Linux-audio-user

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3 participants
20662 discussions

by menno

Yes, thanks FFanci, i know about Csound - i wrote that Csound example :) But I was looking for something like Qmidiroute but then be able to convert a midicontroller to midi output channel.While i know it can easily be done with Csound, the guy that will work on that particular computer does not know anything about Csound. I was hoping there was some kind of VST or standalone program (GUI or CLI) that could accomplish this too.Anyone? -------------My music----------------- http://www.jamendo.com/de/album/6789/ http://www.jamendo.com/en/album/7428/ -------------Work----------------- http://www.geluidsmanvanhetnoorden.nl/

9 years, 5 months

LFO and midi channels

by menno

Hi,is there a program that allows shifting through midi output channels using a LFO or sequencer? thanksMenno -------------My music----------------- http://www.jamendo.com/de/album/6789/ http://www.jamendo.com/en/album/7428/ -------------Work----------------- http://www.geluidsmanvanhetnoorden.nl/

9 years, 5 months

Debut album by Telephone Sound released

by Jeremy Carter

Hi everyone, I am new to this list, but have been using Ardour for years. I also contributed the original code for the Automation All feature for effects plugins in Ardour. The code was promptly rewritten by the lead developer though :P I would like to introduce the debut album Ellipsis by Telephone Sound, which was composed, recorded, and produced entirely with Ardour and other open-source tools (ZynAddSubFx, Hydrogen, etc.): http://telephonesound.com It is electronic-y, so check it out if you like that kind of stuff. You can listen to (and download) one of the tracks on SoundCloud: https://soundcloud.com/defcronyke/telephone-sound-benevolent-gods That track is released under the cc-by-sa license. You can also listen to previews of the other tracks and buy the album on Google Play Music: https://play.google.com/store/music/artist?id=A47w7csthbrjo5gsu65r4czh2fm I am subscribed to the mailing list now, so let me know what you think of it. Now it's time to start work on the next album! ~Jeremy Carter

9 years, 5 months

NoLaE, a Novation Launch Control filter/mapper for Linux

by Maurizio Berti

Hello, in the latest weeks I've been writing a filter/mapper for Novation Launch Control XL. It allows you to create custom configurations assigned to its templates, select which midi device send any controller to, and even filter/modify the incoming MIDI event using mididings units. It's still a work in progress (so, bugs!), but it should be stable enough for now. The program is called NoLaE and requires python 2.7, PyQt4 and mididings. The project page is here: https://github.com/MaurizioB/nolae If you own a Launch Control XL and would like to test it, I'd be happy to have some feedback. Thank you! MaurizioB

9 years, 5 months

Echo MIDI note number being played

by Yassin Philip

Hi all! I'm trying to find out what MIDIKEY number this weird controller I have is sending. Sure enough, I can try them all from 1 to 127, but I seem to remember an utility to do that? It would speed up the process a lot :) yPhil -- Yassin "xaccrocheur" Philip http://manyrecords.com http://bitbucket.org/xaccrocheur / https://github.com/xaccrocheur

9 years, 5 months

New Qtractor video :)

by Yassin Philip

Talk to your Mom about it, I'm sure she loves my album ;) https://www.youtube.com/watch?v=qq-TySzCQqU yPhil PS - is that better on the plop/hiss issue? -- Yassin "xaccrocheur" Philip http://manyrecords.com http://bitbucket.org/xaccrocheur / https://github.com/xaccrocheur

9 years, 5 months

IEM Music Residency Program 2017 - Call for Applications

by IOhannes m zmoelnig

(sorry for cross-posting; please distribute) The IEM – Institute of Electronic Music and Acoustics – in Graz, Austria is happy to announce its call for the 2017 Artist-in-Residence program. http://residency.iem.at/ The residency is aimed at individuals wishing to pursue projects in performance, composition, installation and sound art, development of tools for art production and related areas. Individuals are asked to submit a project proposal that is related to the fields of artistic research of the IEM, as: * Spatialization/higher-order Ambisonics * Sonic Interaction Design * Audio-visuality * Algorithmic Composition * Algorithmic Experimentation * Standard and non-standard Sound Synthesis * Live Coding Duration of residency: 5 months Start date: June 1st 2017 (negotiable) Monthly salary: approx. EUR 1100 (net) *APPLICATION DEADLINE: 1st of October 2016* _The Institute:_ The Institute of Electronic Music and Acoustics is a department of the University of Music and Performing Arts Graz founded in 1965. It is a leading institution in its field, with more than 25 staff members of researchers and artists. IEM offers education to students in composition and computer music, sound engineering, contemporary music performance and musicology. It is well connected to the University of Technology, the University of Graz as well as to the University of Applied Sciences Joanneum through three joint study programs. The artwork produced at IEM is released through the Institute's own OpenCUBE and Signale concert series, as well as through various collaborations with international artists and institutions. IEM's main activities are centered around the following research areas * Computer Music * Artistic Research * Signal Processing and Acoustics _What we expect from applicants:_ * A project proposal that adds new perspectives to the Institute's activities and resonates well with the interests of IEM. * Willingness to work on-site in Graz for the most part of the Residency. * Willingness to exchange and share ideas, knowledge and results with IEM staff members and students, and engage in scholarly discussions. * The ability to work independently within the Institute. * A dissemination strategy as part of the project proposal that ensures the publication of the work, or documentation thereof, in a suitable format. This could be achieved for example through the release of media, journal or conference publication, a project website or other means that help to preserve the knowledge gained through the Music Residency and make it available to the public. * A public presentation as e.g. a concert or installation, which presents the results of the Artist Residency. _What we offer:_ * 24/7 access to the facilities of the IEM. * Exchange with competent and experienced staff members. * A desk in a shared office space for the entire period and access to studios including the CUBE which has a 24-channel loudspeaker system and infrared motion tracking, according to availability. * During the period from July 1st until end of September the resident will have extensive access to the studios of the IEM. * Regular possibilities for contact and exchange with peers from similar or other disciplines. * Infrastructure (electroacoustic music studios, icosahedral loudspeaker array, motion capture technology). * Concert and presentation facilities (CUBE 24 channel loudspeaker concert space). * A monthly salary of approx. EUR 1100 net per month in addition to health and accident insurance. _What we cannot offer to the successful applicant:_ * We can not provide any housing. * We also cannot provide continuous assistance and support, although the staff is generally willing to help where possible. * We can not offer any additional financial support for travel or material expenses. An application form providing more information is available at http://residency.iem.at/ Feel free to contact residency(a)iem.at <mailto:residency@iem.at>if you have any questions.

9 years, 5 months

Recorded in Linux: jam6

by jonetsu＠teksavvy.com

Greetings, This is, as the title suggests, an improvisation. A sub-bass gives the slow rhythm for acoustic guitar and synth improvisations. This was all done within two hours, so no fiddling with controls, mixing, and all that. Not sure yet how to handle the bass sounds, though. I think it can be much better than what it is now and, I haven't played this on a car system, or any other audio system, so have no idea how it fares in the 'real world'. I find there's some feeling that's issued from this, which makes it clearly in the no-machine category. :) https://soundcloud.com/nominal6/jam6

9 years, 5 months

Seq24 - 0.8.7, 0.93, Seq42 or maybe something else?

by Jostein Chr. Andersen

Hi folks! Long time, so see! I'm back again after another heart attack and a diabetes diagnosis. But I'm feeling better that I did even several years ago. Well, thats enough self pithiness, here is my case: :-) I have decided to test Seq24 again as a creative, effective and efficient MIDI sequencing tool for composing and arranging. But over the years, I have found it unstable enough to destroy my creative flow when I'm in that mood. That situation also goes also for the 0.92 one at the Seq24 project site at launchpad.net. So before I try 0.93 and get it under my skin, how about Seq42 or even something else? I'm very comfortable with Rosegarden, but Seq24 is probably the fastest thing to use and setup when one quickly want to put some tracks together for creative usage or arranging. What do you find easiest and best to use when only focusing to make tracks and arrangements as fast as possible? What do you use and what do you think? Jostein

9 years, 5 months

Re: [LAU] Google Magenta project's first composition

by tom haddington

> http://www.pcworld.com/article/3077977/data-center-cloud/googles-magenta-pr… > > IMO, a lot of popular music is already machine-generated. ;) i remember something along these lines from a few years back, an AI project in the States that was far more advanced than Google's. By using memory models, though, Google is making a good start. If anyone can can find an article by George Rochberg called, "The Avant-Garde and the Aesthetics of Survival," they will have an excellent read. One might observe that the machine wrote bad music. Well, humans are already doing that, too, so Magenta has gotten at least that far! As with chess machines, it may be a matter of time. Still, i'm not holding my breath, and it's certainly time to listen to that Bartok concerto. il lupo

9 years, 5 months

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Linux-audio-user