Hello,
I have a few friends that are heavily into their car stereos with the
heavy bass. They have all sorts of CDs (bass mechanik?) that have some
cool techno loaded with some heavy hitting low frequency bass. This got me
curious, and since I can't find anything on Freshmeat or Google (or just
am not using the right terms) I was wondering if anyone here knew of such
a program that can generate some nice smooth bass. I have played with one
of the drum editors (the popular one? cant remember the name) but of
course it didn't seem to have any lower frequency generating drums.
If anyone could point me to something like this I would be greatly
appreciative!
Thanks,
Bryan
| Message: 1
| Date: Sat, 12 Jul 2003 10:20:15 -0700
| From: toby(a)tobiah.org
| To: linux-audio-user(a)music.columbia.edu
| Subject: Re: [linux-audio-user] Multiple (delta xx) cards
| Reply-To: linux-audio-user(a)music.columbia.edu
|
|
| > Ideally, I'd like to be able to buy a delta 44 now (for financial
| > reasons), and then buy another,
|
| You can't sync two 44's, they will drift as you record.
| Also, the 1010 does the analog to digital conversion in
| the breakout box, while (contrary to what some believe)
| the 44 does not.
|
I don't understand this whole 'drift' thing. If I'm able to listen to a
previously recorded drum track and record a guitar track over it (in
sync with the recording) with either card, how is it possible for them
to be out of sync with each other?
| As for the Drum kit, I know it is desireable to
| record many channels of drum separately, but would
| it do to simply use say a Mackie 1402-VLZPro mixer
| to funnel the drum mics into two or three channels?
| You would have to get the mix right the first time,
| I know, but the 1402 would give you six very nice
| channels of mic pre, which should ease the budget
| problem. You also get phantom power, which you must
| not forget that you need to power any decent condensor
| mic.
I'll consider this, but my original plan was to spend my money on
getting the best soundcard, preamps, and mics and doing as much as
possible in software. The idea was to get the highest quality crucial
hardware i could afford, and do any and all mixing, processing, etc, in
software (which is putting a lot of faith in linux ;) ). I know it's a
fine line, though.
|
| If you get in a pinch, you can pick up a pair of
| Marshall MXL2003's for a very reasonable price, and
| in my limited experience yield a natural bright sound
| that would be very tough to match for the same price.
| Anyway, go for the large diaphragm condensors.
|
| If it is to be a $20 mic, I recommend the radio shack
| 33-3017. I have a pair, and they don't compare well to
| the Marshall's, but they are also hard to match for the price.
|
| http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=2544797054&category=41466
|
I was exaggerating about the $20. I'll end up with at least an sm57 or
sm58 (or comparable) for starters.
hi everyone !
i'm just sitting in train up the beautiful rhine valley on my trip back
from this year's linuxtag, where we had a joint booth for the alsa
project and the linux audio developers.
it has been great fun, and i think we made some impact :)
the linuxtag page at http://www.linuxdj.com/audio/lad/eventslt2003.php3
has some more information, and will be updated with more photos and
recordings as i get them. if any of the booth participants has something
to add, i'll be glad to include it.
thanks to frank neumann who organized our booth for the third time, and
kudos to the linuxtag organizers and especially martin "joey" schulze
for creating a unique and very inspiring linux event.
i'd also like to thank all the LAD folks who lurked on #lad ready to
answer questions from booth visitors, but due to network failures and an
extremely crowded booth, this did not happen as planned.
we'll be back next year.
regards,
jörn
--
All Members shall refrain in their international relations from
the threat or use of force against the territorial integrity or
political independence of any state, or in any other manner
inconsistent with the Purposes of the United Nations.
-- Charter of the United Nations, Article 2.4
Jörn Nettingsmeier
Kurfürstenstr 49, 45138 Essen, Germany
http://spunk.dnsalias.org (my server)
http://www.linuxdj.com/audio/lad/ (Linux Audio Developers)
Just downloaded the envy24control-0.0.4 source for my M-Audio 1010-LT
from: http://www.alsa-project.org/alsa/ftp/others/envy24control/
Won't configure on my Gentoo Linux 1.4 system. Errors:
checking for ALSA CFLAGS...
checking for ALSA LDFLAGS... -lasound
checking for libasound headers version >= 0.5.5... found.
checking for snd_cards in -lasound... no
configure: error: No linkable libasound was found.
but:
bash-2.05b# locate libasound
/usr/lib/libasound.so.2.0.0
/usr/lib/libasound.so.2
/usr/lib/libasound.so
/usr/lib/libasound.la
/usr/lib/libasound.so.1
???
-l[e^2]
------------------------------
http://www.fallingforward.net/
people experimenting with music, art and technology
Hi guys and gals,
A friend of mine has been doing some very serious attempts at producing music
with a fully linux based setup lately.
There has been lots of pitfalls along the way, but since he is a _very_
dedicated guy he has come a long way towards pulling of his goal.
The goal in question being to produce an "album" purely in linux. (album in
the sense that the songs are freely downloadable from the same web page on
the net, i think ;) )
He has just started to document the thing, you can have a look here:
http://computerville.homeip.net/linuxmusic/, there are also some samples of
what he has produced this far, in my opinion it shows that linux audio is
getting 'there'.
Have a nice weekend,
Robert
Hi,
I hesitate to ask this here, since it's gotta be a basic shell thing, and
certainly not audio specific, so if you want to flame me for me OT and
laziness, go ahead.
The problem is that when I run I run an X application from a console (for
example, "pd &" or "rosegarden &", the console output from all the
applications I run are interleaved onto the xterm that I started them from.
That part is fine.
The part that is not fine, is that the output is not labeled with the
application that it came from.
For example, I seem to remember that if in the past, if you ran grep, for
example, anything that grep sent to its console would be prefixed by "grep:".
I thought that this was a convention that the apps followed, and not a shell
thing (I seem to remember "printf("%s: ...", argv[0], ....")
Hopefully, I'm wrong about this, and there is a shell option that puts the
application name in front of every line of output. Is there?
If it's not something I can make happen in the shell, then how is everyone
dealing with this? Currently I am actually opening a seperate xterm for each
X application that I run, which is quite cumbersome, because it means that I
have to manage twice minus one as many windows as I would if I could have all
the output into one xterm, identified with where it came from.
Looking forward to any ideas and any pointers to my misconceptions.
Larry Troxler
Hi,
This is a message for those who speak spanish and are Linux audio and
MIDI users or developers, from wherever around the globe. Thanks and
sorry for cross-posting.
Free Tools es la primera comunidad en español dedicada a prestar soporte
al usuario y desarrollador de aplicaciones de audio y MIDI para el
sistema operativo Linux.
Todos los interesados en el tema están invitados. Para la suscripción,
de disponerse de cuenta abierta en Yahoo!, basta con visitar este enlace:
http://es.groups.yahoo.com/group/free-tools/
En caso contrario, es suficiente con enviar un mensaje de correo
electrónico en blanco a:
free-tools-subscribe(a)yahoogroups.com
Allí os esperamos.
Regards, Ismael
Thanks for such an in depth explanation. Today will go down as one of
those days I actually learned me somethin.
| > I don't understand this whole 'drift' thing. If I'm able to listen to a
| > previously recorded drum track and record a guitar track over it (in
| > sync with the recording) with either card, how is it possible for them
| > to be out of sync with each other?
|
| Peter,
| It's easy for people to not see this problem the first time they look at
| it, but it's usually not that difficult to explain, given a bit of basic
| engineering background.
|
| All of these sound cards have oscillators on them to allow them to sample
| and playback at a given rate, such as 44100 Hz. the problem is that no two
| oscillators (or the crystals that drive them) produce EXACTLY 44100 cyles
| per second. They are spec'ed to be within a certain tolerance, like 1%, or
| +/- 100 parts per million, but the point is that they are not creating
| exactly the 'right' number of cycles per second.
|
| With this in mind, if you have two sound cards (same models, different
| models, it doesn't matter) and they run from separate clock sources, then
| one of them might be operating at 44099 cyles per second, while the other is
| operating at 44101 cycles per second. If this was the case, then (in
| differeing by 2 cyles per second) after 22050 seconds they would be out of
| sync by one complete second. (The slow one would be one second behind.)
| Since the human ear can pick up very minute differences in time, the effect
| becomes noticible much more quickly than that though, and unfortunately,
| most crystals will be much further off than 1 cycle per second from the
| spec.
|
| The reason you can play the same track back, over and over, and even on
| different sound cards, is that while 44100 samples 'represents' on second,
| it may not 'take' on second to play back. You ear is pretty insensitive to
| the idea that a song played on your CD player in the house takes 3:49.203
| seconds, while in the car it might take 3:49:542 seonds. We are just not
| sensitive enough to hear that, although the pitch in the house would be
| measureable as slightly higher.
|
| All this said, it is NOT true that you cannot use two (or more) sound
| cards at the same time. You can, but they have to be clocked from the same
| clock. you can accomplish this on any pair of sound cards that support the
| Word Clock interface, and I've been able to do it over ADAT interfaces with
| multiple cards, but that's not for the uninitiated. ;-) It's harder to set
| up.
|
| I hope this helps clarify the physical reasons that this is difficult.
|
| There is a software reason also. Linux/Alsa will onlt interrface to a
| single clock, so clocks being generated by two sound cards are not something
| that Alsa is designed to handle.
|
| Cheers,
| Mark
|
|
|
|
| --__--__--
|
| Message: 7
| Date: Sun, 13 Jul 2003 13:35:33 -0700 (PDT)
| From: Brian Redfern <bredfern(a)calarts.edu>
| To: linux-audio-user(a)music.columbia.edu
| Subject: Re: [linux-audio-user] Success stories
| Reply-To: linux-audio-user(a)music.columbia.edu
|
| Well, I use Swami to build my own sound fonts, I have some quite gritty
| ones, cause my old band-mate is the producer for The Freestyle Fellowship
| (if you haven't heard of them, they've been the underground legends of Hi
| Hop for 12 years now).
|
| Anyways I find Csound to be the tool of choice for serious composition in
| a linux only environment. Personally I don't go quite that far, I use muse
| and rosegarden to sequnce my midi gear, I have an asrx pro and a korg
| electribe s. Unfortunately I've found jack/iiwusynth to be too unstable to
| work with.
|
| Thus I'm using midi and muse to sequence my outboard gear and then I use
| broadcast2000 to record the tracks and to overdub acoustic instruments.
|
| Its not completely linux only, but linux is the only computer os I use in
| making my music.
|
|
|
|
|
| On 13 Jul 2003, Hartmut Z Noack wrote:
|
| > I downloaded the track "nasty valve1" an gave it a listen.
| > Hmmm the Intro is quite impressing - lot of personality, cool groove.
| > But after 20 seconds or so i hear a GM-Drumkit wich reminds me of a
| > Yamaha middleclass PSR-Preset - not that much personality anymore -
| > quite plastic i must say.
| > I do not blame this on your friend/musician - i guess the problem is
| > iiuwsynth`s soundfont-bullshit.
| > Whithout an implementation of a real drumsampler, Muse cannot do much
| > better i fear.
| > The Synthsounds are very promising though...
| >
| > Am Fre, 2003-07-11 um 16.14 schrieb Robert Jonsson:
| > > Hi guys and gals,
| > >
| > > A friend of mine has been doing some very serious attempts at producing music
| > > with a fully linux based setup lately.
| > > There has been lots of pitfalls along the way, but since he is a _very_
| > > dedicated guy he has come a long way towards pulling of his goal.
| > >
| > > The goal in question being to produce an "album" purely in linux. (album in
| > > the sense that the songs are freely downloadable from the same web page on
| > > the net, i think ;) )
| > >
| > > He has just started to document the thing, you can have a look here:
| > > http://computerville.homeip.net/linuxmusic/, there are also some samples of
| > > what he has produced this far, in my opinion it shows that linux audio is
| > > getting 'there'.
| > >
| > > Have a nice weekend,
| > > Robert
| > >
| > >
| > >
| > >
| > >
| > >
| >
| >
|
|
| --__--__--
|
| Message: 8
| Date: Mon, 14 Jul 2003 03:05:58 +0200
| From: mik prims <mprims(a)skynet.be>
| To: linux-audio-user(a)music.columbia.edu
| Subject: Re: [linux-audio-user] Success stories
| Reply-To: linux-audio-user(a)music.columbia.edu
|
| On Sun, 13 Jul 2003 13:35:33 -0700 (PDT)
| Brian Redfern <bredfern(a)calarts.edu> wrote:
|
| > Well, I use Swami to build my own sound fonts, I have some quite gritty
| > ones, cause my old band-mate is the producer for The Freestyle Fellowship
| > (if you haven't heard of them, they've been the underground legends of Hi
| > Hop for 12 years now).
| >
| Boundaries! Boundaries! You've got to be righteous, you've got to be free etc.
|
| m
|
| --__--__--
|
| Message: 9
| Date: Sun, 13 Jul 2003 18:12:08 -0700 (PDT)
| From: Brian Redfern <bredfern(a)calarts.edu>
| To: linux-audio-user(a)music.columbia.edu
| Subject: Re: [linux-audio-user] Success stories
| Reply-To: linux-audio-user(a)music.columbia.edu
|
| Exactly. Joe is an awsome producer, check out their albumn from 2001, Joe
| is producing and the beats are just fluid. He uses nothing but an adat
| and an asr10 keyboard, and that's it.
| Once jack gets mature then you'll be able to do more and more with just
| linux. Already I can do complete live sets just playing terminatorX on
| linux and that's it, though I usually play live guitar and sync together
| my adrenalinn with my korg es1 and then I put the audio from terminatorX
| through the korg to process it. I think linux works just as well with
| midi gear as mac/windows does, especially Suse, I've had the best results
| so far with Suse 8.2, but its not suprising given that Suse employs
| geniuses like Takashi Iwai.
|
|
|
| On Mon, 14 Jul 2003, mik prims wrote:
|
| > On Sun, 13 Jul 2003 13:35:33 -0700 (PDT)
| > Brian Redfern <bredfern(a)calarts.edu> wrote:
| >
| > > Well, I use Swami to build my own sound fonts, I have some quite gritty
| > > ones, cause my old band-mate is the producer for The Freestyle Fellowship
| > > (if you haven't heard of them, they've been the underground legends of Hi
| > > Hop for 12 years now).
| > >
| > Boundaries! Boundaries! You've got to be righteous, you've got to be free etc.
| >
| > m
| >
|
|
| --__--__--
|
| Message: 10
| Date: Mon, 14 Jul 2003 12:07:15 +0900
| From: Patrick Shirkey <pshirkey(a)boosthardware.com>
| Organization: Boost Hardware
| To: linux-audio-user(a)music.columbia.edu
| Subject: [linux-audio-user] [OT] Live music.
| Reply-To: linux-audio-user(a)music.columbia.edu
|
| In case there are still some people out there who thinks Linux musos
| don't actually have an audience or something else stupid like that, some
| of you may be interested in what we are doing here in Korea.
|
| http://www.djcj.org/gigs/ethos
|
|
|
| --
| Patrick Shirkey - Boost Hardware Ltd.
| Http://www.boosthardware.com
| Http://www.djcj.org - The Linux Audio Users guide
| ========================================
|
| Being on stage with the band in front of crowds shouting, "Get off! No!
| We want normal music!", I think that was more like acting than anything
| I've ever done.
|
| Goldie, 8 Nov, 2002
| The Scotsman
|
|
| --__--__--
|
| Message: 11
| Date: Mon, 14 Jul 2003 00:53:38 -0400 (EDT)
| From: Lee Azzarello <lee(a)fallingforward.net>
| To: Audio-User <linux-audio-user(a)music.columbia.edu>
| Subject: Re: [linux-audio-user] Success stories
| Reply-To: linux-audio-user(a)music.columbia.edu
|
| configure can't find fftw3f. I just installed version 3 alongside version
| 2.1.5, which is Gentoo's current version which I can't remove because many
| things depend on it. I tried setting PKG_CONFIG_PATH to /usr/local/lib but
| no luck. Could you maybe put in a --with-fftw-prefix= option to configure?
|
| -l[e^2]
| ------------------------------
| http://www.fallingforward.net/
| people experimenting with music, art and technology
|
| On 13 Jul 2003, Jan Depner wrote:
|
| > Lee,
| >
| > Very cool page. I'm glad you found my ALSA_JACK_ARDOUR doc useful.
| > You should check out JAMin for mastering -
| > http://sourceforge.net/projects/jamin/. We're getting pretty close and
| > it's already useful. I'm working on selectable scenes right now. You
| > could add it to your list - T-RackS for $400 vs JAMin for $0. I keep a
| > copy of the latest tarball on my site
| > http://myweb.cableone.net/eviltwin69/jamin.tgz if you can't get the
| > sourceforge CVS to work for you (it's been a bit flaky lately).
| >
| > Cheers
| >
| > Jan
| >
| > On Sat, 2003-07-12 at 18:14, Lee Azzarello wrote:
| > > I'm also rocking this steez. Here's my log of progress:
| > > http://www.fallingforward.net/bbs/viewtopic.php?t=62
| > >
| > > -l[e^2]
| > > ------------------------------
| > > http://www.fallingforward.net/
| > > people experimenting with music, art and technology
| > >
| > > On Fri, 11 Jul 2003, Robert Jonsson wrote:
| > >
| > > > Hi guys and gals,
| > > >
| > > > A friend of mine has been doing some very serious attempts at producing music
| > > > with a fully linux based setup lately.
| > > > There has been lots of pitfalls along the way, but since he is a _very_
| > > > dedicated guy he has come a long way towards pulling of his goal.
| > > >
| > > > The goal in question being to produce an "album" purely in linux. (album in
| > > > the sense that the songs are freely downloadable from the same web page on
| > > > the net, i think ;) )
| > > >
| > > > He has just started to document the thing, you can have a look here:
| > > > http://computerville.homeip.net/linuxmusic/, there are also some samples of
| > > > what he has produced this far, in my opinion it shows that linux audio is
| > > > getting 'there'.
| > > >
| > > > Have a nice weekend,
| > > > Robert
| > > >
| > > >
| > > >
| > > >
| > > >
| > > >
| > >
| >
| >
|
|
| --__--__--
|
| Message: 12
| Subject: Re: [linux-audio-user] Success stories
| From: Jan Depner <eviltwin69(a)cableone.net>
| To: Audio-User <linux-audio-user(a)music.columbia.edu>
| Date: 14 Jul 2003 04:37:38 -0500
| Reply-To: linux-audio-user(a)music.columbia.edu
|
| You have to set --enable-float on the ./configure line for fftw3.
| Normally it compiles only the double precision version.
|
| Jan
|
| On Sun, 2003-07-13 at 23:53, Lee Azzarello wrote:
| > configure can't find fftw3f. I just installed version 3 alongside version
| > 2.1.5, which is Gentoo's current version which I can't remove because many
| > things depend on it. I tried setting PKG_CONFIG_PATH to /usr/local/lib but
| > no luck. Could you maybe put in a --with-fftw-prefix= option to configure?
| >
| > -l[e^2]
| > ------------------------------
| > http://www.fallingforward.net/
| > people experimenting with music, art and technology
| >
| > On 13 Jul 2003, Jan Depner wrote:
| >
| > > Lee,
| > >
| > > Very cool page. I'm glad you found my ALSA_JACK_ARDOUR doc useful.
| > > You should check out JAMin for mastering -
| > > http://sourceforge.net/projects/jamin/. We're getting pretty close and
| > > it's already useful. I'm working on selectable scenes right now. You
| > > could add it to your list - T-RackS for $400 vs JAMin for $0. I keep a
| > > copy of the latest tarball on my site
| > > http://myweb.cableone.net/eviltwin69/jamin.tgz if you can't get the
| > > sourceforge CVS to work for you (it's been a bit flaky lately).
| > >
| > > Cheers
| > >
| > > Jan
| > >
| > > On Sat, 2003-07-12 at 18:14, Lee Azzarello wrote:
| > > > I'm also rocking this steez. Here's my log of progress:
| > > > http://www.fallingforward.net/bbs/viewtopic.php?t=62
| > > >
| > > > -l[e^2]
| > > > ------------------------------
| > > > http://www.fallingforward.net/
| > > > people experimenting with music, art and technology
| > > >
| > > > On Fri, 11 Jul 2003, Robert Jonsson wrote:
| > > >
| > > > > Hi guys and gals,
| > > > >
| > > > > A friend of mine has been doing some very serious attempts at producing music
| > > > > with a fully linux based setup lately.
| > > > > There has been lots of pitfalls along the way, but since he is a _very_
| > > > > dedicated guy he has come a long way towards pulling of his goal.
| > > > >
| > > > > The goal in question being to produce an "album" purely in linux. (album in
| > > > > the sense that the songs are freely downloadable from the same web page on
| > > > > the net, i think ;) )
| > > > >
| > > > > He has just started to document the thing, you can have a look here:
| > > > > http://computerville.homeip.net/linuxmusic/, there are also some samples of
| > > > > what he has produced this far, in my opinion it shows that linux audio is
| > > > > getting 'there'.
| > > > >
| > > > > Have a nice weekend,
| > > > > Robert
| > > > >
| > > > >
| > > > >
| > > > >
| > > > >
| > > > >
| > > >
| > >
| > >
| >
|
|
|
|
| --__--__--
|
| _______________________________________________
| linux-audio-user mailing list
| linux-audio-user(a)music.columbia.edu
| http://music.columbia.edu/mailman/listinfo/linux-audio-user
|
|
| End of linux-audio-user Digest
|
Here's some brief background before I get to my question:
-I'm building a linux daw from scratch (including external hardware)
-I've just put together a dual athlon 2400+ machine and have
(tentatively) installed mandrake
-I'm running out of money *fast*
The third point has put a damper on my soundcard/preamp/mic plans.
Initially I'll be happy to just record 1-2 channels at a time, but my
goal is to be able to do a decent job with a drum kit, possibly with
guitar or bass at the same time. I figure I can squeeze that in to eight
channels.
Ideally, I'd like to be able to buy a delta 44 now (for financial
reasons), and then buy another, or possibly a 66, later on and add it to
the set up. If I do this I can get a decent mic and preamp. Otherwise, I
have to go with the 1010 now and use a $20 radio shack mic until my bank
account recovers.
I checked around the lad archives and this question seems to come up
from time to time, but I'm wondering if this is possible with what's
currently out there.
Thanks,
Peter
In case there are still some people out there who thinks Linux musos
don't actually have an audience or something else stupid like that, some
of you may be interested in what we are doing here in Korea.
http://www.djcj.org/gigs/ethos
--
Patrick Shirkey - Boost Hardware Ltd.
Http://www.boosthardware.comHttp://www.djcj.org - The Linux Audio Users guide
========================================
Being on stage with the band in front of crowds shouting, "Get off! No!
We want normal music!", I think that was more like acting than anything
I've ever done.
Goldie, 8 Nov, 2002
The Scotsman