Yes! i was just about to write the list this very same message!
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----- Original Message -----
From: Dave Phillips
Sent: 7/13/2004 11:43:00 AM
To: linux-audio-dev@music.columbia.edu;linux-audio-user@music.columbia.edu
Subject: [linux-audio-dev] Ardour named Project Of The Year by LJ
> Greetings Earthlings:
>
> Just a quick note to say that the August 2004 issue of the Linux
> Journal has selected Ardour as Project Of The Year for its 2004 Editors
> Choice awards. Congratulations to Paul and everyone on the team !
>
> Best regards,
>
> dp
>
>
I think that if some one of you believe that an open source development of Finale has to birh,
we have to write them a lot...
I wrote to:
bwolff(a)makemusic.com
winsupport(a)codamusic.com
winsupport(a)makemusic.com
winsupport(a)smartmusic.com
ste
Stefano Cardo
Debian DeMuDi GNU/Linux User
> From: Michal Seta [mailto:mis@creazone.32k.org]
>
> Well, I must be a different race of a classical musician. I have been
> trained as a classical musician and I've been trained to read the
> black dots with beams people call scores. However, a score is only a
> representation of music. The same music could be represented in
> different ways. As a guitarist I have learnt to play from a guitar
> score, piano score, lead sheet, modern guitar tablature and
> medieval/rennaissance tablature (of which there were 2 kinds). These
> are all valid representations of musical compositions and they all
> have strengths and weaknesses. Any piece of music (as long as it's
> within the traditional 12 tone equal temperament) can be represented
> using any of the above methods. So why not text? Entering textual
> representation of music and following certain _markup_ rules is not
> programming. If it were so, simply scoring should be considered
> programming, too.
It probably is in csound.
I think the above methods need to somehow be extended to work with samples. Either that or computer audio needs its own form of musical representation.
Maybe we need to just skip the idea of any sort of representation outside of a song or audio file? If so... maybe we need to break with tradition a bit and make "song" files themselves provide a higher degree of functionality?
> I don't think that computer programs should reflect the physical world
> we operate in. Not always anyways, there surely are better ways of
> dealing with certain issues.
I think they should probably reflect the "reality" they deal with.
I also think they need an overhaul.
Hi Ron,
I'm sorry to say I totally lack any hands-on experience with these. I
sometimes hear of this or that software which makes use of this technology,
I seem to remember being told about some plugin for Cubase VST something
like 5 years ago already for instance, supposedly it did audio quantize
automagically. Also something like a couple of years ago someone told me
about another tool for Windows which has its own frontend. With it, you
would use samples to actually compose melodies and the software would adjust
notes. All things I've never tried myself. As for Linux, I'm absolutely
clueless in all respects. However, I can well remember that, a bit to my
embarrassment, our engineer once used a hardware version of a tuner in a
trumpet take (that was me playing, oh well!). It was one of these module
shaped affects that you use as send-return. The results were just amazing. I
believe they are used all the time in studios as I've always seen them
around since then.
>High quality audio pitch, time stretch and
quantization would all be very useful in a DAW like
Ardour. I work on enough projects that require
extensive editing or rebuilding that command line
example applications for a library would be useful.
I'm sorry I can't help but I definitely agree, the results are potentially
so much higher if you can make good use of this sort of things.
>Alex, are you the person who announced their intention
to develop these types of libraries on the Linux
Consortium mailing list?
I wish I was! :-(
Cheers,
Alex
_________________________________________________________________
Reserva desde ahora tus vacaciones en MSN Viajes. Más cómodo, más barato y
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See this discussion on kerneltrap.org:
http://kerneltrap.org/node/view/3429
Quoting Con Kolivas:
"Last time I posted this patch to lkml [the Linux kernel mailing list]
almost noone responded on list to say it helped their workload, which is
why it was never taken seriously by akpm. Strangely, once again, noone
seems to have anything good to say about it in the formal confines of
lkml so the list (and myself) will believe it is not worth pursuing."
I think Con is right. I think the core Linux kernel developers are
really not aware that the vanilla kernel is not appropriate for
multimedia work. And that's because no one told them.
As a result, i started a thread on the linux-kernel mailing list (named
"desktop and multimedia as an afterthought?") in which i try to describe
the issues with the Linux kernel on multimedia systems.
http://marc.theaimsgroup.com/?t=108965898400007&r=1&w=2
Please subscribe to LKML and reply to the thread. You can subscribe
here:
http://vger.kernel.org/majordomo-info.html
It looks like the kernel people want "numbers". I.e., to quote Denis
Vlasenko:
"Hi. I tested patches X,Y and Z. X have latency spikes of NN ms. Y does
not have 'em, but kernel compile time have gone up by MM mins. Z does
not have latency spikes _and_ do not have performance regression like Y.
I am willling to test more patches."
But i suspect any kind of informative and objective report would be
fine.
Thank you.
--
Florin Andrei
http://florin.myip.org/
>From: Mark Knecht <mknecht(a)controlnet.com>
>>
>> What Mellotron sounds are these?
>
>Sonic Implants String Boxes
>http://www.gigasamplers.com/GnCDRomGigasamplerVintage.htm
>
>Buy carefully. It isn't exactly like playing the real beast. Now that
>was fun!
Is the problem in modern keyboards and samplers?
If the sounds are digitized correctly, i.e. 8 seconds of tape per key,
then why one is not able to make an accurate emulator?
The playing style with Mellotron is melloing, not modern looping.
Bad things can happen if sounds are modernized: a Fairlight II sample
CD has the sounds apparently fit to modern loop-based sample format
with the result that the looping sounds are practically unusable!
That means the famous vocals and choirs, and strings, flutes etc.
BTW, anyone has Sonic Implants' Silk Road samples and could make
me a demo? A free play demo would be fine, but I have turkish
and arabic midi files which would be better for the demo.
There is a demo at their website but guess what, the demo is not
made with the synth samples -- the demo is made with audiofiles
included in the CD.
Juhana
--
http://music.columbia.edu/mailman/listinfo/linux-graphics-dev
for developers of open source graphics software
On Fri, 9 Jul 2004 14:50 , anahata <anahata(a)treewind.co.uk> sent:
>On Fri, Jul 09, 2004 at 12:55:45PM +0000, Alejandro Lopez wrote:
>
>> But I've just come accross this article:
>> http://www.debianplanet.org/node.php\?id=831
>> entitled "An Unbiased Review of Debian 3.0". They say things like you are
>> supposed to know the name of your drivers (name of the files, not the name
>> of the hardware to be supported that usually comes as a description in a
>> database!).
>
>I haven't read that review (yet) but it's not that bad. Debian comes with
>a program modconf for picking driver and other modules to install, and
>it lists them together with 1-line descriptions of what the driver does.
>That's really usually enough, and modconf relieves you of having to mess
>around with modprobe, insmod and editing the files in the /etc/module*
>tree.
>
>> I have installed Debian years ago, then Redhat recently. I've found Debian
>> installation a nightmare compared to Redhat
>
>Initially yes. Once it's all working, Debian's the package management
>system is far more bullet proof than rpm.
This is why Planet CCRMA uses apt-get for their RadHat distribution.
Jan
Can someone give me a hint about the following...
My midi-keyboard is connected to my Audigy soundcard and I use qjackctl to
connect it to the emu10k1 wavetable as follows:
Readable clients Writable clients
64:0 Audigy MPU-401 (UART) ----> 65:0 Emu10k1 WaveTable
Now I want to add some reverb with JackRack. How do I do that? My idea was the
following...
64:0 Audigy MPU-401 (UART) ----> 129:0 JackRack control
129:0 JackRack control ----> 65:0 Emu10k1 WaveTable
...only this doesn't work. What does? I googled, but couldn't find an answer.
I'm pretty new to midi, so even if it might be obvious, bear with me. Cheers,
Hans from Holland
--
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> Syntax error in fixed argument declaration
If possible, update to Guile 1.6 (and a newer Snd!) -- otherwise,
(as noted in README.Snd), you need to load fix-optargs.scm
before anything else.
I'm following Dave Phillips tutorials to configure
extensions for snd, and having trouble
loading files.
I'm using debian, with .scm files in /usr/share/scm
$ snd --version
This is Snd version 5.9 of 15-Apr-02:
Xen: 1.2, Guile: 1.4
OSS 3.8.2
Sndlib 15.2 (29-Mar-02, int24 samples)
CLM 2.4 (8-Apr-02)
GSL 1.0
Motif 2.1.30 X11R6
Xpm 3.4.11
with LADSPA
Compiled Apr 18 2002 11:34:47
C: 2.95.4 (Debian prerelease)
Libc: 2.3.2.stable
After much trial and error, I think I have
the %load-path part figured out.
<in listener>
(set! %load-path (cons "/usr/share/snd" %load-path))
(display %load-path)
(/usr/share/snd /usr/share/guile/site /usr/share/guile/1.4 /usr/share/guile .)
[at first I was expecting this output in the listener;
it came out in the xterm.]
(load-from-path "snd-motif.scm")
Syntax error in fixed argument declaration
(load-from-path "snd-motif.scm")
(load "/usr/share/snd/snd-motif.scm")
Syntax error in fixed argument declaration
(load "/usr/share/snd/snd-motif.scm")
This similarity leads me to believe that I've gotten %load-path
right.
But what about the error? snd-motif.scm is huge,
and not even a line number in the error message.
How do you scheme/guile people debug??
How do you snd users get this working?
These extensions seem really juicy, though I can't
seem to get them loaded properly. I keep lifting
the Tantalusian goblet to my lips....
Any pointers for a new scheme/snd user?
--
Joel Roth