop, now works as a seek (no more delay between loops);
* Included part of numix as standalone icons-theme to provided more
consistent styling;
* Various improvements and fixes.
Notes:
* Older version saves doesn't works anymore (we still in a pre 1.0
release);
* A wiki (in progress) can be found at
https://github.com/FrancescoCeruti/linux-show-player/wiki.
Links:
* Website: http://linux-show-player.sourceforge.net/
* Downloads: https://github.com/FrancescoCeruti/linux-show-player/releases
* Wiki: https://github.com/FrancescoCeruti/linux-show-player/wiki
* Code: https://github.com/FrancescoCeruti/linux-show-player
Francesco Ceruti