I'm frustrated trying to send the audio output from Gnome Wave Cleaner
to my HDSP. I've tried specifying:
plughw:1,0
plughw 1,0
hdsp_analog (as defined in my ~/.asoundrc)
But none of this works. What am I missing? All suggestions gratefully
appreciated.
Janina
--
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Partner, Capital Accessibility LLC http://CapitalAccessibility.Com
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Hello,
Is there any repository of audio applications precompiled for Fedora Core
7? I need Rosegarden, Audacity, Rezound, CSound, Cecilia, ..
Thanks,
vedran
On Saturday, 8 September 2007 18:00, Ken Restivo wrote:
> On Fri, Sep 07, 2007 at 11:29:29PM -0400, Paul Coccoli wrote:
> > Does anyone know how to convert a MIDI file from format 0 to 1?
> > KeyKit produces the former, seq24 can apparently read the latter. I
> > want to get sequences I generate in KeyKit into seq24.
> >
> > A command line tool would be best, but any suggestions are welcome.
>
> Kind of tangential to your question, but I posess lots of MIDI format 1
> files that seq24 *cannot* or will not open or import.
>
> This includes files created with arecordmidi.
>
> Steps to duplicate the problem:
>
> 1) record some MIDI from a keyboard using arecordmidi
> 2) verify that you now have a type 1 MIDI file (I use the "file"
> command) 3) open up seq24
> 4) try to get that file in there. It won't, at least on my machine.
It would be interesting to know the command line options used with
arecordmidi. It creates SMF format 0 by default. If you add the -s,
(--split-channels) option to the command line, it creates SMF format 1.
Regards,
Pedro
Does anyone know how to convert a MIDI file from format 0 to 1?
KeyKit produces the former, seq24 can apparently read the latter. I
want to get sequences I generate in KeyKit into seq24.
A command line tool would be best, but any suggestions are welcome.
Greetings,
I'm teaching loop-based composition to some of my students, so I whipped
up this funny example for them :
http://linux-sound.org/audio/funcularity.ogg
The drum loops are from a Beta Monkey collection, the bass parts are
from Tony Sferlazza's page, and everything else is from Freesounds.
Ardour2 did the heavy lifting, with assistance from ReZound and Rosegarden.
Btw, Rosegarden's tools for loops are beautiful, especially the Set
Tempo To Audio Segment and of course the Stretch/Squash tool. Very
powerful combo, my compliments to the chefs.
As always, vast thanks to the great developers who have given us these
fabulous programs.
Best,
dp
Hi everyone,
I'm new to linux and audio linux, and I'm a first time poster to this
mailing list. I'm trying to hook up the Behringer UMX61 MIDI controller
to my laptop running Ubuntu 7.04, but I am clueless about what to do
after connecting the USB cable. I believe Ubuntu is not recognizing the
device. I tried lsusb and it doesn't show up in the devices. I search
the web in vain.
Any clues?
Cheers,
Lobo
**
Hi everyone!
I'm just compiling a list of audio console/commandline apps. You'll find it
below. Thing I'm asking is: Is there anything major missing? Thanks in advance
for taking a look.
Audio/video players:
aplay, alsaplayer, ecaplay, mplayer, sndfile-play, sox, mikmod, xmp (extended
mod player)
Midi tools: midish, timidity, mondrian
Audio recording/processing/mixing: ecasound, applyplugin, csound,
DSSI-plugins (some)
Synths: fluidsynth, csound, linuxsampler, ZynAddSubFX (basically), Common
Lisp Music,
Other multimedia apps: youtube-dl, clive (again flashvideo-extraction),
theora-encoder, mencoder
I know, that I missed some of the bigger synth-programming languages. But
besides that, did I miss anything vital here?
Kindest regards
Julien
--------
Music was my first love and it will be my last (John Miles)
======== FIND MY WEB-PROJECT AT: ========
http://ltsb.sourceforge.net
the Linux TextBased Studio guide
======= AND MY PERSONAL PAGES AT: =======
http://www.juliencoder.de
On Tue, 11 Sep 2007, Dragan Noveski wrote:
> Kjetil Svalastog Matheussen wrote:
>> Mammut 0.60
>> ===========
>> Mammut will FFT your sound in one single gigantic analysis (no windows).
>> These spectral data, where the development in time is incorporated in
>> mysterious ways, may then be transformed by different algorithms prior to
>> resynthesis. An interesting aspect of Mammut is its completely
>> non-intuitive sound transformation approach.
>>
>> *Homepage:
>> http://www.notam02.no/arkiv/doc/mammut/
>>
>> *Screenshot:
>> http://www.notam02.no/arkiv/doc/mammut/mammut.png
>>
>> Changes 0.59 -> 0.60
>> -Updated source to work with Juce 1.44. (later or earlier versions of
>> juce might not work with this version of mammut)
>> -Fixed a couple of ugly bugs in the progress bar code.
>> -Set moving camera to be off by default. Moving camera seems to stall
>> mammut when using newer juce's. :-(
>>
>>
>>
> hi kjetil,
> apologize for not reflecting about the newer versions for that long.
>
> the problem is, i am not able to build mammut0.60 here.
>
> first i downloaded the juce0.44 and unzipped it in the same dir where i
> unpacked the mammut sources. than i went to juce/build/linux and typed
> 'make'.
Almost, you have to write "make CONFIG=Release".
> when finished, i entered mammut/src and typed ./Makefile.linux.
Almost here too. You have to write "make -f Makefile.linux".
Sorry about this. It should have been mentioned in the INSTALL file.
I know this is a subjective topic, but I've done a bit of reading on the
web and searching in the archives, and it's not easy to get anything
concrete. I understand that recording at high sampling frequencies such
as 96kHz may be beneficial, especially with regard to digital filtering
artifacts, but for someone like me it's definitely overkill. I also
understand that recording with 24 bit samples has definite merit and
should probably be done irrespective of the sample rate.
The question I have is whether I should be recording 24 bit audio at
44.1 kHz or at 48 kHz if the end result will be Compact Disk audio. It
seems that some pro-audio equipment tends to prefer 48 kHz, and many
people do their recording at 48 kHz. The heart of the question is this:
Will the slight slight increase in quality of recording and mixing at 48
kHz outweigh the slight reduction in quality from re-sampling 48 kHz to
44.1 kHz?
How about if the project was also using loops recorded at 44.1 kHz? If
the Ardour project is at 48 kHz, the loops would need to be up-sampled,
and then the whole thing down-sampled again to 44.1 on export. Would
that up-down sampling offset any benefit of using 48 kHz in the first place?
vic
Mammut 0.60
===========
Mammut will FFT your sound in one single gigantic analysis (no windows).
These spectral data, where the development in time is incorporated in
mysterious ways, may then be transformed by different algorithms prior to
resynthesis. An interesting aspect of Mammut is its completely
non-intuitive sound transformation approach.
*Homepage:
http://www.notam02.no/arkiv/doc/mammut/
*Screenshot:
http://www.notam02.no/arkiv/doc/mammut/mammut.png
Changes 0.59 -> 0.60
-Updated source to work with Juce 1.44. (later or earlier versions of
juce might not work with this version of mammut)
-Fixed a couple of ugly bugs in the progress bar code.
-Set moving camera to be off by default. Moving camera seems to stall
mammut when using newer juce's. :-(
Snd-ls v0.9.8.1_beta
====================
Snd-ls is a distribution of Bill Schottstaedt's sound editor SND.
Its target is people that don't know scheme very well, and don't want
to spend too much time configuring Snd. It can also serve
as a quick introduction to Snd and how it can be set up.
(Its named beta, because it hasn't been tested that much. But I think it
should work very well. However, a new non-beta version is going to be
released quite soon with some additional fixes.)
Changes 0.9.7.12 -> 0.9.8.1_beta
-Fixed bug that caused snd to fail starting if no previously used
soundfile was opened during startup.
-Updated Snd from 8.4/12.9.2006 to 9.3/30.7.2007. Many important fixes.
-Another attempt at fixing the rt_readin_tag startup bug.
Download from http://www.notam02.no/arkiv/src/snd/