I'm having trouble using timidity from within Rosegarden. I configure Rosegarden to use timidity as a soft synth, but when I try to play back I can't manage to get any sound. What is even more confusing is that when I open qjackctl's MIDI connections dialogue, I see input ports for both Rosegarden and Timidity, but no output ports for rosegarden are shown. And to make it still even more confusing is that there is a connection of some sort between the two because if I use the virtual keybd and connect it to rosegarden's in port, the output plays through timidity.
1) why is there no out port shown for Rosegarden
2) is Rosegarden using some means other than the ALSA Seq interface to connect to timidity?
3) since it is apparently connected somehow, why do I only get playback from timidity when playing something though the Rosegarden in port, while not getting any output when playing from Rosegarden itself?
I've tried Muse, but it's even more trouble. It segfaults unless I use the -d option, which makes it pretty useless.
Are there perhaps other midi based sequencers that work better than these that I'm not aware of?
-Reuben
Hi folks
I happen to be in Ecuador, and there are no [good] music shops around.
Do anyone know how the 15 pin connector to the PC is connected to the
two MIDI IN and MIDI OUT round 5 pin connectors? I have some idea of
what pins are active (the three center pins), but no idea whatsoever on
which of the 15 pins to connect.
sincerely,
Arno
Hey all,
So I'm looking to put together a more serious recording rig, and
trying to do so for under about $1500. I've got a couple ideas on
how I'm going to procede, and I've been looking at a variety of
PCI audio interfaces. I'm looking for 8-10 channels of analogue
I/O, probably expandable with some ADAT lightpipe I/O, MIDI
(although if I can't get it in the PCI card, it's not a big
deal), Word clock would be nice. I don't really need onboard mic
pres, as they're bound to be crap anyways, so I'd rather just get
a semi-decent mixing board. Most of the cards I've been looking
at have rackmountable breakout boxes, which is great, because I'm
planning on rackmounting the computer anyways. The M-audio Delta
1010-LT seems to be a pretty good option, too, as it seems to
have most of the functionality of the regular 1010, but about 100
cheaper on eBay. Neither have ADAT, though. The Echo Layla 24/96,
also seems like a great card, and it seems to be exactly what I'm
looking for, but slightly more pricey than some other options.
The DSP2000 c-port seems to have everything I need, but I can't
figure out how well it's supported under Linux. There're some
posts on the alsa-devel archives about trying to get it working,
but it's not listed on the Alsa soundcard matrix, so I'm not
optimistic.
Does anyone have any great or terrible things to say about any of
these cards? about any other similar cards? about a completely
different way of setting up such a DAW?
thanks!
-spencer
Greetings, Earthlings:
As a long-time fan of FM synthesis I've been wondering whether I
should try getting NI's FM7 running under libfst or vstserver. I own two
TX802s and am very fond of their sounds. NI's advertising makes some
extraordinary claims about FM7, so I thought I'd ask here to see if
anyone on this list has used it. I'm especially interested in whether
anyone has actually compared it to its hardware antecedents.
Anyone ?
Best,
dp
>I think the Neuros II (http://www.neurosaudio.com/) is closer to what
>you need. It includes a built in microphone as well as a mic in.
>Records in mp3 or WAV (up o 48KHz). USB 2.0 interface. Mine works very
>well with Linux. You can get one with 256MB of memory for $140 or one
>with a 20GB hard drive for $250.
I would need one for making free sound effect library.
Has it a stereo mic-in connector? Or stereo line-in connector
for which I may find mic2line conversion cables?
How do you transfer the recorded files to Linux? Is the device
seen as a standard usb disk? And the audio files can be transferred
as any other file? This is important if I use public PCs for emptying
the recorded sounds to a web site.
Neuron is only device which seems to have free (as in freedom)
transfer method between the device and computer. Creatives etc.
simply require one to install a special executable to your
MS Windows. One may transfer audio files as regular files, but
they cannot be played!
Juhana
--
http://music.columbia.edu/mailman/listinfo/linux-graphics-dev
for developers of open source graphics software
Hi,
I have installed Planet CCRMA Fedora Core 1 on a Dell inspiron laptop
with a RME hammerfall/multiface setup. I ran alsaconf and it set up
the card with no complaints. Running hdsploader makes the 'host error'
light go off on the multiface. I have recorded and played back
audacity and played files with xmms.
That's where the joy ends though. I have the following problems:
* pd will not run - it gives this output:
using non-interleaved audio input
Sample width set to 4 bytes
ALSA: set input channels to 14
ALSA lib pcm_hw.c:324:(snd_pcm_hw_hw_params) SNDRV_PCM_IOCTL_HW_PARAMS
failed: Device or resource busy
snd_pcm_hw_params (input): Device or resource busy
pd: pcm.c:4973: snd_pcm_sw_params_current: Assertion `pcm->setup' failed.
Pd: signal 6
Aborted
* ardour won't run, output is:
Ardour/GTK 0.554.0 running with libardour 0.855.0
Copyright 1999-2004 Paul Davis
Ardour comes with ABSOLUTELY NO WARRANTY
This is free software, and you are welcome to redistribute it
under certain conditions; see the file COPYING for details
Loading UI configuration file /etc/ardour/ardour_ui.rc
Aborted
* rosegarden says audio not working
* jackstart -R -d alsa -d hw -r 44100 outputs:
loading driver ..
apparent rate = 44100
creating alsa driver ... hw|hw|1024|2|44100|0|0|nomon|swmeter|-|32bit
configuring for 44100Hz, period = 1024 frames, buffer = 2 periods
.... and does not get any further.
I have experienced linux alot as a user on a system someone else
adminstrated, but have no experience setting up hardware or anything
like that so I'm a bit clueless. Any suggestions would be much
appreciated.
thanks,
Aengus.
_________________
Aengus Martin
Hi
Please forward at will.
--
best,
Jake
-------------------------------
INVITATION TO TENDER
OSAudio residency
[Audio artist/producer/composer in residence at Access Space, April
2005]
Deadline for applications: 4th Feb 2005
Decision made and applicants informed mid Feb 2005.
Fee: £3500 sterling (approx 5000 Euros @ 6th Jan 2005)
Access Space, Sheffield's lowtech digital arts organisation, is
currently calling for applications for a month-long, audio residency.
Access Space is a free media lab in Sheffield's Cultural Industries
Quarter, offering open access to people with a range of knowledge and
experience of technology. We are looking for an artist to develop their
project using the recycled/reclaimed "redundant" technology and
open-source software available in Access Space.
The aims of the residency are:
1] To offer an artist/producer/composer the chance to develop ideas
using only open-source software (on the Linux operating system) in a
supportive environment.
2] To offer the users of Access Space an introduction to the creative
process of making new work.
3] To produce a finished piece of work (see below for further details).
The Residency:
The OSAudio residency will take place in April 2005 (exact times/dates
to be agreed). The successful applicant will get the opportunity to work
for one month (or 20-day equivalent) in Access Space's open environment,
with a degree of technical support and advice available from Access
Space staff. As part of the residency, the artist will run 2 workshop
sessions relating to the work involved in their residency, and an
informal presentation for Access Space participants and members of the
public. The resident will also document their residency in the form of
an online diary.
Available software includes the Planet CCRMA software, with PD,
Rosegarden, Ardour, Jack, Audacity, Supercollider Server etc etc.
Applicants should consider that part of Access Space's ethos is to only
use recycled/donated hardware. Therefore, the available hardware is a P3
800Mhz machine with Sound Blaster sound card. The majority of the
work-time will be monitored using headphones, due to Access Space being
a publicly accessible project.
The Work:
We hope to encourage a broad range of applications covering all types of
audio production, be they electronica, sound art, or more traditional
recording practices using open-source software. Proposals can be to
produce one or more specific audio works, or for development of patches,
code or software. However, the resident should aim to have a completed
product within the duration of the residency. The finished work will
then be available for download from the internet.
The Fee:
A fee of £3,500 will be offered to the successful applicant, subject to
the successful completion of the residency. A small contribution towards
travel and accommodation expenses may be available where appropriate.
How to submit your proposal:
Please email or post us a proposal, of not more than 2 sides of A4 plus
your CV, including details of your experience of working with
open-source music software, your reason for applying, the starting
point/s for your project and how you would approach the commission.
Access Space welcomes applications from all sectors of the community
irrespective of age, disability, race, religion, gender or sexual
orientation.
Please address the following points in your application:
1 - what form the finished work would take.
2 - how you propose to engage with the participants at Access Space.
3 - how much technical support would you need.
4 - how feasible is your project in the time available.
5 - what makes using open-source software particularly appropriate for
your project?
For more information, questions regarding hard/software, or to mail your
proposal:
Access Space
1a Sidney Street
Sheffield
S1 4RG
UK
0114 2495522
www.access-space.org
access(a)access-space.org
Access Space is UK registered charity no: 1103837
Access Space gratefully acknowledges financial support from the PRS
Foundation, Arts Council England (Yorkshire), and Digital South
Yorkshire.
---------------------------------------------------------------
Hi fellow LAU'ers,
I'm expieriencing strange things with my new Edirol UA-25. I am running Debian
SID with a vanilla 2.6.10 kernel. The device works really fine (it has his
own USB controller and is directly connected to the board) when I try to
playback _or_ record @ 24Bit/48khz.
But as soon as I try to do both things simultaneously (using arecord and
aplay) - after about 2 seconds - I get this:
Jan 9 15:06:23 vicviper kernel: hub 2-0:1.0: port 1 disabled by hub (EMI?),
re-
enabling...
Jan 9 15:06:23 vicviper kernel: usb 2-1: USB disconnect, address 3
Jan 9 15:06:23 vicviper kernel: cannot submit datapipe for urb 0, err = -19
Jan 9 15:06:23 vicviper kernel: usb 2-1: new full speed USB device using
uhci_h
cd and address 4
Jan 9 15:06:26 vicviper usb.agent[5253]: snd-usb-audio: already loaded
to make sure it isn't a hardware issue, I tested the device with Audacity in
Windows on the same machine, and that worked just fine.
Sooo. Does anyone have any idea what I could try to fix this problem? It sure
does render Ardour unusable for me, which is - well - bad.
thanks alot,
Adrian
Hi,
Try to use F3/F4 keys to view switch (Playback/Capture) - look in
upper left corner in alsamixer, to see actual mode.
Peter Zubaj
____________________________________
RAMMSTEIN, 22.02.2005 o 20,00, Bratislava Incheba,
Info: 0904 666 363, http://www.xl.sk