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20641 discussions

Patroneo Release 2.3.0 - The program is now complete.

by Laborejo Software Suite

Ladies and Gentlemen, here is the release version 2.3.0 of Patroneo - The Easy Pattern Sequencer. Patroneo (Esperanto: /Pattern/) is an easy to use, pattern based midi sequencer, a program that sends digital "notes" to software instruments such as synthesizers and samplers. Here is the download: https://laborejo.org/downloads/patroneo-2.3.0.tar.gz Patroneo is now complete. All further updates will be maintenance and bugfixes. This release is accompanied by an comprehensive video tutorial series: https://www.youtube.com/playlist?list=PLSQAc8dt9jR37eKDhr86VxLkFYQN9HNiO Changelog: * Patroneo is now complete. All further updates will be maintenance and bugfixes. * The save file (and therefore NSM Sessions) format is now permanently stable. * Menu option to permanently show note velocities. * Dedicated support for the AKAI APCmini 8x8 button/pad controller. * Finalize German translation. * Manual and documentation update to cover all aspects of Patroneo. * This CHANGELOG is now available through the programs help menu directly. * Icons are now send to JACK Metadata. * Various small fixes and improvements as well as cosmetic enhancements. You can find all releases as sources here. https://laborejo.org/downloads/ Also check your distribution for packages in a few days after this announcement, please. For more information, a multi-language user manual, build instructions and git access please visit https://www.laborejo.org/patroneo/ Greetings, Laborejo Software Suite https://www.laborejo.org/

3 years, 6 months

JACK doesn't play nicely with integrated Tiger Lake sound card (sound distorted)

by nik＠parkellipsen.de

Hi, as the title says, the integrated sound card of my notebook doesn't work nicely with JACK2. The sound is very distorted, it sounds like a sample format mismatch (i.e. the device expects S24_LE but F32 is sent). My setup is plain JACK on top of Alsa, no pulseaudio or pipewire. I've tried several programs such as SuperCollider, Firefox (with --enable-jack option) and my own, all the same phenomenon. Another symptom is that clients don't detect the correct samplerate. If I start JACK with a samplerate of 44100, SuperCollider still detects 48000. Playing around with pulseaudio and pipewire, things work better. I'm on Arch, don't use pulseaudio typically unless needed, but I've read that the problem occurs in other distros as well. Here's what lspci says: 00:1f.3 Multimedia audio controller: Intel Corporation Tiger Lake-LP Smart Sound Technology Audio Controller (rev 20) I have powersave enabled. My typical start options are - jackd -P98 -dalsa -dhw:0 -r44000 -p512 -n5 I've tried an external USB card which works fine. Anyone has a hint ? Can JACK force the samplerate/sample format somehow ? Best, N

3 years, 7 months

LAC?

by Will Godfrey

Does anyone know of mutterings about a possible LAC2022? I'm suffering severe withdrawal symptoms here :( -- Will J Godfrey https://willgodfrey.bandcamp.com/ http://yoshimi.github.io Say you have a poem and I have a tune. Exchange them and we can both have a poem, a tune, and a song.

3 years, 7 months

Web Audio Conference 2022 Call For Papers (aka WAC 2022)

by Stéphane Letz

> Web Audio Conference 2022, Cannes (France) – Call for Submissions > > The 7th Web Audio Conference (WAC 2022) will be held in Cannes on July 6-8, 2022 at the University Côte d'Azur. > > The WAC is an international conference dedicated to web-based audio technologies and applications. The conference addresses research, development, design, artworks, and standards concerned with emerging audio-related web technologies. > > The conference includes two days of talks, poster presentations, demos, installations and performances and a third day with workshops and tutorials. The attendees are invited to a banquet in the evening on the second day. > > Please refer to the WAC 2022 website at https://wac2022.i3s.univ-cotedazur.fr/ <https://wac2022.i3s.univ-cotedazur.fr/> for up-to-date information about the conference. > > For any questions and requests contact us at wac2022(a)i3s.unice.fr <mailto:wac2022@i3s.unice.fr> or via the Twitter account @webaudioconf <https://twitter.com/webaudioconf>. > > Theme and Topics > > Emerging web standards such as Web Audio and MIDI, WebRTC, Media Capture and Streams, Media Source Extensions, Timing Object and many others open a multidisciplinary field of innovation that connects state-of-the-art audio techniques with the unique opportunities afforded by the web in areas such as social collaboration, user experience, cloud computing, and portability. > > The Web Audio Conference focuses on innovative work by artists, researchers, and engineers in industry and academia, highlighting new standards, tools, APIs, and practices as well as innovative design and applications. > > The theme for this edition is "innovative audio narrative" > > The scope of the conference encompasses, but is not restricted to, the following areas: > > Web Audio API and other existing or emerging web standards for audio and music > > Tools, practices, and strategies for web-based audio application development > > Innovative web-based audio and music applications > > Web-based audio production, delivery, and experience > > Audio processing and rendering techniques > > Frameworks for audio synthesis, processing, and transformation > > Audio data and metadata formats and network delivery > > Cloud/HPC for audio production > > Audio visualization and/or sonification > > Multimedia integration > > Web-based live coding and collaborative environments for audio and music generation > > Web standards and use of standards within web-based audio projects > > Hardware and tangible interfaces in web applications > > Codecs and standards for remote audio transmission > > Any other innovative work related to web audio that does not fall into the above categories. > Keynote Speakers > > The WAC 2022 features two keynotes by Mark Sandler (Queen Mary University of London) and Jari Kleimola (freelance audio developer). > > Submission Types > > We welcome submissions in the following tracks: papers, talks, demos, and artistic works. All submissions will be single-blind peer reviewed. The conference proceedings will be published open-access online and will include papers, abstracts of talks and demos, and program notes of artistic works. When submitting a paper or talk, you also should consider submitting a demo of your work (requires as a separate submission in the demo track). > > Papers (Plenary or Poster): Submit a paper to be given as a plenary presentation (max. 6 pages) or a poster (max. 4 pages). Paper submissions have to use the provided templates. > > Talks: Submit a talk to be given in a plenary session. Talk submissions consist of an abstract and a description of the talk including an outline of the talk and a detailed overview of the presented work or idea (max. 2 pages) together with links to additional documentation. > > Demos: Submit a work to be presented at a hands-on demo session. Demo submissions consist of an abstract and a detailed description of the presented work and setup (max. 2 pages), links to additional documentation, and a complete list of technical requirements. > > Artistic Works (Performance or Artworks): Submit a performance or artwoks/installation making creative use of web audio standards. Works can include elements such as audience device participation and collaboration, web-based interfaces, and/or other imaginative approaches to web technology. Apart from an abstract, submissions to this track consist of a description of the work (max. 2 pages), links to audio/video/image documentation, and a complete list of technical requirements as well as short program notes (max. 5000 characters) and one-paragraph biographies of the authors (max. 1000 characters per author). > > Workshops and Tutorials > > The third day of the conference (July 8) is dedicated to workshops and tutorials. It’s the perfect time to dive deeper into topics learned at the conference with a more hands-on approach. If you are interested in running a tutorial session or a workshop at the conference, please contact the organizers directly at wac2022workshops(a)i3s.unice.fr <http://wac2022workshops@i3s.unice.fr/> with a short description of your tutorial or workshop. > > Free Attendance and Assistance for Contributors > > The WAC is a community-run conference with a limited budget. Nevertheless, we would like to make sure that at least one author of each submission selected in the peer-review process can attend the conference. For submissions that are not affiliated to an institution or corporation, authors can request the waiving of the conference fee (the request is limited to one author per submission and hidden from the review). > > If you are from an underrepresented group and need further financial assistance to present your work at the conference, you can apply for financial aid at wac2022chairs(a)i3s.unice.fr <http://wac2022chairs@i3s.unice.fr/>. > > Companies and institutions covering travel expenses and tickets for presenters without being involved in the presented work will be included on the sponsors page of the conference website. > > Important Dates > > January 1, 2022: Open call for submissions starts. > March 15, 2022: Submissions deadline for Papers (research track) (updates possible until March 23, 2022). > April 15, 2022: Submissions deadline for Talks, Posters, Demos, Performances, Artworks. (updates possible until April 23, 2022). > Mai 17, 2022: Notification of acceptances and rejections for Papers (research track). > May 17, 2022: Notification of acceptances and rejections for Talks, Posters, Demos, Performances, Artworks. > June 10, 2022: Early-bird registration deadline. > June 10, 2022: Camera ready submission and presenter registration deadline. > July 6-8, 2022: The conference. > Templates and Submission System > > The submissions for WAC are handled through the WAC 2022 conference management system <https://easychair.org/conferences/?conf=wac2022> (EasyChair). In case you need assistance with your submission please contact us at wac2022program(a)i3s.unice.fr <http://wac2022program@i3s.unice.fr/>. > > All submissions of papers and abstracts to be published in the conference proceedings have to use the WAC 2022 templates for Word or LaTex <https://mega.nz/file/ClJ0ERRK#x5bLrbNVPE1A5mwYswSTK6tZk2L63S9EYKgg13y2iQY>. > > Code of Conduct > > By submitting your work to the WAC, you agree to abide by our code of conduct available on the conference web site <https://wac2022.i3s.univ-cotedazur.fr/>. Violations against the code of conduct will result in exclusion from the conference. > > Best wishes,The WAC 2022 Committee >

3 years, 7 months

Another Resonance [music]

by Dave Phillips

Greetings ! https://youtu.be/9qt2ScYAU6s A self-generative patch in VCV Rack v2. Nothing extraordinary going on, just some pleasant listening. Enjoy, comments welcome. Best regards, dp

3 years, 7 months

[music] When everything's been said

by Jeanette C.

Hey hey, my latest downbeat electronica track, including real live Rav drum: https://youtu.be/rDyKZPJbGXk OGG version: https://www.dropbox.com/s/0wyjrjvjt5d4tnr/when_everythings_been_said.ogg Instrumentation: Yoshimi for pads and bells, LinuxSampler for percussion, Mellotron, fretless bass, main drums and Piano. The piano is commercial, the drums were created from incidental sounds which were a giveaway/teaser (rocks and a wicker chair). Csound for the physically inspired piano. In hardware: MiniBrute 2s and Neutron for basses, Microwave XT for additional pads. The Rav drum was recorded at a friend's house. I cut four loops from it and fired those with LinuxSampler. This experience was the inspiration to create the Csound handpan instrument. Plugins: g2reverb, Zita-reverb, CAPS plate 2x2, Calf Reverb and many additional plugins from SWH, CAPS< TAP, Calf, Invada and Fons' plugins for chorus, delays, EQ'ing, compression and colouring. Enjoy! Feedback is, as ever, welcome. :) Best wishes, Jeanette -- * Website: http://juliencoder.de - for summer is a state of sound * Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g * Audiobombs: https://www.audiobombs.com/users/jeanette_c * GitHub: https://github.com/jeanette-c Say hello to the girl that I am! <3 (Britney Spears)

3 years, 7 months

[music] A Castle in Bohemia (Reface DX-Mas)

by Christopher Arndt

Here is a late musical seasonal greeting to Linux Audio. (I wrote and recorded this track already on Christmas Day and intended to improve the mix before publishing, but since I have to work this week and it would probably not get finished until next year, I decided to put it out as is.) **The theme to a soppy Christmas television mini-series from the eighties that never was** Soundcloud: https://soundcloud.com/spotlightkid/a-castle-in-bohemia Ogg Vorbis download: https://0x20.eu/nc/s/RFBjkL6kFacMWo9 FLAC download: https://0x20.eu/nc/s/wbY7HjTB2fYwyT8 Synopsis: A young woman from western Europe spends a year in communist era Bohemia (then Czechoslovakia), where she has family ties, as a farm hand. She lives on the premises of a small castle, which belongs to an impoverished family of aristocratic roots. When she meets the young son of the family, their initial mutual attraction is cut short by misunderstandings caused by prejudice and differences in upbringing. Over time though, he wins her heart by showing her the beauty of the Bohemian country side and the joys of a simple rural life while she enchants him with her classical flute playing and brings him to overcome his introvert nature by introducing him to Italo disco dancing. :) Composed and produced by Christopher Arndt on Christmas Day 2021. Recorded in Ardour 6 DAW on Linux with a Yamaha Reface DX FM synthesizer into a Focusrite Scarlett 6i6 audio interface. No samples, no filters, just one synth. Reface DX patches by Christopher Arndt and from SoundMondo.com (list on request). Some EQ ("EQ10Q") used on the horn sound, IR reverb using "LSP Impulsnachhall" and Samplicity M7 "Boston Hall A" impulse response, and multi-band EQ and compression on master bus using "ZamAudio ZaMultiCompX2". Share & Enjoy! Chris

3 years, 7 months

Re: [LAU] [LAA] rtcqs, continuation of the realtimeconfigquickscan project

by david

On 12/23/21 1:15 AM, Jeremy Jongepier wrote: > Dear all, > > I'd like to announce rtcqs, the continuation of the > realtimeconfigquickscan project. It's a port to Python with some added > extra's, like a Spectre/Meltdown mitigations check and a Qt GUI. It > has the approval of the original author of realtimeconfigquickscan to > whom I owe a debt of gratitude, not only for the original code but > also for his helpfulness with the continuation, or maybe even > evolution of the project. > > So check it out, indulge me with bugs, issues, improvements or any > other useful feedback on the Codeberg repo which you can find at at > https://codeberg.org/rtcqs/rtcqs > > Happy system tuning and happy holidays! > > Jeremy Thanks. Returns the same information the older script did. Although I installed the Q1 GUI, how do you run it? Not important, I prefer the script, but just asking. -- David W. Jones gnome(a)hawaii.rr.com authenticity, honesty, community http://dancingtreefrog.com "My password is the last 8 digits of π."

3 years, 7 months

Harmonic Exciter (LV2)

by Hermann Meyer

new plug https://github.com/brummer10/HarmonicExciter <https://github.com/brummer10/HarmonicExciter> I guess there is not much to say, a Harmonic Exciter based on a half wave distortion algorithm.

3 years, 7 months

Interpretive audio to video?

by James Greenlee

Does anybody know of a tool that I could feed audio in to, and have it output an "interpreted" video? Not necessarily a "waveform" of the audio, more something abstract, like an acid-tripped audio fractal or something. Thanks!

3 years, 7 months

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