Hey hey,
as much as a release and a reminder, that the Euro Low Vision Song Contest is
still going ahead, deadline for songs is April 23rd.
Liquid Fire:
https://youtu.be/x7buNOpGLyE
Direct OGG download (though the video/slideshow here is part of the
presentation):
https://www.dropbox.com/s/j1vk7805oxm4xi4/liquid_fire.ogg
Yes, Katy Perry's "I kissed a girl" becamse an inspiration along the way, butr
there's more to it. :)
Instruments and plugins: Fluidsynth (electric bass), setBfree, Csound (FX,
shimmer reverb, vocoder), LinuxSampler (Csound FX, electric pianos), Yoshimi
(guitars, piano layer). Hardware: Prophet 12 (accents and strings), MiniBrute
2s (more synth accents), Behringer Neutron (synth bass, drum processing),
Rolanbd JV-1080 (basic drums).
Plugins: Fons' 4-band parametric filter (EQ), g2verb, zita-reverb (I think),
TAP TubeWarmth, stereo echo, CAPS 2x2 plate, amp and speaker models, guitarix
amp, SWH L/C/R delay, Invada Studio Compressor and possibly more.
Feedback as ever is welcome. :)
Enjoy and have a good Sunday,
Jeanette
--
* Website: http://juliencoder.de - for summer is a state of sound
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* Audiobombs: https://www.audiobombs.com/users/jeanette_c
* GitHub: https://github.com/jeanette-c
When you need someone, you just turn around and I will be there <3
(Britney Spears)
Hello!
We know that hosts such as Ardour are able to control the
parameters of LV2, LADSPA, VST, etc, plugins using MIDI CCs and
possibly other automation control signals.
Is there a (free, open source) plugin out there that allows for
controlling the parameters of a plugin from another plugin? I
realize that question's a bit nebulous. I'd like to, for example,
have a plugin that exposes a MIDI input. When a NOTE ON is received on
that input, it sets the value of a parameter in a different plugin
to a given value, and when a corresponding NOTE OFF is received,
it sets the value back to something else. Similar actions could
be performed from audio signals too, with a bit of math.
Ideally I'd like to set up a pile of plugins inside Carla and route
control signals between them in various ways like this. Some plugins
explicitly expose inputs that allow for control like this, but most
don't.
I've had a look for plugins that can achieve this kind of general
control, but the search terms are so generic that it's a tough thing to
search for. It may not even be possible.
Anyone know of anything?
--
Mark Raynsford | https://www.io7m.com
Some years ago I played a short riff on one of of the LAC workshops. I don't
remember what particular feature of Yoshimi I was demonstrating, but I do
remember the piece well, and always wanted to expand it to to a full length
tune. Well here it is:
http://www.musically.me.uk/music/Circles.ogg
or
http://www.musically.me.uk/music/Circles.mp3
The original melody? That's the 'chorus'. I hope you like it.
--
Will J Godfrey
http://www.musically.me.ukhttp://yoshimi.github.io
Say you have a poem and I have a tune.
Exchange them and we can both have a poem, a tune, and a song.
Hey hey,
I did write and record change when I was about 17 or 18 and wanted to
re-record it for a while now:
https://youtu.be/PdfHxBbaYJk
And for OGG download:
https://www.dropbox.com/s/mq907ur41i5cwj5/change.ogg
The lyrics had to be rewritten entirely, though kept in the same style,
register and intention of the original. The main sound was a Roland JV_1080
patch called Raggatronic. I still have that patch, but in this recording I
used a copy I made on another virtual analogue synth.
Another change is the Yoshimi choir, which I certainly didn't have. It used to
be another Roland sound from an expansion board, which I don't have. I first
though of mixing other choir sounds on that module, but then layered the
Yoshimi choir with another hardware instrument. It's a beautiful synth choir,
with or without the other hardware layer! Thanks Will!
Best wishes,
Jeanette
--
* Website: http://juliencoder.de - for summer is a state of sound
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* Audiobombs: https://www.audiobombs.com/users/jeanette_c
* GitHub: https://github.com/jeanette-c
Ain't no way I'll be lonely <3
(Britney Spears)
Hey hey,
not strictly Linux related, but a good chance to show off the potential of
Linux music software?
The organisation VIEWS international in cooperation with several national
associations for the blind is organising the European Low vision Song Contest,
open to visually iimpaired musicians or bands with at least one blind or
visually impaired member.
https://viewsinternational.be/index.php/song-contest
Basic requirements: at least one visually impaired person must be amongst the
musicians orcomposers, a song must be four minutes maximum and there must be
some kind of vocals. Open to all age groups, no genre restrictions.
I had the feeling there could have been more PR. :)
Best wishes,
Jeanette
--
* Website: http://juliencoder.de - for summer is a state of sound
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* Audiobombs: https://www.audiobombs.com/users/jeanette_c
* GitHub: https://github.com/jeanette-c
I can't believe it's what I see
That the girl in the mirror
The girl in the mirror Is me <3
(Britney Spears)
Hi everyone
Following my question about JACK and tempo transmission over a network, I felt
the time is right for me to share some ideas about possible setup(s) of a
studio mainly based on free software. The key idea is that such a studio is to
be distributed among many hosts connected together with a fast local network.
While the infrastructure should run primarily on FLOSS software, we should not
shun proprietary tools, allowing a certain grade of interoperability between
different systems (OS and applications).
I don’t really know if I’m telling nonsense, but these ideas stem from my own
experience over the years: the main use case for me is to make music for
videos, being assisted in score and parts preparation, as well as
“quick” mockup creation.
Since money has always been tight for me, but I am a musician with enough
curiosity and a certain experience with computers, I have been fiddling with
Linux and music software for many years.
What I’m trying to demonstrate is that the effort of integrating FLOSS and
proprietary s/w with the great possibilities of modern and inexpensive h/w
could give a professional great flexibility and relative ease of use, while
keeping “low” costs and minimizing licensing and forced obsolescence woes.
Basically, what I am trying to achieve is a network mainly made of Ethernet
cables (while minimising audio cables), with the following nodes:
* a master (or maybe better, a “conductor” ;-) ) machine controlling and
transmitting the transport information, ideally a tablet or a minipc with a
touchscreen showing the “big clock” and the “big buttons” (transport controls)
* another machine (the router) with audio h/w and a DAW, receiving audio data
from the network. The same machine could also host a notation software,
perhaps
* optionally, a machine showing a synced video
* N >= 1 hosts running synths, virtual instruments, rocket launchers,
microwave ovens getting the lunch done while I’m thinking of these things...
;-)
On the FLOSS side, I think there are many of the right tools to implement my
idea, I’m using them since many years. Here’s a incomplete list of them:
1) JACK (obviously ;-) )
2) Cadence/Claudia
3) Carla
4) Qjackctl (gives me the “big clock” and the “big buttons”)
5) Ardour
6) MuseScore
7) Xjadeo
While all of these tools do a great job (*really* great), there is still a big
plumbing and tuning work to do. Actually this is the hardest part.
#####
Personally, being a classical trained musician, I tend to compose using a
notation software, with close attention to score neatness: I still prefer my
music being played by humans rather than virtual gizmos. But I’m a “poor man”,
so my great score is also to be “hashed” into a MIDI file, whose tracks are to
be assigned to virtual (grrrr...) instruments, which in turn are to be mixed
together, and the whole composition synced to a video.
Since I cannot afford buying an expensive Mac nor can I pay for a plethora of
licensed software, the challenge is to achieve similar results with
alternative means.
With this post I hope to start a constructive discussion about the potential
of FLOSS music software and practical uses of it, instead of or in conjunction
with other kinds of software, in professional environment.
ciao
Francesco Napoleoni
Hey everyone,
Have you ever had any luck with soundscape renderer (ssr)? I have been
having issues opening audio files with it, and am working with the
developers on github right now to see what fixes that may be possible.
Are there any good alternatives for rendering ambisonic and wavefield
synthesis audio files?
Thank you for any help you may be able to offer,
Brandon Hale