Hi Paul.
thanks for the answer. The following is not meant as "told you so!". But I also want to show, that I care about this subject and made my homework.
> sorry, that reply may have sounded a bit grumpy. it's just a bit irritating
> sometimes to see well-intentioned efforts that seem to miss so many of the
> resources they need to cover in order to give people a full picture.
And sometimes a well meaning reply is also wrong:
That Aeolus and setBfree are sample-less software synthesizers was not only hinted at through
" Guest appearances by Aeolus and setBFree :) "
but it also mentioned three times on the website itself. Once under "All software synthesizers" and then in each individual description.
The samples from pianobook.co.uk all do not fulfill my requirements. See also their terms and conditions:
https://www.pianobook.co.uk/terms-conditions/
Quote: " You may not sell sample(s), or give away any sample(s) for use by any other person(s)."
And to anticipate one possible reply: My list is not a matter of what is fair and moral and possibly enough to make music. It has a 100% clear, law to the letter, no exceptions approach. I also wrote:
"The strict constraints mean that this list will never be very large. Creating sampled instruments is a time-consuming and expensive task and is usually undertaken with the intention of making money from the result, thus not distributing the instrument as free and open source. This is by no means condemnable, but in this case it is simply not our topic. "
And finally, from your .sf2 image I can tell at a first glance several well-known illegal rips, instances where the authors falsely claimed "public domain" and cases where the license simply do not meet my requirements, the requirements I prominently put in their own chapter.
For example Florestan is well know copyright infringement, SC55 is already clear that these are just Roland samples, G-Town is not as free as people like to think, they are probably worth an entry on my "Other list" (that is linked on the page).
Some of the .sf2 are synthesizer sounds, which I clearly declared "out of scope", even if they were CC0 sf2.
And maybe they are just bad sounds. As I wrote: "They either have to be of decent quality, or at least be the only ones of their kind."
For example balafon1.sf2, which I even created an .sfz version from in 2012. However, I would not recommend that to anyone because I dislike the sound.
So, it is possible that a few of these .sf2 are indeed good fits for my list. And in this case I welcome any suggestion, as written on the page. However, I require a source that I can review.
With the risk to sound grumpy as well:
This time my efforts were already ahead. The "full picture" is sadly not as full as it should be. Not many people have the time, money and skills to produce samples, and that shows. People are desperate and want every sample-lib to be free and good. But most of the time they aren't, but yet another EMU Proteus rip, or something like this.
I hope this example of the research-and-elimination process shows why I think I am the right person to create that list.
Yours,
Nils
On Thu, 27 May 2021 16:48:25 -0600
Paul Davis <paul(a)linuxaudiosystems.com> wrote:
> sorry, that reply may have sounded a bit grumpy. it's just a bit irritating
> sometimes to see well-intentioned efforts that seem to miss so many of the
> resources they need to cover in order to give people a full picture.
>
> here's what i mean.
>
> first, a shot of the pianobook libs i have on my machine - more or less all
> those available in DS format. Just two days, we got a beautiful full
> orchestra lib there (NFO...)
>
> [image: image.png]
>
> next, here's a listing of all the SF2 libs i was able to find that were
> gratis+libre during a big search a couple of years ago. I don't like most
> of these - SF2 is an inadequate format for msot instruments, though it
> works well for percussive sounds:
>
> [image: image.png]
>
>
> On Thu, May 27, 2021 at 4:03 PM Paul Davis <paul(a)linuxaudiosystems.com>
> wrote:
>
> >
> >
> > On Thu, May 27, 2021 at 3:44 PM Laborejo Software Suite <info(a)laborejo.org>
> > wrote:
> >
> >> Hello LAUs,
> >>
> >> Here is a list I am working on at the moment that I wanted to share with
> >> you.
> >> I feel like I've written this already in 2012, but some stuff is worth
> >> repeating :)
> >>
> >> https://hilbricht.net/foss-sampled-instruments.html
> >
> >
> > Aeolus and SetBFree are not sampled instruments. They are synthesizers
> > that generate sound from scratch.
> >
> > You;ve also skipped all of the libraries on pianobook.co.uk that are in
> > DecentSampler format, and can thus be played in either DecentSampler
> > (gratis, non-libre) or sfizz (gratis & libre)
> >
> >
> >
'A massive middle finger': Open-source audio fans up in arms after
Audacity opts to add telemetry capture
Move comes days after firm acquired by Muse Group
https://www.theregister.com/2021/05/07/audacity_telemetry/
The article notes that it's actually an "opt in" but cautions that
users might mistakenly do so.
Hello all,
I am looking for a program that can chop an audio file by its
transients. Are there any good tools for doing that? I really would like
a command line program ideally, as I want to split up a whole folder of
drum breaks into individual transients.
Thanks so much for any help you can offer,
Brandon Hale
Hey hey,
I just released wavetral, a tool to convert between single cycle waveforms and
harmonic spectra in different formats. It supports audiofiles, plaintext
representations (one value per line), Waldorf Microwave II/XT wave dumps. It
can furthermore read Csound ftables as stored by ftsave and ftsavek and it can
write a Yoshimi script, which can be run loccally (runlocal) in the wave
context of the AddSynth voices and PadSynth.
Converting between waveforms means resampling a waveform and converting
between harmonics allows to decrease harmonics or fill higher harmonics with
0s to meet certain requirements.
You can clone the git repo here:
git clone https://github.com/jeanette-c/wavetral.git
Stranglely, when I tried I wasn't on the master branch, so I had to do
cd wavetral
git checkout master
git pull
Maybe it's just my git setup.
Best wishes,
Jeanette
--
* Website: http://juliencoder.de - for summer is a state of sound
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* Audiobombs: https://www.audiobombs.com/users/jeanette_c
* GitHub: https://github.com/jeanette-c
For whatever reason,
I feel like I've been wanting you all my life <3
(Britney Spears)
Hi all,
After a long period of testing, having no negative feedback I decided to
issue the SoundTracker 1.0.2 release. Comparing to the last pre-release,
1.0.2-pre2, this is only the bugfixing release with few small
improvements only. But some critical bugs are closed included that
causing crash sometimes after manipulations with instruments. Here are
main features of the 1.0.2 release comparing to 1.0.1:
* Almost all user actions are logged and can be undone/redone;
* Sample editor has a new compact and comprehensive design;
* PulseAudio output driver is created.
You can find more new features in NEWS file.
ST-1.0.2 can be downloaded here:
https://sourceforge.net/projects/soundtracker/files/latest/download
Any feedback is welcome in SoundTracker mailing list:
soundtracker-discuss(a)lists.sourceforge.net
For those who didn't hear about the SoundTracker before: this program is
a score music editor and sequencer with tablature-like notation (such
kind of editors called as "trackers" and originating from the
demo-scene) with some facilities for editing samples and instruments.
Regards,
Yury.
About 8-9 years ago I attempted to record video and on-board sound along with
an external microphone. There were two programs I tried, Record My Desktop,
and (I think) Simple Screen Recorder.
I couldn't get either of them to manage the microphone, and only one to include
stereo audio - and even that was a struggle (can't remember which one).
I'm wondering what the current situation is for the best possible prospect of
doing this. I won't be using a camera, but want to be able to use a microphone
for voiceover, so that of course would be mono.
Also I envisage doing this in comparatively short sections, then stitching
them all together afterwards to make a seemingly continuous vid.
Can anyone make suggestions. The kit I'll be using will have an earlier 4 core
AMD Ryzen, with a reasonably modern Radeon GPU card and connected to an M-Audio
Mtrack 8.
--
Will J Godfrey
https://willgodfrey.bandcamp.com/http://yoshimi.github.io
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
I remember answering that question here many years ago and had found
two or three working ones. Marc.info still exists and is searchable,
but the closest to this list is Linux Audio Dev at:
https://marc.info/?l=linux-audio-dev&r=1&w=2
(unless I missed it here: https://marc.info/)
So^W Anyone know the location of a searchable archive of this list?
My search results generally seem to lack anything but links to
where I can buy one...
--
Thanks again, John.
Hi Linux Audio Enthusiasts!
I'm a fairly long-time JACK user (more than a decade, anyway), but I
must admit I don't really know it that well. I'm seeking guidance with
the following situation.
I am hearing audio "drop-outs" (a second or two of silence) that seem to
coincide with this error in jackd output:
JackAudioAdapterInterface::PushAndPull ringbuffer failure... reset
The audio hardware is a Digigram LX-DANTE connected to the JACK graph
via ALSA device hw0,0. jackd --version is
jackdmp version 1.9.18 tmpdir /dev/shm protocol 8
Also, jackd output fairly regularly (several times per minute) shows
messages like:
JackRingBuffer::Write : consumer too slow, skip frames = 1024
and
JackLibSampleRateResampler::ReadResample error written_frames = 1020
Output available = 1022
Where the number after the "=" in the "written_frames" line is between
1020 and 1023, and the number in "Output available" is always two
greater than the previous.
I start jackd (as Linux user 'root') with the command:
/usr/bin/jackd --realtime --name default -d dummy -r 48000
And then add the Digigram client with the command:
/usr/bin/jack_load -i "-d alsa -d hw:0,0 -i 64 -o 64 -r 48000 -p 1024 -n
2" Digigram audioadapter
Thanks for any thoughts about these drop-outs! And please let me know if
there are other troubleshooting tools available.
Best,
~David Klann