Hi everybody,
I've got choice between RME Digi 96/8 PAD and Marian
Marc 2 Pro in order to put in a Linux Box runnig Red
Hat 9 and Planet CCRAM.
Somebody Told me the RME Digi 96/8 series have some
problems with alsa settings, did anyone use it? Does
it work well with/without Jack ?
Did someone run a Marian Card with ALSA (no info on
alsa-project home page), and specialy a Marc 2 Pro?
Does it work?
Thanks
François Gueurce
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Dave Phillips:
>
> Greetings:
>
> I'm putting finishing touches to a very long chapter on software sound
> synthesis languages in which I've profiled current versions of Csound,
> RTcmix, and SuperCollider3. IMHO I'd still recommend Csound to a novice,
> particularly to a programming novice. I prefer the more modern language
> elements in RTcmix and SC3, but the one is heavily C-like (fine with me)
> and the other is a Smalltalk derivative. Csound also wins in its
> abundance of helper applications, e.g., FJenie, nGen, Common Music,
> blue, Cecilia, Csound Blocks, and others. However, RTcmix will see a new
> release Real Soon Now, and there may be some more GUI stuff included.
> SC3 for Linux lacks the neat graphic elements of the OSX version, but
> it's still quite an interesting environment. I should also note that
> Csound and RTcmix have no special requirements WRT editors, whereas with
> SC3 you definitely want to learn how to use emacs. (Note that both emacs
> and vi have Csound editing modes available to them.)
>
I'm currently accessing the supercollider synth fromwithin pure data
using the python PD external. I'd say its a supergreat combination
where you get easy/clean programming with python, functional programming
with the guile pd-external, sound processing power with SC3, and
GUI with pd. Check out the supercollider module in the pure-data
CVS.
> Finally I would urge the beginner to make a real study of some other
> language, i.e., C/C++, Java, whatever, along with learning a sound &
> music programming language. That assumes the time for such study, but
> consider it time well spent, you'll learn a lot by the inevitable
> comparisons.
>
Hmm, I would rather reccomend common lisp/scheme or python than
c/c++ and java for music purposes. C are fine for making hardware drivers,
c++ can be fine if you need OO to C, and java is horrible in all possible
ways. My opinion. :)
--
*********************************************
* Do not Cc: me and waste my resources, *
* I am on THIS list, if I write here. *
*********************************************
Hello,
are there legal usable Logos arround with "Made with Linux"
or somthing like this ?
I have Sticker 25x25mm (flat and with lens effect) with "Debian inside"
for my Computers and now I like to get one for the Sound...
I have a printing-office by hand, which has done the "Debian" Sticker
and now I like to make the "Made with Linux" Sticker...
(I can get it very cheap with realy good quality...)
Maybe I will sell it in my new Online-Store in Strasbourg...
Greetings
Michelle
--
Registered Linux-User #280138 with the Linux Counter, http://counter.li.org/
I've been having some wierd problems with the stock drivers in CCRMA with
the quattro, I get sound in just fine, but no sound out, when I switch it
correctly its just distorted hiss, what version of alsa are people using
to get both input and output working from their quattro, and can you get
full duplex, and if you guys don't mine sharing how you did it, I'd
appreciate it.
"At last", Roboff says, "I have it." - from "Mask Of The Sun"
Hi LAU'ers,
I'm happy to announce the first release (0.1) of lakai, a small tool package
that allows to exchange data (samples, programs) between a Linux PC and an
Akai sampler (S2000 tested; other 2xxx/3xxx models might work or not) over
SCSI. This permits "complete backup" and "complete restore" of the sampler
RAM contents.
Availability:
http://sourceforge.net/projects/lakai (the web page was not updated yet)
Right now, everything is just shell-based, no GUI yet, and the tools are
rather rudimentary, the source is ugly and sprinkled with TODOs and printf's
etc. pp., but at least it WorksForMe(tm). I welcome comments, success stories
and bug reports, but my answers might take a while :-). All further info is
in the archive in the README - read it, it took me a while to put it together.
This stuff comes rather late - in fact, I created this sourceforge project
more than 4 years ago, and I have only been working on it very rarely for
a long time (and it's even quite small). The S2xxx model samplers are only
available second-hand today, and software-based samplers (like
http://www.linuxsampler.org) are already on the way. I am still very proud
that I finally got this baby out of the door. Ha! :-).
Enjoy,
Frank
hello,
I have jack installed and working now. So, now I'm trying to get
AlsaModularSynth compiled and running. Has anyone else accomplished this
in debian stable (woody)?
I installed libqt3-mt (along w/everything it depended upon), fftw-dev,
fftw2, sfftw-dev, sfftw2 and ladspa-sdk to get ladspa.h. I've tried to
edit the top of make_ams to agree with the location of the qt3 libs, bin
and include directories on my system as best as I could figure ... but
I'm not sure I got it right:
QT_LIB_DIR=/usr/lib/qt3/plugins/styles
QT_BIN_DIR=/usr/share/qt/bin
QT_INCLUDE_DIR=/usr/include/qt
it seems to compile OK when I do:
make -f make_ams
though there are a lot of warnings about comparing signed to unsigned
and other warnings that flew by. Are these benign?
Anyway. I end up with an executable ams. When I run ./ams I get this:
./ams: error while loading shared libraries: libjack.so.0: cannot open
shared object file: No such file or directory
I have that in /usr/local/lib/libjack.so.0 so creating this link appears
to help:
box1:/usr/lib# ln -s /usr/local/lib/libjack.so.0 libjack.so.0
Is that the correct sollution?
but, now:
box1:/home/eric/audio_code/ams-1.5.5# ./ams
ams: cannot connect to X server
I assume this is because X is running as me (eric) and not as root. I'll
try getting out of X and starting it as root as soon as I finish writing
this message. But, is there a way to let root connect to the X server
that's running as eric?
I was sort of ok (well, not really, but I'm giving it a try) with the
idea of running jackd and its clients as root ... but, running X as
root, too? that makes me more nervous, somehow... maybe I shouldn't be
nervous about that ... I'm not sure.
anyway. i'll give it a shot with a root X session.
I'm thinking that maybe I should patch and recompile the kernel and
recompile jack to enable capabilities so I don't have to run as root.
Do those of you running jackd as root also run your X session as root?
Thanks for listening,
Eric Rz.
PS If all of this has been covered before and my questions are annoying
you, feel free to send me to the archives. I try to follow jackit-devel,
but most of it seemed to go over my head before I actually started to
try it. So, re-reading the past couple months would probably do me some
good now that I have the real thing in front of me. -edrz
hi everyone!
we are moving houses in a month, and i'm planning to install some
decent cabling thoughout our new flat. begone, ye maze of twisty
little cables all alike :)
the idea is to run an eight-way symmetric audio multicore (shielded
pairs and an outer foil shield as well) along with 4x cat5 s/stp
cables carrying 10/100/1000baseTX ethernet in the same cable duct
over a length of about 15-20 meters.
will this lead to problems in the audio signal?
my naive hope is that since all garbage radiating from the ethernet
will be well outside the audible range it might be ok. but then
there's always the chance of something demodulating it into the
20-20k range...
does anyone here have experience with such a setup?
any hints, success and/or horror stories welcome.
jörn
--
"I never use EQ, never, never, never. I previously used to use mic
positioning but I've even given up on that too."
- Jezar on http://www.audiomelody.com
Jörn Nettingsmeier
Kurfürstenstr 49, 45138 Essen, Germany
http://spunk.dnsalias.org (my server)
http://www.linuxaudiodev.org (Linux Audio Developers)
Hi,
Anyone in here using a RME cardbus card in a laptop ?
I'm considering going that route and it would be nice to
be able to use that interface in Linux.
I was planning to go the powerbook way, but as I have to
develop for XP and Linux in the first place, I will probably
go for a Thinkpad (who seem to have great battery life).
Any info is appreciated,
vini
PS: I noticed that the Multiface is listed as supported on the
ALSA site, but I don't know if that means the cardbus card too,
or only the PCI card + multiface.
Andrea, Free, Damien et al.
All the creature[0] reports I still have open are packages that still don't
work on my machine. I just felt I should make that clear. However, I have
been altering the priorities to try to indicate whether I consider them
important (to me as opposed to the distro generally).
Thus the low priorities are things I've noticed, but can work around. Some
like the tk707 psting relate to DeMuDi-1.0 versions and can be safely closed.
If you do happen to close an item which was important to me that will simply
prompt me to get in touch to clarify.
The 'important' issues for me are with the Jack'd apps. I'd particularly like
to sort out MusE, Hydrogen and Jamin so I can get making music. I understand
that experimenting with Jack currently involves facing frequent crashes,
however, an application does need to start up, connect with Jackd and
preferably open a file or two before it can crash the system in a
satisfactory manner.
Despite my successes at repeatedly and logically breaking things, It's not
always so easy to find or record any meaningful output and this makes it
difficult to proceed towards a solution. From recent discussions I take
solace in the knowledge that I am not alone and that this is in fact the
day-to-day reality of most software developers, who long for the day they can
actually sit down and use the product without having to file another bug
report. I do sympathise.
Damien says he thinks he's fixed the creature[0] on Jamin. How do I find the
bugfixed package so I can verify that it works on my system?
Thanks for all the great work you're doing. If you can think of any ways my
input can be made more useful, please don't hesitate to let me know, like a
Package-Breaking-HOWTO or X-Crashing-HOWTO, these would be welcomed.
*grins*
tim hall
[0] "That's not a bug, it's an Undocumented Creature"
- Terry Pratchett - Discworld2 -
Hi Everyone,
I'm a long time musician and am starting to get into electronic/computer
music (actual synthesis, up to now I've just been concerned with
recording physical instruments). I've been looking around at all the
complicated things I could learn and have been considering csound. It
seems like it would be the last thing I'd ever need to learn. I also
like that it's based on text files (I'm a programmer by day, and prefer
to do as much as possible in simple tools I already understand). I'm not
sure I would use all of it's features, though. Here's what I think I'd
like to use it for:
-Effects-
I was thinking it would be nice to use csound filters as LADSPA plugins.
Then I recently saw that someone had started a project doing just that.
Has anyone used this? All that was available was a tarball of the
source, with little documentation. Can you use csound 'effects'
directly, or do you have to write a complicated wrapper to have a
particular effect appear as a proper plugin?
-Instruments-
Can csound instruments be used as midi instruments or maybe soundfonts?
I really don't know how midi, midi instruments, soundfonts, etc work, or
what the differences are, so I don't know if this is even a reasonable
question.
So that's it, I guess. I'd rather do the actual arranging and composing
(of synthesized parts) in something like muse or rosegarden, and be able
to apply effects to 'real' instruments through jack-rack (or something
similar). I think that would be much more flexible than doing it in
csound, as it would be easier, for instance, to change the tempo of all
the tracks of a song at once.
Thanks for any opinions,
Peter