Hello,
I have installed NoteEdit 2.3.4. It is greatly improved since my last
try some mothns ago; thanks to the developers for the brace support!
However, I could not figure out how to use the beam tool in a reasonably
fast way.
For example, if I enter four 1/16 notes in a row and want to use a beam,
I found I can enter them, switch to modification mode, select them, then
use the beam tool. Is there a shorter way?
(In fact, I would like to try using NoteEdit for note entry
anspecifically for subsequent printing via MusixTex or something - to
replace Finale in this category. I know of no better open source
software to do this...)
Thanks in advance for any answers!
Sincerely yours, Mikhail Ramendik
Session Exchange 0.0.1 is available at:
http://www.piratesvsninjas.com/software/session_exchange.py .
It lets people easily manage their ardour sessions, specifically, with
sharing snapshots across the internet for collaboration.
It requires python2.2, pygtk2, and the latest version of twisted-matrix,
available at http://www.twisted-matrix.com .
It uses a three pane model. The first pane is for the session, the
second for the collaborator, and the third for the snapshot.
It is fundamentally done, since it exchanges the files correctly. The
user interface needs touching up, and it needs to be smarter about which
files it transfers. Overall though, I'm feeling pretty good about it.
Stay tuned for documentation. Patches and comments welcome.
Taybin
<lau(a)hippie-online.de> HippiE wrote:
> Is this also true if you do not use the mixer? What a nonsense! :-(
If you use arecord in any way, this reduction to 8.3% of the level occurs
if you use ICE1712 for the envy24-based chips. Yes, it is very "nonsensical"
for a 2-channel card, but the envy24 chips were developed for multi-channel
(such as 12) inputs, so to be safe, they reduce the volume to 8.3% for
each input. There should be a way to modify the ttable settings --- and
I'm sure there is --- but I don't know where or how to do this myself.
This occurs with or without envy24control, and with or without amixer
settings. All mixer settings of 100% give you 8.3% AS RECORDED, even if
your input level is peaked (as loud as possible) with ICE1712 default
routings. So you're losing 4 bits (20 bit recording from a 24-bit card!).
As I mentioned previously, qarecord works fine. 100% is 100%. I'm not
sure about ecasound. I'll have to check that out. I am also interested
in command-line recording so that I can batch-process audio. I don't
want to have to point-click for each recording. (But qarecord is pretty
nice! I wish I could set it to "mono.")
I emailed sounddevices.com asking if they had any plans to port their osx
driver for the USBPre over to linux, and got this back...btw, they make
some pretty cool stuff, the usbpre is working very well for me...it would
be very nice to have under linux... =:)
http://usbpre.com/index.htmlhttp://www.sounddevices.com/products/index.html
---------
Will,
We do not have any plan for Linux and the USBPre. If you can point us to a
developer, we would be happy to pursue it.
Thank you for your interest.
Jon Tatooles
jon_tatooles(a)sounddevices.com
Noticed some threads of low latency on Linux kernel 2.4.x (patched) vs 2.6.
I was wondering how the Darwin kernel compared to the Linux kernel ?
Any people running jack on OS X ?
At least the jackit.sf.net site states that it runs on OS X, but I have yet
to hear on how it actually performs on OS X. I would hope that the OS X kernel
was at least a bit more tuned to low latency multimedia work than a vanilla
2.4 or 2.6 ?
regards
Vincent
Hey everyone,
I'm currently looking into a computer upgrade, including new
disks. As everyone here knows, more space is well worth it.
Unfortunately, money isn't unlimited ::-(.
Previously, I've always kept my disks in mirrored pairs to
ensure the death of one disk didn't cost me any data. But looking
around, I'm not sure if I wanna spring the $200 for a pair of 120G+
drives. But we all know I'll regret getting something smaller.
Does anyone here have some other clever solutions to getting
reliable archives of recordings? My ardour sessions, even for demos
quickly outpace what will reasonable fit on to CDs. DVD burners are
still way out of my price range. I'm plum out of ideas.
Thanks for any tips!
--
Ross Vandegrift
ross(a)willow.seitz.com
A Pope has a Water Cannon. It is a Water Cannon.
He fires Holy-Water from it. It is a Holy-Water Cannon.
He Blesses it. It is a Holy Holy-Water Cannon.
He Blesses the Hell out of it. It is a Wholly Holy Holy-Water Cannon.
He has it pierced. It is a Holey Wholly Holy Holy-Water Cannon.
He makes it official. It is a Canon Holey Wholly Holy Holy-Water Cannon.
Batman and Robin arrive. He shoots them.
Not that many of you live in Korea but I am playing a live ambient set
tomorrow night using only my computer.
http://www.djcj.org/shevaka
The software I will be using: spiralsynthmodular x1, alsaplayer x3,
jackeq x1, and jack timemachine to hopefully record it all.
I also have been working for the past month with ardour and audacity
creating a lot of the samples which I will inject into the soundscape
with alsaplayer.
This will be my first real gig performing my music. Not just djing other
peoples cuts (which I have been enjoying doing for the past 3 years).
It wouldn't be possible for me to accomplish this without the awesome
assistance from Steve Harris who designed the djeq plugin and dj flange.
I'm also relying heavily on the latest cvs version of ssm as it has
improvements to the jack plugin and echo plugin among other things which
I will be thrashing heavily :).
I feel this is important to let y'all know about because I have worked
(and I mean work) for the past 4 years to get to this position and in
the process I had a lot of fun with and help from many of you to get here.
I chose not to invest in windows or mac apps 5 years ago and I am
pleased that my gamble and investment in time and energy has paid off.
Big ups to all the people who are following the dream through to concept
through to reality.
--
Patrick Shirkey - Boost Hardware Ltd.
Http://www.boosthardware.comHttp://www.djcj.org - The Linux Audio Users guide
========================================
Apparently upon the beginning of the barrage, the donkey broke
discipline and panicked, toppling the cart. At that point, the rockets
disconnected from the timer, leaving them strewn around the street.
Tethered to the now toppled cart, the donkey was unable to escape before
the arrival of U.S. troops.
United Press International
Rockets on donkeys hit major Baghdad sites
By P. MITCHELL PROTHERO
Published 11/21/2003 11:13 AM
John Anderson:
>
> I've had some more time to play around with things. Eventually I ended
> up going back to 2.4.22 patched for low latency and pre-emption. 2.6.0
> and 2.6.0-mm2 would both xrun when I was recording. The 2.4 kernel will
> record reliably, but I still get dropouts on disk reads.
>
> What's interesting is that if I'm running jack (0.93.6 now, but the last
> few releases as well) with *no* connections (except for the automatic
> capture and playback ports on the card, 12 and 10 respectively) and I do
> anything that involves a fair amount of disk reading (starting ardour,
> or cat some-file.wav >/dev/null), I'll get a bunch of xruns.
>
> jackd -R -d alsa -p 256 -n 3, running as root.
>
> It's been while since this thread was started, so here's a refresher on
> the box: Uniprocessor Athlon XP 2200+, 1Gb RAM, 36Gb Ultra3 SCSI
> (Adaptec 29160 with Fujitsu MAN3367 drive). MSI K7N2 Delta motherboard.
> Terratec EWS88MT soundcard. Using reiserfs as the filesystem.
>
I'm very surprised that you are running stable(?) with this machine and a
2.4.22 kernel. I battled with two different kind of nforce2 boards earlier
this year, no last year, without succeeding with the 2.4.22 kernel. There
is something with the local apic on the nforce2 chipset that does not work
with some/all 2.4 kernels. Running 2.4.23 and using the "nolapic" option
on the kernel command line solves the problem completely. Perhaps that might
be worth a try to solve the xruns problem?
--
Jan Depner wrote:
>
>> Moreover I found out that xmms and audiacity play
>> it a bit faster and higher than the original data, even though I always
>> use the DAT's master clock! :-(
>
>The problem there is that your DAT is probably at 44100 and your card
>defaults to 48000. Check in envy24control.
You are right - sorry! When playing around I changed from a low level 48
kHz to a full level 44,1 kHz tape...
Frank Barknecht wrote:
>
> Please upgrade...
>
> ... if alone because dmix'ing as I described in c't will not work with
> this ALSA version and the Audiophile. ;)
Hm, I am a bit averse from upgrading because I am afraid that this may
result in conflicts with all that YaST stuff (and actually I do not need
dmix for recording). Do I also have to build a new kernel to upgrade
ALSA?
>> Well, -f S16_LE -r 48000 -c 2 is identical to -f dat and actually also
>> results in a mute file.
> Your problem probably is, that you are *not* recording from your
> digital input, but from the device called "default", which arecord
> uses by default. "default" corresponds to "plughw:0W unless you
> changed something in asoundrc (but you didn't do this).
Yes, I think this is the reason for my problem. As I said there are no
asoundrc files on my box. So I am going to learn about asoundrc and then
create one.
> Although I also have the Audiophile, I don't have any digital audio
> gear, so I never tried to record from that and thus I don't know the
> name of the digital ALSA device off-hand, but maybe someone else here
> does?
I am sure I can find this information somewhere on the ALSA webite.
> BTW: OSS emulation on the Audiophile can be a bit tricky sometimes
> because of the chipset, so you should try to use ALSA wherever
> possible with this card.
Sounds like a good idea to me. Anyhow I think that arecord is the
perfect tool for recording from DAT - if it works... ;-)
davidrclark(a)earthlink.net wrote:
> Regarding low levels with some 24/96 cards: The inputs are lowered to 8.3%
> to account for 12 (or so) channels so that clipping won't occur, I presume.
> So if you have a 2-channel 24/96 card, your inputs are way too low
> when using ICE1712, for example. (This is true for arecord, not qarecord.)
> If you do arecord with verbose output (-v), you will see exactly what the
> reduction is. I should mention that this is with analog --- I would expect
> the same with SPDIF.
Is this also true if you do not use the mixer? What a nonsense! :-(
> Using qarecord, this problem doesn't exist. I looked at the code, but
> again couldn't find where the input levels were maintained versus arecord
> where they are lowered.
At present I cannot access my Linux box to find out if qarecord is
installed. I am going to check for this as soon as possible.
Thank you all for your valuable help so far! I am confident of getting
it running now. :-)
Ciao,
HippiE
Regarding low levels with some 24/96 cards: The inputs are lowered to 8.3%
to account for 12 (or so) channels so that clipping won't occur, I presume.
So if you have a 2-channel 24/96 card, your inputs are way too low
when using ICE1712, for example. (This is true for arecord, not qarecord.)
If you do arecord with verbose output (-v), you will see exactly what the
reduction is. I should mention that this is with analog --- I would expect
the same with SPDIF.
Transformation table:
0 <- 0*0.0833333 + 1*0.0833333 + 2*0.0833333 + 3*0.0833333 + 4*0.0833333 +
5*0.0833333 + 6*0.0833333 + 7*0.0833333 + 8*0.0833333 + 9*0.0833333 +
10*0.0833333 + 11*0.0833333
I would be interested in how to alter the routing myself, if anyone has
the information. I looked at some of the configuration files but could
not immediately see how to do this. I would like NO reduction on inputs.
It appears to have something to do with ttable routing and gain factors.
Using qarecord, this problem doesn't exist. I looked at the code, but
again couldn't find where the input levels were maintained versus arecord
where they are lowered.
Thanks to anyone for information on how to do this. I'm sure there are
a number of folks out there who have cranked up their volumes, only to
clip on the card, then lower them again, only to throw away perfectly good
signal. But many of them may not realize that this is totally unnecessary.