Dear all,
It is our pleasure to announce the 17th Linux Audio Conference (LAC-19). We
look forward to see you at Stanford this Spring (see details below)!
Cheers,
[Apologies for cross posting, please circulate widely.]
*17th Linux Audio Conference - CCRMA, Stanford University (USA), March
23-26, 2019*
After seven years outside of the United States, Linux Audio Conference (LAC)
<https://lac.linuxaudio.org> is coming back to Stanford University
<http://stanford.edu> on March 23-26, 2019 for its 17th edition! LAC is the
international conference about Free/Open-Source Software for music, sound,
and other media with GNU/Linux as the main platform.
More information about this event can be found on the conference website:
https://lac.linuxaudio.org/2019/
*Call for Papers / Posters / Workshops*
LAC 2019 invites submissions of papers, posters, and workshops addressing
all areas of audio processing based on Linux and open source software. All
submissions and presentations are in English. Submitted papers are expected
to respect academic standards and must be complete (*a simple abstract is
not enough*).
Submissions can focus on technical, artistic, and/or scientific issues and
can target developers and/or users. This includes (but is not limited to)
the following categories:
- Audio and Music Languages
- Audio Hardware Support
- Audio Plugins
- Drivers, System and Sound Architecture
- Education and E-Learning
- Games
- Interactive Art
- Interface Design
- Live Coding
- Live Performance
- Media Art
- MIDI, OSC...
- Mobile Audio
- Music Composition
- Music Production
- Networked Audio
- Physical Computing
- Projects Realized using Linux Audio
- Realtime Kernel and Linux Distributions
- Signal Processing and Sound Synthesis
- Sound Spatialization
- Standards and Protocols
- Video
- Etc.
*Full Papers*
Full papers must be written and presented in English. The length of papers
is 4 to 8 pages, with up to 5 keywords, including an abstract of up to 200
words. The abstract will be published on the conference website once the
paper has been accepted. The full paper will be available on the website
during and after the conference. All papers are peer reviewed by a
committee of experts from different disciplines. Reviewers may suggest
improvements to the author(s), or require changes in order to accept the
submission. The duration of the presentation is 25 minute followed by a 5
minute discussion.
*Poster Papers*
Poster papers must be written in English, should be 2-4 pages, with up to 5
keywords, including an abstract of up to 150 words. The abstract will be
published on the conference website once the poster has been accepted. All
posters are peer reviewed by a committee of experts in different
disciplines. Reviewers may suggest improvements to the author(s), or
require changes in order for the poster to be accepted.
*Demos*
Demos are informal project (e.g., plug-in, software, interface, idea, etc.)
presentations that will be carried out in parallel with poster
presentations. Demos can be submitted through this online form
<https://lac.linuxaudio.org/2019/submissions.html> to be added to the
conference program.
*Workshops*
Workshop presentations (max duration of 2h) should be 1-4 pages, with up to
5 keywords, including an abstract of up to 150 words to be published on the
conference website. Make sure that your proposal indicates if participants
are expected to have a specific level, if there are prerequisites, if you'd
like to limit the number of participants, etc. Workshops will take place in
the CCRMA classroom (which can host approximately 30 people). A projector
and a 4 channels sound system will be available in this space. Submit a
brief description of the workshop including a URL (if available).
*How to Submit Papers / Posters / Workshops?*
- Use the online submission tool <http://submissions.html>
- Choose the relevant submission type (paper, poster, or workshop) in
addition to your 5 categories
- The required file format is PDF. Authors must use the provided
templates <https://lac.linuxaudio.org/2019/doc/LAC-19-templates.zip> for
paper formatting.
- Please let us know if you need a special technical setup for your
presentation.
*Call for Music / Multimedia Installations*
LAC 2019 also invites submissions of musical works involving the use of
technology/open source software and multimedia installations. A jury will
select the compositions and installations to be included in the conference
program according to artistic merit and technical feasibility. Please be
prepared to perform your work yourself and make sure that you have all
resources needed to perform your piece (e.g., instruments, props, other
performers, etc.). LAC 2019 cannot pay for any expenses related to a
performance (e.g., performers, travel, accommodation, special equipment,
etc.). SCLOrk <https://www.scu.edu/cas/music/ensembles/sclork/> will be
available to perform new (or old) laptop orchestra compositions, so this
type of submission is encouraged this year! SCLOrk
<https://www.scu.edu/cas/music/ensembles/sclork/> is the Santa Clara Laptop
Orchestra and uses exclusively Linux computers. Musical works and
installations can address all areas of digital audio and audiovisual art.
This includes (but is not limited to) the following categories:
- Electronic Music
- Electroacoustic Music
- Mixed Music
- Acoustic Music
- Sound Installation
- Interactive Art
- Audiovisual Installation
- Game in art
- Web and Connected Art
*Available Setups*
For concerts, LAC will provide the following equipment:
- CCRMA Stage: 56.8 full 3d sound system (up to 6th order Ambisonics)
- CCRMA Listening Room: 22.4 sound system (up to 3d order Ambisonics)
- SCLOrk <https://www.scu.edu/cas/music/ensembles/sclork/> (the Santa
Clara Laptop Orchestra). Pieces accepted for a performance with SCLOrk will
be added to the rehearsal schedule of the corresponding SCU
<https://www.scu.edu> class.
- Additional requests can be made but are not be guaranteed.
*How to Submit Music / Multimedia Installations?*
- Use the online submission tool
<https://lac.linuxaudio.org/2019/submissions.html>
- Select the submission type (performance)
- The required file format is PDF, formatted for Letter paper size.
Submissions should include:
- Description of the project program notes
- Link to video or audio demonstration of the project
- Technical rider of the work
*Important Dates*
- *Submission Deadline:* December 7, 2018 (11:59pm PST)
- *Notification of Acceptance:* January 18, 2019
- *Camera-ready Version Due:* February 15, 2019
- *Conference Dates:* March 23-26, 2019
*Contact*
- lac(a)linuxaudio.org
Additional information about LAC-19 can be found on the conference website:
https://lac.linuxaudio.org/2019/
Hi all,
I just wanted to direct your attention towards the fact, that in this
months installment of the One Synth Challenge (OSC) the soft synths of
choice are TAL Elek7ro and NoiseMaker.
https://www.kvraudio.com/forum/viewtopic.php?f=1&t=515776
TAL NoiseMaker is available on Linux in LV2 and VST format, so this
means that Linux users can enter the competition without having to use
any closed source software or plugin-bridges.
https://distrho.sourceforge.io/ports.php
Thought it might be interesting for those who got a taste for
competitions from the FM Challenge :)
Chris
Hi everybody. I'm approaching to the Behringer FBC 1010 midi foot controller and I would like to use it with both Rakarrack and Sooperlooper simultaneously.
The problem is that Rakarrack is supposed to automatically assign a preset to every MIDI signal received, so everytime I send a message that I would like to address to SL only, RK reads it too, changing preset when I would like it did not.
I'm scanning the source code and trying to use FLUID to edit it, looking for a section where I can see and delete the MIDI signals that I'd rather use with Sooperlooper only.
Unfortunately I'm not a programmer and nothing looks familiar to me with FLUID. Does anybody have any useful information about MIDI and FLTK or C++? Is it possible to delete sigle MIDI values in the source code? Thanks in advance.
Andrea
Hey hey,
can anyone think of a method to create an impulse response from a sine sweep
using the commandline only?
I can work with a predefined sine sweep or create a sweep due to a certain
formula. I can make sure that it starts as soon as the recording starts. Not
sure what else might make the task easier.
I know that there is Aliki, but sadly it's graphics only, and IIRC Fons has
written has own little widget library, which isn't even accessible with Orca.
Any ideas?
Best wishes and thanks,
Jeanette
--
* Website: http://juliencoder.de - for summer is a state of sound
* SoundCloud: https://soundcloud.com/jeanette_c
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* GitHub: https://github.com/jeanette-c
* Twitter: https://twitter.com/jeanette_c_s
Make all the clouds disappear
Put all your fears to rest <3
(Britney Spears)
Hey hey,
I've tried to configure setBfree to use the ALSA MIDI sequencer API for MIDI
ports, but to no avail.
The relevant line in my configuration reads:
midi.driver=alsa
There is no error message on the console and I specifically included the
config file using the -c option. Can anyone help to settle this, please?
Best wishes,
Jeanette
--
* Website: http://juliencoder.de - for summer is a state of sound
* SoundCloud: https://soundcloud.com/jeanette_c
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* GitHub: https://github.com/jeanette-c
* Twitter: https://twitter.com/jeanette_c_s
And when you say those words
It's the sweetest thing I've ever heard <3
(Britney Spears)
Linux Audio Music has been dormant for a very long time, but recently I
contacted the the person who hosted and ran it.
The reason he closed it was because of a serious vulnerability was discovered in
Rails, and he no longer had time to do the necessary upgrades.
However, he has told me that he still has the entire database and the code. In
his own words:
"... would be happy to host and do what I can to facilitate a handoff to
someone else who wants to manage it."
For anyone who doesn't know, this was a relatively simple and clean site aimed
specifically at providing a home for tracks composed with Linux - something
rather rare!
--
Will J Godfrey
http://www.musically.me.uk
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
I need to replace a hard drive that recently
went bad, and the new drive needs to be at
least 1TB. I was looking on Amazon and
debating whether to buy a 5400rpm versus 7200rpm disk,
when, just for fun, I thought I would price
1TB SSD disks. I started finding things
such as this:
https://www.amazon.com/Inland-Professional-Internal-Solid-State/dp/B07FM9SS…
Inland Professional 1TB SSD 3D NAND SATA III 6Gb/s 2.5" 7mm Internal Solid State Drive (1T)
$140 (USD)
https://www.amazon.com/Samsung-Inch-Internal-MZ-76E1T0B-AM/dp/B078DPCY3T/re…
Samsung 860 EVO 1TB 2.5 Inch SATA III Internal SSD (MZ-76E1T0B/AM)
$148 (USD)
Can I just plug one of these drivex into a SATA plug
on my motherboard and it will function just like
a regular spinning hard disk drive?
If 1TB SSD drives have become so cheap, I don't
understand why anyone would buy a hard drive that
spins anymore, but maybe I am missing something.
Am I missing anything?
