Hi Carlo!
>I'm wondering... I do have an urge to be able to support myself from
>music. Be it from earning money from it or be it from receiving free
>food, shelter, clothing and goodies in a soon-to-come free society.
Amen, Brother!
>So I'm wondering, the golden rule sayeth 'do onto others as you would
>have it done onto you', so it appears that music that is made to be
>traded for shelter and clothing ought to contain messages that let the
>receiver be able to produce more shelter and clothing.
>
>IE: Inspirational messages that actually improve people's internals,
>rather than just a spacy trip.
>
>Of course all knowledge that comes to us from inspirationland is
>inherently good and valuable, but perhaps it is a good idea to spread
>knowledge that is good RIGHT NOW. Hammy hammy. Listen and eat more.
>
>So I have come to believe that there is an inherent difference between
>'day job' music and 'full fledged musician' music, where the former art
>has mainly the function of recreation for the artist, while the latter
>has that function for the audience. (not black and white, just
>_primarily_, or _as a tendency. Both can have both functions, I am
>talking about the intention.
>
>How can we use this to lead happier, more fulfilled lives?
>
>Carlo
I like bringing in that perspective, as those are very important questions.
Being an occultist - I've got to go metaphysical on you to give my answers.
This is my alternative scenario to having to make a lot of money from
music:
Use music to change the world we live in - to change people's consciousness
- to *create* a world where money is no longer necessary.
That's a different approach to bringing about the same end - and assuredly,
the better one.
I believe that music coming from an inspired place can alter people's
consciousness - can move them, awaken them, trigger them, inspire them and
empower them.
And this doesn't have to be through explicit words in the form of lyrics -
it can be just in the intent - *where* the music is coming from - how it
makes people *feel*.
That is the incredible power of music - that it acts on a subconscious and
a superconscious level - it gets around the intellect and all the
judgements it holds that keep us stuck.
Music is a magical potency.
Music can free the mind.
And now that you all realize how way out there I am, I will take this even
a step further - because I think this is something of profound importance
to humanity and to the future:
I have no doubt whatsoever that the present order of things must collapse -
it is going to go down in flames, and sooner rather than later, I think.
Which leaves the question - what then?
What kind of life will be worth living in the aftermath - in the ruins of a
scorched and sterilized planet?
As an occultist, I am well aware of the incredible power of Sound - both to
destroy and to create - and to heal.
I believe through the intelligent use of sound and music, that even such a
ravaged earth can be healed - the radioactive fallout rendered harmless,
new life brought forth - and the hearts and minds of those left to rebuild
can be healed and expanded as well.
A musician - when truly inspired - is also a magician.
I've no doubt that is why the bards of old were so honored - and perhaps
will be again someday.
(Apologies for the lengthy reply - but some things just can't be answered
in 6 lines.)
To the future bards of the world!
- Maluvia
Just as an FYI to those of you who might be interested in this...
I have it on good authority that Mark Shuttleworth has been working
towards hosting a multimedia-oriented derivative of Ubuntu, set for
Dapper+1 release time.
I should know more on Monday, after his conference call.
My own speculation is that it will be called "Mubuntu" given this:
Domain name: MUBUNTU.COM
Administrative Contact:
Troup, James hostmaster(a)canonical.com
Dana
Freecycle 0.6alpha is out!!
Freecycle (http://freecycle.redsteamrecords.com) is a beat slicer running on
GNU/Linux platform using the QT toolkit, providing amplitude domain and
frequency domain beat matching / zero crossing algorithms.
It exports sliced audio chunks and generates a MIDI file which can be used to
play the sliced loop, or you can jam with it as soon as you’ve made slices
using a midi keyboard or sequencer.
Freecycle also exports AKAI S5000/S6000/Z4/Z8 .AKP files to be used with your
favorite sampler, SoundFont files, and supports slice drag and drop to/from
or inside Freecycle.
It can process the audio inline using LADSPA effects, as well as apply
envelopes to separate slices.
This new release replaces the PortAudio and PortMidi support with Alsa and
alsaseq. PortAudio and PortMidi are still supported on systems without alsa.
As a minor feature, Freecycle now provides the "Bark scale" for spectrogram
plotting, which enhances the visibility of the audio wave in the frequency
domain. Some bugfixes and minor optimisation as always..
http://download.savannah.gnu.org/releases/freecycle/freecycle-0.6alpha.tar.…
Cheers,
Predrag Viceic
Hmmmm . . . . . . . . . . . .
Lots of interesting ideas and an abundance of enthusiasm!
Random First Thoughts:
I've got to be honest - the 'Free Music' label makes me cringe.
Two reasons - one personal, the other practical.
Personal level:
I *really, really* want my husband to be able to quit his stupid day-job
flipping omelets and make music full, or nearly full-time.
(If you're going to try to make a living at that, you've also got to spend
a lot of time doing "self-sufficiency"-type things to provide for yourself
what you can't afford to buy.)
That 'Free Music' term just tells me we'll never be able to accomplish this
- he can distribute an abundance of beautiful music to the world, freely -
but forget ever getting anything back for it.
That's just how it *feels* to me, and that is *really* depressing.
Practical level:
I have gotten from your posts Carlo, that you also want to encourage a
culture of tipping/donation to go along with this movement.
If you're going to address this from a psychological/subliminal/marketing
standpoint - as you have been doing admirably - you must admit that using
the term 'Free' so relentlessly in your marketing strategy psychologically
works against the donation part of it.
I mean, from the user's standpoint, it creates a cognitive dissonance of:
"Well is it free or isn't it?"
"They say it's so great and wonderful because it's free, but I'm morally
obligated to pay for it too?"
"Which is it?"
Confusing your end-user/consumer is not good marketing strategy.
I think most people will simply take you at your word that it is 'Free' and
run with it - not feeling in the least obliged to donate - and possibly
resent that whole aspect of it.
(I know that to Stallman disciples the 'free' word is mandatory, but this
is entertainment we're talking about here, and besides - as I keep saying,
to make sense to me, the 'free' has to extend to *everything* or it just
doesn't work.)
I agree with Cesare that we could come up with a better term - I don't know
- Open Music? Global Music? People's Music? Creative Commons Music? Direct
Music?
Shoot - I'm just not feeling very inspired today, but you know what I mean:
a term that holds all the positive connotations of being freely accessible
(at least to those with internet access), disconnected from the industry,
made with wonderful open-source tools, freedom-of-*choice* about what they
can listen to, the rich diversity and abundance of this global music, being
part of a whole new global village where we support and empower one another
outside the strictures of corporatocracy, etc.
BTW, if we do come up with a good strategy to get people to donate/tip for
the music, then we definitely need to share the wealth:
All music made with open-source tools should have nice, big attractive
sidebar buttons to take people to the project sites' donation page to
encourage donations for the software tools that make this all possible.
Or better still - how about taking a page from many commercial artists that
say "10% of the proceeds go to benefit . . . . ('Save the whales', 'Save
the rainforest', 'Campaign for Peace', 'Earthquake Relief' , etc.)
We could say that "_% of the proceeds of all donations go to the OSS
community" as support for the open-source tools that make this music
possible.
(I actually had the whacked-out idea at one point that we should pay Paul
some kind of 'royalty' from our CD sales - but given the likely number of
such sales, I quickly realized that would be an insult. :) )
Also wanted to mention one other aspect to this that we are going to try:
Don't limit it just to downloadable music - make the CD/DVD-Audio an option
as well - perhaps link it to the donation feature such as:
"You can download these tracks for free - play them on your
computer/portable player, share them with others, but if you would like to
listen to this music in the best resolution and have a permanent copy of it
you can buy it on CD for _$"
Or alternatively - "$15 donation gets you the full CD with lots of bonus
features, $20 gets you a DVD-Audio or DVD-Video with performance videos,
multi-channel, pics, interviews, etc."
Or for those who don't want to mess with CD production, it could be some
other 'value-added' content:
posters, T-shirts, mugs, bumper-stickers, calendars - lots of
possibilities.
Just something to give an incentive to donate.
Gotta go drink some tea and do some yoga to get my brain more in gear. ;)
Later,
Maluvia
´ve been using linux and learning about its
possibilities as a DAW. I intend using it as my
plataform for live performances and migrate to it for
composing too, and it is more and more certain that I
will, but, for that, it is important to compare it a
little with other plataforms... and.. i´m freaking
out, man!!!! too much stuff!! please help!! Distro
running, apps running, tests going, thats not the
prob, just need some comparinsons (i am sorry to send
some silly quests, i promess myself that i´ll build a
basic guide for musician linux newbies):
-what is ardour oposed to cubase? can it do everything
as well?
-what is snd oposed to sound forge(please v8)? can it
do everything as well? more?
-I´ve heard about linux/jack/alsa not working well
above 48KHz. Seems waaky to me, but..? and 24 bit?
-Linux and Vst do well?
-Can I get some midi out of ardour, process it in PD
and send it to a softsynth through jack connections in
real time?
-Can I get 4 audio input channels, process in PD, send
just one or two to process with LADSPA plugs and send
them out?
-What are the favorite softsynths? I just ran
addsubsyn, very good. Any other good ones?
thanx, alot
ref
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it is decidedly old school now but I have an emagic emi 2|6 and it works well. The kernel in debian testing supports it on bootup and jack does as well. Jack does not support it in Debian stable, which you can read about on this lists's archives by searching for my name.
-lee
-----Original Message-----
From: ico <ico(a)vt.edu>
Subj: [linux-audio-user] What is currently the best USB audio interfacefor Linux?
Date: Mon Mar 20, 2006 20:06
Size: 527 bytes
To: linux-audio-dev@music.columbia.edu,linux-audio-user@music.columbia.edu
Hi all,
I am in the process of considering a portable USB audio interface. Having
checked the alsa matrix, I am a bit at a loss what may be the best option.
Things I am looking for are as follows (they are listed in no particular
order):
1) USB interface
2) Preferrably USB 2.0 capable
3) Audio and MIDI capability
4) High fidelity (higher the better)
5) More inputs/outputs, the better
6) Preferrably has some preamp inputs
7) Obviously must be supported in Linux/Alsa
8) Price not an issue
Any ideas?
Best wishes,
Ico
Hello, I am new to this list. Please excuse my post if it is not on topic.
I am trying to do the following:
create a test disk that has tracks 30 sec in length
each track will be a specific hz frequency
25 hz
30 hz
35 hz
40 hz
and so on....
Once I figure out what the lowest frequency my car system can reproduce
cleanly, I would like to try and filter out everything below that frequency.
So lets say my sub hadles 30 hz and above.
I would like to "process" my music to remove everything below 30 hz.
I was playing with rezound and the TAP plug-ins but I was not able to get a
clean break at a given frequency.
any help is apprecitaed.
thank you for your time and have a good day.
--
View this message in context: http://www.nabble.com/rezound%2C-test-disk-and-subsonic-filter-t1308910.htm…
Sent from the linux-audio-user forum at Nabble.com.
Hi,
what is the current place to subscribe to LAU? I know there has been a
transition to the servers of Paul Davis (thanks a bunch), but what's
the status of redesigning and relaunching the http service?
Best regards
ce