Hi list,
I was trying to create a udev rule to start a zita-a2j ALSA to Jack
bridge automatically if i plug in a specific USB device.
Has anyone succeeded doing something like this?
One issue is that the user is wrong, udev rules are not launched by the
user account.
m.
Greetings LAU,
It's that point in space and time again: as our world pivots forward into the twenties of this century, *Acid December* is around the corner
How many days will December last this year? In 2018, the new year was delayed with a record of 5 days, taking place on December 36th!! Can we beat it, and break the record?
Your copyleft licensed contribution has the answer!
Please send us many mails! But
*one text, one link and one picture per email*
To:
acid(a)datapop.se
Looking forward to hear you all during December!
--
Set Sakrecoer
Hi All!
So some time has passed since this topic last came up, there is some new
firmware for the Motu 1248.
I'm still using version 1.2.8+1178, as this is the last version that didn't
break my setup (xruns, channel shifting etc).
Did anyone try the recent firmware update?
How did it go?
Cheers
Moshe
I have a Zoom H1n recorder with a built-in USB audio interface. I'm
trying to hear the input from its microphone in real time on my
computer, while hearing output from an audio player (audacious) at the
same time.
My OS is Fedora ThirtyOne, running on a ThinkPad.
I've managed to do this with JACK and Audacity using the software pass-
through setting, but there is a noticeable audio delay from the Zoom.
In Ardour, I can't seem to connect an audio track to the Zoom.
Any suggestions to accomplish this?
Hi.
For years, I used an RME HammerFall under Linux. I love this card, but
I finally goota say goodbye to PCI. What USB/ThunderBolt multichannel
card with mixing/routing capabilities would you recommend? I have been
out of the loop regarding semipro soundcard for many years now, so I
would be happy about some tips that get me started on choosing a device.
I mostly need analog channels. Ideally with a lot of headroom, since I
might be feeding it with quite hot signals (eurorack).
I have heard there are also mixers these days that work as a
multichannel soundcards. Maybe that might be interesting.
However, I will only be using it with linux, so I am really looking for
something that is known to work nicely.
Will be using it with JACK and SuperCollider.
--
CYa,
⡍⠁⠗⠊⠕
Hey hey,
after a long time I have just gone back to the LS SFZ documentation and found
it to be quite powerful and feature rich. But there are two questions I
haven't been able to solve yet:
1. Does the osccilator keyword really work and if so in which section (global,
group, region,...)? I get asn error message using it with LinuxSampler 2.1.1
(the ArchLinux package).
2. The waveguide keyword: how are other audio sources sent to it? By
lokey-hikey definitions or does a group have to have two regions with a sample
as source and a sample as waveguide?
As a question of secondary importance: in conjunction with the wavetable
oscillator is the oscillator_table_size honoured? I tried it with the
Adventure Kid WaveForms (AKWF www.adventurekid.se) and set it to 600 (600
samples per wave cycle), but still had to tune the resulting sample
accordingly by two semitones and a few cents.
Best wishes and many thanks,
Jeanette
--
* Website: http://juliencoder.de - for summer is a state of sound
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* SoundCloud: https://soundcloud.com/jeanette_c
* Twitter: https://twitter.com/jeanette_c_s
* Audiobombs: https://www.audiobombs.com/users/jeanette_c
* GitHub: https://github.com/jeanette-c
And I love the way with just one whisper
You tell me everything <3
(Britney Spears)
Dear List,
I will be giving a talk and demo on
"Dynamic 3D Audio Scenes with ASDF + SSR"
at the Audio Communication Group at TU Berlin:
November 19th, 16:15
Einsteinufer 17c (Raum EN 324)
https://www.ak.tu-berlin.de/menue/fachgebiet_audiokommunikation/adresse_und…
See you there!
Matthias
---
Abstract:
Presentation of an open-source software for real-time spatial audio
reproduction called SoundScape Renderer (SSR). Review of available
reproduction methods, focussing on binaural rendering and Wave Field
Synthesis (WFS). Discussion of ongoing work, e.g. extension to 3D (only
binaural renderer for now) and a browser-based 3D GUI.
Presentation of the Audio Scene Description Format (ASDF), a format for
dynamic audio scenes which is currently under development. It allows for
moving sources along pre-defined 3D trajectories. Open questions and
future work will be discussed.
Time permitting, there will be a demonstration of the SSR running on a
loudspeaker array in one of the studios @ FG Audiokommunikation.
https://github.com/mgeier/fk2019
