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Call for Participation: Versatile Sound Models for Interaction in Audio–graphic Virtual Environments Workshop at DAFx-11, Ircam, Paris

by Diemo Schwarz

Call for Participation, please forward: Versatile Sound Models for Interaction in Audio–Graphic Virtual Environments: Control of Audio-graphic Sound Synthesis Satellite Workshop @ Conference on Digital Audio Effects DAFx-11 http://dafx11.ircam.fr/?page_id=224 Friday September 23, 2011, 9h00–13h00 at Ircam, Paris The use of 3D interactive virtual environments is becoming more widespread in areas such as games, architecture, urbanism, information visualization and sonification, interactive artistic digital media, serious games, gamification. The limitations in sound generation in existing environments are increasingly obvious with current requirements. This workshop will look at recent advances and future prospects in sound modeling, representation, transformation and synthesis for interactive audio-graphic scene design. Several approaches to extending sound generation in 3D virtual environments have been developed in recent years, such as sampling, modal synthesis, additive synthesis, corpus based synthesis, granular synthesis, description based synthesis, physical modeling... These techniques can be quite different in their methods and results, but may also become complementary towards the common goal of versatile and understandable virtual scenes, in order to cover a wide range of object types and interactions between objects and with them. The purpose of this workshop is to sum up these different approaches, present current work in the field, and to discuss their differences, commonalities and complementarities. Detailed information about the workshop can be found here: http://www.topophonie.fr/event/3 Workshop Programme ------------------ 9:00 0:10 *Welcome and Introduction* D. Schwarz, R. Cahen 9:10 0:30 *Invited Presentation:* Principles and Practice of Procedural Audio A. Farnell *Presentations 1* 9:40 0:15 Phya: A Lightweight Framework and Synthesis Toolkit For Interactive Environmental Audio D. Menzies 9:55 0:15 Modeling of audio-graphic scenes with mass-interaction physical models M. Christou, O. Tache, C. Cadoz, N. Castagné, A. Luciani 10:10 0:15 Sound in Virtual Cities: the TerraDynamica Project S.H. Chan, C. Le Prado, S. Natkin, G. Tiger, A. Topol 10:25 0:15 Topophonie Mobile: An immersive audio interactive augmented experience R. Cahen, X. Boissarie, N. Schnell, D. Schwarz 10:40 0:15 *Pause* *Presentations 2* 10:55 0:15 Sonification of drawings E. Thoret, M. Aramaki, R. Kronland-Martinet, J.L. Velay, S. Ystad 11:10 0:15 Dynamic Intermediate Models for Audio-Graphic Synthesis V. Goudard, H. Genevois, B. Doval 11:25 0:15 Hybrid sparse models of water stream texture sounds S. Kersten, H. Purwins 11:40 0:15 Descriptor-Based Texture-Synthesis Control in Interactive 3D Scenes by Activation Profiles D. Schwarz, R. Cahen, N. Schnell *Short Presentations* 11:55 0:05 Hierarchical Musical Structures in 3D Virtual Environments F. Berthaut 12:00 0:05 Gestural Auditory And Visual Interactive Platform B. Caramiaux, S. Fdili-Alaoui 12:05 0:05 Gestural Control of Environmental Texture Synthesis A. Masurelle, D. Schwarz 12:10 0:05 Visualization of Perceptual Qualities in Textural Sounds T. Grill, U. Rauter 12:15 0:05 Multi-Modal Musical Environments for Mixed-Reality Performance R. Hamilton 12:20 0:40 *Discussion* 13:00 End The workshop is free for attendants of the DAFx conference by inscription and for non-DAFx-attendants by invitation. Program Chairs -------------- Diemo Schwarz, IRCAM Roland Cahen, ENSCI-les Ateliers Hui Ding, LIMSI-CNRS & University Paris Sud 11 Program committee ----------------- Nicolas Tsingos (Dolby Laboratories) Lonce Wyse (National University of Singapore) Andrea Valle (University of Torino) Hendrik Purwins (University Pompeu Fabra) Thomas Grill (Institut für Elektronische Musik IEM, Graz) Charles Verron (McGill University, Montreal) Cécile Le Prado (Centre National des Arts et Metiers CNAM) Christian Jacquemin (LIMSI-CNRS & University Paris Sud 11) Topics in detail ---------------- Which other and better alternatives to traditional sample triggering do exist to produce comprehensive, flexible, expressive, realistic sounds in virtual environments? How to produce rich interaction with scene objects such as physically informed models for contact and friction sounds etc? How to edit and structure audio–graphic scenes otherwise than mapping one event to one sound? There is no standardized architecture, representation and language for auditory scenes and objects, as is OpenGL for graphics. The workshop will treat higher level questions of architecture and modeling of interactive audio-graphic scenes, down to the detailed question of sound modeling, representation, transformation and synthesis. These questions cannot be detached from implementation issues: novel and hybrid synthesis methods, comparison and improvement of existing platforms, software architecture, plug-in systems, standards, formats, etc. New possibilities regarding the use of audio descriptors and dynamic access to audio databases will also be discussed. Beyond these main questions, the workshop will cover other recent advances in audio-graphic scene modeling such as: * audio-graphic object rendering, and physically and geometrically driven sound rendering, * interactive sound texture synthesis, based on signal models, or physically informed * joint representation of sound and graphic spaces and objects, * sound rendering for audio-graphic scenes: * level of detail, which is a very advanced concept in graphics, but is rarely treated in audio. * representation of space and distance, * masking and occlusion of sources, * clustering of sources * audio-graphic interface design, * sound and graphic localization, * cross- and bi-modal perceptual evaluations, * interactive audio-graphic arts, * industrial audio-graphic data: * architectural acoustics, * sound maps, * urban soundscapes... * platforms and tools for audio-graphic scene modeling and rendering, These areas are interdisciplinary in nature and interrelated. New advancements in each area will benefit the others. This workshop will allow to exchange the latest developments and to point out current challenges and new directions.

14 years

New soft synth: The Newtonator v0.5.1

by Michael Bechard

Brand new LV2 plugin soft synth here. The Newtonator (v0.5.0) features: * LV2-compliant synth plugin * Simple, easy-to-use GTK-based GUI * 3-note polyphony (err, um, until I can do some serious optimization) * "Unique" synthesis algorithm (Tuna Pagan Fellowship) The Newtonator specializes in making crazy, harsh sounds, so if you're looking for some sounds to produce the next Yanni album, keep looking. Please refer to the user manual (http://newtonator.sourceforge.net/manual/index.html) for more gory details. Download: http://sourceforge.net/projects/newtonator/files/newtonator-0.5.0.tar.gz/do… NOTE: This plugin was written against the excellent libraries included in the lv2-c++-tools package written by Lars Luthman. However, as of v1.0.4, the GUI library only supports rev. 2 of the LV2 specification, so it may have problems on newer hosts (though I have done some (very) preliminary testing against Ardour3 and it seems to work ok). Alpha testing mostly done against zynjacku and Elven (comes with ll-plugins package) hosts. This puppy's in beta, so feel free to get in touch with me at the project forum (https://sourceforge.net/projects/newtonator/forums/forum/1820765) or submit a bug if needed. Thanks, and have fun. Michael Bechard https://sourceforge.net/projects/newtonator/

14 years

[ANNOUNCE] New LV2 Soft Synth: The Newtonator v0.5.0

by Michael Bechard

14 years

Fwd: SuperCollider Symposium, London April 2012: call for participation (deadline 16th Oct)

by Dan S

---------- Forwarded message ---------- From: SuperCollider Symposium London <info(a)sc2012.org.uk> The SuperCollider Symposium is an international event for musicians, artists, researchers and coders working with the SuperCollider software. It features a technical conference, introductory workshops, and a diverse programme of music and art. The next SuperCollider Symposium will be April 12th–19th 2012, in London. http://sc2012.org.uk/ We invite submissions of music, artistic works, talks, and workshops. Submissions will be peer-reviewed, and should be submitted by: * Submission date: 16th Oct 2011 * Notification of acceptance: 2nd Dec 2011 The Symposium will be hosted at various venues across East London, by QMUL Centre for Digital Music, Goldsmiths Digital Studios, City University Centre for Music Studies, and other partners. All concerts, performances and exhibitions will be open to the public. Further details for submissions (plus submission instructions, at the end): ////////////////// // TALKS Conference talks are invited on topics of SuperCollider-related research, technical development, or artistic/musical practice. (Note that submission is by abstract only, there are no full papers.) Some examples of subject areas include: * Audio/music synthesis * Interactive sound and music * Machine listening * Generative sound and music * Artistic developments * Teaching and Learning * Creative Collaborations * Extending SuperCollider * Using SuperCollider with other environments ////////////////// // CLUB MUSIC The symposium will feature a club night in an East London venue. Therefore we’re calling for submissions of music for dancing to. Acts can be any style, but must include some substantial use of SuperCollider. ////////////////// // MUSICAL/SOUND WORKS City University London in partnership with Plus-Minus ensemble (http://www.plusminusensemble.com) will host an evening concert of musical/sound works in City University Performance Space. Works may fall into two categories: 1. purely electronic/electroacoustic/acousmatic, or 2. instrument/s plus live electronics. Available instruments are clarinet (doubling bass clarinet), violin, and piano (doubling accordion). All works must include some substantial use of SuperCollider. Technical specs: 8-channel loudspeaker ring with subs, plus on-stage stereo pair. Alternative loudspeaker configurations may be possible. ////////////////// // WORKS FOR EXHIBITION The exhibition programme at the Symposium will be hosted at the Art Pavilion gallery (Mile End Park, London E3 4QY) and in the adjoining Arts Park, which features a small lake island. We seek proposals for works small or large, which may be exhibited in the gallery space and/or the outside space (lake, island, bridges). Proposals which make use of the outside area are particularly encouraged. Works must include some substantial use of SuperCollider. Exhibition venue information: * Webpage for the Art Pavilion (inc floor-plans): <http://www.towerhamlets.gov.uk/lgsl/451-500/461_parks/mile_end_park/mile_en…> * Map showing the building, the lake and the island: <http://osm.org/go/euu6whJRk–> * Photo inside gallery: <http://www.flickr.com/photos/louisejoly/378646724/> * Photo of the lake+island, with the gallery behind: <http://www.flickr.com/photos/danstowell/5896781088> Please ensure that you include information of the space and materials required for the work. ////////////////// // WORKSHOP LEADERS Workshops will be held Sat 14th & Sun 15th April (at Goldsmiths), for beginner/intermediate-level users. We seek people who would like to lead a workshop – workshop leaders will be given free admission to the Symposium. Workshop themes can be general (e.g. Introduction to SuperCollider) or can cover specific topics, but please target the beginner/intermediate level. Examples of workshop topics: * Sound synthesis * Live coding * GUI programming * Interaction with live instruments * SuperCollider for research ////////////////// // OTHER If you would like to propose some other event or feature of the symposium, please do – giving as much information as possible. ////////////////// // SUBMISSION INSTRUCTIONS (for all types): Please email your submission to submit(a)sc2012.org.uk and include the following information: * The type of submission (concert / talk / club / installation / workshop / other) * Name * Title (of piece, of talk, etc) * A description or abstract (no more than 500 words). * Any specific resources requested (e.g. materials, performers) * For music/audio, an audio recording can be submitted to soundcloud dropbox <http://soundcloud.com/supercollider2012>, or you can provide a link to an online recording. It is not compulsory to send a media file, but it will help your submission. ///////////////// Any questions? please contact info(a)sc2012.org.uk or tweet @scsymposium.

14 years, 1 month

[ANN] guitarix release guitarix2-0.18.0

by hermann

guitarix/gx_head, a guitar mono tube amplifier simulation for jack a new release is available. please refer to our project page for more information: http://guitarix.sourceforge.net/ new features in short: * add tube model 12AT7 * fix runtime issues when build with g++ > 4.5 * add presence level controller * add bass booster level controller * switch to function pointer based engine * fix issues with GtkBuilder > 2.14 and Glade files * fix correct use of included zita-resampler source * add factory settings by autoandimat have fun Many thanks to Fons Adriaensen for lead me to find and fix a bogus bug related to correct object bindings in C++ kudos to Fons _________________________________________________________________________ guitarix is licensed under the GPL. screen-shots and sound examples: http://guitarix.sourceforge.net/ direct download: http://sourceforge.net/projects/guitarix/files/guitarix/guitarix2-0.18.0.ta… download site: http://sourceforge.net/projects/guitarix/ please report bugs and suggestions, or let us know if you like it or not, in our forum: http://sourceforge.net/apps/phpbb/guitarix/ ________________________________________________________________________ For extra Impulse Responses, guitarix uses the zita-convolver library, and, for resampling we use zita-resampler, both written by Fons Adriaensen. http://kokkinizita.linuxaudio.org/linuxaudio/index.html We use the marvellous faust compiler to build the amp and effects and will say thanks to : Julius Smith http://ccrma.stanford.edu/realsimple/faust/ : Albert Graef http://q-lang.sourceforge.net/examples.html#Faust : Yann Orlary http://faust.grame.fr/ ________________________________________________________________________ For faust users : All used Faust dsp files are included in /guitarix/src/faust, the resulting .cc files are in /guitarix/src/faust-generated The tools we use to convert (post-processing and plot) the resulting faust cpp files to the needed include format, stay in the /guitarix/tools directory. ________________________________________________________________________ regards guitarix development team

14 years, 1 month

Nama v1.076

by Joel Roth

I'm announcing a maintenance update of Nama[1], with several fixes and improvements. - envelope fades now work with transport seeking (fix in Ecasound 2.8.0) - more intuitive control of buses - reorganized source code - documentation of variables and track subclasses Nama is available as a Debian package[2], or as a native perl distribution from CPAN.[3] A blurb follows. Regards, Joel -----------------------blurb------------------------------- Nama is an application for multitrack recording, non-destructive editing, mixing and mastering using the Ecasound audio engine developed by Kai Vehmanen. Primarily text-based, it also has a simple Tk based GUI. Audio features * stable and mature audio engine * unlimited tracks supporting multiple WAV versions (AKA takes), * track caching (aka track freezing) * effects (also presets, multitrack profiles) * controllers * sends * inserts * marks * regions * edits * buses * instrument monitor outputs with per-musician customized mix * mastering mode * project templates * autoselect JACK/ALSA modes * autodetects LADSPA plugins * Ladish Level 1 session handling. Command prompt features * grammar-based command language * Ecasound interactive-mode commands * shell commands * perl code * command history * scripting * user-defined commands * autocompletion of commands and filenames * help menus and keyword search GUI * simple and convenient * coexists with command prompt * colors can be customized * no waveform visualization Debugging resources * track and bus status displays * signal routing shown as Ecasound chain setup * viewing of any and all data structures * separate debugging outputs at Nama and Ecasound levels * mailing lists[4,5] 1. http://freeshell.de/~bolangi/cgi1/nama.cgi/00home.html 2. http://packages.debian.org/search?keywords=nama 3. http://search.cpan.org/~ganglion/Audio-Nama-1.076/ 4. http://www.freelists.org/list/nama 5. http://eca.cx/ecasound/mlists.php -- Joel Roth

14 years, 1 month

Nano-Basket v0.3

by Roy Vegard Ovesen

Hi Nano-Basket v0.3 has been released. Source files are available from http://github.com/royvegard/Nano-Basket Nano-Basket is a configuration software for the Korg nanoSERIES MIDI controllers. It's intended to run on operating systems where the official configuration editor is not available (i.e. Linux). It's written in Python, using pygtk for the GUI. News for this release include: - Scene copy and paste. - Nano-Basket behaves as a Midi controller, emulating the nanoSERIES device. (Note, attack time and release time not functional yet.) - More robust device communication. Simple usage instructions are available from the wiki page: http://wiki.github.com/royvegard/Nano-Basket/use -- Roy Vegard Ovesen

14 years, 1 month

[ANNOUNCE] FluidSynth 1.1.4 released!

by David Henningsson

In short, version 1.1.4 of FluidSynth brings us: * Several improvements and fixes to the CMake build system, especially for Mac OS X * Several bug fixes to the engine, notably quite a few which could cause FluidSynth to sound bad in some cases. * API additions, that make it possible to - load MIDI files from memory - to inspect/modify MIDI events as they are being played from a MIDI file - to change channels between melodic and drum mode - and to silence all notes in one command. * Improvements to the CoreAudio driver A more detailed list of changes is available at https://sourceforge.net/apps/trac/fluidsynth/wiki/ChangeLog1_1_4 Looking back at the changes, I'm feeling a little proud today. One of the reasons for feeling proud, is that we have more than one new contributor: people who have taken the step to actually work with the code, improve it, and create non-trivial patches with new functionality in it. That is a good foundation for the future and I hope all contributors feel welcomed and properly attributed. Also, the improvements/fixes to the build system is worth a special note (thanks Pedro!), I was surprised to see so many of them! And finally, we've managed to close several long standing bugs, which makes me feel that this release will be stable and enjoyable for a lot of people, with less annoyances than ever. (Thanks to the jOrgan folks for the test run!) Now, enjoy the release, and last but not least - make sure you make some really great music with it! :-) (Can't wait for your distro to package it up for you? You can download the tarball from SourceForge: https://sourceforge.net/projects/fluidsynth/ ) On behalf of the FluidSynth developer team, David Henningsson

14 years, 1 month

xwax 1.0 release

by Mark Hills

I'm pleased to announce the 1.0 release of xwax -- DJ software for Linux. http://www.xwax.co.uk/ http://www.xwax.co.uk/releases/xwax-1.0.tar.gz The key changes since v0.9 are: * Changing of timecode at runtime * Improved parsing of vinyl track numbers * Bug fix: affecting multiple decks with different sample rates * Optimise timecode error checking during scratching xwax is open-source vinyl emulation software for Linux. It allows DJs and turntablists to playback digital audio files (MP3, Ogg Vorbis, FLAC, AAC and more), controlled using a normal pair of turntables via timecoded vinyls. It's designed for both beat mixing and scratch mixing. Needle drops, pitch changes, scratching, spinbacks and rewinds are all supported, and feel just like the audio is pressed onto the vinyl itself. The focus is on an accurate vinyl feel which is efficient, stable and fast. -- Mark

14 years, 1 month

gst123-0.2.0

by Stefan Westerfeld

gst123-0.2.1 has been released. Overview of changes in gst123-0.2.1: ------------------------------------ * Fixed minor memory leak. * Fix warnings due to wrong glib option parsing. [Nicholas Miell] * Use wikihtml2man for documentation (replaces old doxer based manpage). What is gst123? --------------- The program gst123 is designed to be a more flexible command line player in the spirit of ogg123 and mpg123, based on gstreamer. It plays all file formats gstreamer understands, so if you have a music collection which contains different file formats, like flac, ogg and mp3, you can use gst123 to play all your music files. Since gst123-0.1.0 support for watching videos has been added; however gst123 should run fine in situations where no X11 display is available; videos can be played without X11 display, too (-x, --novideo); in this case, only the audio stream will be played. It is implemented in C++ and licensed under the GNU LGPL version 2 Links: ------ Website: http://space.twc.de/~stefan/gst123.php Download: http://space.twc.de/~stefan/gst123/gst123-0.2.1.tar.bz2 -- Stefan Westerfeld, Hamburg/Germany, http://space.twc.de/~stefan

14 years, 1 month

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