sorry for this spam, the filters are not yet what they used to be..
in any case, please DO NOT reply to spam, unless you want them to know
your email is active, and of course do not reply to the list :-D
regards,
jörn
btw: this new bugbear worm seems to be very clever in forging sender and
mail bodies. don't be surprised if one of your list postings surfaces
elsewhere with a slighly bogus sender and a virus attached. and don't
raise hell on the lists :)
for now, i have bugbear posts trapped in the filters, but that thing
seems to be evolving like linux audio, so please forgive if some make it
through to the lists.
Guenther Sohler wrote:
>
> Yes and by submitting a persons's website to the top search engines,
> you not only charge for something that can be for free,
>
> you also submit the person to tons of unwanted mailing lists which is very time
> consuming to get rid of all of these again
>
>
> On 08-Oct-2002 cust_service(a)net-submissions.net wrote:
> > Hello,
> >
--
Jörn Nettingsmeier
Kurfürstenstr 49, 45138 Essen, Germany
http://spunk.dnsalias.org (my server)
http://www.linuxdj.com/audio/lad/ (Linux Audio Developers)
Hello all,
I have just released v0.4.0 of the seq24 midi sequencer.
This release adds A performance editor
http://www.filter24.org/seq24/
New screen shots are up too..
cheers,
.rob
----------------------------------------------------------
music + technology http://filter24.org
I've tried to control the Bristol synth by
ShakeTracker+ASeqView (running as it is explained
in "HOWTO Use MIDI Sequencers With Softsynths")
I run bristol with "-midi seq" option.
It works in principle...
But I got the following strange behavior:
the tones the Bristol produces are one note late of what must be done.
But the timing is correct.
I mean if I write in Saketracker:
===
E#
C#
..
F#
E#
==
In Bristol it is played like:
==
..
E#
..
C#
F#
==
So the questions are:
Who's fault this is? Bristol's, aseqview's, shaketracker's, alsa-seq's or mine :) ?
How can I debug this by myself?
I mean how can I trace the midi data sent?
thanks,
nikodimka
__________________________________________________
Do you Yahoo!?
Faith Hill - Exclusive Performances, Videos & More
http://faith.yahoo.com
On Mon, 7 Oct 2002, Taybin Rutkin wrote:
> On Fri, 12 Apr 2002, Steve Harris wrote:
>
> > If the're mine, please report bugs, ladspa plugins are required not to
> > crash, even given input outside thier ranges, but theres really a lot of
>
> That's a good requirment. Is it mentioned in ladspa.h? Maybe buggy
> plugins should set a flag, "crashable", similar to the "realtime" flag? ;)
Okay, this was really weird. This message was resent to the list and who
knows who else from "Taybin Rutkin <trutkin(a)wsws.org>". Um, I've never
had that email address. The website is for the World Socialist Web Site.
So I have no idea what's going on, but it's making me paranoid.
It'd also be nice if it didn't repost lame jokes of mine.
Taybin
I've tried to control the Bristol synth by
ShakeTracker+ASeqView (running as it is explained
in "HOWTO Use MIDI Sequencers With Softsynths")
It works in principle...
But I got the following strange behavior:
the tones the Bristol produces are one note late of what must be done.
But the timing is correct.
I mean if I write in Saketracker:
===
E#
C#
..
F#
E#
==
In Bristol it is played like:
==
..
E#
..
C#
F#
==
So the questions are:
Who's fault this is? Bristol, aseqview, shaketracker, alsa-seq or mine :) ?
How can I debug this by myself?
I mean how can I trace the midi data sent?
thanks,
nikodimka
__________________________________________________
Do you Yahoo!?
Faith Hill - Exclusive Performances, Videos & More
http://faith.yahoo.com
Hi Everybody !
A new version of Cecilia, a graphic user interface for CSound has been
released. If you use CSound, please check the new webpage on sourceforge
http://cecilia.sourceforge.net/
A few bugs have been fixed, and there is a new install for Linux. If you
tried version 2.0.3 and had problems running Cecilia, please check this
new version.
--
All the good music has already been written by people with wigs and stuff.
(Frank Zappa)
I just installed SuSE 8.0 Professional on a fresh hard disk.
I've been using Mandrake 8.1 successfully since last December. My
sound card is an Ensoniq ES1370. The processor is a 1.8 GHz
Pentium 4 with 512 MB of RAM.
When I play back a recording made under SuSE 8.0 with Broadcast
2000, the playback is at approximately double speed. However, the
pitch is OK. There are some weird artifacts, too, like small bits
are missing. This happens whether I play the WAV file under
Broadcast or with Audacity. Recordings made with Audacity under
SuSE 8.0 play fine, as do recordings made with Broadcast 2000
under Mandrake 8.1.
Broadcast 2000 is set up for 16 bit word length and 44100 KHz
sampling rate.
Has anyone seen this? I don't know what to try next. Aside from
this, I like SuSE better than Mandrake. However, for a variety of
reasons, not least that I am used to it, I'd like to stick with
Broadcast 2000 for recording.
Thanks.
Howard Sanner
flagstad(a)mindspring.com
The Rosegarden development team would like to announce the release of
Rosegarden-4-0.8(*) for immediate download. Please go to the project
homepage for further details:
http://www.all-day-breakfast.com/rosegarden
We'll be demoing Rosegarden at the Linux Expo in Olympia, London, UK,
9th-10th October 2002. Come and see us there.
Major features of this release include:
- Improved Notation Printing (draft quality)
- realtime LADSPA plugin support (chainable plugins for each Instrument)
- Note entry using the PC keyboard in notation view
- Major Matrix view improvements (zooming, snapgrid size, quantizing)
- Major Performance improvements in sequencer
- "Stuck notes" problem fixed
- Matrix velocity setting dialog
- Segment positioning guides
- Turn repeating Segments to real copies
- Matrix view auto scrolling
- Rudimentary lyric editor
- Chorus, Reverb, Resonance, Filter, Attack, Release MIDI controls
- Specialised Rotary Control widget
- Repeating Segments work to end of Composition marker
- Composition Start and End Markers can be changed
- Splitting Segments fixed
- Audio volume faders
- EventList editor extended
- Better Audio Waveform Previews
- SysEx, Program Changes, Controller Changes, PitchBend all supported
and editeable at Composition level
- Toolbars & Settings saving fixed
- Some new useful keyboard shortcuts
- Optional Transport toolbars
- More preference settings
- A couple of new note transformation functions
- Some fixes to progress reporting
- More help text for Notation
* - We've adopted a new numbering scheme for tarballs and packages that
will hopefully make things less confusing in the long term. We've
also jumped several release numbers for this release in an effort
to make things more confusing in the short term.
This release is Version 4, Release 0.8 : rosegarden-4-0.8.tar.gz
Last release was Version 4, Release 0.2 : rosegarden-0.2.tar.gz
Hey guys,
i'm having a bit of trouble getting my Eidrol Um-1 usb midi interface to
work..
i'm running it along side a vibra128 (snd-ens1371) which is working fine..
i've tried the 'nix-midi how-to and it has given me no luck..
i' ve compiled the usb hub drivers into the kernal, but alsa is in
modules...
i can modprobe the snd-usb-midi and it seems fine.. but its not listed in
/proc/modules
...
i've no idea how to fix it...so any suggestions / help would be muchly
appreciated
+ i've just installed gcc v3.2 and its killed xfs
so xfree86 wont load(can't find font "fixed" on unix:/-xxxx) where xxxx some
port number around the 6 or 7k mark
blaaa
thanks in advanced
[3]
machine(a)vectorstar.net
I am sure some of you are aware that the ESPS source code (developed at
Entropic before it was acquired by Micro$oft) has been made available to
the public (http://www.speech.kth.se/esps/esps.zip). I am wondering if
anyone has been able to compile the program on Linux. I am especially
interested in xwaves which is still an invaluable tool for speech
processing.
DS.
