Does anyone have music gear symbols for Dia? I have to draw a diagram
and i need symbols for a synth, a mixer, studio monitors, etc.
--
Florin Andrei
http://florin.myip.org/
Hi LAU,
This is my first posting here. Hope to do lots more...
I have a M-Audio Delta 1010LT multitrack sound card in my computer and am
having lots of trouble with it.
I'm running Linux 2.4 (Fedora Core 1) with the "Planet CCRMA" audio
environment on a Pentium 4 PC.
I use Audacity 1.2.3 for recording, etc.
Everything worked fine with the built-in (stereo) sound on my motherboard.
I installed the 1010LT and rebooted. The computer found the card and seemed
to be happy with it.
But many things seem to be wrong.
I'm using envy24control to get the mixer, patchbay, sliders, etc.
My main (first) question is how to get more than 2 channels recording at the
same time?
When I pick 4 channels in Audacity, it does indeed record 4 tracks but the
second two are copies of the first 2.
The little drop-down menu in Audacity for selecting the source (line-in,
mic, etc) is empty and the input and output sliders seem to have no effect.
Any helpful tips or pointers would sure be appreciated. I'm very new to
Linux so you might need to t-a-l-k r--e--a--l s--l--o--w--l--y
8^)
Thanks in advance,
Mike Jewell
Congratulations to comix & crew !
This just in:
From: Comix <acominu(a)tiscali.it>
To: ML Hydrogen-devel <hydrogen-devel(a)lists.sourceforge.net>
Cc: hydrogen-users(a)lists.sourceforge.net,
hydrogen-announce(a)lists.sourceforge.net
Date: Tue, 01 Feb 2005 16:24:55 +0100
Subject: [Hydrogen-devel] Hydrogen won in 1st italian Open Source Contest
http://www.opensourcecontest.it/index.php?sezione=premiazione
Thanks all! ^_^
-- comix
Hi,
Randy Kramer and me started setting up a wiki to collect user
experiences with soundcards in linux this december.
I have finished a first draft with instructions about how to add a new
soundcard.
LAU: I have seen many posts asking for soundcard advice and explaining
features and support for many cards. It would be nice to collect this
knowledge at the wiki...
The main page is:
http://twiki.org/cgi-bin/view/Wikilearn/LA_SoundCards
Here there is the page for my audigy card:
http://twiki.org/cgi-bin/view/Wikilearn/LA_SC_Creative_SBAudigyOEM
There is a template to create a new entry at:
http://twiki.org/cgi-bin/view/Wikilearn/LA_SC_Template
It is not intended to replace any of the classic great pages of
documentation but to link them, add/change these links dynamically, and
allow visitors to add up-to-date comments.
Hope it can be useful... I think it's not difficult that we add each of
us our card in order to have a good knowledge of the used cards under
linux. Any contributions out there? Feel free to add links to this page ;)
Finally, if you consider that something(or a lot of things) can be
improved, feel free to email me.
Yours
MarC
Hi!
Will be glad to get your opinions about choosing an audio
card below $250. The main (and, probably, the only) planned
using is a playing back of stereo files. Probably, a DAC
quality is the main feature here.
Thanks!
Andrew
Attached is a pdf containing the job announcement for Director of
Technical Support at Radio Free Asia. We use Linux and Free Software
for most of our network information systems and also for a number of
middleware applications that glue together our various proprietary audio
systems. We also have users beginning to test Audacity as a replacement
for Cool Edit. In the future I see a place for Ardour as a replacement
for our 30+ aging Orban Audicy(tm) DAWs, Audacity as a replacement for
Cool Edit, icecast/ogg-vorbis/ecasound to replace our hardware mp3
encoders for streaming and archiving and perhaps other uses of linux
audio software as well.
Address any replies to jobs(a)rfa.org
Thanks,
--
Eric Dantan Rzewnicki | Systems Engineer I
Technical Operations Division | Radio Free Asia
2025 M Street, NW | Washington, DC 20036 | 202-530-4900
CONFIDENTIAL COMMUNICATION
This e-mail message is intended only for the use of the addressee and
may contain information that is privileged and confidential. Any
unauthorized dissemination, distribution, or copying is strictly
prohibited. If you receive this transmission in error, please contact
network(a)rfa.org.
Hi all (especially Fons!)!
I've just successfully compiled and installed aeolus (lastest release). I
can start the program connect it to jack and alsa midi seqeuncer, but there it
stops. I asked a seeing companion of mine to have a look at the ui, but even
after pressing several buttons, there was no sound.
Now my questions:
1. Is this a bug or just me and my friend being to stupid?
2. Are there shortcuts/hotkeys, so I can use the organ myself without help?
3. Are there maybe other ways to use it vai "remote control" (OSC, etc.)?
I'm greatful for any good suggestions and hints!
Kindest regards
Julien
P.S.: I read the installation instruction and directory/configuration hints
very carefully, it shouldn't be that... :-)
--------
Music was my first love and it will be my last (John Miles)
======== FIND MY WEB-PROJECT AT: ========
http://ltsb.sourceforge.net - the Linux TextBased Studio guide
Greetings:
When I use jack_fst with the Crystal synth it works fine, but when I
close the plugin qjackctl closes too. Its settings remain in effect, but
the GUI vanishes. If anyone else has this problem, please let me know if
you've found a fix for it. It's annoying to have to reopen qjackctl each
time I use jack_fst.
jack_fst 1.2, qjackctl 0.2.14
Best,
dp
Recently Wolfgang posted some comments about listening under the best
conditions.
Yes, it's true that there is literally no hope of emulating a very large
space in a typical living room, regardless of technology if one uses
speakers, without obnoxious consequences. This is a simple acoustical fact.
There are too many aborbers; the space is too small, etc.
So what are we to do?
The solution for creating large acoustical spaces used by the automotive
audio industry is to vibrate the neighborhood. This is why you hear bass
when cars drive by. If you didn't hear it, neither would the occupants
in the car. In order for them to hear it, you have to.
That's not a good solution, is it? But I think everyone would have to
admit that this is an obvious solution to creating large acoustical
spaces in the interior of an automobile. It's a very straightforward
application of what Wolfgang talked about.
Other people have addressed the travel problem. Not many of us can afford
to travel to a beautiful acoustical space every time we want to hear music.
So while what Wolfgang says is true, it's not helpful --- or at least I
don't see how it is. In other words, I agree completely, BUT...
My own contribution is to attempt to create generators for impulse response
functions that users can calculate to emulate whatever acoustical space
they want. These generators are currently quite primitive in that they
don't treat all boundary conditions and so on. However, I have found them
to be an improvement for my own listening, which is preferably with
headphones. With this technique, I hear music that is closest to ideal
that I've ever heard short of going to a concert hall or cathedral. I
cannot myself generate examples to show every genre in every venue, but
the principles should apply equally well.
Simply offered as another suggested, approximate solution to an impossible
situation: Engineered IR's for convolution and for headphone listening.
It's not for everyone, maybe not even most people. But I sure like it.