Hi all, sorry if I'm wearing out people's eyes with so much rme
troubleshooting... but I'm not quite ready to give up on my $1,300
investment (although close, seeing as how I've only been able to fix about
10% of my problems with the card).
So my second output is sometimes just spitting out digital noise. It didn't
(for the first time in since it happened) earlier today, but since then I
have rebooted and it is back. I have tried the card under windows and I
don't have any problems there. Output channels 1 and 3 are fine, most
likely the rest are too.
Any ideas?
regards,
rich
Hello. What would be a good standalone music making box?
A box which would be useful for a child, for her first 16 years.
Features:
-Linux connection (midi, sample uploads)
-One shot samples (for sound effects)
-Music instruments (sampled or synth)
-Music making (patterns whatever)
I know there are some kind of groove boxes but don't know details.
Juhana
--
http://music.columbia.edu/mailman/listinfo/linux-graphics-dev
for developers of open source graphics software
Tried to make a patched 2.6.20.1 using make-kpkg. Cannot find patch for
patch-2.6.20-rt8. How do I do this (since this is not a debian-installed
patch package)?
Hello,
I am trying to get Rotter to work on Ubuntu 6.10. I compiled the code
and everything but when I try to run it, I get these funky errors:
mlyon@kkup-audio:/usr/local/bin$ sudo rotter -a -f mp3 -d 1000 -b 160 -v /var
[DEBUG] Mon Mar 12 15:04:47 2007 Root directory: /var
jackstart: cannot get realtime capabilities, current capabilities are:
=ep cap_setpcap-ep
probably running under a kernel with capabilities disabled,
a suitable kernel would have printed something like "=eip"
back from read, ret = 1 errno == Success
jackstart: could not give capabilities: Operation not permitted
jackd 0.101.1
Copyright 2001-2005 Paul Davis and others.
jackd comes with ABSOLUTELY NO WARRANTY
This is free software, and you are welcome to redistribute it
under certain conditions; see the file COPYING for details
JACK compiled with System V SHM support.
loading driver ..
creating alsa driver ... hw:0|hw:0|512|2|48000|0|0|nomon|swmeter|-|32bit
control device hw:0
configuring for 48000Hz, period = 512 frames, buffer = 2 periods
nperiods = 2 for capture
nperiods = 2 for playback
[INFO] Mon Mar 12 15:04:48 2007 JACK client registered as 'rotter'.
[DEBUG] Mon Mar 12 15:04:48 2007 Size of the ring buffers is 2.00
seconds (384000 bytes).
[ERROR] Mon Mar 12 15:04:48 2007 LAME (MP3 codec) support was not
available at compile time.
[DEBUG] Mon Mar 12 15:04:48 2007 Failed to initialise encoder.
mlyon@kkup-audio:/usr/local/bin$
I have lame installed:
mlyon@kkup-audio:/usr/local/bin$ whereis lame
lame: /usr/bin/lame /usr/X11R6/bin/lame /usr/bin/X11/lame
/usr/share/man/man1/lame.1.gz
mlyon@kkup-audio:/usr/local/bin$
and I have Jackd installed:
mlyon@kkup-audio:/usr/local/bin$ whereis jackd
jackd: /usr/bin/jackd /usr/X11R6/bin/jackd /usr/bin/X11/jackd
/usr/share/man/man1/jackd.1.gz
mlyon@kkup-audio:/usr/local/bin$
It appears as if i will have to recompile it, which is fine. But, I
did have LAME installed on the machine prior to the time I compiled
rotter.
Any help would be appreciated.
Thank You,
Mike Lyon
KKUP Public Radio
Cupertino, Ca
----- Forwarded message from Elizabeth Stark <estark(a)law.harvard.edu> -----
Date: Fri, 2 Mar 2007 12:10:32 -0500
From: Elizabeth Stark <estark(a)law.harvard.edu>
To: cc-community(a)lists.ibiblio.org, icommons(a)lists.ibiblio.org
PRESS RELEASE -- FOR IMMEDIATE RELEASE
Contact: freemusic(a)freeculture.org
Elizabeth Stark, Freeculture.org
Tim Hwang, Antenna Alliance
FreeCulture.org Launches the Free Music Project
New website will let Internet users upload and share freely licensed
music from all countries and genres
Cambridge, Massachusetts, March 2, 2007 -- Freeculture.org announces
the launch of a new website, http://freemusic.freeculture.org, dedicated
to sharing great free music, encouraging artists to release music under
free licenses, and providing access to recording and production time to
artists releasing works under a free license. Users can upload music
from their own computers or link to music on another website
distributing freely licensed music. Songs uploaded can be streamed,
downloaded and remixed into new creative works.
The Free Music Project will collect and record free music for children.
Selected songs uploaded to the site will be included in the first music
library shipping with laptops from One Laptop per Child (OLPC), a
non-profit organization devoted to improving education that is producing
low-cost, high-quality computers to distribute to children and teachers
in the developing world.
"This is a groundbreaking opportunity to locate the best free music out
there and share it with millions of people of all ages around the
world," said Elizabeth Stark, board member of Freeculture.org and
founder of the Free Culture group at Harvard. "Freely licensing
recordings allows artists to gain extremely valuable global exposure
through projects such as OLPC."
Freeculture.org will also work with creators and musicians to record and
license songs for the project, in collaboration with the music recording
project Antenna Alliance. The Free Music Project site will provide
access to uploaded music, and includes community-oriented functionality
such as tagging, forums, and ratings. "This project not only marks a
milestone in the position of free music worldwide, but also opens a vast
universe of possibilities for the development of an international
community of artists and producers committed to free culture," said Tim
Hwang, President of Antenna Alliance.
For more information:
FreeCulture.org is an international organization that promotes the
creation of a thriving cultural commons, in part by encouraging the use
of free licenses by artists and creators. (http://www.freeculture.org)
Antenna Alliance is a Boston-based recording label that records,
promotes, and distributes freely licensed music online and across a
nationwide network of radio stations. (http://www.antalliance.org)
One Laptop per Child (OLPC) is a non-profit organization created by
Nicholas Negroponte and other faculty members from the MIT Media Lab to
design, manufacture, and distribute laptop computers that are
sufficiently inexpensive to provide every child in the world with access
to knowledge and tools for learning and exploration.
(http://www.laptop.org)
_______________________________________________
cc-community mailing list
cc-community(a)lists.ibiblio.org
http://lists.ibiblio.org/mailman/listinfo/cc-community
----- End forwarded message -----
--
Thorsten Wilms
Thorwil's Creature Illustrations:
http://www.printfection.com/thorwil
once more, sorry about forgetting the subject:
Dmitry Baikov wrote:
>
>
>> 2. How it is better to get to Koeln and back (if it is train, how and
>> where to buy tickets) and in which weekday
hello Dmitry
looking for a bus for berlin/cologne did not give me any result.
There is a bus once daily to Duesseldorf near cologne (http://www.berlinlinienbus.de/) ((no English version yet, its germany2007!!^_°)) 74 eu for a return ticket. A pdf timetable is here: http://www.berlinlinienbus.de/pdfs/dus.pdf
payment with credit card, you should book several days (at least five) in advance as seats sometimes become rare.
>From Duesseldorf to Köln there are regional trains ("S-Bahn" or "Regionalexpress") for 9.30 eu (Preisstufe 5ü) one way, about one hour. url: http://www.vrsinfo.de/eng/index.php - by tickets at the station.
BUT: at least a 10 h trip, i cannot recommend it.
http://www.mitfahrgelegenheit.de (pre-arranged lifts in private cars) is used a lot and usually works well.
people charge ~25-30 eur for the trip. Unfortunately everything there is german, you get email and/ore phone number for making an arrangement. I offer help in searching/translating/making phone calls to german numbers.
do svedanja,
david
--
Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer
kernel/time/clocksource.c requires an #include <linux/tick.h> to compile and
LD timer built-in correctly. This is apparently new to the .3 version.
So .. does the rt8 patch touch this file (deleting/omitting this #include)??
If so, then it should be fixed.
If not, a bug should be filed against the kernel source.
Hi all,
I use my midi keybord to play soundfonts on qsynth (via jack).
The problem is that a lot of soundfonts sound bad. I hear some
ssshhhhh noise when I play a note. On some soundfonts this problem
appears with a simple key press (this might be a bad soundfonts), but
on others, it appears only when I hit the key with more power, or if
I play multiple notes at the same time (then there is sound
saturation)
Also, I have jack Xruns (more and more when using at the same time
freewheeling, mutiple qsynth, hydrogen..)
In general, the sound quality is bad (even when not using qsynth but
zynadd, ...). All of my records are bad.
My PC :
- 1GB ram
- 2.6 Ghz
Sound card :
well..an old soundblaster 128 (could this be the problem?)
My jack configuration is :
- real time
- no memory lock
- soft mode
- force 16bit
- priority : 50
- frames/perdio : 512
- sample rate : 48000
- periods/buffer : 2
- port maximum : 128
- timeout : 2000
it shows as result latency : 21.3 msec
qsynth config :
- sample rate : 48000
- buffer size : 512
- buffer count : 2
- polyphony : 256
- sample format : 16bits
How can I improve sound quality ? (ps : mic & capture are turned off)
thanks a lot !
>> Are you aware of the Shannon Nyquist Sampling Theorem:
>> >
>> > http://en.wikipedia.org/wiki/Nyquist-Shannon_Sampling_Theorem
>> >
>> > Its corollary is that if you downsample and then upsample, the data
>> > destroyed during the downsampling can *never* be recreated.
>> >
>
>All right hi-fi is probably the wrong word for the end result but better
>sounding is the aim and allowing experimentation by hard drive audio users
>without spending silly money on cables, DAC flavours of the month etc.
Erik and Bill -- actually, there is some reason to consider upsampling,
but only before further processing (usually filtering) is done. The
argument has to do with shifting noise artifacts generated during
processing out of the audible band. Andy Moorer wrote a paper on it
about 10 years ago; don't have the citation handy, but Google his
collected papers, or look at the AES (www.aes.org) publications (not
free ). :(
That said, it's probably one of those (many) things that don't really
mean much unless you're in a carefully controlled listening environment,
etc. And it'll be lipstick on a pig if you have other problems in the
recording.
Upsampling does not require a "convoluted" algorithm, either -- unless
you're talking about polynomial interpolation of higher order or
something, Bill. Probably not worth the clock cycles.
Cheers,
Phil M
--
"To misattribute a quote is unforgivable." -- Anonymous
Hi I've a friend who's planning to record lessons for the language
courses they teach but doesn't know a great deal about computers and
seemingly only has access to very old hardware. I was wondering if
anyone else has experience in using linux audio on win-98/me era
machines, and could point me at a distro or any packages that would be
useful for a (very) low-end recording solution for the beginner.
Recommending new hardware isn't completely out of the question (I think
an external HDD and a CD writer is a bare minimum, and we'll be buying
a mic of course), but I'd rather get them up & running with as little
extra expense as possible.
I've been using Agnula & now 64studio for the last few years but I
mostly work in Csound/Blue and SC, so I have slightly skewed view of the
linux audio world :-/
Thanks all.