The TU Studio will be hosting a workshop,
free of charge and open to everyone interested:
Unorthodox Sound Synthesis
Daniel Mayer (IEM Graz)
Topic of the seminar will be selected procedures that don’t fall into
the area of classical sound synthesis resp. transformation as well as
unorthodox combinations and applications of classical techniques. In
that context participants will be encouraged to develop and implement
own ideas.
Possible topics (depending on knowledge and interest):
buffer modulation, single sample feedback, wavefolding, synthesis
with
ordinary differential equations, functional iteration synthesis,
variants of granular synthesis.
Requirements: Basic knowledge of sound synthesis.
The seminar refers to some of the lecturer's implementations in
SuperCollider, therefore basic knowledge of SuperCollider is desirable
but not absolutely necessary.
The workshop includes three sessions -
please bring your laptop (with SuperCollider installed):
Tuesday, 11.02.
Wednesday, 12.02.
Thursday, 13.02.
18:00-21:00
TU Studio
Einsteinufer 17c, Room EN-324
Links:
https://daniel-mayer.athttps://github.com/dkmayer/miSCellaneous_lib
For further questions, please contact Daniel Mayer:
mayer(a)iem.at
Students can get 3 credit points for the module
"Musikinformatik+Medienkunst"
in combination with a project related to the seminar.
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Henrik von Coler
Elektronisches Studio, Fachgebiet Audiokommunikation
Technische Universität Berlin
Fakultät I Geistes- und Bildungswissenschaften
Institut für Sprache und Kommunikation
Einsteinufer 17c, Sekr. EN 8, 10587 Berlin
Telefon: +49 (0)30 314 22327
voncoler(a)tu-berlin.de
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I'd like to share with all my fellow linux audio peers, "Music Ain't For
Airports."
https://youtu.be/B7svbZ9i73Q
It's a piece I composed for solo violin plus live electroacoustic
software (SuperCollider). All the sounds are made in real-time and there
are no edits, mixing, or post-production after the fact. The video, too,
was created by configuring my software to output FFmpeg
`-filter_complex` strings that would be applied to the live camera feed.
Now I've just gotta figure out how to get these effects to work well for
a live concert... :)
Hope you all enjoy it! My thanks to the LAU list for serving up such an
unending stream of information, inspiration, and ideas.
-Andrew
Dear Linux audio people,
I have a Scarlett 18i20 3rd Gen interface which I'm trying to use on a
recent Samsung laptop with Ubuntu 19.04.
The 3rd gen devices are apparently shipped in non-functional "MSD" mode,
so I registered and activated the device using Windows 10 following the
instructions on the Focusrite website. Tested it there with Ableton Live
Lite (provided via registration of the device) and also Ardour. It works
fine. To get it to work on Ardour it was necessary to use the ASIO
driver in the Ardour audio configuration. I had removed ASIO4ALL before
installing the Focusrite/Scarlett software as suggested, so perhaps this
driver came with Focusrite install.
Now with the device apparently configured and the routing done in
Windows using the Focusrite Control software (i thinks that's the name,
I had selected output channels 1 and 2 to connect with the
monitors/headphone jack), I returned to Linux. The Scarlett device is
detected by lsusb, qjackctl and pavucontrol. Jack runs with no errors
when the Scarlett is selected as the i/o device and all the correct
channels appear in the Connect window. No sound however is heard through
the phone jack, nor if i plug the phones directly in to the output jacks
at the back. I tested using VLC configured for Jack output and also with
pd -jack.
With jack turned off and with VLC audio out set to pulsaudio, I set the
Scarlett 18i20 as the preferred device in pavucontrol. With VLC playing
the output VU meter for the Scarlett is active in pavucontrol but there
is still no sound coming out of the device itself.
Has anyone managed to get a 3rd generation Scarlett to work on Linux?
Can anyone suggest please what I can do?
Thanks!
Iain
PS. i did see an unresolved thread on this list last year about a 3rd
gen Scarlett. I'll send a message to the author to see if the problem
was fixed.
Hi list,
does anyone have experience using the Motu M64
https://motu.com/products/avb/m64/specs.html
as class compliant interface under linux and can confirm that all 64
channels are working in duplex mode?
The list archive didn't give a positive result.
Thanks, P
The 18th Linux Audio Conference call for participation is being extended
for papers, posters and workshops, to the 9th of February 2020.
Reminder :
The conference will take place May 11-13, 2020, at the SCRIME, part of
the University of Bordeaux in France.
Up-to-date information is available at the following address :
https://lac2020.sciencesconf.org/
Linux Audio Conference is the premier meeting of developers,
researchers, and artists developing and using free, libre and
open-source audio software,
mainly on the GNU/Linux operating system.
The conference is part of the Linux Audio consortium.
With our best regards,
The Linux Audio Conference Team
Audio Mostly 2020 (AM'20) calls for Papers, Demos, Workshops, and Music
& Installations on the topic of audio mostly in extended realities.
Audio Mostly is an audio-focused interdisciplinary conference on design,
technology, and interaction with sound that embraces applied theory and
practice-oriented research. As in previous years, the conference will be
in-cooperation with ACM/SIGCHI (tbc).
The Institute of Electronic Music and Acoustics (IEM, https://iem.at/)
is hosting AM'20 in Graz/ Austria: we are looking forward to an
interdisciplinary event extending mostly -but not exclusively- the audio
reality!
Details can be found below and on https://audiomostly.com/2020/call/
The Conference Chairs
Katharina Groß-Vogt and Robert Höldrich
am20(a)iem.at
# Virtual Participation
AM'20 offers virtual participation for oral paper presentations.
Accepted papers may be presented and discussed via video live stream and
are part of the proceedings. Passive virtual participation will be
possible for a small fee and includes a live stream of all paper
sessions and concerts and other virtual meeting formats.
# Call for Papers
Please submit your research as full papers (5-8 pages) or short papers
(4 pages). Both will be fully peer-reviewed in a double blind process.
Accepted papers will be published in the ACM Digital Library (tbc).
# Call for Demos
We encourage authors to contribute demonstrations to be displayed at the
conference. Demos require a paper submission.
# Call for Workshops
We invite proposals for workshops to be held at AM'20. Selected
workshops will take place the day before the main conference (September
14th). We encourage hands-on/interactive workshops and regular workshops
that last from 2 hours to a full day. Workshops are proposed in the form
of a submitted paper.
# Call for Music & Installations
We call for Music for auditory virtual environments and sound art to be
performed in a concert hall and as sound installations around the
conference site.
# Important Dates
Submission Deadline: May 01, 2020
Notification of Acceptance: June 15, 2020
Workshops: September 14, 2020
Conference: September 15-17, 2020
Registration opens in June, with fees in the range of 30 EUR (virtual)
to 150-400 EUR (physical).