FYI -- I have a couple of songs originally written in Cakewalk Pro-Audio
9 that I have imported into Rosegarden to output the tracks through
Fluid-synth and various soundfonts. Some of the tracks sound fine, such
as the piano and bass tracks. However, the lead guitar track, going
through Fluid Synth and a Sonic Implants soundfont, sounds horribly out
of tune whenever more than a single note is played at one time. I got
around the problem by sending the guitar track to ZynAddSubFX instead of
Fluidsynth. This leads to to believe that it is fluid-synth specific,
but I haven't done any more digging into the problem to look at specific
events that might be causing the problem.
Alan
----- Original Message -----
From: ross(a)jose.lug.udel.edu
Date: Tuesday, May 3, 2005 1:04 pm
Subject: [linux-audio-user] Re: *UPDATE* MIDI exported from Cakewalk
sounds horrible!
> On Fri, Apr 22, 2005 at 12:18:41PM -0400, ross(a)jose.lug.udel.edu
> wrote:> I used to use Cakewalk on a small Windows partition for
> composing> work. Now, I'm trying to take the midi files I'd
> exported from
> > Cakewalk and play them using rosegarden/fluidsynth/pmidi.
> >
> > My songs sounds like a cacophony. Things are so wrong - it sounds
> > truely horrible.
>
> Interesting update - this must be a bug in fluidsynth somewhere.
>
> I just bought a new GM digital piano and it's banks interpret the MIDI
> data fine - the songs sound correct. It seems like my guess about
> SysEx (or some other kind of) data being interpreted as note events.
>
> Do any of you guys that said you had seen the same problem have some
> MIDI hardware to test on? I'd be curious to see if you hit the same
> thing. Would be worth a bug report on fluidsynth.
>
> Thanks, let me know!
>
> --
> Ross Vandegrift
> ross(a)lug.udel.edu
>
> "The good Christian should beware of mathematicians, and all those who
> make empty prophecies. The danger already exists that the
> mathematicianshave made a covenant with the devil to darken the
> spirit and to confine
> man in the bonds of Hell."
> --St. Augustine, De Genesi ad Litteram, Book II, xviii, 37
>
Hi all,
I wanted to convert some of my DAT(48KHz) tapes into CD Audio
Quality(16 bit/44KHz stereo) via S/PDIF connection on the Soundblaster
Audigy ZS Sound Card. I just wanted to know if I will be able to do it
with Ardour and what all settings will have to be taken care off (like
in the mixer/ardour Settings etc). And if any one knows of some postings
on the web that explains this stuff, that will be really helpful.
Basically what software can be used to import the DAT using S/PDIF and
the settings that go along with that.
Thanks
ISh
Hi Lee, Thanx for the tips. I'm can't do anything right now coz I need a
few packages to continue and I'm stuck in a pure64/debian-pure64
version-skew right now.
In the meantime I compiled 2.6.12-rc2 with realtime-lsm module according
to realtime-lsm/INSTALL and have it running in 64bit. Now sorting out
JACK and segfault stuff...
I'll have another go at the RT-rlimits/PAM approach when I can get the
packages I need..
Cheers
Norv
Hello all,
I used to use Cakewalk on a small Windows partition for composing
work. Now, I'm trying to take the midi files I'd exported from
Cakewalk and play them using rosegarden/fluidsynth/pmidi.
My songs sounds like a cacophony. Things are so wrong - it sounds
truely horrible.
I downloaded some MIDI files from around the internet and they all
play normally. Is is possible Cakewalk has some SysEx events in there
that pmidi/rosegarden are interpreting as notes?
Cause damn. I didn't write this stuff!
--
Ross Vandegrift
ross(a)lug.udel.edu
"The good Christian should beware of mathematicians, and all those who
make empty prophecies. The danger already exists that the mathematicians
have made a covenant with the devil to darken the spirit and to confine
man in the bonds of Hell."
--St. Augustine, De Genesi ad Litteram, Book II, xviii, 37
Hi,
Noteedit 2.8.0 Beta 1 has been released. This is the first beta in the
release cycle of the coming 2.8.0 release of NoteEdit. Test it hard and
report any bugs to the developer mailing list or in the Bug tracker of
the noteedit berlios developer page (preferred).
http://developer.berlios.de/projects/noteedit.
Best regards,
Reinhard Katzmann
--
Software-Engineer, Developer of User Interfaces
Project: Noteedit - a score editor - http://noteedit.berlios.de
Project: Pertergrin - a RPG system - http://www.pertergrin.de
GnuPG Public Key available on request
Hi Ivica,
Thanks for sharing this wonderful work.
Best wishes,
Gavin.
> Message: 1
> Date: Fri, 29 Apr 2005 23:43:44 -0400
> From: "Ivica Ico Bukvic" <ico(a)fuse.net>
> Subject: [linux-audio-user] [ANN] "Symmetries" premiere recording now
> available (and other goodies)
> To: "'A list for linux audio users'"
> <linux-audio-user(a)music.columbia.edu>, "'The Linux Audio
> Developers' Mailing List'" <linux-audio-dev(a)music.columbia.edu>,
> <pd-list(a)iem.at>
> Message-ID: <20050430033720.LBMR3834.gx5.fuse.net@64BitBadass>
> Content-Type: text/plain; charset="us-ascii"
>
> Greetings all,
>
> First off, apologies for cross-posting...
>
> I would just like to share the quick-and-dirty downmix of the premiere
> of my latest work "Symmetries" (that took place at the last-week's
> "Linux Audio Conference" in Karlsruhe, Germany) with the LAU/LAD as
> well as Pd community. Without you guys, this piece would never have
> been possible :-).
>
> As my token of gratitude, in conjunction with this release I am also
> releasing the soundfont that I've built from scratch using exclusively
> Linux software (Swami, Rezound) and specifically for use in this
> piece. For more info on each of these please see notes below.
>
> As always, your feedback is much appreciated!
>
> -------------------
>
> About "Symmetries:"
>
> Symmetries (for computer and optional violin) is an experiment in
> relegating musical structure and expression to the inherently stupid
> box of transistors. By concurrently utilizing various GNU/Linux audio
> software(Fluidsynth/QSynth, Pd, LADSPA, Jack-rack, JACK) it was
> composer's intention to generate a lush interactive texture whose
> frail balance engenders a consistent forward drive. In an
> ever-changing array of hierarchical probabilities no two instances are
> expected to ever be the same. The piece has been designed to be
> completely modular in terms of computer-driven sound diffusion and can
> utilize 2-8 channels.
>
> For its premiere the piece used 8-channel diffusion. However, the
> recordings below are provided in a stereo-downmix form.
>
> Hardware used in performance was eMachines m6807 laptop (64-bit AMD
> 3000+), RME HDSP Multiface, and a Peavey 1600x midi controller that I
> used to control some of the timbral nuances via Pd and Jack-Rack
> (LADSPA).
>
> The violin part was played by Ania Zielinska (Poland) who commissioned
> the work.
>
> -------------------
>
> There are 3 recordings available:
>
> 1) 128-bit (fixed rate) 48KHz OGG recording of the premiere:
>
> http://meowing.ccm.uc.edu/~ico/Symmetries_LAC_2005_premiere.ogg
> (5.8MB)
>
> 2) 128-bit 48KHz MP3 recording of the premiere:
>
> http://meowing.ccm.uc.edu/~ico/Symmetries_LAC_2005_premiere.mp3
> (6.0MB)
>
> 3) 64-bit 44KHz MP3 of the computer part:
>
> http://meowing.ccm.uc.edu/~ico/Symmetries.mp3 (2.8MB)
> Best wishes,
>
> Ivica Ico Bukvic, composer & multimedia sculptor
> http://meowing.ccm.uc.edu/~ico/
one reason i purchased this classic roland juno-106 is
the 13 beautifull sliders, witch i thought would be
usefull for controlling software synths and live jams.
However, they output sysEx and most linux audio apps
prefrer to work with controler data. I would like a
converter program that would recive my juno's sySex
and output controler data on whatever controler # and
midi channel i choose, in realtime.
is there something like this out there?
if need be i can write one that will run in tim
tompson's KeyKit. or maybe someone can give me a
pointer as to how to go about writing my own self
contained converter program?
thankful:
Brian
i use ableton live in my show. but now i want use linux.
waht software i have to install to use, looks like ableton live ? or
other good sample.
i edit some samples and play with a group.
thaks
Hi all,
I've released a new free soundfont out of a bunch of samples taken by
Paolo Ingraito, the italian guy who made the mellotron soundfonts. It's a
collection of kitchen noises and you'll find it here:
http://freepats.opensrc.org/sf2/
under the directory "kitchen".
There's also a midifile and a demo ogg. The midifile is done with muse
and its internal version of fluidsynth. The soundfont has been created
with swami (version 0.9.2).
There's only one problem, for which I ask you help and testing:
If loaded in fluidsynth, all sounds good (as in the ogg); but when used
with timidity, the sounds play back at one octave higher. Maybe it's me
(it is only my 2nd soundfont), or a possible bug in one of those
softwares (swami, fluidsynth, timidity)? When creating the sf2, all
sounded good because fluidsynth is the underlying engin of swami... but
why timidity plays at uncorrect pitch?
TIA
--
Emiliano Grilli
Linux user #209089
http://www.emillo.net
Hi.
Yesterday, I released zynaddsubfx 2.2.1:
News:
- made to work with mxml-2.2 (will NOT work on
older versions)
- it is possible to remove completely the
graphical user interface (e.g. it can r
un without X). For this you need to modify the
DISABLE_GUI option from the Makefile.inc
- added a commandline -L which load a
instrument (.xiz) - now it only loads to pa
rt 0 (you can use this option with -l to load a master
file and after this the option -L
to replace the part)
You can find it at the usual place:
http://zynaddsubfx.sourceforge.net
Paul
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