Hi,
I've begun working alot more with LADSPA plugins and
have found it very easy to achieve satisfying results.
www.iaxs.net/~rparker/legaladvice.ogg
Despite the relative ease with which my partners Bill,
Dana and I were able to achieve our final product,
legaladvice.ogg, the real acid test is whether or not
anyone thinks the final product is effective. Give it
a listen and let me know what you think.
A JK Audio RemoteMix3, phone dialer with audio i/o, is
used to build a mix minus. I imagine you can google
for that.
We run a Neumann M 147 tube mic into an Avalon Vt
737sp which inserts into a channel on the Tascam
DM-24. We send that channel direct (it's not assigned
to the DM-24 stereo buss) to Ardour where Barry's
Satan Maximizer and the Steve Harris AM-Pitchshift are
inserted pre-fader. The effected return from Ardour
routes back to the RemoteMix3 via an Aux bus
(DAC/analog send) from a new DM-24 channel that is not
assigned to stereo buss.
That pitchshifted/maximized Aux send replaces my
telephone and is mixed into a conversation with
another caller in the RemoteMix3. The RemoteMix3
analog output routes to the DM-24 in a channel that is
assigned to the stereo bus where we finally get to
monitor it.
A wireless lav would have enabled us to wonder around
the studio while monitoring phone conversations on the
Alesis M1 Active monitors. Definitely a bonus for the
multitasking professional that doesn't want to be
restricted to a single task because of some stupid
wire.
ron
__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around
http://mail.yahoo.com
Uh oh.. I think this could be quite embarrassing! A piece I recorded
today, with me singing (slightly off-key at times, I notice now). The
production is awful: the singing was recorded thru an ultra-cheap computer
microphone, the organ improvisation is terrible (by me) etc. etc.
Still, the software was very cool: Seq24 to sequence the piano
(Trachtman's non-free ($5) Steinway soundfont),running in qsynth.. all
recorded into Ardour. The hammond organ was from the FluidR3 soundfont,
and played live (like you would never have guessed!).
Also no mastering but I am not sure it is worth it when the quality
is so bad to start with.
Anyway, I would be interested to know what others think....
http://www.jmstone.dsl.pipex.com/rs232-shiningsun.ogg
James
http://www.cesaremarilungo.com/download/music/thedifference.ogg
It's still unfinished. Drums are just a placeholder.
Tools/instruments:
- Muse (for sequencing and for recording audio tracks)
- Zynaddsubfx
- Some ladspa effects
- tr808 soundfont.
If you like it there are four albums and some sparse tracks of mine to
download for free, here:
http://www.cesaremarilungo.com/music/listen_to_my_music/
Mostly made with macs. In mp3 (sorry).
Now I've totally switched to linux. I just still need to find a good
guitar amp simulator.
c.
Hi
I've stated using alsa modular synth, but there's been no traffic on the
list for a couple of days except my single post. Also It seems the
latest version of ams is almost one year old. Is this project dead? Or
it's user base small? Anybody here using it, for example?
If so, maybe someone here can supply me with a working example of the
analogue driver. It doesn't seem to work in any predictable way...
--
Peace, love & harmony
Atte
http://www.atte.dk
I'm having problems using jack with the Sound Blaster Live 24 Bit
External USB sound card. I can use non-jack ALSA applications (e.g.
xmms) with the card with no problems.
This machine has the following sound cards:
- Onboard Intel (intel8x0) hw:0
- MOTU USB MIDI Interface (snd-usb-audio)
- Sound Blaster Live 24 Bit External (snd-usb-audio) hw:1
Starting jack like this:
jackd -v -d alsa -d hw:1
Results in the following error message:
registered builtin port type 32 bit float mono audio
loading driver ..
new client: alsa_pcm, id = 1 type 1 @ 0x8056860 fd = -1
creating alsa driver ... hw:1|hw:1|1024|2|48000|0|0|nomon|swmeter|-|32bit
control device hw:1
configuring for 48000Hz, period = 1024 frames, buffer = 2 periods
Couldn't open hw:1 for 32bit samples trying 24bit instead
Couldn't open hw:1 for 32bit samples trying 24bit instead
new buffer size 1024
registered port alsa_pcm:capture_1, offset = 4096
registered port alsa_pcm:capture_2, offset = 8192
registered port alsa_pcm:playback_1, offset = 0
registered port alsa_pcm:playback_2, offset = 0
registered port alsa_pcm:playback_3, offset = 0
registered port alsa_pcm:playback_4, offset = 0
registered port alsa_pcm:playback_5, offset = 0
registered port alsa_pcm:playback_6, offset = 0
++ jack_rechain_graph():
client alsa_pcm: internal client, execution_order=0.
-- jack_rechain_graph()
could not start playback (Broken pipe)
DRIVER NT: could not start driver
cannot start driver
When I start jack using hw:0 everything works well. I can use the MIDI
controller to play qsynth (and other instruments) through the onboard
Intel sound. However the sound quality and noise from this card is
terrible, so I want to use the external USB card.
I am running ALSA driver version 1.0.9rc4a on Ubuntu Linux (kernel
2.6.10-5-686). Jack version is 0.99.0. I compiled the ALSA driver and
libraries from source.
Other (possibly relevant) information is below. If anyone can help me
out with this I would be very grateful.
Thanks in advance
Peter Butler
# cat /dev/sndstat
Sound Driver:3.8.1a-980706 (ALSA v1.0.9rc4a emulation code)
Kernel: Linux laptop 2.6.10-5-686 #1 Fri Jun 24 17:33:34 UTC 2005 i686
Config options: 0
Installed drivers:
Type 10: ALSA emulation
Card config:
Intel 82801CA-ICH3 with AD1881A at 0x1c00, irq 11
Creative Technology SB Live! 24-bit External at usb-0000:00:1d.1-1.3,
full spee
MOTU Fastlane at usb-0000:00:1d.1-1.4, full speed
Audio devices: NOT ENABLED IN CONFIG
Synth devices: NOT ENABLED IN CONFIG
Midi devices:
2: Fastlane
Timers:
7: system timer
Mixers: NOT ENABLED IN CONFIG
# cat /etc/modprobe.d/sound
options snd device_mode=0666
alias char-major-116 snd
alias char-major-14 soundcore
# On-board Intel Sound Card
alias snd-card-0 snd-intel8x0
options snd-intel8x0 index=0
install snd-intel8x0 /sbin/modprobe --ignore-install snd-intel8x0 && \
/usr/sbin/alsactl restore >/dev/null 2>&1 || :
remove snd-intel8x0 { /usr/sbin/alsactl store >/dev/null 2>&1 || : ; }; \
/sbin/modprobe -r --ignore-remove snd-intel8x0
alias sound-slot-0 snd-card-0
alias sound-service-0-0 snd-mixer-oss
alias sound-service-0-1 snd-seq-oss
alias sound-service-0-3 snd-pcm-oss
alias sound-service-0-8 snd-seq-oss
alias sound-service-0-12 snd-pcm-oss
# USB Sound Blaster Live Sound Card
alias snd-card-1 snd-usb-audio
options snd-usb-audio index=1
alias sound-slot-1 snd-card-1
alias sound-service-1-0 snd-mixer-oss
alias sound-service-1-3 snd-pcm-oss
alias sound-service-1-12 snd-pcm-oss
alias /dev/mixer snd-mixer-oss
alias /dev/dsp snd-pcm-oss
alias /dev/midi snd-seq-oss
options snd cards_limit=2
# cat /etc/asound.conf
pcm.intel {
type hw
card 0
}
pcm.dmix_intel {
type dmix
ipc_key 1024 ## needs to be a power of 2
slave {
pcm "intel"
period_time 0
period_size 1024
buffer_size 8192
rate 48000 ## not necessary
}
}
pcm.dsnoop_intel {
type dsnoop
ipc_key 2048
slave {
pcm "intel"
}
}
pcm.asym_intel {
type asym
playback.pcm "dmix_intel"
capture.pcm "dsnoop_intel"
}
pcm.pasym_intel {
type plug
slave.pcm "asym_intel"
}
pcm.dsp_intel {
type plug
slave.pcm "asym_intel"
}
ctl.dsp_intel {
type hw
card 0
}
pcm.sblive {
type hw
card 1
}
pcm.dmix_sblive {
type dmix
ipc_key 1024
slave {
pcm "sblive"
period_time 0
period_size 4096
buffer_size 32768
rate 48000
}
}
pcm.dsnoop_sblive {
type dsnoop
ipc_key 2048
slave {
pcm "sblive"
}
}
pcm.asym_sblive {
type asym
playback.pcm "dmix_sblive"
capture.pcm "dsnoop_sblive"
}
pcm.pasym_sblive {
type plug
slave.pcm "asym_sblive"
}
pcm.dsp_sblive {
type plug
slave.pcm "asym_sblive"
}
ctl.dsp_sblive {
type hw
card 1
}
pcm.!default {
type plug
slave.pcm "asym_sblive"
}
ctl.!default {
type hw
card 1
}
Musix [1] it's a Live CD, DemuDi like, specially prepared for the
spanish speaking people. It has been arranged by a member of Lau-es.
So, if there's anyone here who speaks spanish (or wants to give it a
try), it can be downloaded in [2] and [3]
[1] http://www.musix.org.ar/
[2] https://200.32.4.29/utiles/torrent
[3] https://e.ututo.org.ar/utiles/torrent/
Cheers, Damian.-
Anyone who says he can see through women is missing a lot. -- Groucho
Marx
Hi
I'm trying to sequence a few tracks in muse using ams and/or om. I
started two instances of ams with "ams -j" and loaded a different patch
in each. I also started om and om_gtk, and loaded two different patches.
Audio out from the synths are routed to the alsa_pcm input.
Now, I have the following problems:
1) If I select the two different om patches output is distorted when
*both* patches are sounding. If one is ams an the other om sound is also
distorted, but if I route it through jamin the sound is ok. Routing both
om synths through jamin is still distorting...
Shouldn't it be possible to just route multible synths the the alsa_pcm
or should they be mixed somewhere?
2) I only see one output named "ams" in the O-Port in the track list. In
the "Midi Port/Soft Synth" dialog how ever, I see 7 grayed out
occurences of the name "ams".
Am I doing something wrong or isn't it possible to run multible
instances of ams from midi?
I didn't include technical information about my system or software
version, since I suspect that I'm simply doing something wrong...
--
.''`. Peace, love & harmony
: :' : Atte
`. `'
`- http://www.atte.dk
Apparently aRts could be removed from KDE4 CVS HEAD RSN. As far
as I know there is no decision on an official replacement yet.
I have no say in the matter but I would like to see something
like qjackctl ported to KDE4 and usable from within kcontrol,
basically, Jack embedded into the system from the ground up.
My general question, to those who know far more than me, is
just what would be the ideal sound subsystem for KDE in 2006
seeing there is a clean slate and an opportunity to get it
right from the get go ?
--markc
What I'm dreaming of is configuring my sequencer to output to just one
alsa sequencer port. On that port is one "logical" bank of all the
"logical" instruments I use (just instrument names, only). The piece of
software listening on this port is to associate each instrument with a
synthesiser, and most importantly, can be reconfigured by selecting a
different profile if I unplug my laptop from an external synth and am
forced to use a software synth temporarily. I am a roaming midi user.
Are there any solutions already to this problem? What do you guys do to
manage your instruments?
Ryan