I just acquired a Zaurus 5500, and I'm wondering if anyone has gotten
farther than I have using the Audio capabilities.
What I'd like is to use it to play MIDI files, record
practice sessions, and as a tuner and a metronome.
Recording the practice sessions worked out of the box, with the single
point stereo microphone I use with my minidisk recorder, and playing
back with the compact portable speakers.
There's an entry in the http://www.killefiz.de/zaurus/ software index
for something that works as a tuner and a metronome, but the links are
broken.
And there are tantalizing references to using the libsdl mixer with
some patches to do MIDI via timidity. Has anyone tried this?
--
Laura (mailto:lconrad@laymusic.org , http://www.laymusic.org/ )
(617) 661-8097 fax: (501) 641-5011
233 Broadway, Cambridge, MA 02139
Thanks for the help. Apparently 'urpmi' is the real tool under
'rpmdrake' (the avoid-the-evil-command-line Mandrake GUI for package
installation). Boy, wouldn't it be nice if we had a search engine that
could take a description of what we want to do, and suggest a list of
possibly interesting manual pages, html links, PDF documents, etc. I've
sometimes spent days with Yahoo/Google scanning thousands of irrelavent
pages to find the info I want. I've gotten a lot more useful info about
linux in general on this mailing list by accident than I have
searching. Unfortunately, I have limited time to deal with email lists.
Maybe we need a search engine like Yahoo, which only finds linux-related
documentation pages (I know I'm dreaming).
e. j. branagan
The MUSE - Nashville, TN
->Mr. Barber,
It kind of seems that everyone (myself included) was distracted from
the original subject that you posted. Anyway, on the CCRMA website it
does say that some machines won't be able to run the "ll" kernel. As I
said before, I just stumbled upon the fact that while my athlon won't
run the "ll" athlon kernel (I had the same lockups you describe) it will
run the "ll" i686 kernel. I don't have any idea what this does to system
performance as far as music production goes, since my limited amount of
music recording experience is on Windows and Cubase, and my boss won't
even entertain the thought of using Linux, or at least giving it a try.
So I don't have anyway of testing the i686 kernel with the athlon in a
realworld situation.
Rick B<-
I will keep this in mind. I imagine this requires installing the kernel
and ALSA RPMs from the website rather than with apt-get. For now
passing "nolapic" to the kernel at boot-time seems to be working like a
charm, but not when I overclock. I don't really have any need to
overclock right now, though - just wanted to test its stability. And it
ain't stable.
Thanks,
Matt
Mr. Barber,
It kind of seems that everyone (myself included) was distracted from
the original subject that you posted. Anyway, on the CCRMA website it
does say that some machines won't be able to run the "ll" kernel. As I
said before, I just stumbled upon the fact that while my athlon won't
run the "ll" athlon kernel (I had the same lockups you describe) it will
run the "ll" i686 kernel. I don't have any idea what this does to system
performance as far as music production goes, since my limited amount of
music recording experience is on Windows and Cubase, and my boss won't
even entertain the thought of using Linux, or at least giving it a try.
So I don't have anyway of testing the i686 kernel with the athlon in a
realworld situation.
Rick B
->I looked through your manual and I think you can't really go any
higher
without doing anything that could be considered overclocking *shrug*.
You could for example up your fsb to 75 mhz but your memory and
everything else may not like it. Don't blame me if you blow up your
computer.<-
Be careful doing something like that, especially with old boards. I
think setting the fsb clock to "no man's land" will set the pci clock
(and AGP if you have AGP on your board) to something unusable, unless
BIOS locks the PCI/AGP clock to a certain range of values. PCI
generally wants to run at about 33Mhz (unless you have a very new board
with PCI-X or some such), and AGP at 66Mhz, and these values will
generally be a fraction of the fsb. So if your fsb is 66Mhz, PCI will
be 1/2FSB. If it's 100Mhz, PCI will be 1/3. Setting it to 75Mhz may
cause it to still be in the 66Mhz realm as far as the division is
concerned, and set PCI to around 38Mhz, which may cause a lot of
problems. I know some BIOS will take care of this by locking AGP and
PCI to a certain value, but I wouldn't count on it with an older
board/bios.
I see no problem with 100Mhz if your processor and memory both support
it. Before fooling around with stuff, make sure you know how to clear
your CMOS (on most boards there's a little jumper, I think) to the
default values, in case you set it to something that doesn't even allow
your bios to start.
M
>} To be the quintesential dumb bunny again...So on MDK, I would use
>} Kpackage to install MDK rpm's only? Or could I use .deb or RH or what
>} ever other packages to install to my MDK system? I know this is a
>} stretch even as I write it. But I've written it....and what is written
>} must be ........sent!
>
> I don't know... I think Mandrake's pretty particular. You can't escape all of
>the Mandrake rpms on the net though... I doubt you'd have a problem.
>
>
>
Is it even possible to download a Mandrake RPM?
Every time I try to download an audio package from a Mandrake repository
it complains that I don't have the necessary dependency packages
installed on my internet machine, and asks me to insert one of more of
the Mandrake 9.2 discs into my cdrom drive. After installing packages I
don't really want on my internet machine, I click on the download link
and it *INSTALLS* the package I want to put on my audio machine at home
on my internet machine. YUCK.
Is there any way to download these packages so I can burn them to a CD
and bring them home to my audio machine? Or maybe repackage them from
the installed copy?
My audio machine at home is not on the internet, and never will be due
to the presence of unreleased audio tracks - no network connection is
the most reliable firewall ever created.
Evey time I move a desktop machine I always have trouble getting it back
up and running again. I have quite a few friends who do this regularly,
but they have custom built machines in shock mounted cases (as my next
one will be; my current machines are rebuilt slavage in commercial cases).
e. j. branagan
The MUSE - Nashville, TN
>> I think one other issue is wave cancelation but I'm
>> not so sure about this. Assume a 12 foot long room
>> with source against one wall. Cancelation will occur
>> where the waves meet which is at six feet. So, you
>> don't want to locate the mixing chair in the
>> cancelation zone.
>>
> <SNIP>
> Very true, actually, assuming you have a frequency that is a multiple
> of the room length.
>
Wall to wall reflections tend to disperse.
Most room resonences are corner to corner (in a box-like room).
Sound behaves a lot like light in a three-way right angle corner -
It comes back out the same direction it went in, just like those
three way mirrors they use to reflect laser beams back from the moon.
Most studios these days try to avoid any right-angle corners.
e. j. branagan
The MUSE - Nashville, TN
Hi everybody,
first of all thanks for your answers to my previous posts.
Now that I'm having fun playing around with a bass guitar and ecasound,
I'm thinking about buying an old laptop to use during rehersals and
maybe gigs. I'm wondering what kind of hardware would do the trick. I'm
kind of broke so the older (i.e. cheaper) the better (it would just run
a shell, a tweaked kernel, JACK and FX processing stuff).
I guess I may run into problems with obsolete sound cards (an area I'm
not much knowledgeable in) and probably other issues I don't know about
yet...
Anybody has any experience/knowledge to share ? What would be the
absolute minimum requirement for you ?
btw, I'm also wondering about vibrations damaging the hardware,
particularly the HD (the box would sit on top of a bass amp, or at least
not so far from it) What do you think about it ?
Thanks for taking the time to read this.
OK, we've had a lot of good discussion about good studio headphones.
How about good headphones for live multitrack recording in a very loud room.
Good isolation and relatively high volume.
e. j. branagan
The MUSE - Nashville, TN